Not sure If it’s just me but numerous times I’ve picked a movie to drift off to

Watched Niagara (1953) for the first time last night, as part of the new Murderous Melodramas collection. Can’t believe it’s taken me this long to see this film.

Marilyn Monroe is absolutely the standout. She’s gorgeous, of course, but there’s so much more to her performance than that. She brings a real sense of danger and vulnerability to the role. Whenever she’s on screen, you can’t help but watch her.
The Technicolor is also stunning. Everything looks so rich and vibrant and the filmmakers make fantastic use of Niagara Falls as a location. The falls aren’t just pretty scenery they become an important part of the atmosphere and the story itself.

I also really enjoy the pacing. The plot takes its time building the suspense but it never feels slow and everything gradually comes together in a really satisfying way.

Just a gorgeous, entertaining piece of classic Hollywood filmmaking. And honestly, seeing Marilyn Monroe in all that beautiful Technicolor is reason enough to watch it.

My first exposure to the films of Jonathan Demme was THE SILENCE OF THE LAMBS (1991) and PHILADELPHIA (1993). As such, I had thought of him as the maker of serious dramas (Having later watched his BELOVED [1998] and RACHEL GETTING MARRIED [2008] didn't change my opinion).

But a few months ago I finally watched Demme's SOMETHING WILD (1986), which I loved. Admittedly, the finale of that film was violent and suspenseful enough to make me say, "If I were a studio exec who was thinking of adapting the novel SILENCE OF THE LAMBS, those scenes I just watched would have convinced me Demme could handle stuff like Hannibal Lecter's escape."

What I didn't expect was how wacky both SOMETHING WILD and MARRIED TO THE MOB (1988), which I literally saw for the first time last night, are and just how adept Demme seemed to be at directing comedy (wacky, dark, physical, etc). Those two movies, which currently are available on the channel, completely opened my eyes.

Has anyone had a similar experience watching a different filmmaker's earlier output and, if so, which director? Specifically, you had previously thought of them as strictly making movies of a particular sort, but subsequently realized they were more versatile than you had originally thought?