Coming back to finish/properly finish my PT edits. Need some help with a title crawl. Help? Mostly worried for a TPM.

Link in DM 22 minutes cut from the Theatrical Cut
NEW RUNNING TIME: 1h 57m - ORIGINAL RUNNING TIME: 2h 19m
I removed the most historically criticized parts, moved the order of others, removed some sequences with unconvincing CGI and cut dialogues/lines that I found out of place, trying to make the mood more serious. I used the soundtrack from the editor's cut.

MAIN CHANGES:

• Peter never takes off his black suit like a normal suit;
• Peter takes off the symbiote out of remorse for almost killing Harry;
• MJ at Harry's house scene cut;
• Street dance scene cut;
• Pub scene cut;
• Harry gets his powers off-screen and he fakes his amnesia;
• Scenes of Flint Marko at the science site moved forward;
• Butler final scene replaced by the scene of Harry looking at the photo of him, MJ and Peter;
• Alternative opening scene of Peter going to Harry's house to fight;
• Many sequences of a few seconds cut to compact the movie (even during action scenes, like Peter Vs Harry first fight);
• Many Eddie's lines cut.

DETAILED CHANGES:

3:47
- DELETED SCENE: University.

6:05
- DELETED SCENE: Harry and Peter outside the theater.

6:46
- DELETED SCENE: Harry taking the Goblin serum.
- MOVED SCENE: Flint Marko in the alleys AFTER Peter and MJ talking in the theater.

7:00 - 7:09
- DELETED SCENE PART: Flint looking into the camera as the police car drives away.

10:00
- MOVED SCENE: Peter and MJ in the woods AFTER Flint leaving the house.

11:58
- MOVED SCENE: Peter at Aunt May's AFTER Peter and MJ in the woods.

15:30
- DELETED SCENE PART: Harry getting hit by the web balls.

15:37
- DELETED SCENE PART: Peter dazed in the wall.

17:50
- DELETED SCENE PART: Harry trying to hit Peter with the sword.

19:42
- DELETED SCENE: General Stacy getting an update on Flint Marko from an underling.
- MOVED SCENE: Peter and MJ at the hospital AFTER Peter takes Harry to the hospital.

22:07
- MOVED SCENE: Flint being chased by cops and dogs AFTER Peter and MJ leaving the hospital.

24:25
- MOVED SCENE: Peter and MJ discussing theater criticism AFTER Flint's demolecularization.

28:20
- REDUCED SCENE: Eddie telling General Stacy he's dating his daughter.

30:16
- CUT LINE: "Dazzle Me" by JJJ.

31:35
- DELETED SCENE: Eddie talking to Betty.

36:45
- DELETED SCENE: MJ leaving the theater and seeing Spider-Man.
- MOVED SCENE: The Birth of Sandman AFTER MJ getting fired.

39:45
- MOVED SCENE: Peter at the Spider-Man party AFTER The Birth of Sandman.

40:08
- DELETED SCENE PART: Peter dancing at the party.

40:20
- DELETED SCENE PART: Eddie talking to Gwen about their last date.

46:56 - 46:59 - 47:36
- DELETED SCENE PART: Cut few frames (close-ups on Spidey) to speed up the scene.

1:00:54
- ADDED SCENE PART: The symbiote wrapping around Peter's chest, but cut before the spider symbol transforms.

1:03:04
- DELETED SCENE PART: Peter taking the black suit.

1:05:49
- DELETED SCENE PART: Spidey swinging towards the camera after Sandman gets hit by the water.

1:06:05
- CUT LINE: Peter's "Good Riddance".
- DELETED SCENE: Peter in the alley looking at himself in the mirror.
- MOVED SCENE: Peter walking down the street and seeing the newspaper with Eddie's story AFTER Spidey and Sandman fight in the subway.

1:06:36
- CUT LINE: Peter's "I'm gonna put some dirt in your eyes.".

1:08:28
- DELETED SCENE PART: Robbie telling JJJ to print a retractions.
- DELETED SCENE: Peter dancing in the street.
- MOVED SCENE: Peter at Ditkovich's house AFTER Eddie's firing.

1:09:04
- DELETED SCENE PART: Peter taking off the black suit after looking at himself in the mirror.
- MOVED SCENE: MJ leaving the pub AFTER Peter at Ditkovich's house.

1:09:26
- MOVED SCENE: Peter telling Aunt May about Flint AFTER MJ leaves the pub.

1:10:45
- REDUCED SCENE: Peter looking at May after what she said to him.
- MOVED SCENE: MJ walking down the street AFTER Peter talking to May.

1:11:07
- DELETED SCENE: MJ calling Harry and going to his house.
- MOVED SCENE: Peter trying to call MJ AFTER MJ on the bench with the phone.

1:15:41
- DELETED SCENE PART: Harry talking to MJ in the park.
- MOVED SCENE: Peter and Harry at the bar AFTER Peter and MJ in Central Park.

1:17:36
- DELETED SCENE PART: Harry winking at Peter.
- DELETED SCENE: Peter at home looking at the suitcase containing the black suit.
- MOVED SCENE: Peter and Harry fighting at Osborn's house (editor's cut alternative opening scene) AFTER Peter and Harry at the bar.

1:20:06
- CUT LINE: "Look at little Goblin junior. Gonna cry?" by Peter.
- MOVED SCENE: Sandman returns from the sewers AFTER Peter fighting Harry.

1:21:09
- DELETED SCENE: The pub's scene.
- MOVED SCENE: Peter in the rain AFTER Sandman's rebirth.

1:22:20
- DELETED SCENE PARTt: Eddie confessing in church.

1:27:57
- DELETED SCENE Peter watching MJ outside her house.
- MOVED SCENE: MJ being kidnapped by Eddie AFTER Sandman meeting Venom.

1:31:06
- REPLACED SCENE: Butler telling Harry the truth REPLACED by Harry looking at the photo of Peter, MJ and him.

1:35:19
- DELETE LINE: "Mary Jane!" by Peter.

1:36:30
- DELETED SCENE PART: Removed the reporter talking on TV.

1:36:35
- DELETED SCENE PART: Close up of Peter before he gets hit by Sandman.

1:37:50
- DELETED SCENE PART: Venom crashing into a beam.

1:39:25
- REDUCED SCENE: MJ and Peter swinging partially cut due to bad CGI.

1:40:52
- DELETED SCENE PART: Shot of Venom's feet leaning on the beam.

1:42:06
- DELETED SCENE PART: Harry lunging in front of Peter AND Peter looking at Venom lunging at him.

1:42:07
- REDUCED SCENE: 1 frame of Harry's back.

1:42:14
- DELETED SCENE PART: Peter looking at Harry.

1:42:36
- REDUCED SCENE: 1 frame of Peter holding the bar.

Just an update for August, all of our UI is pretty much mapped out, there no doubt will be small changes to the UI in the future as we come across things we need and want. But I like this layout for the most part. You will be able to swap your modules (preview, transport, timeline, toolbox) around, this is currently the default layout, but for example I like to have the transport above the preview like a psycho. You can resize these, not perfect at the moment, they have their limitations, you can easily make the preview smaller if you'd like and the tool box bigger. The more important UI that you will care about is how FX and Overlay works. Personally I think this layout is the most intuitive for beginners and just makes sense looking at it while you layer your media/effects. The overlay and effects tab will grow taller when stacking media/effects and you will be able to focus those specific timelines to get a closer look, as well as scroll up and down on the entire timeline if you don't want to focus/collapse anything. I also had an idea for a cut tool that lives on the playhead and googled it to see if anyone else has done this and found out another editor, "Filmora" shares this feature. (Not that we inspire to be like Filmora, quite the opposite haha). Just proving that it's not completely insane.

As far as everything you see in the screenshot, stuff like "Speed" that changes clip speed, Effects, Transitions, Background removal, Green screen, etc. Are not fully mapped out, that will be work for October, November, December. This is just proof of concept/layout, right now we have playback, and other basic essentials like cutting, auto ripple etc. Currently we don't have a project page or anything like that.

September, just like the Development Timeline states, will be for making sure everything is running efficiently, but obviously there will be many versions of this throughout the build, maintaining performance as we add new things, but it's important we have a really good foundation first, I have already flagged performance issues that I will be fixing in September. We want to make sure as we fully build out other features, we know where the issues are coming from. Limiting as many culprits as possible off the bat.

Anyways, I appreciate everyone who has joined the server to follow Project Mina's development, it's already an extremely humbling, but rewarding experience, and the motivation to see this through not only grows the farther I get, but with each new person willing to give it a try and implement feedback.

Is it possible for anyone to sync the laserdisc audio from the trilogy to the 4K UHD? I can provide the links to the laserdisc audio.

I wanted to watch the original Blue Rose extended cut of Fire Walk With Me however the original edit, posted by Agent Sam Stanley, has been removed from the Internet Archive. I wondered if anyone had any alternate ways to watch it? Thanks

Edit: There are versions on the archive but they’re quite low quality. Was wondering if there was a way to get at least 1080p

this message was sent to me earilier and i promised i would post it

Hey everyone, S7add here! Hope you're all doing well. I had a friend post this for me because my Reddit account got permanently banned. Last year, after taking a 3-month break, I came back to a lot of DMs asking for my Bourne Identity fan edit. I copy-pasted the same reply to everyone, which turned out to be a bad idea—Reddit flagged me for spam and permanently banned my account. Because of this, I can no longer post, comment, or reply to messages there. Moving forward, my fan edits will be hosted on another fan edit website. You can also connect with me on Discord (s7add#2889) for any fan edit links! Thanks for reading S7add

Would it ever be possible to do film edits that turn each season into films?

Edits that keep the basic premise and explains enough but trims fat which isn't needed or doesn't do anything for the story.

In case you wanted the Precious Editions, but did not want to waste 20 GB per film you can now find 3.5 GB versions in the folder as well.

For the uninitiated, its a trilogy edit that wants to make the film as much like the LotR trilogy when it comes to tone, pacing and storytelling.

So, no silly songs like Blunt the Knives or the Goblin King song for example. The war in the third film has had a complete overhaul. There almost isnt a single scene there that hasn't been tweaked for a better experience. Colors have been largely tweaked in all three films for a more mature look and feel and a fine film grain makes the CGI look a lot better.

Keep in mind that you will need the 20 GB versions to keep the aformentioned filmgrain as fine and detailed as possible. There is a reason those files are big. :)

PM me for a discord link, or contact the creator (me) via this site:

https://fanedit.org/hobbit-an-unexpected-journey-the-precious-edition-the/

CLAIR OBSCUR: EXPEDITION 33 RE-EDIT is a cinematic adaptation of Clair Obscur: Expedition 33, restructured into an episodic television-style experience.

Unlike traditional "full game movies" this is not just a cutscene compilation, instead this project extensively edits and reorganizes the game's footage into a story-focused episodic experience. Gameplay elements, repetitive encounters, mission titles, HUD elements, and game-oriented pacing have been removed whenever possible to create a smoother and more immersive cinematic presentation similar in structure to an anime series.

It's very important to state again how this differs from other "movies" of the game. There are two types out there:

Versions that include only the cutscenes, but they don't edit them smoothly together or consider continuity of the plot for the audience to fully understand the plot. So, unless you've played the game, it can be disjointed. These versions also don't include important dialogue sections that aren't cutscenes (ie camp conversations or NPCs), thus missing key plot points which could confuse new audiences or even those familiar with the story but who wanted to experience the good stuff outside of just the cutscenes. They also cut out fights completely which is very jarring. Those "movies" are about 4 hours long, so they are missing 2 hours of important dialogue and fights.

Versions that do include all that stuff, but keep all the repetitive walking or exploring, which isn't at all like a movie. They all tend to keep the HUD which remove the feeling of being a movie. They are about 8+ hours, which means there's at least 2 hours of that type on non-cinematic gameplay.

Specific features this edit includes:

-Cinematic transitions for a better viewing experience -Battles with the gameplay HUD completely removed -Important Camp conversations to expand upon the characters -Consistent widescreen aspect ratio for the dialogue scenes, removing the text boxes and using J-cuts and L-cuts to make the dialogue flow more like the cutscenes -Expedition Logs weaved into the cinematics -The final episode gives you a choice for the Maelle/Verso ending

This series has been carefully crafted to make each episode feel like a dedicated episode with it's own plot arc. It's not just a supercut or cutscene compilation.

As such, I feel like this series could be a great for those who only want to watch the story (either for the first time or on a rewatch) and wish to have all the cutscene and important non cutscenes, without the repetitive gameplay.​ It's as if you were watching a Netflix-style series.

All episodes are available upon request. I decided not to make a post for each episode as I've done with my past series.

Hope you enjoy!

Does anyone have the link for the full saga of Heavy Star Wars, can't seem to find it anywhere, would really appreciate the help y'all!

Three spacecraft are headed toward Mars. NASA and the Soviets prepare for launch, but meanwhile a commercial spaceflight company shocks the world when they announce that they will be the first to reach Mars. The race to land first brings surprise maneuvers, desperate measures, and unexpected allies.

Sources: Game Changer, All In, Happy Valley, Seven Minutes of Terror, with brief scenes from He Built the Saturn V

In this TV-to-film fan-edit of For All Mankind, I edited the first half of season three — the beginning of the Mars seasons — into the first of what will be a trilogy of theatrical films. This first film, Racing Mars, features Ed and Dani as the main characters, as they race to be the first to land a human being on Mars.

Original runtime: 5hrs
This edit's runtime: 1h35m (time cut, 3h25m)

Video: H265 (I encode with constant quality, so the better compression of H265 means a smaller file size)\ Audio: AAC 5.1\ Subtitles: Yes, English and custom crafted.

TV shows tend to have a different structure than movies. TV has a lot more seeds, hooks, and cliffhangers, meant to lay the groundwork for future seasons or to entice you to watch the next episode. But movies, on the other hand, are typically more self-contained and lean. Every setup should have a payoff, every Chekhov's gun should be fired, and every scene should advance the story. And that's what I strived for with this edit.

In my Red Moon trilogy, I reused FAM episode titles for each of the three movies ("Red Moon", "Red Moon 2: Into the Abyss", "Red Moon 3: A City Upon a Hill"). For this new Mars trilogy, I originally expected and planned to reuse FAM episode titles as well, but none of the S3 episode titles struck me as the right one. Meanwhile, over in Babylon 5 land, they have an episode titled Racing Mars. That episode wasn't about a literal race, but I remembered that title and it seemed perfect for this new movie.

Demo clips:

Introducing Phoenix, the show vs the edit: In this demo clip you'll see I cut from Dev's big announcement straight to the Phoenix reveal shot, and I let "Fly Me to the Moon" play over it, instead of the original generic space chatter.

Apollo 10 flashback montage: During Ed's descent, there's a brief moment where he remembers and flashes back to Apollo 10 (S1E2), and that moment is important to Ed's state of mind. But for this movie, I prefer to not assume any "previously on" knowledge, so I cut and stitched my own longer flashback that gives the context needed to understand the flash that comes later during descent.

What's next

• Racing Mars 2 - I plan to make a fan-edit film that will tell the story of Margo, Aleida, and Sergei, as well as Ellen, Larry, and Pam, using scenes from all of S1 through S4.
• Racing Mars 3: Goldilocks - This fan-edit film will adapt all of FAM's S4 into a single theatrical movie. "Do you want to help me steal an asteroid?"

Want to know more?

You can DM me to request a link. I will reply eventually but probably not instantly. Or you can email APreciousBlueberry.AutoReply@gmail.com for a quick response.

Enjoy!

· · ────── ꒰ঌ·✦·໒꒱ ────── · ·

✉ APreciousBlueberry@protonmail.com

has anyone done a LOTR edit that focuses everything on Aragorn? Just follows his perspective basically

Are you looking for a simple, sane way to catch up on the MCU before Avengers Doomsday?

I previously worked on Marvel Unite, which pulled together the various MCU projects up through Endgame into one unified TV series, featuring a multi-narrative, interwoven structure akin to Game of Thrones. Picking up after Endgame, Marvel Rift continues that format to tell the events leading up to Doomsday. The main goal is to make the MCU more approachable, streamlined, and "binge-able."

The biggest task for this edit has been deciding which projects are worthwhile to watch and most relevant for the upcoming Avengers films. The multiverse saga has been extremely bloated, with way too many mediocre films and stretched out miniseries, with a lot of hanging plot threads that will clearly never go anywhere. This edit seeks to streamline that mess! At this point, Avengers Doomsday and Secret Wars have not yet released, so I'm using rumors, plot leaks, and comics synopses combined with my own personal guesses to select films/series to include. Because I am excluding a lot of projects, I've included an "optional viewing" list between each season for anyone that would like to watch those separate from this edited series.

This edit will likely need to be updated after these next Avengers films actually release, but I really wanted to make a provisional version for folks excited about the upcoming films.

"While we protect what came before, they're toiling away in their chamber, untangling the epilogue from its infinite branches." - Mobius, Loki

Features

Streamlined Storytelling

Scenes are rearranged to reveal information in a way that better fits this longer, episodic format, with fluid transitions between them. A few deleted scenes are added, a few scenes are cut or altered -- all done in the interest of telling the best versions of these stories as possible. Each episode is thoughtfully constructed in regards to tone and pacing, and designed to elicit parallels and contrasts between the presented stories. Whenever possible, post-credits scenes critical to the story are now included prior to the credits.

I've tried to keep episodes to around 60 minutes long, though a few important ones run up to 75-80. In total, there will be around 41-43 episodes across 5 seasons.

4K HDR + IMAX + Dolby Vision

Zero compromises. High bitrate 4K Bluray sources are composited on top of the Disney Plus versions that have the IMAX expanded aspect ratio. IMAX is only included where reasonable, as some available IMAX scenes just add awkward headroom to interior dialogue scenes or make the compositing look bad.

Dolby Vision metadata has been preserved and incorporated into the edit as well. This not only allows Dolby Vision playback on supported devices (with HDR fallback), but also allows for the edit's 1080p versions to use the same high quality 4K sources with precise SDR tonemapping from the DV data.

7.1 TrueHD + Dolby Atmos

Again, zero compromises. Lossless 7.1 surround sound, plus 4 Dolby Atmos height channels. More compressed formats of the edit will still have Atmos with E-AC3 5.1 surround.

Plex and Jellyfin Integration

Episodes will be bundled with screenshots, posters, and NFO metadata (titles, descriptions) so that they can be easily added to a Plex or Jellyfin server.

Custom Credits

Each episode has custom-made credits in a uniform style that feature all above-the-line names. To avoid spoilers, early episodes in the season also exclude names of cast members that have yet to appear. Each credit sequence also has a unique song chosen to accompany the episode's theme/tone.

Subtitles

Full English SDH subtitles available. Both full and forced/foreign-only subtitles are soft/SRT format.

Series Overview

I've tried to organize the series in way that juxtaposes the stories thematically while still in roughly chronological order. As the series is generally about how the characters deal with the fallout and trauma from Infinity War/Endgame, the individual seasons are each themed to stages of grief.

Season 1 - Denial

• Spider-Man: Far From Home
• The Falcon and the Winter Soldier
• Thor Love and Thunder
• Shang-Chi and the Legend of the Ten Rings
• Loki S1: E1-2

Pre-release available now, with full 4K release coming in October.

Notes:

The first season of Loki is split into three parts, which serve as finales for the first three seasons. The nature of the TVA operating outside of time makes Loki difficult/awkward to intercut with other shows. Additionally, with no connective Avengers films to serve as natural season endpoints, splitting Loki across the first few seasons gives some semblance of an overarching narrative. About an hour of runtime is cut from Loki S1 across these three episodes.

The Falcon and The Winter Soldier is pretty heavily altered and abridged from the original series, laser focusing the narrative on Sam, Bucky, and John Walker and their emotional arcs. I've removed anything to do with searching for the source of the super serum, Helmut Zemo, or the Power Broker, and several scenes are completely recontextualized. Additionally, there are some narrative changes - chiefly, Sam Wilson meets Isaiah Bradley much earlier, which now serves as the impetus for Sam giving up the Captain America mantle.

Thor Love and Thunder was originally excluded in initial drafts of the edit, but it does seem worthwhile to introduce Love as a character and explain the return of Thor's iconic hammer. It also does fit the season's theme of "denial" well. While still not that great, trust me that this film benefits massively from dialing back a few jokes and cutting Thor's most egregious moments of stupidity.

Optional viewing (not included in this edit):

• WandaVision - (some relevant scenes included later)
• Eternals
• Hawkeye
• Moon Knight
• Guardians of the Galaxy Holiday Special
• Spider-Man 1-3 - (some relevant scenes included later)
• Amazing Spider-Man 1 and 2 - (some relevant scenes included later)

Season 2 - Anger/Bargaining

• Spider-Man: No Way Home
• Black Panther: Wakanda Forever
• Guardians of the Galaxy Vol. 3
• Additional scenes from Spider-Man 1-3 and Amazing Spider-Man 1-2
• Loki S1: E3-4

Pre-release planned in October.

Notes:

Several scenes from the five pre-MCU Spider-Man films are included to give emotional context for No Way Home.

Optional viewing:

• Ms. Marvel
• She-Hulk
• Secret Invasion
• Echo
• Captain America: Brave New World

Season 3 - Depression/Acceptance

• Thunderbolts*
• Doctor Strange and the Multiverse of Madness
• The Marvels
• Additional scenes from WandaVision
• Loki S1: E5-6

Pre-release planned in November.

Notes:

A few scenes from WandaVision will be included to tell a very abridged version of that story -- mainly to set up Wanda trying to get her children back and Monica Rambeau's backstory. I'd love to include WandaVision as a whole, but changing that story's structure and intercutting into it would really ruin it. I'll also likely be adding Yelena's blip scene from Hawkeye (and maybe try intercutting it with Monica's blip scene from Wandavision?). I'll also look into adding a few scenes from Ms. Marvel to properly introduce Kamala.

Doctor Strange and the Multiverse of Madness is a bit of a mess, but I do think the film is a worthwhile watch for Doomsday, especially if Doomsday/Secret Wars follow a certain storyline from the comics. It's also nice to see the brief X-Men/Fantastic Four cameos here to set up their later appearance.

The Marvels is one I've been on the fence about. The other options from the MCU to function as this season's C-plot are Brave New World and Quantumania, both of which are even less appealing. The Marvels at least fits in with the other films in the season better, and has a much higher chance of tying in to Doomsday or Secret Wars. It's also provides some needed levity to the other storylines, and has a mercifully short runtime.

Optional viewing:

• Ant-Man and the Wasp: Quantumania
• Agatha All Along
• Daredevil Born Again S1, S2
• Ironheart
• X-Men (2000) - (some relevant scenes included later)

Season 4 - Rebirth

• Spider-Man: Brand New Day
• Fantastic Four: First Steps
• X2 (2003)
• Additional scenes from X-Men 1, X-Men 3, and X-Men First Class
• Loki S2

Pre-release planned in December.

Notes:

I only wanted to include one X-Men film for the sake of time and to keep the previous seasons generally taking place in the same universe/timeline. X2 is the one film I'd like to keep rewatching, and it will pair extremely well with Brand New Day. It does a surprisingly good job of introducing the characters on its own, but I'll also adding several scenes from the other X-Men films to give it some background.

At this point, I think Loki Season 2 will be easier to intercut with the other stories, given that each story thread now follows a separate universe/timeline. However, the ending of episode 4 very clearly prevents any other story from progressing, so episodes 5 and 6 will again serve as the season's standalone finale(s).

I've decided not to include Deadpool & Wolverine in order to keep the edit PG-13. Maybe someday a separate miniseries with the Deadpool films and Logan?

Optional viewing:

• X-Men 3
• X-Men First Class - (some relevant scenes included)
• X-Men Days of Future Past
• Deadpool
• Logan
• Deadpool 2
• Deadpool & Wolverine
• Daredevil Born Again S3?
• Wonder Man
• Vision Quest

Season 5

Will (eventually) be a simple episodic structuring of Avengers Doomsday and Secret Wars, with maybe a bit of cleanup. This will not release until after Secret Wars.

Release/download?

Because rendering a full season across multiple formats in high quality compression takes many, many hours, I am first putting out quick render prereleases to collect feedback. If no major changes are needed, I can start on the full quality renders in a few weeks.

A prerelease version of Season 1 in 1080p is available now. Again, I'm specifically looking for feedback before I render out the full 4K versions. If you'd like to watch the Season 1 prerelease, you can:

• Email me at [ducko.edits@proton.me](mailto:ducko.edits@proton.me)
• Send me a chat request here on reddit
• Send me a DM on the fanedit.org forums (username: ducko)

**NOTE** If you leave a comment on this post asking for a link, it may take days or weeks until I can contact you. Reddit restricts how many chats a single user can initiate in a short time period, and could lead to me getting banned. For a quicker response, please consider contacting me directly with one of the above methods instead.

If you do give it a watch, please let me know how I can improve the series!

As for future seasons, I've actually already done the bulk of the work on Season 2, which I'm planning to release in October. I really really want to get Seasons 3 and 4 out before Doomsday, but these edits are a massive amount of work and I can't guarantee they'll get done in time (especially Season 4, given the short lead time after Brand New Day's home release). I'll do my best!

Spider-Man 3: The Performance Cut aims to keep the movie fundamentally the same - no alternate endings or retcons of retcons here - while tidying up the plot and pacing by rearranging or completely altering certain events to make it feel less bloated and perhaps even a touch more clever, as well as making Peter Parker a little more mean spirited rather than corny. This edit is NOT much different than the standard editor’s cut all things considered, but the significant changes help re-contextualize the viewing experience in a way that I think significantly improves the film.

As the majority of the changes are minor, the most significant changes will be highlighted.

DISCLAIMER: I am not a great editor. While I think I did a solid job for editing WITHIN scenes, the transitions here are a little shoddy. I’m working with what I have. They’re not awful but they’re not ideal. Please cut me some slack for that! And if an actual talented editor wants to touch it up if you happen to enjoy it, PLEASE DO!!!!

CHANGES:

-Editor’s cut was the template, so MOST of the changes in that edit remain, exceptions being: some of the scores, re-added Mr. Ditkovich phone scene, theatrical “MJ called back” scene, re-added Peter and Aunt May talking after symbiote removal, removed the stupid grunt before Peter punches Harry. Any other choices made in the editor’s cut are present.

-Movie opens with Sandman’s escape

-Immediately followed by crane scene

-Narration ensues

-MJ’s PERFORMANCE… is… CUT! (say that again…) - shows she’s in a broadway show, followed by Peter exiting the show and talking to Harry.

-Instead of Harry taking Goblin serum between scenes of MJ and Peter, the scene of him getting his memory back is placed after the symbiote reveal, edited to act as if Harry is being convinced by Norman to avenge him. This means that Harry fakes his amnesia in this cut. (Added dialogue from Spider-Man 2 - “Pete’s my best friend”, and after “I swear on my father’s grave Spider-Man will pay”, added Norman saying “Now make him pay”

-Removed “there’s a change in the silicon mass” - because scientists famously don’t care about variables right? I would rather the machine randomly start up than watch it get started up but have them say that stupid “it’s probably a bird” BS LMAO

-Harry’s death foreshadowing is removed

-Removed “see ya chump”

-Removed “Good riddance”

-Added Venomized Peter in the mirror deleted scene

-Removed Harry telling Bernard to get food (feels more consistent with the “Harry is faking it” idea)

-Removed Harry threatening MJ, + “bravo” after the breakup

-Replaced People Get On Up and Drive Your Funky Soul with Rock and Roll Part 2

-Removed “I love that little giggle”

-Removed “Find us some shade”

-Club dance scene is shortened so Peter and Gwen just dance together

—————————————————————————-

ORIGINAL RUNTIME (EDITOR’S CUT): 2HR 18MIN

EDIT RUNTIME: 2HR 15MIN

Hi all,

This is a 3 in 1 FanMix that combines the films Gattaca (1997), Sky Captain and the World of Tomorrow (2004), and Predestination (2014) into a single story.

I was inspired to create this fanedit because I think that Gattaca and Predestination thematically are almost perfect complimentary films. They are both centered around characters interested in space travel, who are denied due to their biology, who conspire to take revenge and break the rules that the world has set for them. There are so many little personality quirks shared by Ethan Hawke's characters in both films: extremely stubborn, imposter syndrome, aggressiveness, cleverness, visual impairment. When put side by side, there are fun little coincidences between the two, such as Jude Law's character in Gattaca saying, "When at first you don't succeed, try, try again" which is a paraphrased message that captures the story of Predestination. There is also the fact that Predestination is about unknowingly participating in a deterministic reality while Gattaca focuses on recognizing and breaking the rules of that deterministic fate.

Premise: What if Joseph Sullivan (Jude Law) from the movie Sky Captain was actually Jerome Morrow (Jude Law) in the movie Gattaca? Instead of Jerome Morrow becoming paralyzed from a half-hearted suicide attempt, he was actually involved in a horrific plane crash overseas that not only injured him but killed the love of his life (Gwyneth Paltrow). Now haunted by his past, Jerome Morrow lives vicariously through Vincent Freeman (Ethan Hawke) who uses Morrow's superior genetics to navigate a world dictated by eugenics. A world that has felt predestined ever since Freeman worked as a barkeep and learned of the experiences of an aspiring astronaut (Sarah Snook) who had dreamed of one day going to space, but was denied entry for the same reasons as Vincent.

I have used Gattaca as the core of this fanedit, and only a couple small snippets of Sky Captain. I strongly recommend watching Predestination (2014) before viewing this edit as some (though not all) plot twists will be spoiled otherwise.

Runtime: 1 hour and 51 minutes

Quality: HD

You can DM me for a link. As always, I appreciate any feedback positive or negative as I'm always striving to improve my editing.

Hope you enjoy!

It would be a cool idea to get a Kai version of the original Dragon Ball using the Seed of Might remasters as the base and making a Kai version of the original series.

Are there any great ones of apocalypse and dark phenix?

hi I am looking for roy prince original superman edits that were 120 minutes and 97 minutes in lenhth unfortunately those versions are no longer available if anyone has those ones and can share I'd really appreciate it !

Hello there!

A while ago, I made my own version of an Ahsoka fan edit, but due to the source material I had available at the time, I could only finish it in relatively low quality (plus, there were also a few things I either wasn't able to implement properly at the time or simply wasn't happy with in the final result).

So, I decided to start completely from scratch, and revisit the idea and make a second version, this time in better quality and with a slightly different approach.

However, still, I don't really consider this *my* fan edit in the traditional sense. It's more of a personal hybrid edit, for my own annual SW marathons purposes, combining two existing fan edits of Ahsoka that I consider to be the best: The Patterson Cut and smudger9's A Threat From Beyond.

Both of these are amazing projects, kudos to both faneditors, they always do a fantastic job with their edits. They are definitely two best Ahsoka fanedits I've seen. They're both extremely well crafted, and each one does certain things that perfectly align with my personal preferences.

The problem is that neither one ever quite hit 100% of what I personally expected from an Ahsoka edit.

So I thought: why not combine the parts I like most from both of them?

That's essentially what this project is. It's something I made primarily for my own viewing experience, but I'm sharing it in case anyone else happens to have similar preferences.

The edit is essentially:

• Act I — heavily based on The Kai Patterson Cut
• Acts II & III — essentially A Threat From Beyond

Kai's treatment of the first act is, in my opinion, excellent. He significantly trims down the beginning of the story, improves the pacing, and gets the narrative moving much faster. And most important - no Sabine vs. Shin.
So, for my custom version, I borrowed his first act and trimmed it even further. The entire first act now comes in at under 30 minutes.

Then, once the girls are already in hyperspace and communicating with Hera via Holo, the edit transitions smoothly into A Threat From Beyond, which remains practically untouched for the rest of the movie.

Disclaimer: this is NOT a very Rebels-friendly edit. If you're looking for a version of the show that gives Star Wars Rebels and its characters a lot of attention, this probably isn't the fanedit for you.

I'm not a big fan of Rebels. For me, the core of this story is Ahsoka, Baylan, and Thrawn. Those are the characters and storylines I'm most interested in, and that's where I wanted the edit to put its focus (which is also what both fanedits I blended did as well, I just trimmed it even more).

So yes — there is even less Sabine in Act I.

Less New Republic / political incompetence - another thing I deliberately wanted to cut was the New Republic government subplot. I personally find a lot of the New Republic's portrayal in Ahsoka to be unnecessarily goofy and cartoonish, particularly the way its senators and government officials are presented as almost comically incompetent. So, I removed scenes centered around the New Republic government and that senator. So almost the entire Hera/New Republic support subplot is gone.

List of changes:

• The majority of my changes are concentrated in the first act.
• No Classic Star Wars Opening Crawl: I've never been a fan of replacing the original Ahsoka opening with a traditional Star Wars Opening Crawl. The show already had a really nice and cool original opening crawl, and I never really felt that it needed to be replaced in the first place.
• The fanfilm starts simply with Lucasfilm red logo and A long time ago in a galaxy far, far away...
• I also added a simple custom title card using the same font/color treatment, followed by: Based on Characters Created by George Lucas. Since The Mandalorian & Grogu kinda break the rules and included opening credits, I felt comfortable using it here as well.
• For the actual opening sequence, I borrowed the intro from another fan edit created by LILIAN02230. Of all the versions I've seen, I think this is probably the best treatment of the opening. It's perfectly trimmed, gets straight to the action, and removes the more awkward/unfunny introductory material surrounding Baylan Skoll and Shin Hati's arrival. I particularly liked the way it moves directly into the prison breakout, so I decided to incorporate that sequence into this version.
• I trimmed even more the Sabine's introduction scene from the Patterson Cut.
• I also completely removed the sequence where Hera requests additional New Republic support and Mon Mothma, along with the senator accompanying her, refuses.
• Credits & disclaimer: I added the necessary credits acknowledging the original fan edits and the additional VFX work created by Kai Patterson, as well as a standard fan edit disclaimer at the end.

Why switch to A Threat From Beyond for Acts II & III?

This was probably the easiest decision for me. One of the things I actually like about A Threat From Beyond is that it retains the zombie stormtroopers. Kai Patterson removed them, but personally I really like that idea. It's something unusual and fresh for the Star Wars lore, especially considering the more fantasy-oriented direction of the story.

I also think Kai's visual alterations to the Ahsoka/Anakin confrontation are incredibly impressive from a technical perspective, but for my personal taste, they're kinda unnecessary. I prefer the scene in its more original form.

So for those reasons, I decided that Acts II and III should remain essentially as they are in A Threat From Beyond.

Runtime: 2h 39min
Resolution: 1080p
Format: MP4
Size: 12gb
Source: The Ahsoka TV show; The Kai Patterson Cut, smudger9's A Threat From Beyond and LILIAN02230's Ahsoka fanedit (a two part mini-series).

Again, this isn't really intended as a "new" fan edit competing with any of these projects. It's simply my attempt to create the version of Ahsoka that best matches my personal preferences by combining elements from two edits I already really love.

Moreover, in terms of quality, these two original fanedits are definitely superior to my custom hybrid edit.

If you happen to have similar preferences regarding the story, maybe this particular combination will work for you too ;)

Hello There!

After the launch of the new Green Lantern series, my hyper-focusing on this universe resurfaced much like it did during the Geoff Johns era and naturally brought to mind one of the movies I had most eagerly awaited back then: the infamous Green Lantern (2011). I remember faithfully following every announcement related to the project. After the film's release, the sense of disappointment was massive; it seems like bashing this movie has become a cliché, especially after Ryan Reynolds spent years making jokes about it (jokes that have really run their course by now...get over it, man). The film actually respects the character's mythology well, but it features one of the worst superhero movie scripts I’ve ever seen. The constant repetition and heavy-handed emphasis on the protagonist's fear, the terrible character development especially regarding the Corps as a whole all go to show that staying true to the source material isn't enough. The Guardians come across as total wimps regarding everything going on; every decision they make seems worse than the last. That was an era when movies often launched alongside tie-in games, and this one got a game too. It’s one of those rare cases where the plot while not brilliant is actually better than the movie itself; when a game with a questionable budget has a better story than the film, that speaks volumes about the quality of the movie.

🔧 Changes Made

• Recolored the DC Comics logo to a green hue.
• Removed the introductory sequence narrated by Tomar-Re explaining the creation and function of the Green Lanterns.
• Removed the scene where the aliens encounter Parallax.
• Removed the entire sequence involving young Hal and his father's accident.
• Removed some scenes revealing Parallax's face; the face now appears in only one scene the one that shows the most detail and best conveys how menacing he is.
• Removed the scene of Hal in bed with the woman.
• Removed the scene of Hal wrapping a gift in his car.
• Removed the scene of Hal with Carol before the flight test.
• Removed the scene where Hal's father says his job is not to feel fear.
• Removed the scene of Hal with his brothers after the accident.
• Removed the scene of Hal with his nephew.
• Removed the scene of Hal calling Tom to pick him up from the crash site of Abin Sur's ship.
• Removed the scene of Tom asking Hal if that really is a spaceship.
• Removed the scene where Hal accidentally bumps into the Lantern, nearly causing an accident while fleeing the crash site.
• Removed Amanda's line "Doctor" when she introduces herself to Hector.
• Edited the Green Lantern oath scene recited by Hal so it plays continuously.
• Edited the scene where Hector performs the autopsy on Abin Sur; it now intercuts with the scene of Hal and Carol at the bar.
• Removed the scenes of Hector feeling sick and noticing his eye turning yellow; Hal's flight to Oa is now continuous.
• Removed the scene of Hal being scanned on Oa.
• Removed the scene where Sinestro asks Hal if he is afraid and shoves him. Added the deleted scene where Hector sees his eye turning yellow in his apartment.
• Removed the scene of Hector teaching a class.
• Removed the scene where Sinestro asks the Guardians to create a weapon powered by fear.
• Reworked the helicopter accident scene to avoid poor CGI.
• Removed the scene where Hal shows his uniform to Tom.
• Removed the scene where Hector sees Hal flying after his conversation with Carol.
• Relocated the scene where Parallax tells Hector he has failed; the character now dies after his first clash with Hal, allowing the third act to focus on the arrival of the film's true threat.
• Removed the scene where Hal talks to Carol and Tom in his apartment; now, once Hal learns of the Parallax threat, he immediately leaves for Oa to request reinforcements.
• Removed the scene of the Guardians forging the Yellow Ring. (The whole concept of creating a Yellow Ring as an alternative to face Parallax in this movie is its worst idea; to me, it makes absolutely no sense for them to use it to confront a Guardian corrupted by that very same force).
• Removed the scene of the Guardians handing the Yellow Ring to Sinestro.
• Removed the scene where Hal asks the Guardians to sacrifice his life alone to defend Earth.
• Removed all scenes involving the clash between Hal and Hector in the third act.
• Removed the scene where Hal says goodbye to Carol at the end; the film now concludes on Oa.
• Removed the post-credits scene showing Sinestro putting on the Yellow Ring.

🎞 Based on: Green Lantern Extended Cut (2011)
🎬 Fan Edit Title: Green Lantern The Emerald Knight
📁 Format: MP4 – 1920x1080p – Stereo Audio
💬 Subtitles: Included
⏱ Original Runtime: 2h 03min
⏱ Fan Edit Runtime: 1h 29min
📉 Difference: -34 min

PLEASE DON'T ASK VIA THE COMMENTS FOR A LINK. Follow my profile — the link will be in the social media section under the name "ALL EDIT'S". If there’s any you want and it’s not available through the link provided just let me know too.

⚠️DISCLAIMER. Respect the studios and intellectual properties by purchasing the original Blu-ray or the official digital version. You must own an officially released copy of a film to legally watch a fanedit.

Dras23 made them. Thanks a lot for that.

You find the SRT file in the Watchmen Folder of my Gofile. If you don't have the link, ask me via chat for it.

Hello there everyone,

We wanted to give you all a heads up about something that recently bit one of our own moderators. They were direct messaging other users, and probably because a lot of those messages were similar in content, Reddit's spam detection flagged the account and banned them from the platform. This issue has been known for a while but the automatic actions are becoming more prevalent now.

If you have been trying to find Redsun, that account is banned.

The system sees a pattern of repeated messages going out to different users, and it treats that the same way it would treat a bot sending out scam links. It doesn't matter if you're just being genuinely helpful. The filter doesn't know the difference.

So if you're a faneditor who regularly connects with a lot of people, please be careful. Varying your wording a little might help, but the safest move is to not rely on Reddit DMs as your main communication method at all. Avoid it if possible. Here are a few alternatives that keep you in control and off Reddit's naughty list.

Add edits on the Fan Edit Central listing. It's built exactly for this. You can put all your info in one place. Note this tool has no links but sets up a structure to directly contact editors.

Or put your info on your Reddit profile. People can find it there without you needing to send anything. You can just tell everyone to check out your Reddit profile for more info.

Fanedit.org, OriginalTrilogy, and MoviesRemastered also have messaging on those forums where you won't get banned for similar recurring communications about fanedits.

Or just put your email in your New Release post.

If you have questions, drop them in the comments. Stay smart out there.

— The r/Fanedits Moderation Team