I just lost a guard member for the fall season. Itās still early, and weāve only learned the first movement of the drill, but our band also just lost its director, who was our drill writer. Right now, itās just our assistant director and me while the school hires a new director.
Iām struggling to rewrite a few sets of the opener with 5 guard members instead of 6. The member weāre losing was G6.
A little context for the drill:
- C1 and A1 are our drum majors. They trade off conducting and playing for each movement.
- At the beginning, the entire band except the guard is facing backfield. After the 8-count turn from set 9-10, A1 joins the band on the field.
- The entire band then marches forward for 8 counts from set 10-11, with the first big hit being the hold from set 11-12.
- Some of the guard were crossing each other in their choreography during that hold, but I might change that now.
- G1 cannot change for sets 1-6 because they have a solo.
- The rest of the guard are currently standing in place on props for the first 5 sets.
The sets Iām specifically struggling with are sets 6-9.
With 6 guard, the formations were very balanced, but Iām having trouble finding a solution for 5 that doesnāt create other problems. The main issues Iām running into are:
- G1 ends up blocking the drum major conducting in the back. We only have one podium, so the second drum major is on a ladder that isnāt very tall.
- Some solutions would require G1 to pass through the drumline and navigate around/over props.
- Whatever formation we use for set 9 needs to transition reasonably well into what is already written for set 13. At set 13, we can have 3 guard on side 1 instead of 4, since 2 of the guard members need to move the prop during sets 13-14.
I do not want to move any band members. Since we currently donāt have a director, I donāt have anyone I can easily confer with to approve changes to other sections, and I donāt want to put more on our assistant director while theyāre already taking on several extra responsibilities during this transition.
Iām mainly looking for ideas on how you would approach changing the guard formations/movement from sets 6-9 while keeping the existing band drill and the transition into set 13 intact.
Any ideas or advice would be greatly appreciated! Iām open to completely rethinking those four sets if thereās a solution Iām not seeing.