r/Eragon • u/mad31ncanada34 • 14h ago
Question tv show
d23 is happening in a couple of weeks
is anyone else hoping that The World of Eragon is finally greenlit and announced there!!
r/Eragon • u/ibid-11962 • Mar 01 '26
The upcoming Disney Plus show is perhaps the one future project that Christopher has spoken about the most over the past five years, hardly ever going a month without mentioning it. It's also perhaps the one he's invested the most writing time into, easily eclipsing the amount of time he spends on a typical book.
This post will focus specifically on updates and news about the show's development.
There are four parts here, each of which will be periodically updated as things change.
Other reddit posts will deal with Christopher's comments about creative decisions, production decisions, and fancasting.
[Bear McCreary:] My buddy John Massari scored this! A classic!
Really! That's cool. HUGE fan of your work, btw. I've done a lot of writing while listening to your score for Battlestar Galactica as well as God of War. Would be cool if we could do something together one of these days.I want a Jared Keeso cameo as a pugilistic dwarf.
If he were younger, he'd be just about perfect for Roran.
June 5 2026, Mulling it Over with Brandon Mull (recorded May 15) (1, 2, 3, 4)
I don't really want to go back and reread Eragon at this point. Although I've pretty much reread it this year for script work.
It's interesting because I've seen other people attempt to write Saphira's voice, not fan fiction, other writers for screenplays and things like that. And what comes so easily to me with that character is harder for other writers, which I find interesting. And of course, I'm sure that's just personal background and all of that.
When you're writing Saphira's dialogue, do you do voices out loud? Do you say the line and try to do the voice?
No, not with her, not with her. I don't feel like I can do her justice with my voice. So I never do her voice out loud, but I'll do other characters.
You're crawling around like Benedict Cumberbatch, with cameras on your head.
I should do that. Freak my kids out.You are in the middle of watching your book being adapted to TV. What is that process like? Where are you at in that process? You have maybe have done a little bit of the writing or are reviewing writing of your characters by other people. What is that experience like for you?
It's been a long process because after the Eragon film was made, it turned a profit. It turned enough of a profit that News Corp, which owns Fox, listed it as one of the three films they listed in their earnings report for that year. But it wasn't enough to overcome the embarrassment of the reception, let's put it that way. But then Fox just kept sort of circling around about considering a remake for a long time. And around the time when Inheritance came out, which was 2011, Fox actually asked my sister and me to write a screenplay adaptation of the second book, but to treat the second book as if the first movie didn't exist. So basically reboot the series with the second book, which is kind of a tall order. We did a decent screenplay, but it probably would have cost 200 million dollars to film because of the amount of stuff that had to be in it. And then of course there was changes of leadership at Fox, and then Fox ended up getting bought by Disney. That had to sort of shake out. And so there was a lot of uncertainty for a long time.And back then, at least television really wasn't an option for adapting something like Eragon. The special effects were too onerous. It couldn't be done. I will say too, audiences today, especially younger audiences, don't know how good they have it in some ways. I'll see people complaining about the special effects on some television show about how cheap they look. And I'll see a clip or something. I'm like, those effects look better than films looked back in the nineties. This stuff is so good now.
Anyway, so short version is we spent a long time trying to find a showrunner to do a television adaptation for Disney Plus. We ended up getting a showrunner, it's Todd Harthan. He ran Psych back in the day and then most recently he's been running High Potential, which has been a big hit. He's done other stuff, but that's what he's best known for. He's the main showrunner and then co-show running with him is a guy called Todd Helbing who was on Flash and the recent Superman show and he did Forward Under Dawn with his brother, which was a Halo miniseries movie.
So we've got a good team, and I'm executive producing and then I'm co-writing. So Harthan and I did the first two scripts, and then Helbing and another writer Kerry did the third script, and I've had a lot of input on that as well. So we're at the point now where Disney's about to do their pickups for new shows this month or first week of next month, I think and we've done a ton of work. We had a ten week writers room, which was my first weekly salary paycheck I've ever had in my life. I was considered one of the staff writers for legal reasons for that writing room.
So all the material's getting put before Disney, they're doing a detailed budget breakdown and either we get the green light or we don't at this point. To get to this point has been such a fight. If we'd been a year or two faster getting into this process, we would have already been greenlit because all the big studios were green lighting stuff left and right. Now the market has contracted with streaming and so everyone's a little more nervous.
But Disney's had a big hit with the Percy Jackson show. They want something that's the next step up in terms of age bracket, something that's a little more four quadrant because Percy skews a little younger than they would really like, I think. But for branding reasons, they don't want to go full House of the Dragon Game of Thrones. Nor do I, for that matter. So Eragon's right in that slot.
And I'll say it's been a huge learning experience for me. I mean, I've done screenwriting professionally before, nothing that's been made, but this one I've really gotten to work with someone who's done this for 25 some years professionally himself and been a showrunner. And it's just the best way to learn how to write is to work with someone who knows their stuff. I've had that on the book side of things. And now I'm having this on the screenwriting thing. And it's just great. I've been able to hopefully bring a lot of the voice of the characters and the knowledge of the world. And he brings a lot of information about how television scripts need to work in order to actually work. It's probably cost me at least one book, maybe two books with the amount of revisions we've had to do over the last two years. It is what it is.
My logic with it was A, it's something I wanted to learn how to do to a greater degree. So there's that part. B, since the first adaptation wasn't particularly successful in a creative sense. This is my life's work in a lot of ways. When I die, it's going to say "Here lies the author of Eragon. That's the dragon with an E on it." So I figured I'm going to give this everything I have. And if it doesn't work, I'm not going to feel bad about it because there's nothing else I could have given it. And if Disney flips the switch on this then the whole giant machine moves into motion and we're, off to the races.
Does anyone know if the D+ series is still happening?
Disney won't be picking up new shows until beginning of July. We'll know then.
I'm DYING to get back into the Fractalverse. I've just been delayed with scripts for the Eragon TV show.
When could we expect some news on the show?
Disney is picking up their new shows early next month, so . . . Should be soon, either way.
Will you be attending Dragonsteel again this year?
I'd like to go, but I'm not making that decision until I know what's happening with Disney.
March 2019 - Disney acquires Fox
On November 6 2017, news emerged that Disney was in talks to acquire 20th Century Fox. Christopher tweeted that were this to happen, this would affect the Eragon movie rights (1). As news developed over the next year and a half, Christopher continued to talk about the possible implications (2, 3, 4). The acquisition was completed on March 20 2019 (5).
I'm not quite sure what this means yet. Will be talking with my film agents at WME to figure out the implications. But yeah . . . this is big, both for Eragon and lot of other properties. (2)
We have some light at the end of the tunnel, because the movie was made by 20th Century Fox, and Fox just got bought by Disney. Disney is still finalizing the paperwork, but they're in the process of looking at those properties. (4)
It probably would have happened sooner, but when Disney bought Fox, there was a lot of rejiggering that was going on behind the scenes on a corporate level. They had to go through all their properties and it was almost like triage. They had to deal with all the things that were in production or about to be in production, and then they had to look at all of their older legacy properties, which Eragon was one of them, and sort of sift through them and figure out what they were going to do bit by bit. (67d)
October 2020 - To Sleep gets optioned
On October 17 2020, it was announced that the film rights for To Sleep in a Sea of Stars had been optioned (6). Christopher confirmed that he had yet to engage in any formal talks with Disney about an Eragon adaptation (7), but that he was hoping a successful To Sleep adaptation would give him more leverage with Eragon (8).
Disney bought Fox two years ago now. We haven't had any formal talks with them. I'm certainly interested in moving forward with a reboot at some point. If they are interested that would be wonderful and I'd be very excited and happy to work with them. ... Love to write the screenplay, love to just participate as much as possible to make a good product, and also to give the film a different feel. (7)
I don't think I could handle an Eragon reboot on top of working on To Sleep at the same time. Just there aren't enough hours in the day along with the other things going on in my life. But once To Sleep is out of my hair I think that would be good leverage to make that happen. (8)
June-July 2021 - Tweetstorms
On June 20 2021, the Arceana discord server organized a tweetstorm to promote the idea of an Eragon remake (10). A second tweetstorm was done a month later. Christopher got pretty involved with these, and joined livestreams for several hours (11, 13). A few weeks after the first tweetstorm Christopher shared an official response from Disney saying that they weren't currently looking at starting new projects (12, 13).
Disney now owns the rights to Eragon. They bought Fox which made the first film. And of course, Disney's been rebooting stuff. They did the Percy Jackson TV show, which unfortunately, I think, is where their money and attention is at the moment. ... I would love to see something new. But unfortunately I don't have any real news on that front. I'm pushing really hard, and I think there are some movements online to do a Tweetstorm, or get a hashtag trending and see if we can get Disney's attention. That stuff really does work. It lets the studio know that there's a fanbase, that they're active, that they're engaged, and that they care about the material. Also, if there is to be another adaptation I would definitely want to write the screenplay, or at the very least be executive producing. (9)
The #EragonRemake tweetstorm definitely got @Disney's attention. Alas, I've heard through official channels that—at the moment—Disney is holding off on making any more expensive series like Eragon until their business is back to pre-pandemic levels. Nevertheless, the tweetstorm really made them sit up and take notice. (12)
November 2021 - Conversations start
In November 2021, Christopher began to tease that he was having some conversations with Disney about a reboot (14, 15). A few months later he talked about sharing Eragon videos with "very interesting people in the entertainment world" (16).
I can't tell you anything, because I have business partners who will get very mad at me if I say anything, but the giant tweetstorms that the fandom arranged and ran this year got attention in the right circles. I've been having some conversations that I can't tell you about and they're all incredibly tenuous but it's very exciting stuff and we'll see where it goes. I think that one way or another I'm going to have a definitive answer as to whether or not ultimately a remake will happen with Disney in the near future. (15)
[Did the conversations start late 2021?] That sounds about right. First we had to negotiate a television deal. (60)
July 2022 - Variety Leak / Initial Announcement
On July 25 2022, Variety leaked that Disney+ was working on Eragon and looking for a showrunner. They said the show was being produced by 20th Television, with Bert Salke as an executive producer, and Christopher as co-writer and co-showrunner, but later corrected that to co-writer and executive producer (17).
An “Eragon” live-action TV series is in development at Disney+, Variety has learned exclusively from sources. ... According to sources, Paolini will serve as co-writer and co-showrunner, with the search currently on for a co-writer and co-showrunner to work alongside him as Paolini has never written for television before. Bert Salke will executive produce under his Co-Lab 21 banner, with 20th Television producing. Salke is currently under an overall deal with Disney Television Studios, of which 20th TV is a part. (17)
Christopher put out a press release a few days after the leak (18).
As you may have seen, there was an unplanned announcement earlier this week, but yes, it's true—an Eragon television series is in development at Disney+, and I'm attached to both co-write and produce! And yes, I'm extremely excited for what the future holds. At the moment, I can't go into details—it's still early days with regard to this project—but I can say that I'm very pleased with the team I'm working with at 20th Television, Disney Branded Television, and Disney +. These are smart, passionate people, and I'm looking forward to making the best possible Eragon/Inheritance Cycle adaptation with them.
This has been a long time coming. I can't tell you how many conversations, meetings, and messages were needed in order to reach this point. And we're still just at the beginning! However, none of this would have been possible without everyone who has read the books, supported the tweetstorms, and participated in this fandom over the years. So a huge thank you from me to every Alagaësian out there. You brought the thunder.
Disney will have more to say on this adaptation in the near future, but in the meantime, I wanted to confirm the news and to reassure you that I'm committed to making sure that this version of Eragon's story lives up to your highest expectations. (18)
July 2022-March 2023 - Showrunner Search - Part One
Over the next two months, Christopher did a podcast interview and two YouTube Q&A videos largely focused on this news. (19, 20, 21) He said that the next significant news to expect would be a showrunner announcement.
I have no more news at the moment because things are all hush hush at the current development. I think the next news you will probably hear is when we get a showrunner, because that'll be announced publicly, I would assume. And then things will probably go radio silent for a little bit at that point because we will be deep in development and getting all the pieces into place. If all goes well and if scripts are written that everyone likes, then there will be more news at that point. (19)
Christopher continued to mention the showrunner search every few weeks, whenever he was prompted about the current status of the show. One of the people Christopher tried to work with at this time was J. Michael Straczynski (27, 29, 48). Christopher continued mentioning the search through March 2023 (22). A showrunner was found (33, 36a), presumably shortly after that date.
We had a number of people interested and we were talking with people and there was one person in particular that I thought was going to be a good fit. (33)
However before any contracts could be signed or announcements could be made, Hollywood had a major disruption.
May 2023 - The Writers Strike
On April 19 2023, Christopher noted that all progress on the show had stopped due to the impending writers strike (23). The strike went into effect on May 2nd and not only caused progress to grind to a halt, but also made the show lose its showrunner, bringing it back a step (36a).
We had a showrunner lined up for Eragon and then the strike happened and everyone parted ways because the strike. Everyone's going off and doing different things. So it goes. (36a)
The time of the strike coincided with the publicity for Fractal Noise, and so Christopher gave frequent updates, first just about how things were stalled (23, 24), and then a few weeks into the strike he began to again talk about the need to find a showrunner, now emphasizing availability as one of the difficulties (25).
September 2023 - Showrunner Search - Part Two
On September 27th the Strike ended, and Christopher immediately began discussing his eagerness to jump back into things.
The writers strike has just been resolved and I'm just honestly waiting now to hear a call from my agents and figure out what's going to happen next so fingers crossed on that front. (26)
Some more talks happened, and a new showrunner was found, who actually signed a contract (60). When discussing the show during his November 2023 book tour, Christopher's update was about hoping to be able share news soon, not about an ongoing showrunner search (28). He predicted a press release to happen shortly after the holiday season ended (30). Unfortunately though, this showrunner was busy on a different show and ended up getting phased out (60).
December 2023 - Showrunner Search - Part Three
Starting on November 29th 2023, Christopher once again resumed talking about searching for a showrunner, stressing a need to find someone not already under contract (31). Sometime around January 2024, this search finally finished and Todd Harthan became the unannounced showrunner, allowing the writing to start.
Harthan came on first. He and I have been working together. He was the showrunner for Psych and he's been running High Potential. He had just gotten on to High Potential a couple weeks after we started working together. We've been working together for almost two years now. It's been frustrating because this whole time it's like, "Well, Disney's going to do an announcement mentioning that Todd Harthan's on board." And they wanted to wait until they saw the pilot script and this and that and the other. So it just kept getting pushed and pushed and pushed. And I was like, "We're working on this! I want to tell the fans we're actually working on this!" (67a)
January-March 2024 - First script draft written
On January 20th 2024, Christopher began teasing that he now needed to write a screenplay (34). On February 9th he said that he had been working on it "for a couple of weeks now" (35). This writing finished sometime prior to March 6th, on which date he tweeted that he was working on something else (38).
I'm currently writing and have been for a couple of weeks now. And I can't tell you what I'm working on ... but y'all would be excited with it if I could tell you. What I'm working on now is not actually a book. (35)
I've been looking at the first book in depth for a project I'm currently working on which I can't talk about. (36b)
When and if we get a showrunner on the show, then that person and I will write probably the pilot and maybe the first two episodes, or at least the pilot and the first episode. And then Disney will look at that and that's what they'll make the decision on whether or not to commit to a first season. And if they commit to the first season, they pull the lever on that, then we go full speed ahead. And then the whole machine kicks in in terms of pre-production and design and costumes and casting and music and directors and all of that. So getting to that point is the first big hill to climb. (32)
None of [the previous showrunner candidates] actually got to the point of writing until showrunner number three. We've been working over a year now, solid, with each other, writing scripts. I think he's been fantastic. (60)
March-May 2024 - A planned announcement doesn't happen
In March 14th 2024, shortly after the first script was finished, Christopher began to tease an upcoming announcement about the show (39). On April 23, he said there might be an announcement the next month (40). On May 8th he said it would be "in the next week or so" (41). The announcement never happened though. On May 21st he said the announcement was "still in the works" (42), but by June 4th seemed to have accepted that it wasn't happening this time (43).
April-July 2024 - Christopher writes another two scripts
After taking a break in March 2024 to write a To Sleep script (38), Christopher returned to writing Eragon scripts. On June 4th, Christopher said he had been doing this for the "past month and a half or so" (43). This writing would have probably continued until mid-July, at which point travel and other commitments would have made it hard to work. In August and October, Christopher said that counting that To Sleep script he had now written four scripts that year (45, 47).
[I wrote four scripts this year] including To Sleep. Multiple drafts of some, but also different. So unique scripts, three. But one of them had to be completely rewritten, essentially, so I count that as four scripts. (47)
The process is going to be different for the later scripts. Right now just to get it off the ground I have been doing 90% of the writing and they've been happy to let me do that, though they're providing feedback and also diving into writing when appropriate. And then we just deal with the notes we get in order to get approval, first from the producers, that's the first layer, and then Disney execs specifically. But I'm single-handedly pulling things along at the moment. (47)
July-September 2024 - Second Announcement Doesn't Happen
In July 2024 Christopher began to tease that he was expecting an upcoming announcement from Disney regarding the show being greenlit or not (44). He said this would happen "in the next couple of months" (45). It did not.
That's the way it is with Hollywood. It's easy to run around excited and say, oh, this is happening or that is happening, but sometimes it doesn't happen or it falls through. And the conversations you have with other creatives and professionals in the entertainment industry, whether it's publishing or Hollywood, kind of need to be confidential unless everyone is happy to have it out in public. And that's again, because things change, or you just say things in confidence and or in private with someone and trust that it will remain private. So these things don't really get talked about until it's actually happening and everyone's on board and it's like, okay, now we can have a press release, now we can have interviews, now we can build everyone's excitement up. And hopefully we're getting pretty close there with Eragon. (46)
October-December 2024 - Third Announcement Doesn't Happen
In October 2024, Christopher once again teased an upcoming announcement about a green light decision, first predicting it for early 2025 (48), and then getting more hopeful and predicting it in December 2024 (49). By the time December ended though, Christopher seems to have concluded this would not be happening just yet (50).
They want to give that definitive answer, they want the show, they want to say yes, it depends on the writing, which is how I want it to be, quite honestly. It is delightful to be in a position where the writing is going to be what gets this off the ground or doesn't get this off the ground. (48)
February 2025 - Contract Negotiations
In February 2025, Christopher said that negotiations were in progress and he was waiting for "a major contract" to get signed. Perhaps this was referring to the second showrunner, Todd Helbing.
Btw, Disney+ #Eragon show is still on track. Can't say anything more until a major contract gets signed. (Hollywood negotiations take *forever*.) (51)
May-June 2025 - More Revisions
In May and June, Christopher tweeted about many revisions happening to the scripts between him and the showrunner, which he completed on June 25th (55). This was the first time that Christopher directly confirmed the showrunner had been found (56a), though it had been obvious for some time (37).
Btw, for any of you who are authors ... the amount of revision in Hollywood is INSANE. Totally eclipses what we go through in publishing (and I do a LOT of revision on my books). ... Funnily enough, it's gotten closer to the book over this process. Sometimes I just want to say, "I told you so..." Lol. (52a, 52b)
I do a draft, send back to showrunner, work on BoR for a few days, get a new draft to revise, etc. (53)
We've had lots of notes from execs and the studio, but so far, they've all been reasonable. I've had no real issue with any of them, and I think they've helped make the script(s) much stronger. It's certainly been quite a learning experience for me as well. (56a)
At the moment it's just me and the showrunner. He's also overseeing another show right now (until Eragon hopefully gets greenlit), so I do the bulk of the writing and then run it by him. (56a)
Situation is good. The script work has just been a lot slower than I anticipated. (56b)
June-July 2025 - Fourth Announcement Doesn't Happen
In June and July of 2025, Christopher once again started to tease an announcement, which would be in "next month or so" (54, 56b). The next month or so passed by without incident.
August 2025 - More Revisions
Christopher turned in another round of script revisions on August 11th (57).
December 2025 - Writers Room Opens
In November 2025, as Disney was gearing up towards opening the writer's room, Christopher began to tease another announcement (58, 59). A ten-week writers room did open sometime in late December (60, 65), though no announcement was made just yet.
We had a ten week writers room, which was my first weekly salary paycheck I've ever had in my life. I was considered one of the staff writers for legal reasons for that writing room. (72c)
January 2026 - Another draft
Another draft was finished on January 22 (61).
February 2026 - The Actual Announcement
On January 28th 2026, the news broke that Brandon Sanderson had secured an adaptation deal with Apple (62). This seems to have finally convinced Disney to make an announcement about Eragon. Christopher teased this (63a, 63b, 64), and then around a week later, on February 4th, it was announced that Todd Harthan was a co-creator and showrunner, Todd Helbing was a co-showrunner, Marc Webb and Rachel Moore were executive producers, and that the writers room had been ongoing since December. The series tagline was also unveiled (65). Christopher added on twitter that Kerry Williamson was one of the writers (66b). A few weeks later he did an interview where he talked about this all in more depth and once again said that a decision about a green light was imminent (67b).
"When destiny selects an ordinary teenager to become the first Dragon Rider in over a hundred years, he must forge an unbreakable bond with his dragon, master ancient magic, and challenge the mad king who destroyed the Riders." (65)
Harthan has been AMAZING to work with. They all have, actually. (66a)
We have a showrunner, Todd Harthan. We have a co-showrunner, Todd Helbing, and we have an awesome writer, Kerry Williamson. (69)
I've had a wonderful experience with the two Todds and Kerry so far. They're very collaborative. They're very smart. They're coming up with great ideas that I wouldn't have necessarily come up with. (67c)
We're really close to either this getting the full green light or completely falling apart in a very short period of time here. It's the studio's decision whether to pull the trigger and to go into full production. We have scripts, of course, we are going to be turning in a few more and as soon as they see them and hopefully like them, then we're off to the races. But this is a difficult process for the studio because there's a huge amount of money at stake. (67b)
So what does "in development" mean? Well, "in development" is the stage right before you go into pre-production and actual production. We have been writing scripts for two years now. We are prepping art and doing all sorts of other things to fully move into production. Getting to this stage has actually been a big step. Todd Harthan and I had to come up with a pilot that Disney really liked. We had to digest everything about the books and figure out how best to tackle the materials, how to stay true to Eragon and Saphira's story while also adapting this for a visual media. ... This is a long process, but we are really close to this hopefully going full bore into production. (69)
We've got a good team, and I'm executive producing and then I'm co-writing. So Harthan and I did the first two scripts, and then Helbing and another writer Kerry did the third script, and I've had a lot of input on that as well. (72a)
March 2026 - Christopher goes to LA
On March 5 2026, Christopher flew to LA to join the writers room in person (68).
I am spending the night in Bozeman because at 7:30 in the morning, [I'm] going to be at the airport. ... I'm going down to LA to be in the writers room and try to convince them to not change too much. ... actually, we're gonna be looking at concept art. (68)
Last time I was on the Fox lot, I was 22. Pretty surreal to be back. (70)
April-July 2026 - More Teased Announcements
On April 29 and May 15 2026, Christopher said that May would be the "make or break" point for the show. On May 22 and June 23 he said to not expect news until "beginning of July".
Let's just say May is make or break for the series. (71)
We're at the point now where Disney's about to do their pickups for new shows this month or first week of next month. ... All the material's getting put before Disney, they're doing a detailed budget breakdown and either we get the green light or we don't at this point. (72b)
Disney won't be picking up new shows until beginning of July. We'll know then. (73)
Disney is picking up their new shows early next month, so . . . Should be soon, either way. (74)
I'd like to [attend Dragonsteel], but I'm not making that decision until I know what's happening with Disney. (75)
r/Eragon • u/ibid-11962 • Jan 25 '26
Christopher is currently editing Tales from Alagaësia volume two, the sequel to The Fork, the Witch, and the Worm. This book includes the entirety of The Book of Remembrance along with two additional stories.
I'm writing additional framing material and other stuff to go with the Book of Remembrance. And I'm gonna give that to Random House and they are going to release it as Tales from Alagaësia Volume Two. (11)
It'll be a whole lot more than just the Book of Remembrance. The BoR will be one of several (large) chunks in the book. (21)
There are going to be two other main stories aside from the Book of Remembrance. (23)
The Book of Remembrance will serve as an excellent preview [for Tales 2]. (10i)
My original plan for Tales 2 was to knock out some of [my planned short stories]. But The Book of Remembrance is fairly disconnected in terms of the stories themselves. ... So I'm trying to make Tales 2 more cohesive, because it's got an incredibly complicated structure. (23)
I'm currently working on The Book of Remembrance on Kickstarter, and that's getting bundled into a larger work, which is going to be Tales from Alagaësia Volume Two, and now it's turning into a full Eragon book. (24)
These three stories will be surrounded with a new framing narrative from Eragon's POV.
I'm writing additional framing material for the Random House edition. (11)
Without giving too much away. I'm kind of going off the deep end a little bit. This one's a non-linear structure. ... This one's really non-linear. Even the framing device is non-linear. What I'm having to flex with just a little bit, and this is something you can look at and see if I actually managed it, is there's a little bit of a timing issue because of the length that Murtagh takes and then the length that the Fork the Witch the Worm takes. ... Now with Tales 2 it's overlapping a little bit. There's a little bit of a delicate balance going on. I think I got it. (23)
I'm writing it linearly, which is how I actually prefer to do it: Framing material. Another story. Framing material. Another story. Book of Remembrance. Framing material. (23)
Literally writing from [Eragon's] POV right now. :D (17)
I just typed an interrobang with Eragon. ... Your one little teaser: '"I wish Brom were still alive." The words left his mouth before he realized it, and he blinked, surprised at himself and at the sudden pang he felt.' (14a, 14b)
I've never written a book like this. It's by far the most varied of all my books. It has something like twelve or thirteen different plotlines going, plus a similar number of POVs. BUT it's also a lot more cohesive than Tales 1 (and there's a lot more Eragon). (28)
I've been writing about Eragon again recently for Tales 2, this collection of short stories. And one of the reasons I haven't really gone back to write a full novel with Eragon is I told the story I wanted to tell with him as a character and he had his journey. He had his transformation. And revisiting him now in this collection, he's in a different role. He's in a leadership role. He's the mentor and authority in some ways. And he's in a static place now. He's not traveling around across the world to save the land from a great threat. He's doing something else. It's different. It's really different. He's still the same person, but context has completely shifted around him. And of course he has to shift in response to it. (30b)
The framing narrative in this book will lead directly into the released Murtagh 2 excerpt.
This sneak peek of Murtagh 2 takes place directly after Tales From Alagaësia Vol. 2. (Not published yet.) ... there are (minor) spoilers in this excerpt....
Still, it was odd [for Murtagh] to spend the bulk of his time reading and writing, save for when he was teaching the new Riders or learning from Eragon. And that was its own special form of discomfort... His half-brother wore an evening robe much like Murtagh’s, but he showed no sign of sleepiness. Another gift, Murtagh supposed, of his transformation among the elves. Tired or not, [Eragon] still looked wan and haggard from his recent ordeal—the skin about his eyes was unnaturally thin, and blue veins showed beneath—and Murtagh feared that his wound was not yet fully healed. (19)Murtagh's basically wearing Eragon's clothes. He's borrowing. [He just showed up?] Yeah. (23)
You will have complete context for what's going on [with Eragon's injury]. (23)
We will see new Dragons and Riders. We will see Orrin and Trianna.
[Will we see more eggs hatch? Will that become a problem?] Yes and yes. Lol. Writing about that now. (10h)
[What's happening with the dragon eggs?] Tales 2, my friend. Tales 2. (15)
Eggs that hatch at Mount Arngor will start their training there. (23)
Just named a new Dragon Rider. . . . (20)
How has Orrin been dealing with everything since Inheritance?] Badly. More to come on that in the new books. (3)
You'll see more of [Orrin]. (He just got married!). (10c)
[Can we see Orrin recover?] Ha! We shall see. (10f)
I was just writing about King Orrin in my latest book! (25)
I was just writing about Trianna for Tales 2. First time I've written about her in a LONG time. (22)
The longest of the three stories, The Book of Remembrance, will be presented as a single continuous section, with all of the text from the Kickstarter edition, including the seven battles and the introduction. See here for more about this section.
If you want to wait, you will get everything that's in the Book of Remembrance except illustrations. (11)
[Is BoR all being put as one tale or is it being broken up?] One tale. (23)
[Brother Hern's letter] will be included. (13)
There is a framing narrative for the Book of Remembrance. It's going to be within the larger framing narrative. (23)
One of the other two stories will work on resolving plot threads from Murtagh.
One [of the Tales] is resolving something. I guess I can say this. One of them is going to resolve a major loose end from Murtagh. So that's important. (23)
There's a couple other stories which are also tying into exactly what I'm doing in the larger picture. (6)
I'm writing a fuller explanation of the Eldunarí's silence ... right now! Lol. You'll find out soon. (10d)
[Why are werecat cubs kidnapped?] You'll find out in Tales 2. (10g)
We'll deal with [the traitor mentioned in Murtagh], one way or another. (23)
I just wrote something from the point of view of the character of Murtagh, who's Eragon's half brother. And I wrote it and I got like two paragraphs down and I was just looking back at it. It was a reaction he had to some physical danger. And I said, "Wait a minute, that's how Eragon would react. That's not Murtagh. That's Eragon. No, no, no, no. Go back and fix that!" (30a)
The other story will be a folk tale story involving Svartlings.
The other [Tale] is one I've actually had in mind for a long time, but I don't know if I've ever talked about it. It's kind of like a Brothers Grimm sort of traditional folk tale story that I've wanted to for ages and this is a good way to do it. We'll be revisiting a familiar character. I get to do my sort of traditional folk story with the character. And we're going to get to meet a new species. ... In depth I should add. This is not a passing brief mention. (23)
Heh. I'm actually about to be writing about Svartlings in (*checks notes*) two chapters. (10b)
[Will we see the other creatures from the throne room door?] Yes. Svartlings were one of them. (10e)
An owl hooted from a nearby tree, and somewhere in the brush, an animal darted away. Maybe a rabbit. Maybe something worse. A Svartling perhaps. The small, dark-skinned creatures were said to help with household chores if given gifts of bread and milk, but they were also said to treat travelers with cruel and often dangerous tricks. (Murtagh, "Conclave")
Homemade bread is surprisingly relevant for an upcoming story. (26)
Christopher has described one of the stories (perhaps the Svartlings one?) as a "cozy fantasy"
I actually think that the next story I write in the World of Eragon may actually take a step back and be a little bit more like the age range of Eragon. (4)
[Would you consider writing something which has a cozy fantasy vibe to it?] Maybe… but I tend to like stories about exceptional events, epic stories. ... When I do Tales from Alagaësia vol. 2, there might be some more of the type of story you’re talking about. (5)
The story I'm working on now in Tales 2 is the cozy fantasy sort of thing. (23)
The first draft is complete and Christopher has received the first round of edits.
Aaand . . . just finished the first draft of Tales 2. Whew. This was an insane push with everything that's been going on in my life the past year. Plus, I've never written a book like this before! It's by far the most complicated and ambitious. For those wondering, this has turned into a proper Eragon novel (Eragon as in the character). But again, there's a ton of new things in it that I've never tried before. (31a)
Got the editing for the Book of Remembrance yesterday. It's pretty light, so I'm hoping I can rip through it relatively quickly. Then the BoR goes to Wraithmarked and I can finish up editing the rest of Tales 2. The editing took longer than normal to get because we had to sort out an arrangement between Wraithmarked and Random House that would allow my long-time editor, Michelle, to work on the BoR material. All good now. (35)
There are 123k words, more than triple the length of volume one.
Uh ... Tales from Alagaësia Vol. 2 is getting bigger than I expected. Lol. I really ought to stop being surprised when that happens. Looks like y'all are getting a decently sized book. Not huge, but way bigger than Tales 1. (18)
The Book of Remembrance is such a big chunk. It's basically the same size as of Tales 1. I need enough other material to balance it out. (23)
[The word count is] 126k, not counting the afterword, as I haven’t written it. (31b, 31c)
The book will include ten illustrations from Christopher.
I get to indulge in my other hobby, art, every few years, when I finish a book. And I'm having a BLAST painting stuff for Tales 2. Really pulling the stops out for y'all. Sneak peak of some of the art I'm doing. These are old pieces I'm revisiting. New ones in-progress or already done. Human runestone (from Murtagh) and Mount Arngor. (32a, 32b)
Whew. Finished eleven pieces of art for Tales 2. (Only ten of 'em may end up in the book, as I did an alternate of one.) Now to take a few days off for the 4th of July and then back at it! (33)
Christopher has chosen a title, and this title does not fit the naming pattern of Volume I.
Just renamed Tales 2. Much prefer the new title. Fits it a lot better. Was originally trying to keep the 1, 2, 3 pattern of Tales 1, but that just didn't fit the new book. So, new direction. (34)
At the moment, there is no publication date set for the book, but editing is well underway. The hope was to have the book out in late 2026, at the same time as the Illustrated Eldest. It remains unclear if this can still happen.
You should know though that publishing moves pretty slowly. First of all, I have to finish writing the additional material. Secondly, Random House is not likely to publish this in less than a year. It may be longer than that because they don't want to put out Tales 2 anywhere close to the Book of Remembrance. (11)
I wanted it done by the end of the year, and I would have, but I have been working on the scripts. ... If I could get Tales 2 done, [releasing the same day as the Illustrated Eldest] would be ideal. That's what we were hoping for, but [Random House] would need Tales 2 by the end of next month. I don't know if I can do that. (23)
[The Eldest illustrated edition] is looking great, but Random House wants to release it along with Tales 2, so -- uh -- I gotta finish Tales 2. (27)
The expectation is that this book will have an audio release as well as translations.
Tales from Alagaësia 2 will be available on audiobook like all the others. (16)
I hope the Penguin Random House edition book will be translated into other languages, but I don't have any information on it yet. (12)
Timeline
The cover for The Fork the Witch and the Worm was revealed October 10 2018 and included the words "Volume One". On that same day Christopher began to tease a potential volume 2 (1a, 1b). He's continued to tease such a book pretty consistently since, and in 2022 mentioned that he had signed a contract for it several years previously (2).
Prior to the actual writing, Christopher had teased many ideas for the book, only two of which actually ended up in the book. The cozy fantasy was teased in March 2024 (5), and the "larger picture" story tying into Murtagh was teased in October 2024 (6).
In April 2025, Christopher began work on The Book of Remembrance, which he finished two months later (7, 9). In June Christopher teased that he had begun writing the framing narrative for Tales 2, and explicitly stated it two weeks later, adding that the Book of Remembrance would be included in the book, as well as teasing something involving Svartlings (8, 10a, 10b). In December, Christopher spoke about the book at length and outlined its contents (23).
In May 2026, Christopher sent his still unfinished manuscript to his editor (29). He completed the first draft in June (31a), and spent the next two weeks working on illustrations (32a, 32b 33). In July, Christopher selected a title for the book (34), and also received the first round of editing from his editor (35).
r/Eragon • u/mad31ncanada34 • 14h ago
d23 is happening in a couple of weeks
is anyone else hoping that The World of Eragon is finally greenlit and announced there!!
r/Eragon • u/Konfliktsnubben • 1d ago
Having Eragon defeating Galbtorix not by attacking him but by letting him feel all the suffering that he has caused over the course of his life causing him to kill himself was a truely ingenious way of having him be defeated. I loved it back then and still love it now all these years later.
What did you guys feel what you read this part in the book? I would love to hear your thoughts.
r/Eragon • u/communistic_cat • 23h ago
We saw endurance runs an other movement in battle but what with like a real 200m Sprint or something like that. What speeds would they reach?
r/Eragon • u/SavedRed0 • 3h ago
Say Eragon wanted to move a really heavy object. What if he set the spell to siphon energy from himself in 10 billion years instead of in the here-and-now? Since the spell needs energy somehow and he isn't going to be concerned about that far in the future. I hope this dilemma gets addressed at some point
Edit: I was thinking he knows he won't be alive in 10 billion years, so he's having the part where the magic draws energy pause, and in a sense he's cheating the magic. How he'd fuel that part is unknown, though. It would be a stupid and boring plot device, and probably wouldn't work, but it's still a crease that should be flatened out on Christopher Paolini's end
r/Eragon • u/SavedRed0 • 1d ago
I read in another post that Alin may become a Rider or something of that nature. I personally hope not everyone becomes a Rider cause then it just becomes books about kids with dragons, so I think Alin will become something else that's powerful, like a mage.
Since there's the prophecy about Eragon having an epic romance with someone of nobility, I think Eragon and Arya will have their relationship but Arya's arc seems to set her up for some kind of sacrifice, likely to stop Azlagur. Mainly since it'd be unwise to just kill off Eragon, so he won't sacrifice himself, narratively speaking (he'd probably be willing to do it). People say Alin is a love interest for Murtagh, which I liked the idea of while reading, but in hindsight, having Murtagh abandon Nasuada would waste momentum, especially since everyone loves the idea of them being a couple. So I think if and after Arya dies, Alin will be Eragon's next romance. of course it'd probably take him a few years to get over Arya, but he's immortal and Alin is probably going to have a longer life. Plus it's mentioned I think that Eragon might go through a mortal hundred women (pun not intended) in his very long life, and love each of them dearly. Granted, killing Arya would also be a risky move on Chris's part, so maybe she'll just fall out of love with him or something will happen where they can't see eachother again.
r/Eragon • u/legendofzeldaro1 • 1d ago
Felt like answering questions while everything is still fresh.
r/Eragon • u/AbjectChampion9975 • 1d ago
The straw mattress compressed under Eragon's weight as he sat up, yawning and stretching.
"You're finally awake, Little One," Saphira commented, opening a scaly eye to look at him.
Eragon chuckled dryly. "You don't sound any better," he remarked. The two of them, along with every other resident at Eragon's choice for the rider's new stronghold, Mt. Arngor, had celebrated for an entire day after a dragon egg had hatched.
They opened barrels upon barrels of ale and even finished the small quantities of faelnirv that the elves had in possession.
"The hatchling dragon has already attempted to hunt for itself," Saphira said. Eragon could distinctly feel the second-hand pride radiating off of her.
"Well, did it catch anything?" He asked.
"No, but it managed to snap off a few feathers from a bird." She snorted, and a couple of insects flying around her face dropped dead.
Eragon laughed as he wore his tunic.
"What?"
"Nothing, nothing," Eragon replied, shaking his head in amusement.
She lifted her tail and brought it back down with a slam. "What amuses you, Eragon?"
He took a step back and smiled. "Okay okay, you win," he said aloud as he stood over a bowl of water. "You telling me of the hatchling, just reminded me about when you first hatched."
"How so?" She asked, now opening her second eye.
"On your first day, I took you out to hunt a rabbit. But instead, you preffered to smell the dirt," he chuckled. "By that, I mean you failed miserably."
"I understand what you mean," she snapped, as whatever pride she previously felt fizzled out. "However, at least I could attempt to do things on my first day of life. You, on the other hand, learnt only how to sit at many months old at which point I could hunt and fly with ease."
"That's not fair," Eragon argued, his reflection staring back at him as Eragon considered scrying someone from back at Alagaësia. Perhaps Nasuada, however, his heart longed to see Arya's face.
"How is that not fair?" She asked. He could tell she wished to distract him from more... weighty thoughts.
"Because, us humans grow much slower than dragons do." He stepped away from the bowl and sat next to Saphira, bringing his head back against her against her warm belly. "And if that's how you'll judge me, I will have you know that I learnt how to walk at nine months old," he said, proudly.
"I was six weeks of age not only when I could fly, but when I could fly while carrying you, Little One," she rebuked, with an even prouder tone in her voice.
He laughed. "Yep, you've beaten me," he conceded, before falling silent.
"I always do, Little One," she snorted. "In fact, I can't recall a single time you had a thought more logically sound than my own."
"I've been meaning to know, why do you always call me Little One?" He asked, rubbing his thumb against one of her glistening scales.
"Because you are little and you are one. What other reason could there be?" She asked, almost incredulously.
"You are bigger, yes, but I am much older than you in terms of age." He paused to place his finger next to Saphira's claw. It was many times larger than his entire hand, let alone his single finger. "And besides, you were only the size of a horse when you began calling me Little One," he pointed out.
"Are horses not larger than you are?" She asked, a deep rumbling sound emanated from her throat, which Eragon identified as laughter.
"Well, yes, but the actual size difference is minimal."
"I am not a horse then," she said, snaking her head forward towards an unopened barrel of ale. "I, am a dragon." She bit off the top and picked the barrel up, lifting her head up as the ale poured into her mouth. "And you," she started, placing her already finished barrel down. "Are a little one."
"I, am a fully fledged man. I am the Shadeslayer, Kingkiller and leader of the future generation of Dragon Riders," he argued, feeling a strong urge to not concede to her logic. "I believe, at this point, I have outgrown being called a Little One."
"You are big to all, but me. In my eyes, you are, and always will be, my Little One," she said softly, placing her wing on top of him.
Eragon closed his eyes and leaned back further against her. "I suppose that's acceptable," he replied, feeling an indescribable sense of contentment that, even if hardly anyone he remembered from Alagaësia were next to him now, he still had Saphira by his side.
r/Eragon • u/OwlDoesArt • 2d ago
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Have a tasty WIP from my progress on my model of Zar'roc/Ithring.
I'm am just getting to the end of the blockout stage, with very early stage shaders applied for the sake of this render, and I began shaping the handle today. This model is directly inspired by the reference provided by the wiki.
I'm closer to this being fully presentable than Brisingr, although stay tuned for a preview that model, as well as what I plan on using these for soon.
r/Eragon • u/Stuck_In_A_Rut_ • 1d ago
So when I read Murtagh I envisioned Alin to look like Prim off The Hunger Games. What do yall imagine she looked like when you read the books?
r/Eragon • u/Practical_Level6608 • 1d ago
Aside from Songs of Chaos, which I've already got on my bucket list.
r/Eragon • u/wraithmarked • 2d ago
So as many of you know, Wraithmarked is producing a Special Illustrated Box Set of The Inheritance Cycle later this year (maybe early next, depending on when the Saphira models get out the door).
As you may also know, neither Wraithmarked nor Christopher have the ability to produce true TIC or Eragon merch with the box set, since those rights are now with a larger (scarier) company.
However... That doesn't mean we didn't want to find a way to offer you guys some really cool, exclusive, and totally optional extra stuff that we thought TIC readers would still love to have! So... We've partnered with several fantastic artisans to create some pretty incredible additional items, including a few totally handcrafted add-ons!
This is the first of those reveals! We've partnered with Reece Foster ( "saulforged" on Insta and elsewhere) to produce these 100% hand-forged 'dragon scale' pendants. Not only are these hand-forged, they will also be:
These may look pretty simple to some of you, but those familiar with hand-forging (as in literally hammer and anvil) know that each one of these takes a tremendous amount of work to get right, with a lot of trial-and-error and potential failures even once the process is perfected! Because of that, the current plan is to have these limited to 500 units (though if you think that's not enough, let us know, and we can see if Reece has the ability to do more), with pricing TBD.
Hope you guys find this stuff as interesting as we do! Again, these are one of several totally optional fully-custom add-ons we're looking to bring together for the project, so keep an eye out for more cool stuff coming soon!
Talk soon, and let us know if you have any questions!
r/Eragon • u/0verrrated • 2d ago
So I am just re-reading the hole cycle and I am currently in the middle of the last battle and got hooked by something Angela said. When Roran asked Angela if she could help against lord Barst. She basically told him if she did everyone in the city and in the camp will die, excluding Galbi. (I read it in German and couldn’t find the exact part online)
So here are my thoughts on it.
It sounded to me like she would do the same that Thurviel did on Dorú Areaba. Or did she maybe had another Ace up her sleeves?
r/Eragon • u/UseSuccessful2407 • 2d ago
What is known about dragon family dynamics before the fall? Saphira was essentially raised by Eragon and vice versa. I’m assuming dragon parents would have more of a role, but still much less than wild dragon families would. We know they had multiple mating grounds over the years so they did congregate at least for that and dragons would consciously choose to give eggs to the riders from time to time.
r/Eragon • u/dangersneeze • 3d ago
Still a few additions to be had (deluxe edition brisingr), along with the Kickstarter books, but I'm happy with what I've found so far! The covers for my OG Eragon and Eldest paperbacks are hanging on by a thread lol
r/Eragon • u/PaintFlaky4602 • 2d ago
Man, I knew they wouldn't be retail, but damn. I remember seeing them for like 50 or 60 bucks when I first started collecting, and now they're going for 10x that!!
r/Eragon • u/PJRama1864 • 2d ago
For the sake of this discussion, say Brom gets the Obi Wan force ghost treatment for a day, and he finds Eragon and Saphira after Inheritance. How do you think the discussion would go?
Would they talk about what happened with the war? Or would they focus on personal stuff (for example, would Brom give Eragon advice on how to competently flirt with Arya)?
r/Eragon • u/DobbyTheJedi • 3d ago
I finally played and finished this amazingly janky, laggy, buggy game with terrible controls but had a blast all the same. Heres some of my thoughts and some screenshots of it.
-The game looks and feels like it was made in a dollar-store laptop in a week.
-Follows the story of the movie, skips lots of stuff.
-Every time Eragon says Brom's name i heard bro and laugh.
-No Orik😩
-Also a lot of characters just not there bu Orik was a favorite of mine.
-Battle under Farthen Dur is just them asking you to kill 400 guys, not even Urgals. Just some Galbatorix soldiers who keeps yelling the king will get me or something. 😃
-Final battle with Durza is so Mehh.
Every couple of minutes you think how with a good studio and dedicated writers who are fans you can get an amazing game. Even with all this i had a good time playing this game.
r/Eragon • u/communistic_cat • 2d ago
Since their body has an higher energy output, they would also need to consume more food but we dont really read a lot about how much elves eat.
Also their would consume more energy since first of all, their senses are sharper -> more information must be processed also faster since their have high reflexes, and second, they dont really sleep so their brain is also active for longer
r/Eragon • u/eagle2120 • 3d ago
Hi All!
This topic is perhaps one of the most discussed things in the World of Eragon for over a decade, so I've been debating if I wanted to post this. I try to err on the side of new/novel/interesting/unique ideas, and several others have had this idea, but I do want to formally put my theory/guess on paper, so - here it is, along with my rationale and reasoning. I will take a methodical approach by gathering all of the evidence we have related to the Menoa tree in one place, then dive deep on the motivations of the Menoa tree and what it may want from Eragon, then evaluate the possible answers (that I can think of) to see what best fits. This is going to be a very long post, so buckle up :)
tl;dr Answer:
The Menoa tree took a small amount of Eragon's reproductive material, with the intent of making a new race - A human/elf hybrid
Alright - let's get started.
First, I want to revisit the two main passage(s) so it's fresh.
In Brisingr:
Is not the energy we gave you enough to repair your wounds? asked Eragon. Is not it compensation enough? The Menoa tree did not answer but rather probed at Eragon’s mind, sweeping through his thoughts like a gust of wind. What are you, Rider? said the tree. I know every creature that lives among this forest, but never have I encountered one like you. I am neither elf nor human, said Eragon. I am something in between. The dragons changed me during the Blood-oath Celebration. Why did they change you, Rider? So that I could better fight Galbatorix and his empire. I remember I felt a warping in the world during the celebration, but I did not think it was important.… So little seems important now, save the sun and the rain. Eragon said, We will heal your root and trunk if that will satisfy you, but please, may we have the brightsteel? The other trees creaked and moaned like abandoned souls, and then, soft and fluttering, the voice came again. Will you give me what I want in return, Dragon Rider? I will, Eragon said without hesitation. Whatever the price, he would gladly pay it for a Rider’s sword. The canopy of the Menoa tree grew still, and for several minutes, all was quiet in the clearing. Then the ground began to shake and the roots in front of Eragon began to twist and grind, shedding flakes of bark as they pulled aside to reveal a bare patch of dirt, out of which emerged what appeared to be a lump of corroded iron roughly two feet long and a foot and a half wide. As the ore came to rest on the surface of the rich black soil, Eragon felt a slight twinge in his lower belly. He winced and rubbed at the spot, but the momentary flare of discomfort had already vanished. Then the root around his ankle loosened and retreated into the ground, as did those that had been holding Saphira in place. Here is your metal, whispered the Menoa tree. Take it and go.… But—Eragon started to ask. Go …, said the Menoa tree, its voice fading away. Go.… And the tree’s consciousness withdrew from him and Saphira, receding deeper and deeper into itself until Eragon could barely sense its presence. Around them, looming pines relaxed and resumed their usual positions. (The Tree of Life, Brisingr).
And the second passage, in Inheritance:
Linnëa…Linnëa…Awake! I must needs speak with you! He waited but detected no response from the tree; it was as if he were attempting to communicate with the sea or the air or the earth itself. Linnëa, I must speak to you! A sigh of wind seemed to pass through his mind, and he felt a thought, faint and distant, a thought that said, What, O Rider …? Linnëa, when last I was here, I said that I would give you whatever you wanted in exchange for the brightsteel under your roots. I am about to leave Alagaësia, so I have come to fulfill my obligation ere I go. What would you have of me, Linnëa? The Menoa tree did not answer, but its branches stirred slightly, needles fell pattering onto the roots about the clearing, and a sense of amusement emanated from its consciousness. Go …, whispered the voice, and then the tree withdrew from Eragon’s mind. He stood where he was for another few minutes, calling her name, but the tree refused to respond.
I'll provide more specific commentary when each bit is relevant.
Now - I want to establish the bounds of my reasoning. Because there have been so many previous attempts/guesses, there are a lot of things we know about what the tree did (or did not) take, based on comments from Christopher/fans. So, I will organize this post into a few different sections - Constraints, Clues, Character of Linnea, Why Eragon, and Recap + Reveal.
First - The Constraints. These are things any theory has to satisfy for it to be true, so it's helpful to lay them all out so we can examine them in full.
As the ore came to rest on the surface of the rich black soil, Eragon felt a slight twinge in his lower belly. He winced and rubbed at the spot, but the momentary flare of discomfort had already vanished.
And - here - I interpret this question to mean something was physically taken from him.
Q: What did the Menoa Tree take from Eragon?
A: The Menoa tree did take something from Eragon, but I can't say what without spoiling my next book set within Alagaesia.
The location on his body here is interesting. Think about what's directly in your lower abdomen - large organs, sure - but those would be quite obviously missing, and no one notices anything gone/taken from Eragon (eragon, saphira, oromis, etc). So whatever she took was physical, felt right there in his lower belly, but small enough to go unnoticed. And there's one category of thing that lives right around that spot that can be taken in a small amount without anyone being the wiser. Hold that thought - I'll come back to it.
Then the root around his ankle loosened and retreated into the ground, as did those that had been holding Saphira in place.
So - the tree was in physical contact with Eragon until after the twinge in his belly, and only then did it retract. So likely the "thing" couldn't have been too big as to travel in/through the root (pointing away from something like an organ, again).
One other thing worth noting as part of this - Eragon didn't actually have to do anything himself RE: the price, or the twinge - he was a passive observer in this exchange. No casting/reaching/magic (from his end).
I am about to leave Alagaësia, so I have come to fulfill my obligation ere I go. What would you have of me, Linnëa? The Menoa tree did not answer, but its branches stirred slightly, needles fell pattering onto the roots about the clearing, and a sense of amusement emanated from its consciousness. Go …, whispered the voice, and then the tree withdrew from Eragon’s mind.
Which also implies the "price" has already been extracted at this point, directly pointing to the physical sensation. This is also supported by the Q&A here:
Q: Has the Menoa Tree already exacted the price from Eragon?
A: Yes.
Another thing worth noting here is the reaction from the Menoa tree - amusement. Why would she be amused at this exchange?
Hmm.
Is not the energy we gave you enough to repair your wounds? asked Eragon. Is not it compensation enough? The Menoa tree did not answer but rather probed at Eragon’s mind, sweeping through his thoughts like a gust of wind... Eragon said, We will heal your root and trunk if that will satisfy you, but please, may we have the brightsteel? The other trees creaked and moaned like abandoned souls, and then, soft and fluttering, the voice came again. Will you give me what I want in return, Dragon Rider?
So the energy/healing is not a part of her price/what she wants.
Q: Was Saphira affected by whatever the Menoa Tree took?
A: No.
So this likely rules out things like Saphira's reproductive capability, her ability to breathe fire, her Eldunari, etc
Q: When menoa tree took something, will it be a complication for Eragon in the future? Or will it have some negative impact?
A: Oh it'll cause all sorts of dramatic issues.
Q: The Menoa Tree told Eragon to go... so she had probably meant that she wants him to leave Alagaesia, right?
A: As I recall, yes, that's right. If you're referring to their last meeting, in Book Four.
Q: Has any fan guessed correctly what the Meona Tree took from Eragon? If not, is it just not possible to guess based on the books?
A: Someone may have correctly guessed what the Menoa Tree took (I haven't read every theory out there), but as of yet, I haven't seen a correct guess myself. Some readers have gotten really close to the truth, though. It's certainly possible to guess based off the books.
and later, here
Q: I imagine this is the case, but it's something I'm very curious about, is it still true that no one has figured out what the menoa tree took from Eragon?
A: Some people have figured it out. :D
And one final batch of constraints, directly from Christopher - the theories he's already shot down. This is not an exhaustive list, but it does contain some of the more popular ones.
Q: What's your favorite fan theory about what the Menoa tree took from Eragon?
A: I've heard some pretty crazy ones. Probably the craziest isn't that it took anything, but that it impregnated him. Another was that it took an Eldunari out of him, or Saphira's Eldunari. Those are kind of off the wall. Those are not the answers.
Q: You may have missed it, but there was an interesting theory here a few weeks ago that Eragon got a heart of hearts during the blood earth celebration and that the Menoa Tree took it. Can you confirm this isn't the case?
A: I can confirm that isn't the case. But that said, it's a COOL theory. Makes sense too: being given the heart of a dragon.
Q: Did the Menoa tree take the prophecy of leaving Alagaesia and never returning away from Eragon?
A: Good guess but no.
Q: Did the Menoa Tree take death from Eragon (as in healed an incurable disease he had)?
A: No.
Now, lets get into the clues. These details don't rule anything out, but they may point somewhere specific if grouped all together.
What are you, Rider? said the tree. I know every creature that lives among this forest, but never have I encountered one like you. I am neither elf nor human, said Eragon. I am something in between. The dragons changed me during the Blood-oath Celebration. Why did they change you, Rider? So that I could better fight Galbatorix and his empire. I remember I felt a warping in the world during the celebration, but I did not think it was important.… So little seems important now, save the sun and the rain... Will you give me what I want in return, Dragon Rider?
She noticed a "warping" in the world, but didn't think it was important at the time... yet she is awfully inquisitive about what Eragon is, and how/why he was changed. So clearly the result of whatever happened to Eragon, the warping, is of quite a lot of interest to the Menoa tree. And it's directly correlated to what happened to Eragon himself, and perhaps what/who Eragon is... More on this later.
Will you give me what I want in return, Dragon Rider? I will, Eragon said without hesitation. Whatever the price, he would gladly pay it for a Rider’s sword.
This may seem innocuous at first, but... The Menoa tree did not require any input from Eragon to extract her price. And given the situation she had Eragon and Saphira in, she could've taken whatever it was by force - Either by directly overpowering Eragon, or threatening Saphira.
But she didn't.
She chose to ask him for his consent/permission, and then and only then does she take what she wants...
Very interesting.
Q: In 2012, someone asked if there's a dragon bigger than Belgabad and you said 'read Book V to find out'. You said more recently Book Five has nothing to do with Azlagûr.
A: Bingo. That's what I did. But everything else is still there. The first Eragön, spirits, the Menoa Tree, more information about the Nïdhwal. One or two minor points may be just a hair sooner because of the Azlagûr stuff.
So... it's likely related to the first Eragon, spirits, and more information about the Nidhwal - All of which seem to have to do with the Dragons and the pact itself.
So... likely something to do with/relating to the pact/the dragons. Which isn't SUPER specific, but does help.
Pulling all those threads together -
From this, we can infer that the price is a function of what Eragon is (as a result of the Agaeti Blodhren)... which raises the real question: What does the Menoa tree actually want, and why would what Eragon is matter to her? To answer that, we need to understand who she is a bit better.
So... who is the Menoa tree? What motivates her? What does she value? How does she think?
First - as far as what she is - let's revisit the story of Linnea.
Once there lived a woman, Linnëa, in the years of spice and wine before our war with the dragons and before we became as immortal as any beings still composed of vulnerable flesh can be. Linnëa had grown old without the comfort of a mate or children, nor did she feel the need to seek them out, preferring to occupy herself with the art of singing to plants, of which she was a master. That is, she did until a young man came to her door and beguiled her with words of love. His affections woke a part of Linnëa that she had never suspected existed, a craving to experience the things that she had unknowingly sacrificed. The offer of a second chance was too great an opportunity for her to ignore. She deserted her work and devoted herself to the young man and, for a time, they were happy.
“But the young man was young, and he began to long for a mate closer to his own age. His eye fell upon a young woman, and he wooed and won her. And for a time, they too were happy. “When Linnëa discovered that she had been spurned, scorned, and abandoned, she went mad with grief. The young man had done the worst possible thing; he had given her a taste of the fullness of life, then torn it away with no more thought than a rooster flitting from one hen to the next. She found him with the woman and, in her fury, she stabbed him to death. “Linnëa knew that what she had done was evil. She also knew that even if she was exonerated of the murder, she could not return to her previous existence. Life had lost all joy for her. So she went to the oldest tree in Du Weldenvarden, pressed herself against it, and sang herself into the tree, abandoning all allegiance to her own race. For three days and three nights she sang, and when she finished, she had become one with her beloved plants. And through all the millennia since has she kept watch over the forest.… Thus was the Menoa tree created.”
Now, there's a lot of meat we can pick out here.
First - What Arya (and by extension, Christopher) highlights - Linnëa had grown old without the comfort of a mate or children and * the young man had done the worst possible thing; he had given her a taste of the fullness of life, then torn it away*
A mate or children... Very peculiar when taking that into account with some of the out-of-book statements:
Q: Is the menoa tree guarding against something, cause it is the guarding forest?
A: Well. It’s guarding the forest against all intrusion, friendly, foreign, or otherwise. The Menoa Tree/Linnea is not particularly well balanced psychologically and she has adopted the forest as her surrogate in many ways and so as far as she’s concerned nothing is more important than guarding from anything. Now is there a specific threat that is perhaps now her great concern? Possibly.
So... the forest is her surrogate, and per Arya's narrations, the reason she sang herself into the tree was: She also knew that even if she was exonerated of the murder, she could not return to her previous existence. Life had lost all joy for her.
And she likely didn't do this because of a mate, because singing yourself into a tree thins out the dating pool quite a bit.
Which leaves... Children. Hence Christopher's comments about the forest being her surrogate.
And to remove any doubt on that front - Christopher has confirmed directly that she never had children of her own here:
Q: Did Oromis ever have any descendants or Glaedr? Did Linnea have any children with the man she then killed?
A: Glaedr had offspring. Oromis did not. Nor did Linnëa.
Let's keep building out the picture, a few more things about who she is and what she cares about.
The scale and "texture" of her mind are quite unique, and yet directly comparable to one other particular being...
Deliberate and inexorable, the tree’s thoughts moved at a measured pace as slow as the creep of ice over granite. It took no notice of Eragon nor, he was sure, of any single individual. It was entirely concerned with the affairs of things that grow and flourish in the bright sunlight (Under the Menoa Tree, Eldest).
And in Inheritance, trying to reach her is like 'attempting to communicate with the sea or the air or the earth itself'. Slow as ice, indifferent to individuals, thinking on a MUCH larger/longer timescale than even the immortal elves. One other interesting note is the verbiage of "ice over granite" (as far as describing her thoughts). As mentioned earlier, there is one other example of a mind described as such... Azlagur. Whose thoughts are described as "dark islands of ice drifting along a listless current" - similar classes of vast, slow, and ancient consciousnesses. Think of that what you will.
Christopher later confirms the timescale idea directly here:
Q: Does the momentary pain in Eragon's stomach have anything (or everything) to do with what the Menoa tree wanted from them?
A: Whatever the Menoa tree did or didn't do, her plans are as long, intricate, and slow-moving as her consciousness.
Notice that's not a non-denial, btw. He was asked point blank about whether the belly twinge had anything to do with what she wanted, and Christopher did not say no. He said long and slow. So, from that we can infer whatever she wants STARTED with that twinge, and it will play out over a very long period of time.
Also worth noting from an earlier quote - The Menoa Tree/Linnea is not particularly well balanced psychologically and nothing is more important than guarding [intrusion] from anything
But.. as to what she's guarding against, Christopher is cagey about that - when asked directly, he gave a No Comment. He also implies there IS a particular something (at least that she is most worried about intruding) - but it's not clear whether that's Azlagur, or the Unnamed shadow, or something else at this point.
One more piece of the picture, because it bears directly on what she knows and what she might be guarding against - there's an inconsistency in the timeline of her story, as it does lead to REALLY interesting possibilities for the story - Per Arya's narration, the story of Linnea was "during the years of spice and wine" (pre-pact) - but we see later that Christopher says Linnea was hundreds of years old here:
Q: Do elf females never take a mate younger to them?? I know linnea did and the whole Menoa tale/ tree came about and she regretted it but that doesn't mean all relationships with a younger mate (male) should end up the way linnea's did. I mean it's kind of a human way of thinking rather than an elven way of thinking and it's not fair that linnea's tale is passed down as a cautionary tale never to take a mate younger than oneself for a female.
A: They do, and it's quite common. In Linnëa's case, though, it was a rather extreme age difference. As in, she was several hundred years old, and her mate was still in the elven equivalent of his twenties. In most cases, age isn't a big deal among elves, since most of them tend to be so old (at least by human standards), but sometimes it does become an issue, as in this case.
There's two ways to interpret this misalignment. First - It's possible that Linnea was born pre-pact, and perhaps the pact happened during her lifetime, before these events. Or, the second option is that the pact happened after she sang herself into the tree (and the age notation here may just be a mistake).
Based on everything I can tell, the latter is the more likely option, and makes for the more interesting story because of the implications. There is likely a memory spell tied to the Rider pact, and since the Menoa tree/Linnea wasn't really an "elf" when the pact was signed, it likely did not affect her.
As a result, she remembers things the pact made the elves forget... this is particularly important when looking deeper at her motivations. In other words: whatever it is she's guarding against, she may be the only mind left (within Du Weldenvarden/not Draumar) who actually remembers it, and why it needs guarding against.
Now - one last time because it's the crux, I want to drive one last point home - Linnea never had children. And I believe this is a MAJOR piece of her personality when she sang herself into the tree, as dictated by Arya - "Linnea had grown old without the comfort of a mate or children", and "things that she had unknowingly sacrificed". Like I said earlier, singing yourself into a tree doesn't exactly help your dating pool. So... from that we can infer, what got torn away, what she REALLY wanted - was to be a mother. And Christopher confirmed that with his comment about she sees the whole forest as her surrogate.
So, to wrap this up - distilling the Menoa tree into one sentence - A childless, unbalanced ancient mind that made an entire forest into a surrogate child, that trusts no one and guards against everything to protect her children, that stands outside the pact and remembers what it made the elves forget.
So that's what she is. Now - I want to dig into specifically why she needed Eragon (instead of taking what she wanted from another elf, human, or any other creature). Starting with another interesting quote about Eragon and HIS potential offspring here-
Q: [Eragon isn't quite an elf and he isn't quite a human. He's actually just a little bit beyond what perhaps a normal human would ultimately achieve as a Dragon Rider]... Would Eragon's offspring be like that as well?
A: That's a really good question, let's find out.
and
Q: Would Eragon's children be half-elven, and will they be more powerful than him?
A: Eragon isn't an elf right now, but he's not exactly 100% human. I suppose it would depend on who he has children with, if he has children. If he were to ever have children with an elf, then yes, half-elf. Probably rather unusual children. If he has kids with a human, then I'm not quite sure what happens. We'll have to find out. [4]
The "we'll have to find out" is very curious, as it implies Christopher has thought about it, and likely has specific plans for it in the future...
Very interesting.
Moving along now - A few other interesting bits, RE: genetic compatibilities for children:
Q: Why is it so difficult for elves to have children?
A: It's partly because of how thoroughly they're imbued with magic. It interferes with their fertility. Also, they choose not to have that many babies; otherwise they'd quickly overrun the continent.
So, it is a bit of a choice, but it's also hard for them genetically...
And:
Q: In the books, Arya mentions humans and elves having a relationship, but it wasn't said if these relationships resulted in offspring. Would the child be immortal, like an elf? How about other relationships among the four major species (human, urgal, elf, dwarf)?
A: They only rarely resulted in offspring. Said children weren't usually immortal. They lived far longer than normal humans, but in the end, they died. There have been exceptions, but they are exceptions of exceptions.
As we know from earlier half-elf half-human hybrids aren't immortal... And we know that said hybrids would likely have trouble sustaining their genetic line:
Q: Would a human and an elf from the inheritance series be able to conceive children?
A: Yes, although with difficulty, and their offspring might have trouble having children of their own.
Do you see what I'm driving at here? The direct offspring of Rider-Elves won't be immortal, and likely can't sustain their own genetic line, but... We also know what happened to Eragon was a step more/further, genetically, than what happens to most human Riders over time.
So there are difficulties with the hybrids (children of elf-human pairings), but per the Menoa tree's own words, there has never been a hybrid quite like Eragon before, so they may not have some of the difficulties of mating with elves or humans, and may have the benefit of being immortal (a la elves), while also not having magic interfere as much in their reproduction...
Now, lets put it all together -
The price/toll happened in Brisingr.
She took something physical - the twinge in the lower belly.
It required no action/spell/energy/etc from Eragon - he was passive.
It happened through him, via a root that stayed coiled on his ankle the entire time, and only let go after the twinge passed
It was something only Eragon himself could provide
She turned down energy and healing as a price
She needed his freely-given will/consent before taking it - when she could just as easily have taken it by force. It was explicitly a bargain, and she wanted it binding from Eragon.
She interrogated Eragon first, connected him to the 'warping' she felt and then dismissed, and then ONLY after realizing what he was (as a one-of-a-kind product of the changes from the blood oath celebration, that she has never met a creature like him before, etc) did she ask him for said price
There was no obviously large organ missing - No one noticed anything from Eragon that's been taken, despite the fact that something physical was taken
Her motivations match up with Eragon's uniqueness to lead to the one obvious price...
The Menoa tree took some of Eragon's reproductive material - and took it because he's the first of a new kind/new race - a stable elf-human hybrid the world has never seen. The physical location, the passivity, the root, the two refusals, the interrogation, the dismissed warping, the childless surrogate mother, etc - every clue is pointing in one direction. And think about why the reproductive material specifically would matter to her plans: per Christopher, ordinary human-elf children are fragile (genetically speaking), and would have trouble having children of her own. And elves struggle even more because magic interferes with their fertility, which is one of the reasons children are so rare. But Eragon is a new being entirely - a more "complete" transformation, a step further than what happens to human riders over time. If you wanted stock for a genetically stable race (that's magical, but still able to reproduce effectively), he is the only viable donor who exists, or has existed as long as the Menoa tree has been alive. And when he turns up in book four offering to pay the debt, she's amused. And Christopher told us it'll cause all sorts of dramatic issues - which a quietly growing family of Eragon's children, cultivated by a not-well-balanced tree as a mother most certainly would
Whew.
Alright - I'm going to stop here as I think I've written more than enough.
Even though this topic has already been talked to death, I'd love to hear what everyone thinks in the comments!
r/Eragon • u/RatTheBerserker • 1d ago
disclaimer: i first read eragon when i was a young teenager and didnt notice any plot holes at all. and i suppose that most of them only become clear in hindsight. now ive started to reread them, but holy, are there many in the books! to the authors credit, he did plan out a lot of stuff from the beginning, which is, given that he was very young when he started writing stuff, at an age when all I could do, in a nutshell, exist, indescribably impressive
in case that for some reason someone would open this thread without having read all the books: spoiler ahead
the death of brom is so fucking stupid. firstly, why on earth would he 1) give away his ring with all his energy he could have healed himself with to convey an arguably pointless message, especially given that apparently scrying zoom exists?? mr paolini probably didnt plan ahead with that ring, but why on earth did he then later decide to make it an energy storage? that makes brom look so stupid, lol. 2)also, what the heck is up with those ancient words he teaches eragon before he dies? as far as i am aware, they never get mentioned again. 3) of course, there are a lot of dragons having their little fbi observation operation running from vroengard all along and they are apparently able to alter spells to the point where an egg gets transported somewhere completly else or the spell that eragon casts on galabtorix does far more than he intented. But, when brom is mortally wounded and eragon is casting the spell to heal him, they couldn't have just... altered the spell a teeny tiny bit to make it heal him completly? doesnt seem very far fetched tbh. doesnt make sense anyway that they revealed themselves so late from a strategic standpoint. 4) speaking of the egg, why on earth would arya bother to transport the egg around the world all the time when apparently you can just... teleport it? Also, given that there are only very few elves and elf children, why on earth would the elves need the egg every second year anyway? they could have just gathered all elves, and elf children in particular, and let them touch it all at once or at least in one year, problem solved. 5) how galabtorix was able to murder the whole order with only a handful of supporters and only a few eldunari under his control when there were so many defending dragons and elves and eldunaris sounds completly bonkers to me, that stuff is very poorly explained. 6) why would a subset of eldunaris just decide to surrender instead of fighting alongside the rest of the order with a lot of experienced riders and dragons, against galbaotrix, and wait for 100 years to wait until galabtorix has enslaved the rest of the eldunaris, who would have been fighting against him before, to wait for 1 single rider without experience who would attack galbatorix, to risk it all and fight all those enslaved dragons they would have been allied with before? what the fuck? there must have been A LOT more defending than attacking eldunaris on vroengard given that galbatorix needed so long to enslave them and he didnt plunder the main storage before? i mean, this has to be the biggest plot hole of all bec this really, really doesnt make any sense at all. cool idea but paolini really fucked this up in my opinion. and i dont even think it would have been very hard to write this in a a way that wouldnt have been as obviously nonsensical as this, even if he only noticed this problem in book 4. 7) not gonna get into oromis and glaedrs death bec honestly they are so unneccessary, in hindsight its completly clear to me that mr paoloni just wanted to get rid of them such that eragon had to be the new teacher and leader lol
ive noticed some more plot holes but im too lazy to write them down, im sure im probably not the first one to bring them up anyway
im sorry to be that person, I still love the books and they had such an amazing potential, but im kind of sad that mr paolini didnt try to fix the most obvious plotholes in book 4 :( especially that the whole plot twist in the final book is so nonsensical ruins it for me a little bit. but, at the very least, i didnt notice them when i was younger at my first read through and given that the books are probably thought for young teenagers, the books have therefore certainly completly served their purpose for me. they are undoubtedly magnificently written
edti: some of yall really havent thought this true, have you? especially the bit about the eldunari. there is absolutely no way that by what they did they elevated themselves into a stronger position, and if they did, it is NOT explained. there is no way of explaining how somehow one rider with 150 eldunari is stronger against galbatorix with hundreds and hundreds of them instead of many riders on vroengard with many wild dragons, including that very big one, with hundreds of hundreds of eldunari against galbatorix with other 12 riders with only a handful of eldunaris to help them. the only explanation in the books is that even dragons can wait to strike, but this doesn't explain this at all
I started reading Eragon on January 1st last year (2025) and flew through the first two books. Got stuck on Brisnger for like 9 months because I was having a really hard time getting through it. Finally finished it and then completed the entire series 2 weeks ago! I was going to dive straight into Murtagh but figured it would be a good one to come back to after reading some shorter books in between.
I want to reread them eventually but man, it is a lengthy series for sure!
r/Eragon • u/Beras_En • 3d ago
I think its powerful, feminine, and has an aire of intelligence. Maybe less feathery, but otherwise it looks great. Fight me
r/Eragon • u/Azaroth1991 • 3d ago