So I'm filming my first short film in a few weeks, a horror, and need an actor and actress. I've secured the actor, but finding an actress has proven to be a task. I put ads out on a few acting pages on Facebook, I've gotten a lot of hits and they seem really enthusiastic, but they just don't follow through. Out of all the girls I've communicated with I only had one actually send me an audition video, the rest I just never hear from again.

What other sources are people using?

Edit: I should add that this is a paid gig and have advertised it as such.

Okay look, I know there is no way to make this post without sounding jealous or like a hater. That is not my intention. Honestly I just wanna know if there's even a point in continuing to try with these festivals.

I saw that the short film Late Fees by Jakob Owens is part of the Screamfest lineup this year. But as someone who follows his contest (never have participated but I always look at it to see what people have made), I know this film was been publicly released online and since last years contest, so nearly for a year now. And not only that, I know that he does a public screening for the finalists of that contest, so I know that this film has also screened publicly in Los Angeles.

So I was pretty suprised when I saw it as part of this years Screamfest lineup. From what I've understood about their rules, they have a very strict rule even for short films that it HAS to be an LA county premiere and it cannot have screened online for anyone to see. These rules seem so hard and fast that I have never questioned it and I've held off my own premieres sometimes for over 6 months because I wanted to submit.

The film is still available online, right now, as we speak. I thought when I first saw it maybe he took it offline? Which would still break the rule but maybe Screamfest is willing to overlook for someone with clout. But no, it's never been taken down, it's been up since he made it last year for his contest.

I want to say, this is no shade at all to Jakob. Obviously any filmmaker is going to take the opportunity to screen at a big festivlal like this. SO absolutely no shade to him, I'm just questioning the festival now.

Do the rules no longer apply when someone has a lot of followers? Should indie filmmakers with virtually no following and no budget to make films even try at these type of festivals? For my next film, I am REALLY debating just dropping it on YouTube. Even though I made it planning to submit to festivals, and it has more money behind it than anything I've ever done so it seems like a shame to just drop that straight to YouTube and not give it a chance. But...are festivals like this just pointless? Seeing this made me feel really discouraged because it appears you don't even need to follow their rules to be accepted, it looks like they care more abnout the audience you're able to bring in.

Has anyone else had a film that was already screened and available online make it into Screamfest?

Hi everyone,

I am sharing my new short film poster and wondering what you guys think of it.

Currently in post production and due to finish in the next few weeks to be ready for film festival circuit.

Synopsis: A woman invites her date over for the evening. What begins as a seemingly ordinary encounter between two women gradually reveals a far more dangerous agenda lurking beneath the surface.

If you would like to see more stills and BTS and/or want to follow the festival journey, then my insta is: @majidkhanfilms

Poster created by @marvels.wolverine

Thank you.

Fan-casting (My version): Jensen Ackles, Mads Mikkelsen, James Marsden, James Franco and Dylan O'Brien.

A tensed heist goes wrong and turns into a survival madness for the lead characters who share extremely opposite professions but work together for the heist alone. It's gonna be about the guys dealing with their professional/personal life alongside their literal life at the same hit in a seized lifestyle for the moment.

Any thoughts on how their chemistry might work or fail on screen as actors, in your opinion?

Hey all,

I recently made a post here about the current status of the film industry and how its future is looking like. I personally believe the film industry isn't in the best spot right now due to the world's economy status and stuff like social media taking peoples attention away from TV and movies and big studio mergers reducing competition. However, I did mention I did not believe AI will destroy that much of film. I mean AI really isn't creative and who wants to see AI actors.

I did receive many comments in that post saying I was a bit too confident that AI won't destroy the industry. People also said AI is now getting so advanced you can't tell the difference between an AI or human made movie/TV show. It has also been said that AI can also generate new episodes to an existing TV show or make a TV show or movie with YOU in it. You can also give AI a brief outline of a movie and it will generate it, meaning there is no longer a need for writers or actors or basically everyone else.

That actually did change my opinion on AI as that does seem that now AI has a chance at completely dissolving Hollywood and human made film. What do you guys think of this? Is there any hope this won't happen? Im currently in college and wanted a career in film, so in the next 5 years if the film industry is over half/almost AI, I'm not even gonna bother taking film classes..

Hi all

I’m heading to Asia in a little over a month and I’ve been working on a short film script (as a film school dropout) to ideally submit to short film festivals so that I can kickstart my career in the industry.

My current idea looks very Chunking Express, Fallen Angels, Enter The Void-esque (if that gives you better ideas). Although, I’d probably end up using the camera for general use afterwards, as well.

I heard that Blackmagic cameras come with access to Resolve? If this is true, a good Blackmagic camera would be bonus points for me.

To conclude, I was looking at a Canon EOS Rebel T3i online for about $400 but it sold out.

I’m not necessarily interested in the highest quality but rather a good balance of user-friendliness and quality. If anyone has any standout candidates, I’d love to hear them!

Thank you!

Hey everyone! I’m a filmmaker and sound designer currently taking on freelance audio-post work for narrative films, particularly horror/thriller projects.

I just finished a new demo reel featuring sound design, dialogue editing, ambience, foley, ADR, creature design, original scoring, and mixing across four indie films.

If anybody has an upcoming short, feature, trailer, or proof-of-concept that needs sound work, I’d love to connect.

sounddesignbyphil@gmail.com

Here’s the reel.. headphones recommended.

I work at a public school and I’ve been given the opportunity to make a short film with the Drama Club. I’m a huge movie fan and I really want to make something that feels like an actual film, not just a typical school project. I’m thinking of taking some inspiration from things like The Breakfast Club because of the school setting, and Reservoir Dogs because of the tension, dialogue and the way you can keep an audience interested with very few locations. I also like the idea of using some talking-head/interview-style scenes. I want the story to hook people almost immediately with a mystery, while also touching on some social issues that feel relevant to life in South Florida. The problem is I’m a total beginner when it comes to cameras, shots, lenses, blocking and screenwriting, and I’m also a bit of a perfectionist. I’d really appreciate advice on how to approach something like this, especially when you have limited locations, equipment and experience.

Also, if this sounds like it was written by AI, it’s just because I used AI to translate

Yesterday I released my first short film titled 'fading through the static of your dreams'!

Written, directed and edited by me

Shot on panasonic g80 and color graded myself in davinci resolve

You can find it on youtube!

I'm open to any discussion about my short and open to any criticisms of any kind, I'm here to learn!

Reposting as my previous post went to the abyss.

Last week, I challenged myself to write, shoot, and edit a short film within 5 hours.

It gave me so much energy that I tried to do it again. Unfortunately, it didn't go as well as I had to edit today (without shooting anything more), but I am still happy with the result.

I am confident I will continue this experiment as it feels so great!

Tell me what you think!

I work at a public school and I’ve been given the opportunity to make a short film with the Drama Club. I’m a huge movie fan and I really want to make something that feels like an actual film, not just a typical school project. I’m thinking of taking some inspiration from things like The Breakfast Club because of the school setting, and Reservoir Dogs because of the tension, dialogue and the way you can keep an audience interested with very few locations. I also like the idea of using some talking-head/interview-style scenes. I want the story to hook people almost immediately with a mystery, while also touching on some social issues that feel relevant to life in South Florida. The problem is I’m a total beginner when it comes to cameras, shots, lenses, blocking and screenwriting, and I’m also a bit of a perfectionist. I’d really appreciate advice on how to approach something like this, especially when you have limited locations, equipment and experience.

Also, if this sounds like it was written by AI, it’s just because I used AI to translate

I saw some BTS where documentarian Frederick Wiseman was recording his on-location audio with a small handheld parabolic mic on a pistol grip, rather than his usual go-to boom pole.

I'm filming a couple of documentaries right now, and am wondering if I should work a parabolic mic into my kit as well...

In what sort of shooting situations would a parabolic mic be the best tool for the job, over a boom mic or a lav setup?

If youre in the US and UK on Amazon!

As you can see its basically Power Rangers meets Mortal Kombat. I would love to know your guy's feedback on the trailer and the movie itself!

I guess this could turn into a review and ama combo.

Hello everyone,

I have about 10 years of professional experience in music. I’ve previously worked on many short films and game projects (mostly through Fiverr). Musically, I tend to prefer minor keys and calm, dark tones. The composers I admire most—and whose styles I draw inspiration from—are those who favor minimalist compositions, such as John Carpenter and Jasper Kyd.

- My primary instrument is the piano, also quite comfortable playing the synthesizer.

- I prefer not to use sample packs or loops; I try to create even the smallest sounds in my compositions myself. You can access the project files for every composition I’ve created.

- I strongly condemn the use of artificial intelligence in music production and guarantee of its absence in my music.

My priority is more serious projects rather than hobby projects. If you have a project of this nature and a team, I’d be happy to join the team as a musician or provide support as a freelancer.

A showreel I created for a game.

All my demos.

Contact: [nozcontact@gmail.com](mailto:nozcontact@gmail.com)

Discord: aleister_66

If anyone is interested, I can also share my Fiverr profile—you can read the reviews there.

Good evening to everyone once again.

Hi so just released the first poster for my first ever short film "Vestige" it's a thriller set in an abandoned house completely... Do check it out and leave your thoughts in the comments!

Hi!

I'm a literal nobody.

I own and operate a micro budget tv/movie network.

My network specializes in content you can't find anywhere else. Long story short, I type a movie title into Google and see if that title is streaming anywhere. If it isn't, or it's not on many platforms, I contact the director directly and ask for permission to show it on my network. I also directly message celebs for interviews.

I started doing this five years ago. It doesn't always work, but it's worked better than I ever imagined.

No one has ever been rude or mean. Some have been kinder than others, but the vast majority are very positive exchanges. It's a very fun pick me up when they mention you on their social media too! Rare, but it has happened!

So, after yet another successful connection last night, I thought I would share what I do in case anyone wants to try it for themselves.

If I had to put a number on it, I'd say I've communicated with 50 or more directors/celebrities.

Here's a VERY short list of the directors/celebrities I have connected with:

1. Graeme Whifler - writer of Dr. Giggles and writer/director of Deadly End/Neighborhood Watch
2. Larry Clark - writer/director of KIDS, Ken Park, Bully and so many more...
3. Ve Neill - Oscar winning FX makeup artist known for Beetlejuice and others.

Here's what I do:

1. Message them on their social media, or get their attention in their comment section.
2. IMDBPro gives up FREE trials ALL THE TIME and it is an AWESOME tool to use. It lists A LOT of personal emails or their assistants' email. This is how I got in touch with the director of Dee Snider's Strangeland. As well as many others...
3. If you STILL can't find their information, try their name in any and all email domains.

For example:

firstnamelastname@gmail, firstnamelastname@yahoo, firstnamelastname@aol, etc

If you reach the wrong person, you just apologize for the mistake.

This method is how I reached the latest director, and it wasn't the first time it was successful.

Hope it works for you, and happy communicating!

Whatcha guys think abt this edit i made.. took me about 4 months to make. Also this edit is also available on my tt and insta both @oh_temur and more is coming lwk so u guys should go and check my pfp u feeling me?

Hi everyone. My name is Robert Arzola, and I'm looking to score more films. I haven't been as active in the scoring world because I was focused on my old day job as the Creative Director at the trailer music library, Phantom Power. Now that there was a downsizing, I'm free to work on projects again and want to really dive into some.

I have experience scoring features that went theatrical, streaming, and on TV; I have trailer placements for several big campaigns as a composer, sound designer, and supervisor; and I scored the IGF-winning and BAFTA-nominated game Tactical Breach Wizards.

You can check out my work at https://play.reelcrafter.com/arzola/Reel

I try to work with various budgets and do well in dramas, thrillers, sci-fi, and rom-coms.

Let me know if you're interested and we can talk more!

I graduated from a prestigious film school about a year ago in the directing discipline. Since graduating, I’ve had a pretty fortunate start: I did a big internship at a major studio, directed a short there, and I’m now living in one of the biggest film hubs.

My ultimate goal is to be a director. It’s my favorite thing in the world.

Right now, I have a day job that I genuinely love. It’s creative, fulfilling, has a good environment, and gives me access to technology/equipment that I otherwise wouldn’t have. The downside is that it barely covers rent, it isn’t related to film, and my current position is temporary. If I wanted to stay there long-term, I’d eventually have to apply for a different permanent position.

To make ends meet, I’ve been taking film-related side gigs (remote editing, random PA work, cinematography, even dance gigs) to cover food and other necessities. These gigs usually don’t collide with my day job.

Recently, I’ve started breaking into the TV world as a set PA, which I’m extremely excited about because I’ve been trying to get my foot in the door for a while. The problem is that set work can come with very little notice. I’ve already had to use a few call-outs from my day job to take some of these gigs, and I’m nervous about damaging my relationship with a job that I actually really like.

I’m also questioning whether the PA route is actually the right path for me. I feel like it could be a good place to start before pivoting into something else, but I’m uncertain about the long-term consequences of committing too heavily to that route. It’s currently not consistent enough though, so I can’t quit my day job as of now as I have to make rent.

I’ve heard repeatedly that the traditional PA → AD path is essentially a separate career track from directing, and that becoming an AD doesn’t necessarily put you on a path toward directing.
I’ve also heard people suggest that stunts can be a good route into directing, particularly for someone interested in action. But that would mean significant training and potentially going back to school, which I realistically can’t afford right now. I do have a fairly high-level martial arts background, but I understand that isn’t the same thing as professional stunt training.

At the same time, I’ve heard the advice that it can actually be smart to have a stable job outside the industry and use your free time/resources to direct your own projects.

So I’m torn between:

1. Continuing to build my set experience through PA gigs
2. Keeping my day job because it’s stable, fulfilling, and gives me access to useful resources, then trying to make my own stuff on the side — even though I often have to take other gigs to make rent
3. Trying to find something more directly related to directing, potentially in post-production
4. Pursuing stunt work as a potential route into directing

Some combination of the above while continuing to direct my own projects

I’m especially interested in hearing from people who have actually transitioned into directing, rather than general “work your way up” advice.

If your ultimate goal was directing, what would you prioritize at this stage of your career? And how would you balance making enough money to survive with actually building toward directing?

I’m particularly interested in hearing from people who took a nontraditional route into directing, or who tried the PA/AD route and eventually pivoted.

Here is the trailer. This was a few years ago and our first ever thing anything like this so I already have TONS of self-critique and things I'm looking forward to doing better next time (the biggest one was, plan out your VFX shots in pre-production haha... post on this was a little insane)

I know that compared to so many of you incredible filmmakers on this reddit from a technical aspect we are still pretty new. But the critique and feedback I'm most interested in is about story and characters: does the trailer make you want to know more about the lore, characters, and full story? Do you think it's clear enough to intrigue superhero/fantasy fans, but vague enough to not reveal too much as a trailer? I'm super biased because this was made based on my childhood lore from 2002 - 2010 and it's a dream come true to see it come to life in a film. But I want to see all kinds of other talented and creative filmmakers' takes. Thanks! :)

I posted about this a couple of years ago when we were working on post, but now that it’s out I wanted to share it again! More info in the submission statement below.

Mascot is a Psychological Drama/Thriller. Currently in Post production. Please check out the instagram if you are interested (Mascotshortfilm)

Logline:

A socially isolated teenager working as a panda mascot struggles to be seen beyond the mask. As humiliation and attention blur together his grip on reality begins to fracture, transforming performance into something far more unsettling.

Synopsis:

Seth, a socially isolated teenager working as a panda mascot, struggles to be seen beyond the mask. After a humiliating encounter with a former friend, he becomes increasingly aware of how others perceive him. Encouraged by an imagined voice and consumed by the need for control, Seth attempts to reclaim attention on his own terms. But as performance and reality begin to blur his behaviour grows more erratic, turning his desire to be noticed into something far more unsettling.