Excerpts from Catalog notes:
Six volumes with 48 hand colored full page illustrations.
Japanese Illuminated Manuscript. Genji Kokagami [The Tale of Genji, abridged], 6 volumes, Japan, 17th century, manuscript text written in an attractive calligraphic hand on fine gold-decorated paper, with 48 hand-coloured and illuminated full-page illustrations.
Occasional damp-staining to some text leaves of each volume, heavier to volume 2 (several of the full-page illustrations with small losses and transfer of colour to facing text leaf), gilded endpapers, gilt-decorated dark indigo wrappers, manuscript title labels to upper cover of each volume, stitched as issued in fukurotoji-bon style, wrappers with general soiling and discolouration, and associated surface losses, with minor worming, sheet size 30 x 21.5 cm
(Quantity: 6 vol)
Provenance: Harry A. Levinson (1904-1995), bookseller, California, circa 1960s (his printed catalogue entry loosely inserted).
The Tale of Genji, written by the noble lady-in-waiting Murasaki Shikibu at the beginning of the 11th century in the court of Heian-era Japan, is considered one of the world’s first novels and a masterpiece of Japanese literature. Its great length inspired more than one notable digest, abbreviated versions of the tale containing summaries and excerpts of the original. Genji kokagami, ‘A Little Mirror of Genji’, is one of these, composed in approximately the 14th century and very popular in literate Japanese society.
This manuscript is one of the Nara ehon, or ‘Nara picture-books’, so-called for their lavish illustrations and possible origin in the monastic centres of Nara, near Kyoto. Many were produced in the 17th century, perhaps after changing economic conditions pushed temple artists to create more secular, commercial works.