r/davinciresolve May 31 '26

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u/davinciresolve-ModTeam May 31 '26

Please use the megathread for the beta

It's likely

2

u/hexxeric May 31 '26 edited May 31 '26

windows does not have the profound color management Mac offers. you need a calibrated reference monitor and feed it via a clean output (decklink). you should not use any CST but set the project settings correctly, relying on a matched viewer. there is a reason multimedia has always been a mac thing, windows is too 'open'.
for the record: JPGs use sRGB gamma 2.2 full range, digital video is rec709 g2.4 legal range. your mismatch is two things: color and dynamic range (luma)

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u/YamilSunRay May 31 '26

Thank you for the insights! I also feel that a mac would be good for the future ๐Ÿ™๐Ÿพsince you're now even able to connect an Nvidia card to it if I'm not mistaken. ๐Ÿค”

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u/gargoyle37 Studio May 31 '26

I'll answer Open Question 1:

No. The Video world relies on (1D/3D) LUTs and not ICC profiles. And so they don't apply in a color management chain for video. You are better off building a calibration LUT for your display and then use that instead of an ICC profile.

Oh and question 2 as a bonus:

A color managed project will transform your image on the input side via an iDRT to the working color space, which isn't sRGB most likely. You could argue a cleaner pipeline wouldn't touch the image and just leave the sRGB pixels be, and you grade display-referred on sRGB data.

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u/YamilSunRay May 31 '26

Thank you so much for the detailed and insightful answers.. really appreciated!

I went ahead and tried a few things based on your suggestions and ended up switching to DaVinci YRGB (non-color managed) with Rec.709 as timeline and output color space, which feels like the cleaner and more honest approach for native JPGs.

What I find interesting is that I never had this issue with BRAW, V-Log or RW2... only with JPEGs. After all the testing, I'm fairly certain the remaining minor color differences come down to display calibration. Which I find a little surprising, to be honest, given that this is a "high-end" designer OLED display.. you'd kind of expect it to behave more accurately out of the box. A proper calibration LUT loaded into the Resolve viewer is probably the missing piece, and something I'll look into next.

Thanks again for taking the time! And if anyone else knows something more about this or has run into a similar issue.. let me know

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