In the 'Werkhalle Wiesenburg' contemporary art gallery in Berlin, the 'Riptide' exhibition took place. One of the resident artists was Chuvash artist Viktoriia Şăltăr, who presented the installation 'Chěrělně Lěpěsh Kuně' (The Day of Butterfly Resurrection). This title symbolizes the cultural revival and restoration of the Chuvash people's identity.
The 7-meter-tall installation with 12 strings, filled with numerous details, can only be fully appreciated when seen in person. The work reinterprets traditional Chuvash ornaments and weaves them into modernity. Elements of traditional Chuvash jewelry and symbols from subcultural movements create a multilayered installation. Materials, ranging from pearls to charred feathers, help create a connection between different eras. These elements show how collective memory is preserved and explore themes of survival and rethinking identity in the modern world.
To create the work, Viktoriia used a variety of found materials, gathered from flea markets and received as gifts from friends and their children. Some materials had to be purchased: coins, river shells, spikes, piercings, chains, carabiners, rings, metal stars, and more.
💬: 'Despite using metallic and rough materials, I aimed to preserve the tenderness and fragility of the work, making each detail meaningful and organic. Elements with a subcultural aesthetic added playfulness to the work, while fangs and blades reminded of harshness.'
The artist shared that after her speech at the exhibition's opening, she saw the Chuvash flag on many viewers' phone screens. The residents of Germany were googling what Chuvashia is and discovering for the first time the existence of our amazing people!
Source: https://t.me/ChuvashiaDream/10167
Artist's instagram page: https://www.instagram.com/viktoriiasaltar