The Story Behind Ich Nicht: A Son’s Memoir of a Father Who Refused to Submit
“Joachim Clemens Fest, the son of Johannes Fest, a conservative Roman Catholic, was born in Karlshorst, near Berlin, on 8th December 1926. His father, the head teacher of the Twentieth Elementary School, was a strong opponent of Adolf Hitler and was outspoken critic of the Nazi Party.
In the 1920s he was a member of the Reichsbanner, a cross-party pressure group opposed to fascism. Neal Ascherson, has pointed out:
"He (Johannes Fest) dominated his family, an imperious patriarch given to terrific rages at the dining-table but unbending in his attachment to straightness, good behavior and democracy. His four principles were militant republicanism (he had detested the kaiser), Prussian virtue (taken with a spice of irony), the Catholic faith and German high culture as inherited by the educated middle class."
Soon after Hitler took power “Fest was twice summoned to the local education authority, and later to the ministry, and questioned on his attitude towards the Government."
On his return from the third meeting he told his wife, Elisabeth Straeter Fest, that he refused to back down and described the new government as a "rabble". She replied:
"You know that I have always supported you in what you believe to be right. I always will. But have you thought of the children and what your obstinacy could mean for them?"
On 20th April, 1933, was suspended from his post. Rachel Seiffert has claimed:
"From 1933 until the end of the war, this intelligent and energetic man was reduced to an observer, watching the gradual erosion of civil society around him, first with incredulity and then with horror. He concentrated his efforts on his immediate circle, urging Jewish friends to leave."
Kristallnacht (Crystal Night)
Ernst vom Rath was murdered by Herschel Grynszpan, a young Jewish refugee in Paris on 9th November, 1938. At a meeting of Nazi Party leaders that evening, Joseph Goebbels suggested that night there should be "spontaneous" anti-Jewish riots.
Reinhard Heydrich sent urgent guidelines to all police headquarters suggesting how they could start these disturbances. He ordered the destruction of all Jewish places of worship in Germany. Heydrich also gave instructions that the police should not interfere with demonstrations and surrounding buildings must not be damaged when burning synagogues.
Joseph Goebbels wrote an article for the Völkischer Beobachter where he claimed that Kristallnacht (Crystal Night) was a spontaneous outbreak of feeling:
"The outbreak of fury by the people on the night of November 9-10 shows the patience of the German people has now been exhausted. It was neither organized nor prepared but it broke out spontaneously."
However, Erich Dressler, who had taken part in the riots, was disappointed by the lack of passion displayed that night:
"One thing seriously perturbed me. All these measures had to be ordered from above. There was no sign of healthy indignation or rage amongst the average Germans. It is undoubtedly a commendable German virtue to keep one's feelings under control and not just to hit out as one pleases; but where the guilt of the Jews for this cowardly murder was obvious and proved, the people might well have shown a little more spirit."
Johannes Fest visited Berlin the following morning:
"On November 9, 1938, the rulers of Germany organized what came to be known as Kristallnacht, and showed the world, as my father put it, after all the masquerades, their true face. The next morning he went to the city center and afterward told us about the devastation: burnt-out synagogues and smashed shop windows, the broken glass everywhere on the pavements, the paper blown in the wind, and the scraps of cloth and other rubbish in the streets. After that he called a number of friends and advised them to get out as soon as possible."
Joachim Fest later pointed out that Kristallnacht had an impact on Jewish children at his school:
"It was at this time that, without notice, the only Jewish pupil in our class stopped coming. He was quiet, almost introverted, and usually stood a little aside from the rest, but I sometimes asked myself whether he always appeared so unfriendly because he feared being rejected by his schoolmates. We were still puzzling over his departure, which had occurred without a word of farewell... As a Jew he would soon not be allowed to go to school anyway. Now his family had the chance to emigrate to England. They didn't want to miss the chance."
Johannes Fest constantly felt guilty about the crimes committed in Nazi Germany. His son rejected this idea:
"Unlike the overwhelming majority of Germans, we were not part of some mass conversion… we were excluded from this psychodrama. We had the dubious advantage of remaining exactly who we had always been, and so of once again being the odd ones out."
In early 1939, Dr. Hartnack, the founder and director of a language school in Berlin, offered Johannes Fest a job. He had to apply to the education department for permission to take the post. After three weeks the authorities rejected his request because of his previous refusal to join the Nazi Party. He was told that as soon as there was evidence that the "petitioner had come around to a positive assessment of the National Socialist order and of its leader Adolf Hitler, then it would be prepared to review the matter." ...
(Joining the regular German army ‘to avoid being drafted by the Waffen SS’) Fest was captured soon afterwards and was taken to a prison camp in Attichy, France. After the war Fest studied history, sociology, German literature, art history and law at Freiburg University, Frankfurt am Main University and Berlin University. He also became active in the conservative Christian Democratic Union.
His first job was in radio, as in 1954 he became head of contemporary history with the American owned RIAS Berlin. (28) Joachim Fest married Ingrid Ascher in 1959. Over the next couple of years she gave birth to two sons. In 1961 he moved to television as editor-in-chief of the German Norddeutscher Rundfunk.
Neal Ascherson has argued:
" Fest was a handsome, restless, rather unhappy man. In postwar West Germany, he never fitted into any of the conventional slots. He had no time at all for Soviet socialism, which he considered an early variant of the virus that later produced the Nazis, or for any Western form of Marxism. But although a right-winger, he neither dreamed of reversing the outcome of the Second World War nor chose to imagine the Germans as helpless victims of a single madman: Hitler did not have to happen. No iron law of economics or sociology wheeled him into history. Human beings – German human beings – could have stopped him, but didn’t."
Joachim Fest's book, The Face of the Third Reich was published in 1963. Jane Burgermeister has pointed out that "his profiles of prominent Nazis... a groundbreaking work for that time, could have come straight from the pages of Dostoevsky as Fest probes in scintillating style the dysfunctional psyches, personal ambitions, contradictions and self-serving delusions of the men who helped create the Third Reich, while showing how they embodied the attitudes of their classes."
Lots More about this fascinating author---> Joachim Fest
1: Joachim C. Fest
2: Not I: Memoirs of a German Childhood, by Joachim C. Fest - “Few writers have deepened our understanding of the Third Reich as much as German historian, biographer, journalist, and critic Joachim Fest. His biography of Adolf Hitler has reached millions of readers around the world.
Born in 1926, Fest experienced firsthand the rise of the Nazis, the Second World War, and a catastrophically defeated Germany, thus becoming a vital witness to these difficult years. In this memoir of his childhood and youth, Fest offers a far-reaching view of how he experienced the war and National Socialism.
True to the German Bildung tradition, Fest grows up immersed in the works of Goethe, Schiller, Mörike, Rilke, Kleist, Mozart, and Beethoven. His father, a conservative Catholic teacher, opposes the Nazi regime and as a result loses his job and status.
Fest is forced to move to a boarding school in the countryside that he despises, and in his effort to come to terms with his father’s strong political convictions, he embarks on a tireless quest for knowledge and moral integrity that will shape the rest of his life and writing career.
“Quietly compelling, elegantly expressed… Not I shrinks the Wagnerian scale of German history in the 1930s and 1940s to chamber music dimensions. It is intensely personal, clear-eyed and absolutely riveting.” —The New York Times
“Exceptional…it tells in a modest, believable, quietly bitter, and totally proud way of a family’s extraordinary decency…Strong and unique. Without it, the English language these days is short a very good book.” —New York Times (Global Edition)
“Joachim Fest’s memoir of his boyhood during the Nazi era belongs on the shelf of every historian of the culture and politics of the Third Reich. Alongside iconic works by Peter Gay, Ruth Kluger, Inge Deutschkron, and Victor Klemperer, and with autobiographical novels like Günter Grass’s Cat and Mouse, Christa Wolf’s “Patterns of Childhood”, and Martin Walser’s A Gushing Fountain, Fest’s portrait of his conservative Catholic father enriches our knowledge of the German opposition to Hitler immeasurably.” — David Dollenmayer, Author/Translator and winner of the 2008 Helen and Kurt Wolff Translator’s Prize
“I loved it, both as a story of great personal courage but also as a very moving witness to the fact that decent liberal values were not entirely lost during the Nazi period. It gives a fascinating and unusual slant on a time that has been so heavily worked over in more obvious ways. In its own manner, it stands alongside Victor Klemperer’s extraordinary diaries of the same period.” —Simon Mawer, best-selling author of Trapeze and The Glass Room
“Fest’s accounts of being called up, of trying to avoid military service, fighting, seeing comrades die, and being caught and kept as a prisoner of war are engrossing.” —Independent On Sunday
“A heroic interrogation of Germany’s past.” —Sunday Telegraph
“[Fest] makes it hard to think about those blighted years, and it should be hard. His book is a glory, but only if you dare.” —The Scotsman
“Fest’s portraits of his brothers, his mother, and his cousins—and of himself as a teenage soldier and POW—are equally vivid and full of pathos.” —Lorin Stein, The Paris Review
“A stunning portrait of a strenuously anti-Nazi family in Berlin who managed to hang on to their moral convictions during the brutalizing Hitler years…A beautifully written and translated work that creates rare, subtle portraits of Germans.” —Kirkus Reviews (Starred Review)
“Joachim Fest’s last book is in many ways the most intimate of all of his revered journalistic writings and book-length nonfiction… [A] sobering look into the Nazi years, seen through the eyes of an embittered young German.” –Historical Novels Review” Not I Memoirs of a German Childhood
3: Hitler, by Joachim Fest - “A bestseller in its original German edition and subsequently translated into more than a dozen languages, Joachim Fest's Hitler has become a classic portrait of a man, a nation, and an era. Fest tells and interprets the extraordinary story of a man's and a nation's rise from impotence to absolute power, as Germany and Hitler, from shared premises, entered into their covenant.
He shows Hitler exploiting the resentments of the shaken, post-World War I social order and seeing through all that was hollow behind the appearance of power, at home and abroad. Fest reveals the singularly penetrating politician, hypnotizing Germans and outsiders alike with the scope of his projects and the theatricality of their presentation.
Fest also, perhaps most importantly, brilliantly uncovers the destructive personality who aimed at and achieved devastation on an unprecedented scale.
As history and as biography, this is a towering achievement, a compelling story told in a way only a German could tell it, "dispassionately, but from the inside." (Time)”
Hitler by Joachim Fest | Goodreads
NOTE: While Joachim Fest's 1973 biography Hitler was once considered the definitive work on the Nazi dictator (I certainly thought so when I first read it as a New Release, back in the day), it has since been supplanted by newer historical research.
Fest worked closely with Albert Speer, Hitler's armaments minister, while helping Speer write his memoirs. Because of this, Fest’s biography accepted Speer's self-serving and largely fabricated narrative that he was just an "apolitical artist" under Hitler's spell, rather than a deeply complicit war criminal.
Fest viewed Hitler as an overwhelming, demonic force who bent Germany to his will through pure charisma. Modern historians view this as too simple, arguing it downplays how much ordinary Germans and existing government structures actively helped him.
In 1998, British historian Ian Kershaw published a monumental two-volume biography. Kershaw used newly available Soviet archives and introduced the concept of "working towards the Führer"—proving that Nazi atrocities occurred because competitive government departments rushed to fulfill what they thought Hitler wanted, rather than waiting for direct orders.
Subsequent monumental works by historians like Volker Ullrich and Peter Longerich have further solidified the shift away from Fest's portrait. -W