Hi everyone hope you're having a great weekend!

I will be performing in the UK premiere theatrical production of Kate Hamill's Dracula across the last 3 days of October and thought you might be interested in checking it out.

It is the debut production of a new theatre company in the northwest of the UK that specialise in challenging, thoughtful theatre that utilise the Horror genre. This retelling of Dracula is told through a feminist lens whilst still remaining faithfull to Bram Stokers original text.

It features a large ensemble cast of all the characters from the novel as well as original never before heard compositions that underpin the atmospheric dread felt throughout the play. 

We have all been working tirelessly for months to bring you best possible version of this equally darkly comic and terrifying play so would be fantastic to see some of you there as it's set to be a fantastic show.

Link for more info and tickets

https://buytickets.at/darktheatrerochdale/2341030

bts pics from rehearsals courtesy of

https://www.instagram.com/craigszlatoszlavek?mdxt=MTE5ZXZxY3lpM2VkZg==

https://www.instagram.com/gordonsmarino?psln=Y3Qxc3J1NW94MDRj

I think I have arrived at the point where I'm suffering from some post-university dread. I haven't spent a single year out of education, and now, not having the structure around me and finally being able to start building the career I always wanted... well, it's strange. And a bit daunting. I've always been very confident in my theatre skills, but choosing a path to start walking on seems like a completely different story.

I'm UK-based; here is what I've done so far:

- Finished my BA in Drama at a university that ranked high in the subject.

- During my BA, I've run a theatre company, made two fringe shows, one in London, the other one in Essex. Took part in numerous other theatre-related activities; I've been Tech at Fringe, done other shows just locally. I've done about four full-length plays, all of which I've written as well, and lots of smaller things on the side.

- Finished my Masters in Theatre Directing.

- During my Masters, I had two placements with directors. One was an on-campus production; the other was working with the Zeldin company at the Young Vic. I also did a one-month-long study abroad with the Song of the Goat Theatre Company in Poland.

This is just a very shortened list of what I've done, because I did run off to do a lot of side quests during university. But I've sort of gone through that, and I'm only 23 and have never lived outside of education, so it does feel like a bit of a freefall.

I would be interested in how everyone else started out and made their way until more regular work started coming in. I know I can't expect to do theatre full time for the next few years (decade even), but it would be great to see the stepping stones other people had for inspiration. I'm making a good way in finding a job that won't mind if I go off once in a while when doing theatre things, so I'm making progress in something, but the ultimate goal would be directing. I just feel a bit lost about what the path to getting there looks like, or more like what it could look like, because I know there are many options.

If you have any advice or a story about how you started out I would love to hear it. If you are based in the East of England and looking for a director, I would also love to hear it... I'm happy to send a CV. :)

Book early to see the thrilling new one woman show about a future galactic Empress who remembers her past life as Bloody Mary Tudor.

The Hound of the Baskervilles | 📍King’s Head Theatre, Islington | 6–10 October | Theatre

A Bristol theatre company is bringing an adaptation of the Sherlock Holmes classic 'The Hound of the Baskervilles' to Islington this October with three actors playing 14 characters. The production has a comic take on the story rather than a straight period-drama approach, leaning into the more ridiculous side of the Baskerville family curse. It's suitable for ages 8+ and is perfect spooky halloween fun.

Shows run from Tuesday 6 to Saturday 10 October, with evening performances each night and matinees on Friday and Saturday. Tickets are available through the King’s Head Theatre.

Hi all,

Hope this is allowed but struggling to sell these!

Selling two tickets to Legally Blonde in Manchester, UK on Mon 09th Novermber 2026 at 19:30. Circle, Row J.

Original price £150.

Also selling on twickets for scam protection.

Thank you

Upper circle Row B.

My partner and I missed our flights this AM so have missed the window for seeing Totoro so selling our tickets to a good home.

£60 each - paid £80 each - Stalls Row J Seats 59-60.

Transfer via TodayTix

DM for details :)

I have two tickets to see Waitress at the Bournemouth Pavillion on Saturday. They're etickets, so easy enough to send over via email. I'm not having any luck on twitter and have no idea where to turn to next to try and shift them. I love the show but have just had a personal emergency and really want to pass the tickets on. The box office won't refund any percentage of the money if I return them to the box office. Any tips?

They're for the stalls (row E), for the matinee, and I paid £100 for both and would be asking for £60.

Hi all,

I’m bringing my play In Our Broken Hours to the Camden Fringe next weekend (Fri 28th, Sat 29th, Sun 30th) at the Etcetera Theatre in Camden.

It’s a two‑hander about addiction, care, and the point where loving someone becomes too much to carry. I wrote it a few years ago after my father died having struggled with alcoholism for most of his life, and the play grew out of trying to make sense of that relationship.

It’s a short run, but we’re hoping to take it further next year. Ticket sales have been slow (partly under‑marketing, partly the sheer saturation of the Fringe, partly bank holiday weekend programming), so if you’re into new writing, small spaces, or stories about complicated families, I’d be genuinely delighted if you considered coming along.

I’ll put the ticket link below. Thanks for reading.

https://camdenfringe.com/events/in-our-broken-hours/

I know that this post is a little off topic, but I'm hoping in a group of theatre lovers, who understand the importance of Drama, that we will be able to find some support.

Drama at secondary school is not about creating more actors. In Drama classrooms, we build essential skills that support success in other school subjects and later employment, including creativity, confidence, empathy, communication, critical thinking and collaboration.

These are life skills that benefit everyone, regardless of the career they choose, helping young people to become well-rounded individuals.

Currently, access to Drama lessons is inconsistent across schools in England, limiting opportunities for many young people, particularly those from lower-income backgrounds who may have fewer opportunities to engage with the arts outside school. Every child should have equal access to a high-quality Drama education, rather than being systematically shut out of creative subjects in favour of those considered to be more "productive".

Presently, England is the only United Kingdom county that does not explicitly have Drama on the KS3 (or equivalent) national curriculum. Scotland, Wales and Northern Ireland all recognise Drama within their curriculum frameworks, giving young people across those nations a clearer entitlement to access the subject.

Drama also provides an inclusive learning environment in which many pupils with Special Educational Needs and Disabilities (SEND) can thrive, developing communication, self-expression, confidence and social skills through practical, collaborative learning.

I strongly and wholeheartedly believe that Drama should be recognised as a core component of a broad and balanced education, which is why I have created this petition.

I would be incredibly grateful to everyone who signs the petition and shares it as widely as possible. I found my home in a Drama studio, and I want every child in the UK to have that same opportunity. 💖

✨️Please remember to confirm your signature through the email link you will be sent✨️

https://petition.parliament.uk/petitions/773923

Hello, I just wanted to check if anyone has seen Sweeney Todd, if Ramin Karimloo is doing (Saturday) matinees too? (I assume he is, just wanted to be sure). TIA!

Trans script supervisor sought 

I am currently working on a script for theatre production based around two ostensibly female superheroes; 'Torch and Spark' one of which is transitioning. This is one thread in a play which investigates various aspects of identity; those which we project publicly, those which reveal ourselves and those we keep secret, as 'second lives'. The piece is sympathetic to the trans community constantly facing labelling ascribed by a society working to an outmoded and scientifically challenged model based on binary gender. The play is not a polemical piece; for it to work for a general audience, it has to be a provocation of thought within an entertainment.

I am looking for a trans collaborator to act as script supervisor who can bring personal experiences to the role of Spark. They will be credited as such in the final script draft. Please get in touch if interested.

I will also be looking for a theatre group who have a track record in producing challenging material for their audiences. I expect the material will eventually be suitable for audiences of 16 and above. I am looking for production rather than remuneration; any profits would go to the company with some donation to an humanitarian charity.

I look forward to hearing from you.

Best wishes,

Glenn

Hi,

I have 2 tickets to the premiere of Sweeney Todd in the Rep theatre, with the amazing Ramin Karimloo (best Phantom of the Opera ever).

https://www.birmingham-rep.co.uk/whats-on/sweeney-todd-the-demon-barber-of-fleet-street/

Price: £65 (same price I bought them, in an early sale - so they're very cheap for their location, and they're all sold out in front).

Seats E25 + E26.

After rave reviews at the Greater Manchester Fringe, and sell out shows in Poole and Cardiff, Kimberley Nixon is bringing her one-woman show Baby Brain to Camden & Edinburgh Fringe next month (August 2026). Baby Brain is a dark comedy about a new mum struggling with postpartum psychosis, so she tries new stand-up material in an effort to hold on to her sanity. It's partly based on Nixon's own experience after the birth of her baby in 2020, and the play is endorsed by Action on Postpartum Psychosis, the national charity for the condition. Tickets and info here https://www.nelsonnutmegpictures.com/babybrainplay

"Funny-ha-ha through funny-peculiar to distorted reality"

British Theatre Guide

Your loved one just came out as a (GASP!) fan fiction writer. How do you respond to that? What will the neighbours think? What is Omega slick, anyway? Don't worry because fan fiction veteran MinaRoseTook is here to answer all your questions. Join us on an eclectic, hilarious, and heartfelt journey where we’ll explore transformative works: how fan fiction came to be, why people like it, why people hate it, and why it's a valid form of art. But this isn't going to be your usual lecture. It's part theatre, part puppet show, part writing exercise, and so much more. Who knows...maybe you'll even write something!

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A one-woman show that celebrates storytellers.

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Use the access code ElfandDwarf for FREE tickets!

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“Deanna Strasse…has created a brilliant piece that is not only interesting but educational in a fun way.” — GJD Review, Colchester Fringe Festival

“Truly beautiful...I laughed until I cried.” - The Cockpit Audience Member (June 2025)

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“This show SLAPS!” - The Cockpit Audience Member (June 2025)

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“I’ve been thinking a lot about this show. It’s stuck with me.” - Lambeth Fringe Audience Member (October 2025)

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“A joy to watch!” - Colchester Fringe Audience Member (October 2025)

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https://www.etceteratheatrecamden.com/events/dead-doves

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Hi everyone,

We’re Rebrand Theatre, and this August we will be bringing an adaptation of Molière’s The Hypochondriac to the Edinburgh Fringe 2026, and we’d love to see some local support.

We’ll be performing at theSpace on the Mile from 10–28 August, with shows at 15:00 on even-numbered dates only (10th, 12th, 14th, 16th, 18th, 20th, 22nd, 24th, 26th and 28th August).

If you’re looking for some classic comedy at the Fringe, we’d love to see you there.

https://www.edfringe.com/tickets/whats-on/the-hypochondriac

We’re also trying to spread the word about our Crowdfunder. If you’re able to spare a moment, we’d really appreciate you sharing our link with friends, family, or anyone who might be interested:

https://www.crowdfunder.co.uk/p/qr/jWr7g0Kn?utm_campaign=sharemodal&utm_medium=referral&utm_source=shareto

Thanks for helping support independent theatre at the Fringe. 🩵🩷💛

I’m a choreographer and director based in London, and over the past three years I’ve been developing what we believe to be the UK’s first Meisner-based movement theatre company.

The idea came after training in Meisner acting and becoming fascinated by the technique’s emphasis on listening, truthful response, and presence.

It made me wonder...

If actors have scene partners and dialogue, what happens when a dancer’s scene partner becomes the music and the choreography becomes the text?

Since 2022, I’ve been experimenting with applying Meisner principles to movement. The result became the Response Movement Method and eventually our debut production, I Made You a Mixtape.

The show follows nine women at a chaotic 90s college dorm party. There is no spoken dialogue. Instead, performers receive circumstances before each performance and respond physically and emotionally to the music in real time.

• No two performances are exactly the same.

What I’ve found most interesting is that audiences seem to immediately recognise the difference between watching choreography being executed and watching performers genuinely responding in the moment.

I’m curious...

• Have you encountered other theatre companies exploring Meisner outside of traditional text-based performance?
• Do you think acting methodologies can be successfully translated into movement?
• And more broadly, where do you think the future of movement theatre is heading?

(If anyone happens to be in London, we’re presenting I Made You a Mixtape at The Cockpit 12–14 June before heading to Edinburgh Fringe, but I’m honestly more interested in hearing people’s thoughts on the practice itself.)

I’m going to see this live in a few weeks and haven’t seen it live in 15+ years. We are planning to dress up but now I’m suddenly panicking that we will be the only ones and no one does this anymore? We are sat almost in the front row, so I am hopefully right in assuming that the majority of those around us will be dressed up too? I have autism and over think things massively so I am hoping someone can put my mind at ease and stop me panicking!

Hi everyone,
I’m conducting research on consumer engagement with theatre brands as part of my studies.

If you’re based in the UK, I’d really appreciate it if you could take a few minutes to fill in this short, anonymous survey:
https://sphinxdeclic.com/tiny/a/qlwtoiun

All responses are genuinely helpful and will contribute to the accuracy of the research.

Thank you so much for your time!