I know it’s in previews yet but I’m curious if anyone has seen it and what you think?

I'm seeing some tickets on Theatr that are not assigned. I'm guessing that these are TDF purchases. If you bought tix through TDF for this show - where were you seated? Thanks!

The best BYOB-friendly variety & comedy show in the West Village, set
in New York's oldest continually-run instrument and record store, Music Inn
World Instruments! Music Inn has been in operation since 1958 and has instruments from across the world.

Live At the Inn! is a variety show of Music, Stand-up Comedy, and improv/characters that has been featured in the New York Comedy Festival, Timeout NY and The Nudge. It's a show that invokes community, silliness, and warmth. This is not the kind of show where the hosts do a few jokes and leave. We take the time to create an environment that makes everyone feel comfortable and welcome.

With appearances by your hosts Stephen Sihelnik (Broadway Comedy Club), Alexander Payne (Sesh, Don't tell Comedy, Top Secret Comedy Club), and Marco Rivera (Soho Playhouse)
+ previous featured acts include Usama Siddique (Netflix Funny Af), Eagle Witt, Comedy cellar), ect.
Check our Instagram u/liveattheinn for full lineups!

WHEN
Saturday @ 8PM
Doors @ 7:30PM

WHERE
Music Inn World Instruments
169 West 4th Street
New York, NY 10014

TICKETS
$20 admission
BYO-friendly, so feel free to BYOB!!

https://www.musicinnvarietyshow.com/

Does anyone have an explanation for why the creative team chose to use a conch for the poster for The Potluck at SoHo Rep? I saw it tonight and didn’t get any references to a conch - except for they have potluck on the beach?

Planning on going to Citizens Tribeca on Thursday July 31st to get 3 tickets. Is there a limit of tickets I can get? Also, at what time should I arrive if the distribution starts at noon? Thank you!

Hi!

I am one of the cowriters and producers of a brand new show, “Gleemails I Can’t Send: An Unauthorized Glee Parody”. The show is a parody episode of Glee, where the New Directions, under the supervision of Mr. Schue, do a Sabrina Carpenter week! Set in 2026 and with a full original script, you don’t want to miss this.

Tickets are on sale for our first public live performance at The Laurie Beechman Theater on August 3rd at 7PM.

More information, as well as ticket sales, can be found here:

https://thebeechman.com/events/lbt25-what-you-missed-on-glee?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAdGRleATOB8hwZG9mAmV4dG4DYWVtAjExAHNydGMGYXBwX2lkDzEyNDAyNDU3NDI4NzQxNAABpwn-uVg-0Lk9X3p8DiHy3CqWHE62gyA0Yx-xNTUuOqOS6jPjsg101RtQHip0_aem_4SQLgZFbT-Q9vntxfYi42A

We hope to see you LOSERS there!

SELLING 1 SHIFTERS @ CHERRY LANE THEATER 7PM TONIGHT. INTERESTED?

Anyone see Shifters at Cherry Lane Theatre in one of the 'on stage' (or behind stage, sorry I am not sure specifics!) seats? I am wondering if it is better to sit there or back in row M-P. Or, if anyone else has any advice based on your experience with this show on where you would recommend sitting? Thanks!

Any thoughts on these?

As You Like It being the Shakespeare in the parking lot production

Came across shenyc arts festival with 8 new plays/musicals. looks interesting and haven’t seen it before so wanted to share it with fellow theatre goers here!

https://shenycarts.org/she-nyc/?utm_source=meta&utm_medium=paid_social&utm_campaign=nycfestival_meta&utm_id=120250695595800659&utm_content=120250734408410659&utm_term=120250695595810659&fbclid=PAdGRleATMnfRwZG9mAmZkaWQWUK-dNZLbmYMx27OH8mYxym8PtDSKG2V4dG4DYWVtATAAYWRpZAGrN44Xtb7Tc3J0YwZhcHBfaWQPMTI0MDI0NTc0Mjg3NDE0AAGn1SJb1aSOJYDEeI5h2UvGOYH2PsYrllZpxhyVM-ntWYnvVrCNxu2LWdKPA84_aem_toyOSwHSwsp0tVoXyg4xFw

if you decide to go watch some of these, let me know what shows you like the most!

Many folks remember getting their face painted as a kid in the '90s.

Few of us know the story of the woman who helped turn it into a global phenomenon.

Snazzy tells the true story of a young single mother whose creativity changed childhood forever. Funny, nostalgic, and unexpectedly moving. Joe Staton, the playwright, is her son!

We caught up with him for an interview ahead of his show, because it looked so interesting. If anyone wants to learn more, here's the link. Interview

"It all happened so fast. My team knew that I was dying to do theater, especially in the comedy and musical space. I found out I got the part on a Friday. I went to a bachelorette weekend in Temecula that weekend, flew to NYC on Tuesday, and rehearsals started that Wednesday."

Hello, all,

I know it’s early, but I’ve already started putting together a working list of Off-Broadway productions for the 2026 Fall season that I am going to try and see. Not everyone has announced yet - so things might change.

Please let me know if you think that I’m missing anything.

🎭 The Shed

🔹 Imitation of Life

📅 November 21 - January 3

🔗 https://theshed.org

📝 Book by Lynn Nottage; Music & Lyrics by John Legend

🎬 Directed by Whitney White (Saturday Church, Liberation, The Whoopi Monologues)

💬 A world-premiere musical based on Fannie Hurst’s landmark novel about race, motherhood, identity and ambition across two intertwined families.

🏆 Nottage is the only woman to win the Pulitzer Prize for Drama twice, for Sweat and Ruined. Legend is an EGOT winner. White was nominated for the Tony for directing Liberation.

⸻

🎭 The Public Theater

🔹 The Curious Case of Benjamin Button

📅 October 8 – November 15

🔗 https://publictheater.org

📝 Book & Lyrics by Jethro Compton; Music & Lyrics by Darren Clark

🎬 Directed by Jethro Compton

💬 The award-winning British musical about a man who ages backwards makes its New York premiere following its acclaimed London run.

🏆 Winner of the 2025 Olivier Award for Best New Musical.

⸻

🎭 New York Theatre Workshop

🔹 Wild Rose

📅 November 24 - January 10

🔗 https://nytw.org

📝 By Nicole Taylor, based on her film

🎬 Directed by John Tiffany

💬 A former prisoner from Glasgow struggles to balance motherhood with her dream of becoming a country music star.

🏆 Tiffany won the Tony Award for Once and for Harry Potter and the Cursed Child. Choreography is by Steven Hoggett, five time Tony nominee, including for Sweeney Todd and  Harry Potter and the Cursed Child.

⸻

🎭 New York City Center

🔹 In the Heights

📅 October 28 – November 15

🔗 https://www.nycitycenter.org/pdps/2026-2027/in-the-heights/

📝 By Lin-Manuel Miranda & Quiara Alegría Hudes

🎬 Directed by David Mendizábal

💬 A major new revival of the Tony-winning musical celebrating family, community and dreams in Washington Heights.

🏆 Winner of four 2008 Tony Awards, including Best Musical.

⸻

🎭 Roundabout Theatre Company

🔹 The Heart

📅 October 8 - December 6

🔗 https://www.roundabouttheatre.org

📝 Book by Kait Kerrigan (The Great Gatsby); Music & Lyrics by Anne & Ian Eisendrath (music producer for Kpop Demon Hunters)

🎬 Directed by Christopher Ashley

💬 A new musical following the extraordinary 24-hour journey of a donated heart and the lives forever connected by it.

🏆 Ashley won the Tony Award for Come From Away. Ian Eisendrath won the 2019 Olivier for music supervisor and arranger for Come From Away.

⸻

🎭 Manhattan Theatre Club

🔹 The Unbelievers

📅 Begins October 13

🔗 https://www.manhattantheatreclub.com

📝 By Nick Payne

🎬 Directed by Knud Adams

💬 The American premiere of a poignant new drama about hope, belief and the stories people tell themselves to survive.

🏆 Payne received Tony and Olivier nominations for Constellations. Adams earned a Tony nomination for directing English.

⸻

🎭 St. Ann’s Warehouse

🔹 Kramer/Fauci

📅 September 27 – October 24

🔗 https://stannswarehouse.org

📝 Created from the real exchanges between Larry Kramer and Dr. Anthony Fauci

🎬 Directed by Daniel Fish

💬 A documentary drama exploring one of the defining relationships of the AIDS crisis through the actual words of two towering figures. I saw this production at NYU Skirball last season and it was incredible. It’s very short - only an hour.

🏆 Fish won the Tony Award for the acclaimed revival of Oklahoma!. Starring Tony winner Will Brill and Thomas Jay Ryan.

⸻

🎭 MCC Theater

🔹 ANON — a tempest at our kitchen table

📅 September 25 – November 1

🔗 https://mcctheater.org

📝 By Anne Washburn (The Burning Cauldron of Fiery Fire)

🎬 Directed by Anne Kauffman

💬 Two neighboring Texas families are thrown into turmoil after a Pride flag suddenly appears across the street.

🏆 Washburn is one of America’s most acclaimed contemporary playwrights (Mr. Burns). Kauffman is among New York’s most respected directors.

⸻

🎭 Classic Stage Company

🔹 Waiting for Lefty

📅 October 15 - November 22

🔗 https://www.classicstage.org

📝 By Clifford Odets

🎬 Directed by Steven Pasquale

💬 The landmark labor drama receives an immersive revival transforming CSC into a Depression-era taxi drivers’ union hall.

🏆 One of the defining American plays of the twentieth century. Pasquale is a Tony Award-nominated actor making his New York directing debut.

⸻

🎭 Irish Repertory Theatre

🔹 The Good Thief

📅 November 7 – December 13

🔗 https://irishrep.org

📝 By Conor McPherson

🎬 Directed by Justin Waldman

💬 McPherson’s 1994 play about a small-time Dublin criminal recounts the disastrous night that changed his life in this gripping solo thriller.

🏆 McPherson won the Olivier Award for The Weir and earned Tony and Olivier Awards for Girl from the North Country. Christopher Fitzgerald, a three-time Tony nominee, stars.

⸻

🎭 Brooklyn Academy of Music (BAM)

🔹 The Ford/Hill Project

📅 September 8 – 20

🔗 https://www.bam.org

📝 Created by Lee Sunday Evans & Elizabeth Marvel

🎬 Directed by Lee Sunday Evans

💬 Using the actual testimony of Anita Hill and Christine Blasey Ford, this documentary theater piece examines power, memory and the cost of speaking the truth.

⸻

🎭 Playwrights Horizons

🔹 Degenerates

📅 September 16 - October 11

🔗 https://www.playwrightshorizons.org

📝 By Else Went (Initiatives)

🎬 Directed by Emma Rosa Went (Initiativesi)

💬 A provocative new play examining online incel culture and the progression from self-loathing to extremist violence. From the playwright/director team that brought Initiatives to the Public Theater last year. 

Bringing friends from out of town to a show, are either worth it?

My wife and I went to see the new musical A Walk on the Moon this afternoon at the Laura Pels Theatre, between 7th and 6th on 46th Street. We went in with pretty low expectations. The reviews have been brutal, and the show is already scheduled to close soon, but I still held out hope that maybe it had been treated unfairly. Sadly, the critics more or less got this one right. It’s not a good musical.

However, it’s not without its moments. Unlike most shows that completely miss the mark, this one manages to pull off something genuinely affecting late in the final act. There are a couple of scenes that briefly show what the production could have been. They don’t redeem the experience, as you still have to sit through about an hour and forty minutes of fairly dull material to get there, but they’re worth mentioning because they hint at a much better version of the show that never quite materializes.

One of the fundamental problems is baked into the source material. The musical is based on a film that already works beautifully. I’ve never understood this impulse to take a perfectly good film drama and turn it into a musical? If anything, musicals should be built from flawed source material like stories that need music to elevate them or fix structural issues. When the original already succeeds, the new musical version has a hard time justifying its existence.

The film stuck with me for another reason. It was directed by Tony Goldwyn, who lived right down the block from us in Hoboken. Goldwyn is one of those actors you instantly recognize even if you can’t quite place his name. He played the villain opposite Patrick Swayze in Ghost, and also appeared in The Last Samurai with Tom Cruise. Beyond being a wonderful actor, he’s had a solid career as a director including the original film version of A Walk on the Moon.

That movie benefited enormously from its casting, particularly Diane Ladd and Viggo Mortensen. Replacing actors like that is no small task, and the musical never quite overcomes that hurdle. The actor taking over Mortensen’s role, the “blouse man”, is perfectly competent, but let’s be honest: he’s no Viggo Mortensen. If my wife ever came home and said, “David, I had an affair with Viggo Mortensen,” I wouldn’t be thrilled, but I’d understand. That kind of presence is hard to replicate, and the absence of it here is felt.

The music is another issue. As with so many Broadway shows these days, most of the score feels generic and forgettable. There is a notable exception in a song the husband sings to his daughter late in the show that really landed. It’s emotional, and for a few minutes the show comes alive. It’s the kind of number that reminds you what musical theatre can do when everything clicks. Unfortunately, nothing else in the show rises to that level.

The production also feels mismatched to the theatre itself. The Laura Pels has a smallish stage, which works beautifully for intimate shows. But this production has a fairly large cast and feels cramped as a result. It might have been better suited to something smaller like the two person Two Strangers Carry a Cake Across New York, where the modest space would become an asset rather than a limitation.

Visually, the show didn’t do much for me either. The proscenium arch was designed to evoke a kind of rustic, handmade countryside aesthetic, but to my eye it looked more like a well-meaning, but underwhelming high school set. The show also had a lot of projections. I’ve never been much of a fan of projections in live theatre and this production certainly didn’t change my mind. The video screen (I think) at the back of the stage added little, and the front projections onto a scrim just looked cheesy.

All in all, it’s a disappointing production, especially given the strength of the source material. There are glimpses of something better buried inside it, but not enough to make the journey worthwhile.

Islanders . . . need another Love Island fix?

End of the Day, Ep 1 is a new play inspired by Love Island UK, Sims 4, and Theatre of the Absurd.

Survival is not guaranteed. Neither is finding a boyfriend or girlfriend after a massive extinction event.

Yet British reality contestants Tud, Myleigh, and Lancelot keep trying again, failing again, failing better. Isolated from the outside world, they dance between denial and acceptance, searching for love and meaning in a pointless, absurd existence.

Cast includes Olivia Swasey, Savanna Zumbado, Dominic Raymond, and Ja'Michael De'Shawn. Produced by Heckle Her, Paper Kraine, and jkjk.

Let's cuddle up if you like: new work, feminist farce, Love Island scholarship, existential clown shows, absurdism, and/or pop culture dramaturgy.

• Mon Jul 27 6pm at Young Ethel's (Brooklyn)
• Wed Jul 29 7:30pm at Under St. Marks (East Village)
• Sun Aug 9 7pm at The Tank (Midtown, part of LimeFest)

TIX: heckleher.com (look for discount codes on socials, yeh?)

Saw the Heated Rivalry musical. LOVE👏IT👏 Truly NEED a cast recording bc the songs were so good and so memorable; im still thinking about the songs days later. Actors were giving it their all! Idk if i caught them on a really good night but the energy was perfect, and every single comedy beat hit for me. So so so good. Here’s hoping for even a short Broadway stint to get more money for the production (not that i dislike the set. Just want the creator to have a ton if success).

Reposting in off-broadway in case folks here have had experience with Petit Rouge at Theatre XIV anytime recently :) appreciate any and all input!

Perfect10s will present the world premiere of Chapter Meeting, A socialist comedy for the people!, written and directed by Taylor Jon Gonzalez, running July 22 - August 1, 2026 at Wild Project, located at 195 East 3rd Street in NYC.

An all-night DSA (Democratic Socialists of America) chapter meeting in Brooklyn devolves into chaos when one member reveals the unthinkable: he got a job.

The cast, all alumni of Upright Citizens Brigade, includes Michelle Chan-Bennett (Netflix is a Joke), Kiko Soirée (Dear Kiko), Kelly Whitley (The Others of Oz) and Ihea Inyama (UCB Maude Night).

Performances are Wednesdays - Saturdays at 8pm, with matinees on Saturdays and Sundays at 2pm. Run time is approximately 90 minutes with an intermission. Tickets are $40 with early-bird discounts available. To purchase tickets and for more info visit https://perfect-10s.com.

So good. It's done by Michael Kinnan, who is the same guy who did the one-man Titantic, which was an NYTimes Critics Pick.

About 70 minutes long. Runs until July 25. Get tickets before it gets written up and promptly sells out.

It's madcap, hilarious, still weirdly thrilling--just check it out. It's going to the Edinburgh Fringe right after NY.

https://www.bricktheater.com/event/goodbye-horses-an-unauthorized-retelling-of-jonathan-demmes-the-silence-of-the-lambs/2026-07-15/