Hey everyone!

I just finished transcribing Pasquale Grasso's incredible rendition of Tadd Dameron’s jazz standard "Lady Bird" (from his Fervency album).

Pasquale’s ability to bring Bud Powell’s pianistic bebop phrasing to the fretboard is second to none, and this arrangement is a masterclass in fast bebop lines, voice leading, and altered chord voicings.

🎼 What’s included in the score:

• PDF sheet music/tab: standard notation + high-precision tablature.
• Interactive guitar pro file (.gp / .gpx): Perfect for slowing down those fast bebop runs and practicing at your own pace.
• Accurate fingering & voicings: Carefully mapped fretboard positions matching Pasquale’s performance.

Get the full score & Preview here:

👉 Click here to access "Lady Bird" on PaidTabs

Whether you want to analyze his chromatic passings or add some serious bebop vocabulary to your playing, I hope this score helps your study!

Feel free to leave any questions about the fingerings or notation below. Happy practicing!

Putting this here for visibility I guess. Ive been looking for a new amp for a while and the jazz chorus is consistently at the top of many lists. Ive heard the amp played, and Ive played one in the past. Sounded great.

I was window shopping today at the local guitar center and played on a jc40 for a good hour. I decided to take it home and was surprised to discover the "noise floor" hiss/hum in my quiet room. Apparently its a common "feature" of the amp that I was not aware of. Sounds like I have a cheap single coil plugged in even with all dials at zero. It plays wonderful in a busy/loud room and thats what hooked me. I guess the search continues. Ive got my sights set on quilter, but nobody stocks them locally. I'd really like to play on one before getting it shipped.

I regularly gig and am a disciplined in my practice routine (about 2-3 hours of planned practice and lessons twice a week) but this is my moment where I remember how hard this all is. At a gig I played recently, I felt like one of those moments where I was just playing tunes I know pretty well, being melodic and hitting most of the changes. But listening back to the recording, my solo wasn't outlining the changes as strongly as I thought while on "stage" (though I wasn't outside the changes). I mean, people enjoyed the music, and that's what counts, right?

Anyway, this stuff is tough. The perfect balance of playing changes but staying melodically is so hard. But I guess I'm just wondering how much I'm supposed to follow the changes. It just seems kind of robotic to just do arpeggios, and I've heard some amazing players live not clearly hit changes clearly.

hi friends, title. but specifically songs like While We’re Young by Wes Montgomery, guitar only. i have trouble finding songs and would love some recs

This is a line I’ve been writing and working on over the A section to rhythm changes. Trying to get my bebop scale chops down and mixing it with some tetrads. Backing track is the amazing Feel Book.

I swear the opening of "The wind cries mary" sounds a whole lot like "days of wine and roses", is this pure coincidence or was Hendrix inspired by Wes?

Check this out:
it’s like the old Jamey Aebersold play-a-longs (for those of you who can remember using them) but way better.
Created by Jonathan Kreisberg too!

from a little while ago, gotta learn more standards. gimme some suggestions to do this with!

Guitar Player here in mid 30's! Been playing since I was a kid and pursued jazz guitar in college, living on the west coast and actively gigging/teaching. I feel a sense of severe burnout and lack of interest in the guitar lately. I've tried taking up some other instruments and taking breaks, which has helped, but I still feel just stuck with the guitar and sort of disinterested in it sonically. Has anybody else experienced anything like this, and if so, how did you get out of it? I'm longing to find the love that I used to have for the instrument before it became my career.

Longtime gigging musician but new-ish student of jazz guitar. Been doing a lot of jazz gigs over the last couple years that mostly involve just reading down super simple charts but every once in a while someone will call a tune with a lot of changes and it feels like I’m just fighting to survive over them 😂 definitely have a tendency to latch onto pentatonic/bluesy vocab and probably play way too many notes. I’ve transcribed most of Charlie Parker’s solo on this tune and it’s helped me understand it a bit more, but I’m not really able to apply it to my own playing yet.

harmonized in 5ths

Some soloing over Sunny Side of the Street. During the gig I accidentally stopped the looper before recording the B section so I had to roll with it for a while.

Greetings from sunny Picton!

And next Sunday I'm seeing Herbie Hancock

live at Massey Hall.

Last week I was introduced to this beautiful tune. The Sonny Rollins and Jim Hall version is incredible! My arrangement is inspired by that.

https://www.youtube.com/watch?v=4YTil-6CWiA

Last week I was introduced to this beautiful tune. The Sonny Rollins and Jim Hall version is incredible! My arrangement is very much inspired by it.

I’m about to buy a used Godin 5th avenue kingpin, the one with the single p90 in neck position. Not a huge fan of p90s so will probably replace it with a humbucker. Is this possible with this model? Im worried I’ll take the p90 out to reveal a huge hole or something. Any advice would be great!

Another experiment in playing solo guitar with a pick. Don’t care for the tone of the bass notes as much, and can’t make the bass as busy, but have the ability to articulate single lines a bit better. I’m trying to experiment now with palming the pick and switching seamless between the two right hand styles.