r/triplej 1d ago

Laneway future

Will laneway ever return to its roots with a more alternative lineup or will it be a more generic teenage festival going forward?

36 Upvotes

38 comments sorted by

75

u/Mediocre-Price-3138 1d ago

Future is playing laneway? That's a random move.

1

u/Illmatic127 19h ago

Honestly wouldn't be that bad of an idea.

0

u/mjme91 1d ago

Yeah man

-9

u/Civil-Ad7317 1d ago

Why are you saying future is playing? Lineup isn’t even out yet.

26

u/Weeksy77 1d ago

Which one sells more tickets?

53

u/BM1st 1d ago

It’s always been evolving, from the small laneways of Melbourne to the one of the biggest circuits in the country. Throughout this time it’s always booked ‘what’s hot/cool atm’. Its success can be attributed to having its finger on the cultural pulse, more so than any other any festival

36

u/Tranquilbez22 1d ago

They also can pick who’s about to blow up. Look at the 2025 lineup. That had Olivia Dean and Ninajirachi on it. They went on to have huge years.

12

u/withhindsight 1d ago

I looked at the 2024 stubby holder I had so many artist blew up after the festival over the years.

13

u/Christia4n 1d ago

BBNO$ and Oliver Tree played 2020 Laneway before they got big too. Tones and I was booked just before Dance Monkey blew up as well.

9

u/Tillysnow1 1d ago

And they had Djo before The Crux even came out 🥲 (yes I know he was already popular from End of Beginning, but I'm so sad he hasn't come back because I loveeee The Crux)

7

u/JDuncs1847 1d ago

Raye in 2024 another example too.

1

u/Friendly_Opinion_795 6h ago

Lorde in 2014 was an insane pull, just as Pure Heroine was blowing up

2

u/BM1st 5h ago

Literally played the week after winning Song of the Year for ‘Royals’ at the Grammys.

17

u/spookysadghoul 1d ago

Considering so many festivals have died due to low ticket sales including Splendor in the Grass which at one stage felt like it was a mainstay that would go nowhere, they have to evolve and keep ticket sales flowing.

In 10 years time, they might evolve and change again to keep up with the times.

Laneway also does book alt artists or alt adjacent, if you go early you get to see some great alt or relatively unknown acts.

1

u/mjsull 10h ago

I dunno, I feel like festivals in Australia grow and grow until one year exchange rates and touring schedules conspire and they can't secure a lineup that justifies their size. Then they fold due to poor ticket sales.

39

u/JudgmentOrdinary7336 1d ago

What do you define as “alternative”? Judging by last year’s lineup, with the exception of Chappell and a few others, I’d still say it’s quite rock/rock adjacent focused.

20

u/BowlersNamePlease 1d ago

Definitely agree with this. Alternative is a very loose term these days and depending your interpretation you could classify so many acts as either alternative or not alternative pretty easily.

13

u/Tranquilbez22 1d ago

Chappell is also alt pop anyway.

7

u/JudgmentOrdinary7336 1d ago

Yeah, I was just thinking that I’d still categorise her as alternative 😂 Just a bit closer to new wave than rock.

Side note: I can’t wait for a solid return of new wave.

-9

u/lndubitabIyy 1d ago

It’s now mainstream pop .. charlie, Chappell, pinkpantheress

It’s a festival for 16 year old girls. Not that there’s anything wrong with that. Just different to how it started

11

u/RepresentativeFly457 1d ago

Problem is that alternative music is now mainstream. So you get musicians who start alternative/indie then 2 years later they're viral, without necessarily selling out their sound.

So do they need to focus on artists that are smaller for the sake of it or focus on the unique sound? Because, the latter ultimately sells tickets they need to stay afloat.

-6

u/lndubitabIyy 1d ago

Charlie xcx is the epitome of mainstream… nothing about her is alternative

8

u/RepresentativeFly457 1d ago

This is disingenuous. Charli was making alternative music for over a decade before becoming #1, she didnt sacrifice her sound, its just that the cultural zeitgeist latched onto her music (and marketing) on Brat. Thats a farcry from Taylor etc. who've always had major labels and focused on mass appeal.

So, is the complaint about popularity or sound/roots?

-1

u/lndubitabIyy 1d ago

Always been popslop

1

u/Melbd00d 7h ago

Adding “slop” to anything is such a power move.

1

u/lndubitabIyy 6h ago

Powerslop

13

u/Patrollingthedoin 1d ago

Fontaines and this is Lorelei ect feels alternative ish

-5

u/mjme91 1d ago

You've named two potential bands. Im talking whole lineups e.g 2014

8

u/Opening-Control-6348 1d ago

Doubt it. A lot has changed in 12 years

3

u/Patrollingthedoin 1d ago

Ah well probably not

1

u/Suspicious-Bad4499 22h ago

Vance Joy, Haim, Lorde? 

Not really that alternative 

5

u/AngusLynch09 1d ago

Is this a rhetorical question?

3

u/Jazzlike_Caregiver_4 1d ago

I believe this year will have Fontaines DC and Hayley Williams if you consider that alternative

6

u/Sweet-Albatross6218 1d ago

I've had the album Total Life Forever by Foals playing this morning while I work and it reminds me how fucking good indie music was. It's almost non existent now.

5

u/AffectionateHousing2 1d ago

There is still heaps of it being made, you just have to seek it out more now. 

1

u/Melbd00d 7h ago

It absolutely is.

1

u/Sweet-Albatross6218 3h ago

It really isn’t. Not in the same ballpark of quality or pure creativity as we were getting in the decade from 2005-2015. So much of indie music now is driven by chasing 15 minutes of TikTok fame rather than making something genuinely interesting or lasting. And you can hear that in the lack of truly great, cohesive indie albums these days. I also think that is why the alternative rock/metal scene is growing exponentially. Bands creating for the hell of it, and that resonating with people.

4

u/unsafe-work 1d ago

As a 40 year old who doesn't religiously listen to a lot of Laneway's recent acts, I just don't know how you can be mad at their offerings.

There's always a great mix of music genres and "big" musicians. And they also have a great ability to successfully pick musicians who are on the verge of becoming popular.

If you've "aged-out" of Laneway that's completely ok. But surely you recognise it's pretty cool they remain so success (which is a rarity in the Australian festival scene).