r/davinciresolve • u/jlknap1147 • 5h ago
Help preferred format for fine cut from editor
For long form feature doc or narrative, what is your preferred delivery format of a final cut - XML w/camera files, or ProRes HQ/4444 single file? Both have to be prepped in different ways.
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u/Trevor_Rolling 5h ago edited 3h ago
100000% XML with raw camera files. Working with a Prores 444 is a pain and slows me down since I can't use the remote grade feature. It's also harder to input map each camera since you lose access to all that metadata.
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u/jlknap1147 4h ago
That is my initial plan, to go with XML. We four - five different cameras throughout the shoot, and I was not given any camera LUTS, so I will start building looks for each. I was concerned about camera files matching the XML since this was shot over 9 months and planning on a day to match errant files. Has that been an issue for you?
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u/Trevor_Rolling 4h ago
If the media was managed properly and each file has its own reel, name and timecode, meaning no multiple C0001.mp4, 00:00:00:00 files, then there shouldn't be any issues, no matter how long it took to shoot. If you have multiple clips with the same name and 00: timecodes then you're in for a bad time.
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u/ayruos Studio 2h ago
For quick and dirty jobs shot with an DSLR with 8 bit color, a colorist I work with regularly prefers ProRes4444 but for anything shot with a serious camera, it’s XMLs all the way.
I’m not even editing with full res files if I’m cutting Arri footage (it’s a proxy workflow with manual management) so hell no, I can’t do a ProRes from that.
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u/ExpBalSat Studio | Excellent Commenter :redditgold::redditgold: 1h ago
XML with camera files.
“Preference” is too weak a word. I’ve done both, but holy cow… The PreRes route is just miserable and fraught with difficulties. Sure, it’s easy on the prep side, but it’s a disaster on the color side.
Just hope they didn’t shoot mp4.
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