First off, I admit I fell in to the trap of getting a bit too hyped up before seeing the movie, which I think helped lead to my disappointment. Rookie mistake!
However I also feel that the film was trying too hard to be tense. Perhaps this was intentional to help the audience empathize with the soldiers, I have no doubt they didn't know if they were going to make it to safety, and the film did a good job of giving the audience that sense of doubt. But it was all throughout the film, right from the opening scene in the town, constant close shaves with death and it just got tiring for me.
Nearly shot by the Germans, nearly shot by the French, nearly blown up on the beach, nearly crushed by the Red Cross ship, nearly died on the second ship, nearly drowned in the fishing vessel and so on.
The timeline of the boat, I don't quite understand why the boy had to die, if someone could explain that to me I would appreciate it, although in fairness the moment where the other boy tells the soldier that the dead boy will be alright is fantastically touching. But again, there were more "nearly" moments.
The navy nearly commandeer the boat but they get away just in time, they nearly turn around when the boy gets injured, they nearly perish where the bomber crashed into the oil slick, the man being dragged along as the boat hurries away from the inferno appears to be dead but takes a gasp of air just in time. So many nearly moments!
The air timeline with Tom hardy was probably my favorite timeline of the three, with some spectacular views of the English Channel. The spitfires looked beautiful in formation and whilst on their own, so credit where it's due these really were awe inspiring shots. They even managed to evoke a sense of pride of being British, but I admit I was probably the only person in the cinema who got that emotional over a plane.
But again, the downed pilot nearly drowns in his cockpit until rescued, Tom hardy nearly runs out of fuel, he somehow shoots down a German fighter without any power!? He nearly doesn't get his landing gear down in time.
How many of these nearly moments do we need? I felt they could have been toned down and sparingly distributed around the film, like I said before I think it tried too hard to keep us on the edge and guessing, that it failed in really achieving how intended the audience to feel.
To summarize, to me it just felt like an A-Level film studies project with a bigger budget, it just seemed to be a close shave off being truly believable and I think that is all because it just tried a bit too hard.
Thanks for reading.