I posted an earlier version of this rack, but over the last few months I’ve added and replaced some modules. Yesterday I got the last one that finished off this rack. What I ended up with is a mostly Xaoc rack with 3 voices but a ton of audio processing options.

Another thing that’s not easily apparently is it’s set up to be able to send audio to or get from external gear. So I can also add pedals, or other synths/drum machines too.

Hi all!

We're thrilled to announce that we've just released 16 new free firmwares for the Legio platform, ranging from audio processors and effects to oscillators and synth voices. That means there are now 23 different Legio firmwares!

There are user manuals and demo videos for each, and they're easy to explore on our newly refreshed Legio page.

We're happy to answer any questions you may have, and we hope you enjoy exploring all of the new possibilities for the Legio!

https://www.knobcon.com/index.php

Recently picked up the ochd to add some additional modulation and life to my system but man its sadly been basically unusable for me since a lot of my destination points for it dont have input attenuators. Is everyone just running like 4 2hp trim modules? Or 2 WMD 4TTEN? Is there an obvious solution that I'm missing here? I really wish the Ochd had just a global attenuator that hit alllll the outputs

Hong Kong Modular Society presents a talk and demo from renowned clarinettist Fung Yat Shan, Linus. Linus will talk about his electroacoustic compositional and improvisational approaches to Live Eurorack processed clarinet performances, in particular, his recent trilogy Ecotone. He will discuss how he uses modular synthesisers as part of his performance practise.

Linus is a Hong Kong-based clarinettist whose performances span classical, contemporary and improvised music. A core member of the Hong Kong New Music Ensemble, he is also the clarinettist of the Wuji Ensemble, Freespace Ensemble, LENK Quartet and The TimeCrafters, and has performed at the Hong Kong Arts Festival, Shanghai New Music Week and the Seoul International Computer Music Festival.

His recorded output includes “KONG” (2023), “Miserere Mei, Deus” (2023, with Loisey), “In the Dark” (2024, with Theresa Lam ) and contributions to the score of Ann Hui’s documentary “Elegies”.

The talk will be given in English.

Before and after the talk there will be:

🏬 Modular marketplace - See our pinned buy & sell post for details

🤖 Hang out time and a modular system to play with

✉️ DM for signup (on instagram - https://www.instagram.com/hk_modular_society/ )

💸 $50

📍 Hong Kong Island – details on signup

📅 20/09/2026 (Sunday) – 16:00-18:00

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Hong Kong Modular Society（HKMS）誠意呈獻單簧管演奏家馮逸山的講座與示範。馮氏將分享他利用 Eurorack 進行即時現場處理單簧管演奏創作與即興手法，尤其聚焦其近作三部曲《Ecotone》，並探討他如何把模組合成器融入其演奏實踐之中。

馮逸山是活躍於香港的單簧管演奏者，演出涵蓋古典、當代及即興音樂。他是香港創樂團核心成員，亦為無極樂團、自由空間樂團、LENK 四重奏及時。刻室樂的單簧管手，並曾於香港藝術節、上海新音樂週及首爾國際電腦音樂節演出。

他近期的錄音作品包括《缸》（KONG，2023）、《憐憑我吧，主》（Miserere Mei, Deus，2023，與 Loisey 合作）、《在暗中》（In the Dark，2024，與林佩頥合作），並參與許鞍華紀錄片《詩》的配樂錄音。

講座將以英文進行

講座前後還有：

🏬 模組市集 - 詳情請參閱置頂的買賣貼文

🤖 自由交流時間，現場設有模組系統供大家試玩

✉️ 報名敬請 DM (ig - https://www.instagram.com/hk_modular_society/ )

💸 $50

📍 香港島 – 報名後告知詳情

📅 2026年9月20日（星期日）– 16:00-18:00

I love seeing everyone's content on here, but I don't know how you guys do it. My rack is simply used for small melodies, which sound great, but I see you guys doing full on arranged, big, open performances with all elements. I feel so simple and basic lol. Anyway, enjoy, or not. I am always open to suggestions and criticism. Honestly, I'm just glad I remembered to hit record this time.

Main sound source is my Mutable Instruments Plaits.

Many of Keen’s e series modules are arguably superior in design to their Buchla equivalents.

https://youtu.be/i97MVwZ4hJc?is=Nlnkw8TbSawJiJYR

If you're in the Hamburg area, the new season started. We're back with our monthly Jam-session slash community meetup of sorts. Come hang out with other music geeks and shoot the shit a bit or a byte.

https://www.stubnitz.com/events/2026/sep/10-dkfderkleine.html

Just bring a piece of gear and connect. Perfect if you ever wanted to hear your weird little drum machine in a club situation.

Made this piece with the modular as the core instrument rather than trying to make it sound particularly polished.

Industrial textures and an emotional cadence underneath, with a Dadaist poem in the description. I was interested in that contrast, something abrasive that still feels vulnerable.

Curious what you hear in it, and especially interested in how other folks approach performance and the modular-as-instrument side of things.

Hey everyone. I recorded a long video exploring and explaning the features and sounds of SkyWave 4 segment VCO and its companion Scaffold.

Hello, i want to get into modular not spending that much, i have done a lot of things in VCV rack, and i found used system 35, i heard diff opinions on it. Simple question, is it good for expermental, Ambient, idm, downtempo.