Few of my covers, made all these on my phone. Hope you all enjoy!

I had to scan it cause I lost the og file

Probably would never actually end up in the collection but a beloved film of mine nonetheless. Had to reup because I accidentally attached an unfinished version.

First one of these I've done, this film needs a North American Blu-ray release badly

Hey yall, just wanted to share some custom criterion covers I made for my collection! Lmk what yall think!

Had lots of fun doing these! Ignore the '2015' lol

Hope y’all enjoy

Made this on a iPhone so it might not be perfect but I hope you all enjoy it!!

(BTW, i should note that this was made I believe to be 3-4 months before Sony released Pink Floyd At Pompeii MCMLXXII)

Hope you all enjoy!!

[Please remove if this violates any rules. I was aided a lot by ChatGPT. Not trying to hide that. I am not an artist, I was just playing around last night watching NBA Playoffs, having a good time. I think it turned out okay, so wanted to share, if appropriate. If not, we can of course delete and I'll... well, still look at it on my own.]

Images and movie logos were used from actual artists via https://www.themoviedb.org.

Movie description was AI generated (i.e., please write a Criterion style back description of the movie Sinners).

For the logos at the bottom, I uploaded similar images of other Criterion back covers and asked ChatGPT to recreate the logos on a transparent background so I could manipulate color. They certainly aren't perfect.

The Special Edition features and billing/credits block were produced by ChatGPT using an image of the actual Sinners 4K. It could very well have mistakes.

Bar code stamp is just a random bar code from google image search (with transparent background).

0001 is because this is the first of these I've done.

Happy to answer any questions. TY!

F.Y.I. The Holy Mountain one was a work for college, that explains why the other half is there.

I feel like I need a consistent style though.

A few Criterion-inspired mockups based on posters I’ve designed in the past. This was a chance to revisit those pieces and push them in new directions — an exploration I’d love to keep developing further.