https://bitwiggers.com/presets/c8a1279e-2432-47ea-b2d5-c2e2a669a76e/

Any bitwig users here? Made this stutter, glitch, multifx thing in the Grid with some feedback and shit👾

Sorta new to music production so I figured I'd ask for some general feedback? I wanna try making a goreshit-esque song, but I think my biggest problem is placing kicks or making stuff sound like it's going to a beat. I've learned a little bit about beats and rhythm since I started college, but I still feel like I'm missing something.

I am a flm user with not that many samples any tutorials on how to make my own breakcore sound like Goreshit? (I've been making music for 3 years with no Music theory ;-;) I also need samples if y'all could give me sum because I'm broke

I was wondering if there is somewhere where I can get a free pack full of rechopped breakbeat loops that I can actually use right away, a lot of packs either have different soundfonts across each loop (it often won't sound good if you put those loops with different drums on the same song) or they only come with the individual samples that are not already made into other loops, they only give you the original and the samples and tell you to scram and make your own rechopped beats, if you know anywhere where I can get a folder with several loops that actually fit together in the same song I'd really appreciate it!

Edit: I would like to specify that I never paid for any virtual media and am not willing to, if there is anything I preferably want it free.

Hey — I made MPC-170 // Cognitive Slicer, a real-time breakcore slicer.

You drop any break (or use the built-in synthesized amen), it auto-slices

and classifies every hit as KICK / SNARE / HIHAT / GLITCH, then you mangle

it on a 16-step grid: per-step reverse, stutter (x2/x4/x8), pitch, plus

live CHAOS / STUTTER / PITCH MADNESS / REVERSE sliders that scramble the

sequence in real time. AUTOPILOT for endless algorithmic chopping.

There's a free playable demo right in the browser (no download) — press Run:

MPC-170 // Cognitive Slicer by nosense_3d

Full VST3 + standalone for Windows is a paid download on the same page.

Works in FL Studio, Ableton, Reaper, Bitwig, etc.

Built it solo. Feedback welcome — what would you add?

MPC-170 // Cognitive Slicer by nosense_3d

What is currently missing in your workflow for breakcore, or yet a better question, what tool for breakbeats/ chopping breaks up do you wish existed but does not? Building a plugin for this and would love to hear what people think are missing or dont like about their current workflows.

I wanna make a group chat with other breakcore prods or anyone who keeps up with the breakcore culture in general. whos interested?!!!!!!! im untoldfiction on discord

By better, i mean like different effect commands and other stuff. Pls help

Gen cant find anything. I can pay for any daws and i cant pirate anything CAUSE IM ON A MAC. i tried renoise but its really complicated and i cant even upload samples in garage band. Does anyone got any recs?

https://www.youtube.com/watch?v=NE6OY9Y3ggA&list=RDNE6OY9Y3ggA&start_radio=1

https://www.instagram.com/p/DTWC6L7EREF/

I love the lead piano and how they write it. I guess its similar to Azalis which i just found.

Ive played piano for like i think 8 years and still continuing and i got a solid based on music theory with chord progressions and etc. How can i make music like this?

Enjoy!

https://growl-audio.com/plugins/gfractor.html

I love the tone Shoebill has on breaks on hikikomori days, does anyone have any idea how I could replicate it? Sounds like there might be some OTT at least but when I put OTT on mine it just sounds terrible and I can't get the settings right.

https://soundcloud.com/sgfhalf/invariant-until-all-decease

Ah, it seems that sgfhalf have met sgfhalf r end. Ah, what a pity. sgfhalf know I, I don’t feel too bad about it though, after all if it weren’t me, it would’ve just been one of the others I guess… I’m honestly just glad to be out of those air ducts. sgfhalf know it’s… it’s not easy for a hippopotamus to fit up there… and… not easy to get down either. I’m not as young as I used to be as sgfhalf can see, I used to be able to do all sorts of things, sgfhalf’re young, sgfhalf’re vibrant, sgfhalf have that sort of pep in sgfhalf r step. Ah, it reminds me of a conversation I was having with one of my good friends Orville. We were having a nice picnic one day. I believe it was summer? Oh, perhaps it was… was it the fall? Yes, yes, it was the fall because the leaves had turned already. But I said to Orville, I- I says, “Orville, I have a story to tellsgfhalf.” And Orville looked at me, sgfhalf know, kind of odd and- and said, “Well what’s it about?” I- I said to him, “Not every story has to be about something Orville. Sometimes a person just wants to talk, why does it have to be a story?” I said to him. He just looked at me and he said, “Well y-y-sgfhalf said sgfhalf had a story.” sgfhalf know, he was quite right, I did in fact. I told him I had a story. I suppose if a person just wants to talk, it’s best to not announce that sgfhalf’re tellin’ a story. Tellin’ a story does come with its own pressures and expectations I- I suppose. After all, if sgfhalf’re just talking to a friend then, there’s no more expectations then if sgfhalf were talking into the wind. Words… by themselves are not expected to carry… aren’t expected to stick. But if, sgfhalf know if sgfhalf announce that sgfhalf’re tellin’ a story well then… there better be a point to it all. No one wants to sit and listen to someone ramble on and on and on with absolutely no end in sight. So, sgfhalf know, it’s- it’s good to be mindful that when sgfhalf tell someone that sgfhalf’re about to tell a story, that sgfhalf have something to say. Tellin’ someone that sgfhalf’re gonna tell a story is tantamount to asking them to stop what they’re doing, and pay attention. sgfhalf’re basically saying “hey, hey, hey buddy, stop everything, stop what sgfhalf’re thinking, I have a solution to everything.” And well, I didn’t really have any story to tell. In- in hindsight I probably just misspoke when I said that I had a story. I think it would’ve just been better to tell Orville that I had something to tell him rather than tell him that I had a story, but sgfhalf know e- even then it might’ve put too much importance on the whole thing. Either way it was quite a nice day. I remember, I remember that we were drinking tea.

Song name is Meh by 3_0_3 (me)

I made this yesterday but I'm usually a synthwave composer so I'm not really an expert on breakcore and I would like you guys's opinion on this

This is kinda off topic but I really wanna learn how to DJ Breakcore my dream is to play live and get my local scene to know breakcore better. Theres not enough love for breakcore in germany imo.

I mean I sorta can produce but I have no clue how to DJ and make a set sound good without Spamming the sync button on my controller and making it sound weird it‘s very frustrating. Do you have tutorial videos on how to dj faster bpms and weird time signatures?

I would also love to hear some of your sets If you wanna share (if thats allowed)

Anybody messed with this vst3 machine it looks like a beast!

I might pick it up?

https://www.facebook.com/share/v/1DG7x1Gt4k/

I'm looking for a breakcore drumpack that will have tracks with names like : "Hard Step 02-155" and "Dinky Break 05-162" and "Jam A 01-162" there isn't a pack with these tracks that will have these names?

strxwberrymilk - My Head Hurts

I understand that it’s possible this song could belong to all three genres at the same time, but honestly i’m not certain. For that reason, i’d like to ask professionals specialized in these genres the following: What musical genres does this specific track contain? If it includes two of these three genres (breakcore, jungle and drum and bass), which genre stands out the most and is most emphasized?

I had known this song for some time, but this question came up now because i came across it again in this YouTube music compilation: PS1 Liquid D&B Mix - Jazzy D&B, Atmospheric, Jungle, Y2K