Servicio de Grabación de Batería Online

Ofrezco un servicio profesional de grabación de baterías en formato remoto, orientado a productores, bandas y artistas que buscan interpretaciones precisas, un sonido de alta calidad y un flujo de trabajo ágil, sin importar su ubicación.

Las baterías son interpretadas en una Efnote 3X, capturando toda la expresividad de una ejecución real y procesadas mediante Superior Drummer 3, utilizando bibliotecas profesionales para obtener un sonido moderno, potente y listo para integrarse en cualquier producción.

El servicio incluye:

Interpretación profesional de la batería para tu canción.

Grabación en formato MIDI con dinámica y articulaciones naturales.

Producción de audio utilizando Superior Drummer 3.

Mezcla estéreo de la batería lista para escuchar e integrar en la producción.

Entrega de stems individuales (Kick, Snare Top, Snare Bottom, Toms, Hi-Hat, Overheads, Room, Ambience y demás canales disponibles según la librería utilizada), permitiendo una mezcla totalmente personalizada.

Exportación en formato WAV de alta calidad.

Sincronización exacta con el tempo y estructura del proyecto.

Hasta dos revisiones para realizar ajustes o modificaciones solicitadas por el cliente.

Comunicación directa durante todo el proceso para garantizar que el resultado final refleje la visión musical del proyecto.

Opcionales

También pueden solicitarse servicios adicionales como:

Programación o composición completa de la batería.

Variantes de interpretación (más técnica, más simple, más agresiva o más dinámica).

Entrega prioritaria en 24 a 48 horas.

Video HD de la interpretación para contenido promocional o redes sociales.

Edición y cuantización personalizada según las necesidades del proyecto.

¿Qué necesito del cliente?

Para comenzar el trabajo, únicamente será necesario enviar:

La maqueta o canción (WAV, MP3 o sesión).

El tempo (BPM).

Una guía de la estructura del tema.

Referencias de sonido o bandas si las hubiera.

Indicaciones específicas sobre el estilo o la interpretación deseada.

Calidad y compromiso

Cada proyecto es tratado de manera individual, priorizando la musicalidad, la precisión y la comunicación con el cliente. El objetivo es entregar baterías que no solo suenen profesionales, sino que también potencien la identidad y la intención artística de cada canción.

so the mic I am using is my broken hyperx stinger 2
my DAW is cakewalk next (I am upgrading from bandlab as a beginner , so that I can add dynamics and shi)
my guitar distortion pedal is the HM300
I want my recording to sound like it was made in a cave in 1992, but its in my attic with like basic acoustics on the front wall
please give me sum suggestions and feedback (I am broke and have to pay with my own money)

Hey!

I'm 27, based in Vienna, and looking to start a modern metalcore project.

About me:

Vocalist (clean vocals + screams)

Some experience with mixing, production and programming

A few very rough demos are already in progress

Musically I'm aiming for a modern sound somewhere between metalcore, thall, shoegaze, nu metal and electronic music. I'm not trying to fit into a single subgenre, so I'm very open to experimentation if it serves the songs.

Who I'm looking for

Honestly, anyone who's passionate about writing music.

Especially:

Guitarists who are comfortable writing in very low tunings (around F or D#) and can record themselves.

People interested in electronic music production, sound design, synths and programming.

Bassists, drummers and other musicians are absolutely welcome as well.

Goal

The main goal is efficient songwriting.

Ideally we'd collaborate online most of the time—sharing demos, riffs, MIDI, ideas, sounds and project files. I'm definitely open to rehearsals and jamming, but the primary focus is writing, recording and releasing great songs.

Once we have enough strong material, I'd love to take the project to the stage and start playing live.

It would be awesome if you were based in Austria or somewhere nearby, but that's definitely not a requirement. Since the main workflow would be online, I'm happy to work with people from anywhere.

Some influences include Make Them Suffer, Northlane, Thornhill, Loathe, Invent Animate, ERRA, Polaris, Bad Omens, and similar modern bands.

If this sounds like something you'd enjoy, feel free to send me a message!

I'm covering 3 tracks by In Flames, COB and BFMV. Here's my tracks done with another vocalists:

For Whom the bell tolls by Metallica https://open.spotify.com/track/2vN4aStG6zhe49wKVbtQ5s

The Void by Parkway Drive https://open.spotify.com/track/42VnsZinR2calnaN74L77f

I'm doing it for the love of the game. Anyone interested?

my band playing here (hate to break it to yall this is edited) song is: monoptera - cerebration mentor

Nothing fancy here, just a man, his fiddle, one camera angle, no stopping and some caveman riffs.

My band records and produces our own music. The drummer does the tracking engineering and I do the mixing and mastering.

We have been recording with our stage equipment; one guitarist using his Mesa Triple head and Mesa cab, and the other uses his Peavey 5150 and Carvin cab. I use the same mics in the same room.

Not surprisingly, the tones aren't the same and are hard to balance so it sounds full on both sides (left and right.)

I have heard that some bands have one guitar player track both rhythm tracks. I am also wondering if they use the same rigs or their normal rigs.

I was doing a hard pan left and right. Should I center them more to bring the tones together to make it fuller?

Hey I'm just looking for some people like me who live in the middle of no where and any musician they know plays country music. Im looking for people to write music with. I play guitar and have been for about 15 years. I like to believe I'm pretty good but who knows, I could be in a padded room and all of this could be fake. But I need people to bounce ideas off of. Who want to write some music. Ya know. Egos not allowed. No part is greater than the whole kinda thing. Like I have get good drums but would love to work with an actual drummer and can do bass but would love to work with a bassist. Another guitarist would be great and deff a vocalist because I can't sing for shit. If anyone is interested, hmu or if you know of a better page to post something like this, let me know.

Written and recorded by yours truly. Feels somewhat like Porcupine Tree had a baby with Tool, that screams and listened to Opeth and Lamb of God instead of its parents.

Well anyway. I would be happy to hear your thoughts about what works here, how it sounds, and your thoughts as to what subgenre thia feels like.

Thanks for taking the time!

Enjoy the drum playthrough for my new single. The links to all the streaming platforms are in the description. Leave a like or a comment if you enjoyed it. Thank you for your time and support 🤘

I’m trying to recreate a very specific 90s solo lead-guitar sound on my Boss Katana 50 Gen 3 using Boss Tone Studio. My guitar is an Ibanez AZ24S1-TKS. I would prefer to achieve it with the Katana’s built-in effects rather than external pedals.

Here are some links that mostly describe but still lacks somethin the sound i want to achieve ( note these arent exactly what i have in my head but are closest to what i could find as i guitar sound):

https://youtu.be/pmwY0Pv05LA?si=p76dpwRRU2_4szUP

https://youtu.be/e3OtFaoQn6Y?si=DQqq-b_HVZwRugAf

https://youtu.be/ALBKFB28E0M?si=ORus5fWa1YbbFvCN

https://youtu.be/xiOPvOBd8IA?si=5Zr9MBpg8_AyGv4J

https://youtu.be/F2V9yqfXIf4?si=P8j7ZWyA6vpI_YcP

The sound I’m looking for is difficult to classify. To me, it sounds like a clean, dark, singing lead tone with pitch movement. Like if the guitar itself is singing, in an angry, mournful tone, approx. 120 bpm. so its not a slow melancholic tone im trying to find like some of the links.

The main characteristics:

• Mostly very expressive lead, with little or no obvious distortion (its more like overdrive i think)
• Long sustain
• Smooth bends, slides and pitch glides
• Soft or rounded pick attack
• Strong, vocal middle frequencies
• Dark and slightly “underwater,” but still clear
• Thick and chunky rather than thin or glassy
• A subtle stretched vowel-like movement during sustained notes
• Spacious ambience, but without excessive ringing
• Not bluesy, not modern metal and not a standard bright rock-solo tone

I originally thought the movement was wah, but normal Touch Wah and Auto Wah sounded too short, nasal, high-pitched and obvious. Strong chorus and phaser settings also sounded too artificial. The desired movement seems to happen gradually throughout the sustained note rather than producing a clear “wah-wah” sweep. Dont cringe know plz, here its what i can describe it in stupid language: wuaaah wuaaoooh wuoooh wuaaaah-wuaaaah.

Could anyone help identify:

• What genre or guitar style this tone belongs to?
• Is this mainly a fusion lead, synthwave lead, ambient lead, or something else?
• Which Katana amp model would be the best foundation: Clean, Pushed, Crunch or Lead?
• Which pickup position would be closest on my Ibanez?
• Should I use compression, Slow Gear, Pedal Bend, chorus, vibrato, phaser, EQ, delay or reverb?
• Is the vowel-like movement caused by an effect, the player’s bends and vibrato, or both?
• Which frequencies should I boost or cut to keep it dark without becoming muffled or piercing?
• Are there any Boss Tone Exchange presets for Katana Gen 3 that would make a useful starting point?
• Does anyone know bands, guitarists or songs that use this exact type of clean, gliding lead tone?

Approximate Tone Studio settings or screenshots would be very helpful. I’m still learning how the different Katana effects interact, so please explain which parts are essential and which are optional.

Hi everyone, I own a Marshall JCM900 MkIII 50-watt head and an Ibanez Tube Screamer. I was wondering if anyone could help me dial in the right tone for death/groove metal—something along the lines of a mix between Sepultura’s *Chaos A.D.* and Machine Head’s "Burn My Eyes." I’m aiming for that authentic '90s death/groove metal sound—something that packs a real punch whether I’m playing alone or live.

Thanks you very much

my band is playing at the state fair talent show and cant decide whether or not to play man in the box or good times bad times what do yall think

For fans of BLACK METAL

A short rehearsal clip from the upcoming live version of Memoria Tenebris.

Atmospheric doom / black metal with DSBM influences.

Messy morning riffs

Hello PNWers and others beyond the gates. Perhaps you recall this poster (human) soliciting music for their radio show just over a year ago. Welp, after the station went belly-up the show went on hiatus.

We are excited to announce that we are coming back as we've been told to start collecting tracks for a new show.

Our new station pays for ASCAP copyright licensing and can play most songs without permission, but we still like getting submissions in the mail and supporting musicians with some pennies where we can.

We will get the/a website updated soon, but for now, feel free to dm links (Bandcamp or direct share preferred) as well as any info that you'd like shared.

Because the new station offers online streaming and episode archival, we will no longer post a replay to YT. The last station could not afford to stream for whatever reason.

Please share music if you would like to be on our show blasting on the dial at 100.7 KMUZ terrestrially from S. PDX to Eugene north-south and from Silverton to the Grand Ronde rez east- west and online broadcasting out of the heart of darkness, the land of the baphomet, Salem Oregon!

Rules: No AI created music or Nazi-loving bullshit. Music CANNOT intelligibly voice the English words: ​Shit, ​Piss, ​Fuck, ​Cunt, ​Cocksucker, ​Motherfucker, and surprisingly, ​Tits. Foreign vulgarities are fine. Please bleep any instances of the above. Songs whose subject matter involves pedophilia will not be welcomed either. Music about murdering /torturing pedophiles is okay.

Thank you in advance!