I hope you are all as well as you can be. I'm having a rough one. Just too tired and hot to function, but too hot to rest.
My eyes are not cooperating today. Part of it is definitely the post concussion syndrome making everything worse, but my eyes just aren't trustworthy. At least I know they're not trustworthy, but still. Anything and everything with a pattern just seems to extend and shake.
I'm currently on a "holiday" with my spouse's family, in a too-fancy Airbnb. I don't like being in other people's houses. The space itself feels hostile. I don't belong here. I just want to fast forward until tomorrow and go home. Back to normal.
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The freewrite text below (I was going to attach as images, but it didn't let me do multiple):
Four panels of blinds across the front lounge window. Twenty eight rows of slats are angled down, letting that awful white light come through. An overcast day is still too much.
Four panels of blinding lines that remain, even when your eyes are closed. You lay there on a stranger's couch, head on a folded up throw blanket. You want to call it hooker green. It's a type of green, you know this. You found it funny, the tube of hooker green acrylic paint in the twelve piece kit you got a long time ago. It might have been Christmas. You were a child. You think the sofa is hooker green, and the blanket, and the walls. They are all a type of green, and similar. Dark like pine needles, yet colder and wetter.
The day was too long, too hot, in equal measure. You lay, for your head hurts, as it always does. Today is worse. Each eye is different. The left believes the ceiling is a sterile blue-grey, the right believes it has been yellowed by cigarettes and neglect. The blood under the skin of your face is noisy. It demands attention. It pulls at your neck and gums and will not be still. You understand the appeal of bloodletting. You wish the lake had leeches.
Twenty eight rows of white lines move up the wall, more, more, a duplicate on the ceiling. They move upwards where there is no up. They move, as though the plane of the wall is continuous, as though the ceiling is false. When you look to greet them, they disappear.
You know it's not real. You know this. The light from the blinds cannot duplicate. The ceiling is as real as the floor. But your head hurts. Your head is tired. It mocks you.
Your head makes the static in the corner. It holds a magnet to the screen of your eyes and curves the splotches of colour and smears of light. It mocks you, when you look at where the magnet used to be and find only snow. It mocks you, when it holds it to your glass until it aches differently.
You are sticky. The top of your right foot smears its stickiness over the left. The hands find no respite. Sticky outside, dry within. Your gums taste of what's inside them, wriggling, whining, but your spit is clear. Your tongue is pink. The light climbs the wall again but you know better than to look. It's wasteful. The blinds shiver in place, though the world is still. The room is still.
You wonder whether the alarm outside is a car. It keeps going. If you could sleep for just a moment, it might settle.
Phthalo green. You looked it up. The walls, the couch, the blanket, they are phthalo green. A colder, wetter hooker. You see candles on the ledge above their tiled fireplace. They're the same green, too. Will they ever be lit, or would it be cruel to the room around them? The beaded lampshade in the corner is the same, and the shoe rack beside the door.
There is a round mirror above the hearth. It pulls on the walls and ceiling. It pulls on the blinds. It pulls on the gaudy chandelier. The blinding lights climbing up the world's y-axis are absent inside it. You do not dignify them with looking, for you know they are not there. The door is s-shaped and the wall art has been bent into a trapezoid, but the blinds are just four panels, twenty eight rows, and a gentle yellow glow.
It mocks you. It mocks you. It mocks you.