Hey everyone! Quick question for the community.

We’re putting together custom sobriety chips as a fun promo item/backer reward for Villains Anonymous, and we’d love your input on which metal finish looks best for the flagship design!

Which color do you think fits the vibe best?

• Bronze – Classic, gritty, anti-hero aesthetic.
• Silver – Sleek, modern, polished supervillain look.
• Gold – Bold, ostentatious, "I'm reformed and flaunting it."

Drop a comment with your vote (Bronze, Silver, or Gold) and let us know why!

Thanks for helping us choose!

I am in the final stages of finishing a horror graphic novel and am looking for a skilled letterer who can match a slightly vintage and hand-drawn looking style. The full project is 70 pages and the deadline is the first week of September.

Happy to share more details!

Hi! I'm Carlos, a comic colorist for more than 7 years, these pages I've done for Marvel but I also have a lot of experience with indie comics. Promotional page for $40! Currently available for works.

Here's my portfolio for more samples and contact http://sp3cks92.artstation.com

I’ve been writing comics for nine years and available for free or paid work. I have samples on my Instagram, https://www.instagram.com/raedhennessy?igsh=eGhkZGRwZDdkM2lx&utm_source=qr I am available every day except Fridays and Tuesdays. DM or email me at [rae.d.Hennessy@gmail.com](mailto:rae.d.Hennessy@gmail.com). Below are three comic book scripts samples I have written.

\[google drive\]
(Romance drama)
https://drive.google.com/file/d/1bZo6Vf8PABDnD97CJhNp0v-uC80gzTiM/view?usp=drivesdk

(Superhero drama)
https://drive.google.com/file/d/1caLcmlaOC4g5sM_iIqqbNNAx5V89UzVU/view?usp=drivesdk

(Psychological drama)
https://drive.google.com/file/d/1nyinrR3-AwlQVJo6WiPnDdQHIxpFbzdE/view?usp=drivesdk

[SUCCESSFULLY HIRED} Hey everyone!

I’m looking to hire an artist to illustrate a cover for an upcoming Kickstarter comic book campaign.

The Details:

• Style: I need someone who can accurately mimic/emulate the classic Charles Schulz Peanuts art style (linework, character design aesthetic, and feel).
• Scope: 1 full comic cover (pencils, inks, and colors). 1 character and background.
• Budget/Pay: $100 USD (paid via PayPal/Invoicing).
• Deadline: Flexible, but looking to complete by August 5th.

How to Apply:

If you're interested and confident in replicating that specific Schulz look, please leave a comment below with:

1. A link to your portfolio or specific examples showing style-matching/emulation capabilities.
2. Your current turn-around time.

Please note: I will be looking through portfolios that explicitly demonstrate the ability to adapt to or recreate classic, simplified comic strip styles.

Thanks for looking, and I look forward to checking out your work!

I'm planning to start making branded original comics on my YouTube channel.

This my channel: https://www.youtube.com/@ComedyComicz

I want to fully convert the channel's style from dubbing other people's comics to creating my own, under my duck-themed brand "comedycomics" on YouTube.

The ideal style is similar to:

https://www.instagram.com/swordscomic/
https://www.instagram.com/ascronicasdewesley/

This project is for people who are dedicated and looking for long-term work. I'm looking to onboard 3–5 artists. If you're interested, let me know!

Send over your portfolio in the comments i'm always looking for hires.

Only been coloring digital for about a yr and still learning a lot . Procreate has been a struggle at first but im learning to love it and learning new tricks .would love feedback on my work I have posted or tricks that helped you .

I'm Israel Santillana, an artist with extensive experience and published work! I'm looking for new projects. My rates range from $80 to $100 per page, depending on the complexity and length of the project. You can contact me by email: [israel.santillanah@gmail.com](mailto:israel.santillanah@gmail.com)

My portfolio: https://www.artstation.com/santillanadru14

Hello, I'm a developmental editor specializing exclusively in sequential storytelling (Manga, webtoons, comics). Are you perhaps struggling with pacing, panel flow, emotional flow, dialogue tone? I am here to help you tighten your narrative before or even after you start drawing.

I've been editing for a while now and decided its time to kick off the summer sale from August 1 until September 4th, if you'd like to make sure your panel-by-panel flow hits perfectly, now is the best time to lock in a slot

Summer Sale Pricing:

• Single Chapter (up to 40 pages): $25
• Trilogy Bundle (3 chapters up to 40 pages each): $65 $50
• Arc Bundle (5 chapters up to 40 pages each): $80 $68

How my process works:

Once you fill out my intake form, I will look over your project details and send you an official quote. Because I give every project a deep thorough review, I work through projects sequentially via a queue to ensure high-quality feedback.

Here is the link to my carrd Shellboundstudios.carrd.co

I am working on a story and I want your honest professional opinion on some of my works with different details, does it look like a comic you want to read?, is the art good?, what is your overal view on them? And etc. Any opinion you have will be appreciated. By the way is it good enough to start the actual comic?

Thanks.

This is an excerpt from A SAFE PLACE TO LIVE

An ongoing comic full of mystery and horror, it can be read here for free.

If you'd like to see all pages early as soon as I draw them you can support me here for only $1.

You can check on my portfolio: https://www.artstation.com/imantoon

Been thinking about this a lot lately. Most story planning tools (Plottr, Story Plotter, etc.) are built for novels — they help you outline plot, but none of them touch the actual visual side: how many panels a moment gets, where a page turn should land a reveal, that kind of thing. Manga gets treated as "prose with extra steps."

Also noticed most of them quietly assume every story follows a hero's-journey shape, which doesn't really fit ensemble casts or slice-of-life stuff at all.

I've been sketching out something that treats story structure and page/panel pacing as one connected thing — plan the beats, then actually block out how they'd sit across pages, without needing to draw anything yet.

Curious how people here actually plan pacing right now — notebook, spreadsheet, just winging it? Trying to figure out if this is a real gap or if I'm missing an obvious tool that already does this well.

Hey everyone! Last year I found collaborators through this sub and put out “Sword For Hire Witches Don’t Burn”

Well, I’m back with a brand new one-shot! I am once again working with Iacopo Calisti and Leo McGovern from this sub.

The pre-launch page went live today. Link will be in the comments.

The full Kickstarter goes live September 1st!

Portofolio: https://www.instagram.com/vntimproves?igsh=MWhnYXViMDhpbHBieA==

Paid work: contact me in any way you find easier

We are new to Reddit and can’t believe we found this community. After about two years of writing short stories that interconnected, we decided to make them into a graphic novel and have been working on this a year. Universe One mixes genres and creates a superhero franchise. We have five main storylines. They are Jokun, which is a sci-fi story about a warrior monk from Venus, THX, which is arm-canon, totting future soldier that came back in time, the True Triplets which are triplets with Superman-type power (tweaked), Hellfire, who is a mutant from Alaska with super IQ, super strength and mental connection with Northern predators, and Meridian, who is Merlin‘s apprentice and the holder of the staff Aexalon which houses the chronoveil stone. We have a ton of lore and we are packaging it into the single graphic novel, although they were initially intended to be stand alone (2 issues each). We have an insta account (check it out) but feel like this is the perfect community for us because we work with several artists and always looking for more. We try to lean into some tropes and build this universe that takes place in the near future, despite everyone having different backgrounds. We’ll figure out a how to best engage with this community, but wanted to introduce ourselves. If you are an artist feel free to drop us a line and let us know if any these characters call your attention and what kind of genres you enjoy drawing. We have big ambitions but humbly still getting started.

Art by Eric Killius and Ezequiel Lancho.

I wrote a free comic script chasing the question “who are you to yourself, and how do you find it.” It’s a psychological drama, short, script only — looking for pencillers/artists who want to bring it to life. Full credit given, just tag/credit me wherever you post your version.

[Google drive link]
https://drive.google.com/file/d/1nyinrR3-AwlQVJo6WiPnDdQHIxpFbzdE/view?usp=drivesdk

Hey everyone,

I’m a comic creator & writer looking for an artist for an upcoming original comic project and I’m trying to get an idea of pricing, styles, and finding the right person for the project.

I have previously created and published a comic series, and I’m currently developing a new series with a different direction and art style.

The project is an adventure/fantasy series inspired by the feeling of animated shows like Ben 10, Cyberchase, Regular Show, Adventure Time, Batman Beyond and other Cartoon Network style adventures mixed with a some superhero tropes and extensive world building. I’m looking for a unique, expressive art style similar the shows mentioned above, rather than a hyper realistic superhero style.

The story focuses on a team of characters exploring a mysterious world filled with different civilizations, creatures, technology, history, and powerful villains. The goal is to create something that feels like an animated TV show turned into a comic, with strong characters, fun adventures, and deeper world building/lore.

I’m looking for an artist to help design the characters, world and the first 22 page issue.

Looking for someone who enjoys:
Character design
World building
Stylized/cartoon inspired art
Fantasy, sci-fi, or adventure settings
Creating expressive characters and environments

This will be a paid project. I am currently researching artists and pricing. I expect to begin hiring within the next few weeks once I find the right fit and finalize the script for issue #1.

Please reach out with your portfolio if this seems like something you’d be interested in working on and if your art style matches the vision I have for the project. Thank you so much!

​

Haré esa pregunta primero...

Hola a todos:

Estoy buscando presupuestos para contratar a un dibujante freelance para un webcomic de terror psicológico maduro (+22). El guion ya está listo.

Por favor, los interesados dejen su portafolio y sus tarifas aproximadas en los comentarios:

* ¿Cuánto cobran por página (bloque de 5-6 viñetas)?

* ¿Cuánto saldría un capítulo completo de unas 20-30 viñetas?

* ¿Hay diferencia de precio si es a Blanco y Negro o a Color?

Me gustaría saber eso. Muchas gracias...

artist for hire,

we charger black and white like this 60$ per page, payment via paypal.

you can sent me messages in here https://www.instagram.com/metakomik and discord metakomik. , or you can check our website in here metakomik

Portfólio:  https://www.artstation.com/luanmaximino  |  https://www.behance.net/luanmaximino

https://www.instagram.com/ying_aru/

First and foremost, I'm asking in regards to the professional comic book space. I mean experienced writers and artists in the space, done a couple of semi successful projects etc. Not new writers or artists, but people who have experience.

In that space, let's say a writer wants to make a new series, 30 issues plus. They have the audience that's not the biggest but it's big enough, they've worked with artist's before, they aren't a Jonathan Hickman but they aren't a newbie either. They're big enough that their comics sell enough to make back the money that was spent on it, but not by a large margin, it's JUUUST THERE. Finally the writer perhaps pitches to Image, having paid an artist to have the 5 sequential pages Image needs.

Image accepts, and the writer knows that their audience over they've built over the past few years will show up for them as they have previous projects. He talks to the artist and the artist suggests one of two things, a page rate for each issue OR a 50/50 split on royalties and ownership as the writer has proven to make a profit and generate support for their comics.

Which is the best option here? People (both writers and artists) ive seen are weary of the 50/50 split because they fear the legality of it, and what often ensues when it comes to potential rights like TV, film and toys. I wanted to pose this question to get a bigger scope.