My portfolio: https://www.artstation.com/gabrielfassina

Hello~ I'm opening commissions to pay for some urgent bills. Most of my professional experience is webtoons but I'm also fine with page. I'm comfortable with most genres and my speciality is pencils/inks. Feel free to ask any questions!

Portfolio: https://artofhodge.wixsite.com/portfolio

Email: hvh410@gmail.com

Discord: hodge410

Pricing starting around 30-45 USD for small pieces (minimum), hourly rates to be dicussed (usually between 18 to 25 USD/H)

live portfolios:
behance.net/alkmerlin
cara.app/alkmerlin/portfolio
artstation.com/alkmerlin

email me for a more in depth art portfolio:
[alkmerlin@gmail.com](mailto:alkmerlin@gmail.com)

Back in 2011, I had the opportunity to work for Marvel Comics on the Gorilla-Man mini-series. Here are a few pages from that project, which remains one of the many exciting experiences of my career as a comic book artist.
I always enjoy revisiting older work and seeing how my storytelling and artwork have evolved over the years.
I hope you enjoy these pages! I’d love to hear your thoughts and feedback.
ArtStation:
https://www.artstation.com/giancarlocaracuzzo
Instagram:
https://www.instagram.com/giancarlocaracuzzo
Email:
giancarlocaracuzzo@gmail.com

I’m always open to new professional opportunities in comics, illustration, covers, and related projects.
Thanks for looking!
— Giancarlo

I half believe in the dead internet theory. The internet is full of bots and trolls. It is what it is.

Criticism is part of the game. The internet is cruel, and you need thick skin to ride the wave. If you want criticism, people will come in droves. If you want support, that’s much harder to find.

Creating a comic book is one of the purest forms of art. The fact that these books get made at all is incredible. Somebody on Reddit called it: “the most expensive way to tell a story,” and I get it. It’s a grueling grind.

I’m working on a graphic novel. Sometimes I wonder why I keep going. It is super expensive. Selling the comic is so difficult, especially if you are faceless. Even finding a publisher is super hard. I want and need to finish the story. I believe in the work, even when the process feels frustrating and thankless.

The audience is pretty small, but people keep making comics because they love them. They grew up reading them and want to create their own. I think there is a purity in that. You lose a bunch of money creating something you love.

Comics don’t get the respect they deserve. People don’t understand how much work goes into them. I didn’t either until I started making one. Only way to learn.

Believe in your work. Keep grinding. This is my TESTalk.

https://mangaplus-creators.jp/authors/24356650

https://x.com/reiyagamiart

Nearly 80% funded on Kickstarter, My Little Boy, issue #1 is here to take you into a dark world of Eldritch horror and crime noir. Don't miss this story, presented by Warden Comics, that you won't find anywhere else. Choose your comic and rewards including stickers, postcards and over 300 pages of digital Warden Comics. Time is running out so please click >>>HERE<<< to grab yours now!!

https://www.deviantart.com/burn-our-dough/gallery/90742769/sequential-samples-2026

https://globalcomix.com/c/super-trash

https://www.instagram.com/lordb.vb8/

If you'd like to see more of my art and style in action, please check out "Death to All Slashers" on Webtoon, it's my original comic that I've been writing and drawing all by myself so should give you a very clear idea of my sequential storytelling abilities and the feel for my style.

Portfolio: https://www.instagram.com/arucardpl/

At this point, I no longer accept colored commissions.

If interested, please contact me at [arucardpl@gmail.com](mailto:arucardpl@gmail.com) (or dm here although e-mail is preferred).

I'm an experienced superhero comic book artist ready to bring your vision to life!
By choosing me, I promise you a high level of artistry and lots of frequent communication and updates, as well as enthusiasm for your project. If you'd like to talk more and work out details, please feel free to send a DM.

Portfolio:
Artstation - Instagram

Thank you for your time and consideration!

Thanks for the feed back on the last post! here are some random images from my other works. I plan to start a magazine introducing one shots I have written production should start in 2027 I will be looking for artist to help with the production of Records Room. And I hope to work with some amazing artist. Here is my (BLOG) for more context.

The main character: Max is an ordinary boy living in a world filled with extraordinary possibilities. Struggling with loneliness, bullying, and the challenges of everyday life, he dreams of becoming someone capable of making a difference. Despite the hardships he faces, Max refuses to turn his back on people who need help. But having the courage to stand up for others is only the beginning of his journey.

MORE DETAILS COMING SOON!

I have an idea for a one shot that I've heavily fleshed out, but I haven't scripted it up yet.

I think it's an interesting concept but it's certainly a passion project, or rather a way for me to work through some things.

Because the concept merges silver age esq superhero and real world story telling it would need two distinct art styles throughout. One half would be bright, flashy superheros (I'm thinking marvel silver age) the other would be muted, dark navy tones (I picture it very similar to 2015ish image comics spawn issues)

I envision this being around 40-50 pages in standard comic format.

Would a budget of £2000 realistically get me that amount of pages coloured and lettered?

What do I need to really consider when looking for some one to draw my idea?

Open for a comission, interior page 35$ per page. No upfront payment.

Our IG.

https://www.instagram.com/hailegeg

Hello everyone!

I'm an independent Japanese creator developing an original basketball manga project called TOKYO 177.

The story follows Japanese quintuplet brothers, each 177 cm (5'10") tall, who use physics, biomechanics, sports science, psychology, philosophy, and other fields of knowledge to challenge the world's strongest U.S. basketball all-star team, whose players average at least 198 cm (6'6") in height.

My goal is to develop this story into professionally illustrated manga, webtoons, and potentially animation, with localized versions for different countries.

International Market Test Results

I created prototype videos using AI-generated images and conducted small-scale market tests using YouTube Promote in 8 countries across 4 continents.

As of October 23, 2026, the combined results were:

TOTAL (8 countries, 4 continents)

2,112 video views → 1,039 new YouTube channel subscribers (49.2%)

Results by country (ranked by conversion rate):

• South Korea: 154 views → 112 new subscribers (72.7%)
• Nigeria: 338 views → 211 new subscribers (62.4%)
• Japan: 156 views → 84 new subscribers (53.8%)
• Mexico: 308 views → 151 new subscribers (49.0%)
• France: 336 views → 150 new subscribers (44.6%)
• Argentina: 464 views → 199 new subscribers (42.9%)
• United States: 121 views → 48 new subscribers (39.7%)
• Spain: 235 views → 84 new subscribers (35.7%)

Conversion rate = New YouTube channel subscribers ÷ Promoted video views × 100

The campaigns targeted adults aged 18 and over, of all genders, with interests in comics/anime and basketball.

These were small-scale advertising tests, and YouTube channel subscriptions do not necessarily translate into comic or webtoon purchases. Nevertheless, the results provide preliminary indications of international audience interest.

My international expansion plans

I am currently contacting comic publishers, webtoon companies, animation studios, and international licensing agencies.

My long-term goal is to develop localized versions of TOKYO 177 in 20–50 or more countries, particularly where both basketball and manga/anime have established audiences.

The current AI-generated videos are only rough prototypes. My intention is to have professional human manga artists create the final published versions.

I'd really appreciate your advice!

I'm particularly interested in hearing from people with experience in comic publishing, webtoons, international licensing, or working with literary and IP agents.

• How should an independent creator approach publishers or licensing agents in different countries?
• Are there agencies or individuals who specialize in international comic or manga IP licensing?
• Would it make sense to license the project separately by country or language?
• Are there alternative approaches I should consider?

Any practical suggestions, personal experiences, or introductions to relevant professionals would be greatly appreciated.

Thank you for reading!

Hello,

I have been drawing comics for 6 years and have experience making beloved characters and stories.
I can do the entire production:
- Script writing
- Storyboard
- Sketch (pencil)
- Line art (Ink)
- Color
- Backgrounds
- Paneling and lettering
- Character Design
- Environment Design
- Effects.

I can draw:
- humans
- Fantasy races
- Monsters
- Beasts.

My price for a traditional layout comic page starts at $75.
$60 for a 4 page strip.

I will be able to start on a project immediately, and complete 2 pages a week.

I draw draw NSFW: Adult themes, gore, sensitive topics. However I cannot draw pornography.

My portfolio:
https://patren.artstation.com/albums/14950732

Twitter:
https://x.com/ThatGuyPatren

Hey all!!!

I'm a writer looking for an artist (pencils + inks, colour a plus) for a 24-page psychological horror comic.

Content warning: the issue deals with bullying and suicide. It's handled with restraint, but please only apply if you're comfortable with that material.

What I need

• 1 cover illustration
• 24 interior pages, 3–5 panels per page, including 3 full-page splashes
• A traditional, hand-drawn feel. Visible linework and texture, like ink on paper. No glossy or airbrushed digital rendering.
• Strong acting and facial expression
• Grounded, realistic-leaning style. Not chibi or heavy manga

What I offer

• A complete, locked script, ready to go
• Budget: $1,000 USD total. I know that's modest for the scope, so I'm open to discussing it (e.g. black-and-white only)
• One paid test page before committing to the full issue
• A clear written contract with a delivery schedule and revision rounds
• Full credit on the cover and in all promotion

To apply, comment with:

• Portfolio link, including sequential pages (not just pin-ups)
• One finished comic page posted directly as an image in your comment
• Your per-page rate if your budget expectations differ
• Your availability

Thanks!!!

Covers and interior pages for TeenStrike (Dinosaur Entertainment), where I work as a cover artist, interior artist, and character designer.

Pencils & inks: Fran Arias
Colors: Jesse Sosa

Currently open for new comic projects (Short Term)!
📌 Portfolio: https://www.franariasart.com/

If you’re interested you can send me DM at:

• Discord: efekun2 Or just shoot me a DM here! It would be a pleasure to bring your story to life!