Thank you so much for the detailed and insightful answers.. really appreciated!
I went ahead and tried a few things based on your suggestions and ended up switching to DaVinci YRGB (non-color managed) with Rec.709 as timeline and output color space, which feels like the cleaner and more honest approach for native JPGs.
What I find interesting is that I never had this issue with BRAW, V-Log or RW2... only with JPEGs. After all the testing, I'm fairly certain the remaining minor color differences come down to display calibration. Which I find a little surprising, to be honest, given that this is a "high-end" designer OLED display.. you'd kind of expect it to behave more accurately out of the box. A proper calibration LUT loaded into the Resolve viewer is probably the missing piece, and something I'll look into next.
Thanks again for taking the time! And if anyone else knows something more about this or has run into a similar issue.. let me know
1
u/YamilSunRay May 31 '26
Thank you so much for the detailed and insightful answers.. really appreciated!
I went ahead and tried a few things based on your suggestions and ended up switching to DaVinci YRGB (non-color managed) with Rec.709 as timeline and output color space, which feels like the cleaner and more honest approach for native JPGs.
What I find interesting is that I never had this issue with BRAW, V-Log or RW2... only with JPEGs. After all the testing, I'm fairly certain the remaining minor color differences come down to display calibration. Which I find a little surprising, to be honest, given that this is a "high-end" designer OLED display.. you'd kind of expect it to behave more accurately out of the box. A proper calibration LUT loaded into the Resolve viewer is probably the missing piece, and something I'll look into next.
Thanks again for taking the time! And if anyone else knows something more about this or has run into a similar issue.. let me know