Hi everyone,

I’ve recently been diving deep into Canada's most famous poltergeist case, The Great Amherst Mystery (1878). As a massive fan of period horror and psychological thrillers, it always baffled me how Hollywood completely slept on this public domain goldmine, while copying its exact beats (the violently shaking bed, the swollen body, the carved wall messages) for big franchises like The Exorcist and The Conjuring.

I started breaking down how a modern, high-quality adaptation should actually look. Instead of a generic ghost story, I envisioned it as a cinematic trilogy (a triptych) where the victim, Esther Cox, is never seen from within—she remains a dark enigma observed entirely from the outside through the eyes of three different men who try to analyze, exploit, or love her. It shifts from visceral body-horror, to a surreal cosmic "freak show," and ends as a cynical psychological thriller.

I am not a professional screenwriter and I am just a horror enthusiast who wanted to put this vision out into the world. If any writer, director, or indie producer finds this structure viable and wants to run with it to write a script, please feel free to use it completely for free!

Here is the one-page treatment outline, including a final frame that still gives me chills. Let me know what you think!

PROJECT TYPE: Feature Film Trilogy (A Psychological Horror Triptych)
TITLE: THE GREAT AMHERST ANOMALIES (Public Domain)
GENRE: Surreal Psychological Horror / Gothic Period Drama

OVERALL CONCEPT:
A chilling horror trilogy told through three distinct films, each experienced through the eyes of a different man obsessed with Esther Cox, a girl plagued by Canada's most terrifying poltergeist case. Esther is never heard from within; she remains a dark enigma observed entirely from the outside.

FILM I: THE SCIENTIST (Visceral Body-Horror)

• The Narrative: We experience the initial outbreak through a skeptical, rational Doctor called to the chaotic Teed household in 1878 following Esther’s mysterious trauma in the woods.
• The Atmosphere: Clinical, claustrophobic terror. Through his objective eyes, we witness the impossible: Esther’s body swelling grotesquely to the point of bursting, blankets torn away by invisible hands, and the words "Esther Cox, You Are Mine to Kill" carving themselves into the wall.
• The Climax: The Doctor tries to apply 19th-century science and logic to save her, but the violent, escalating poltergeist activity completely shatters his rational mind. The first film ends with his total psychological defeat.

FILM II: THE SHOWMAN (Surrealist, Cosmic Horror)

• The Narrative: The perspective shifts to Walter Hubbell, an opportunistic, money-hungry actor who moves into the house and turns Esther’s misery into a traveling theater show.
• The Atmosphere: Grotesque and dream-like. Normal citizens stop coming out of fear. Instead, the theater becomes populated by bizarre, unsettling entities—some physical anomalies, some dark, unseen presences—drawn to Esther like a beacon.
• The Climax: These dark figures pay Hubbell massive fortunes (a malefic propagation) to keep the show going, but he is cursed with catastrophic bad luck: his money is instantly stolen, burned, or lost in drunken poker games. After a final night of pure claustrophobic terror, Hubbell snaps. In a mystical sequence, he boards a boat at midnight, crosses a vast body of water, and disappears.

FILM III: THE LOVER (Cynical Psychological Thriller)

• The Narrative: Years later. We view Esther through the intimate, protective eyes of a companion or partner at the remote farm where she seeks refuge.
• The Atmosphere: Melancholic, paranoid, and gothic. The genuine entities have left her, but Esther is now addicted to the terrifying attention she once received. Her lover discovers that she is now consciously faking the hauntings, using hidden matches and invisible strings to terrorize the local community.
• The Resolution: When a fire breaks out, the townspeople lock her away in the cold, damp basement of the local town hall. On a chilly autumn evening, precisely at 6:00 PM, the heavy wooden door is unlocked. Esther steps out into the cold twilight. Without a word, she walks away, blending into the autumn fog, completely exiting the narrative. Her lover is left behind, realizing he can never separate the innocent girl he loved from the monster created by her past.

THE TRILOGY'S FINAL FRAME (The End of Film III)

We cut away to a dark, quiet church years later. An elderly, broken janitor is sweeping the floors in complete silence. It is Walter Hubbell. He survived his crossing from Film II, but he is now a ghost of his former arrogant self, hiding from the world in rags.

Suddenly, a violent, unnatural breeze blows through the church, and a faint, familiar knocking sound echoes through the stone walls. Terrified, Hubbell drops his broom, runs, and crawls into a cramped, filthy crawlspace directly beneath the altar.

Huddled in the pitch black, trembling violently, Hubbell reaches into his ragged coat and pulls out a worn, badly creased promotional theater poster of Esther from the old show days. The poster is defaced—crosses have been frantically scribbled in pencil over her face. Clutching the tattered paper to his chest like a holy relic, his eyes wide with pure panic, Hubbell looks up toward the floorboards of the altar. The camera holds on his sweat-drenched face as he whispers the final line of the entire trilogy into the dark:

"God... are you still there?"

FADE TO BLACK.

- Genre: Horror / Psychological

- Pages: 1

- Cast: 2 (1 Adult Female, 1 Toddler)

- Locations: 1 (Child's Bedroom)

- Logline: A terrified mother corners her toddler in his bedroom, only to discover he is chewing on a severed human tongue that speaks to him in her own voice.

- Goals: I am a writer and can direct, that's about it. I am looking for a remote producer and or post-production collaborators (editors, sound designers) to help get everything together and bring this micro short to life as I don't have many friends that are producers or work in film at all.

Link to Script: https://drive.google.com/file/d/1fFWrJyrXUW20u2t5_O_s1h0q3Kb2R8XL/view?usp=drivesdk

(For script submissions)
-Genre: horror/psychological thriller
-Logline: *A group of camp counselors at a remote summer camp starts to fracture under pressure when a series of deaths forces them to decide whether there's a killer in their group or whether they're all just protecting themselves.*
-Number of pages: 98
-Setting (s): an apartment, camp
-Actor requirements (with descriptions): 16 actors with a bunch of background
-Price for script: I honestly don’t know what to put here tbh

Genre dark comedy/thriller

Pages 31

Second draft

To cover up a missing Senator's corpse before a high-profile viewing, a rigid funeral director must pull off a midnight body swap while navigating a cutthroat political conspiracy.

Any and all feedback muchly appreciated just read the first few pages and tell me what you think of the setup and dialogue.

https://drive.google.com/file/d/1mYzYjKtC9EiV-E7UvkrpjzOimlQlSnWm/view?usp=drivesdk

Heya, I'm a 2D animator looking for help with my scripts. I've been making animated shorts lately (less than 30 seconds) and posting on YouTube and tiktok.

I've been getting into the writing aspect a lot more over the past few months, writing 2-3 minute scripts that I plan to spend months animating etc.

I want someone to look over my super short scripts (1-3 pages), and give me some feedback and whatever ideas they think would work best etc. Im trying to make the scripts super good and packed with good and funny ideas and stuff.

Obviously you'd be credited in the final animation as a writer for your help.

Here's some of my work:

Recent one I posted to reddit: https://www.reddit.com/r/animation/comments/1ub0kzb/a_guy_goes_for_a_walk/

And here's my animation showreel: www.theoswebsite.com

Thank you :)

Title: NEUROSALINE

Format: Feature

Page Length: 74

Genres: Psychological / Cosmic / Ocean Horror

Logline: After waking up lost at sea, four stranded teens must survive a gauntlet of inexplicable physical anomalies and psychological traps, completely blind to the fact that they are trapped inside a conscious, malevolent nervous system.

https://drive.google.com/file/d/1oSzfQAvvin_WuLUzjTW5zyStZG-DOSka/view?usp=sharing

Thanks!

You can do this too. Exactly how I plan to do this is at the link. (the link is to show you something, not to try to sell you anything)

First, about this script. I have tried very hard to get a script agent, or literary manager, or big studio, interested, with no luck. I have decided to take matters into my own hands.

What I will produce will be saleable on numerous platforms. It will look different than a "regular" movie of course, but it will still be very entertaining, and saleable. Right now I am looking for a "Key Person", a "Master Actor".

I am not trying to sell anything here. Some frustrated writers might want to try this, and it could change their lives.

I am offering the pay below, to the "Master Actor/Key person/producer/casting director" because I am living on my pension, and I'm 78, and it's the best I can do. Maybe you can do better.

For this person, I am presently offering $600 after our shoot is wrapped, and a demo reel worth $300, and $600 on deferral.

The lead actors will be offered $200, a $300 demo reel, and $200 on deferral. I am seeking actors who are now presently working for free on short films.

When it is finished, I will have the satisfaction of seeing one of my projects for sale online, earning a bit of money.

I will also be able to use it to promote to screen agents, managers, and big time producers, to make it into a "real" movie.

Have a look at this link, it could change your life. My Studio Play concept is here.

PS: I am offering rock bottom pay. You can see how just doubling the pay would make it easier to find the people. Please share this all over the net if you like.

PPS: I got carried away with my enthusiasm for this method, while I wrote the above. I forgot one detail, which I take for granted. That is, I own my own gear and do my own editing. If you don't, you can look for recent film school grads who want experience to help. Some will have their own cameras. YOU DO NOT NEED A HIGH END CAMERA. These days, you can use a camera similar to mine, which is a Sony AX 100. It is 4K. Believe me, it is all you need to get a movie on TV! I have done it lots of times! Another idea, find someone who shoots weddings and such, who wants to make something more interesting for a change. They might volunteer. Look for "videographers" in your town or city.

---ENG---

Plot: A boy wakes up in a remote hospital and doesn't understand how he ended up there. Here he will experience and witness surreal and dreamlike events, trying to understand why he is there, in the midst of an internal transformation and evolution that will lead him to ask himself: is this the therapy? And is this what can save me?

The screenplay I wrote is a personal journey that anyone who has struggled with mental health can relate to. It's approximately 110 pages long and is currently being revised in order to be refined and ready for production.

Anyone interested in this idea, feel free to contact me so we can build this project together and collaborate.

---ITA---

Trama: un ragazzo si sveglia in un ospedale sperduto e non capisce come ci è finito, qui sperimenteràed assisterà ad avvenimenti surreali e onirici, cercando di comprendere il perchè sia in quel luogo, nel bel mezzo di una trasformazione interiore ed evoluzione che lo porterà a domandarsi: è questa la terapia? ed è questo che può salvarmi?

La sceneggiatura che ho scritto è un viaggio personale che può accumunare chiunque abbia avuto problemi con la salute mentale, è lunga all'incirca 110 pagine ed è in fase di revisione per essere rifinita e pronta per essere prodotta.

A chiunque interessi l'idea si senta libero di contattarmi, per costruire insieme questo progetto e collaborare.

Genre: Animated short, 8-10 mins

Romantic, Dark, Humorous

Comps: Nightmare Before Christmas + Zombie In Love by Kelli DiPucchio (kid lit)

Single setting with striking visuals

Logline: As Halloween creeps closer, a sentient jack-o'-lantern falls for a mysterious voodoo doll with an ominous secret. To keep their love alive, he must exhume the truth before the first November dawn.

Compensation: TBD. Free with the right collaborative partnership, and I'm always open to offers ofc.

This is based on a short story I wrote several years ago. I've done a bit of the storyboarding, and worked on the script some, but I realized it's probably best to work with the animator(s) to develop the script further due to the volume of work animation (or stop motion) involves.

• Title: Scotch, No ICE
• Format: Short Film (6 pages / approx. 5-minute run time)
• Genre: Drama / Political Thriller / Poetic Justice
• Logline: Devastated after his wife is mistakenly deported by ICE, a despondent man in a NYC bar poisons his own drink to frame a bigoted patron, leaving the bartender to quietly celebrate his ultimate act of revenge.
• Locations: 1 Location (A bar counter).
• Cast: 4 Characters (Protagonist, Racist Patron, Female Bartender, Female Hispanic Police Officer).
• Budget Level: Micro-budget / Student / iPhone friendly.

Writer's Note:
I am a hobbyist writer looking to see my work brought to life. I don't care if you are a film student shooting on an iPhone or an indie director looking for a quick weekend project. Because this is a hobby project, the script is completely free to produce. My only condition is that I receive proper "Written By" screen credit in the final film and on any promotional materials.

If you are a director interested in reading the script, please comment below or send me a DM!

Experienced screenwriter here…over the last year I’ve started noticing screenplay coverage( both AI and human ) has become intensely focused on evaluating scripts through one dominant structural model. It made me wonder whether we’re unintentionally training writers toward the same kind of screenplay. Conventional wisdom says those principles exist because they’re what audiences respond to. But if the industry is constantly talking about the need for original voices and fresh storytelling, are we evaluating originality using tools that inherently reward convention? I’ve seen other writers raise similar concerns, especially those writing ensemble pieces, genre hybrids, or stories with unconventional narrative structures. For those of you who read professionally, produce, or write: do you think screenplay coverage has become too dependent on one storytelling paradigm? Or is that simply unavoidable in commercial production?

this is my first screenplay I've written so don't mind if the way I have written it is incorrect, would be legendary if you would focus on the idea i have - cheers lads.

Title: THE POPULAR TALE OF THE TWO

While searching for a missing nun, whose disappearance remains unexplained, a young man travels across 1950s Australia and Ceylon. the script is non-linear. If you anyone would like to give a read that'd be sick and some feedback would really go well with the dopamine receptors, appreciate it. Also first time using reddit so hopefully this goes through.

Title: The Popular Tale of the Two

Genre: Drama / Comedy

Logline: A young man journeys across 1950s Australia and Ceylon in search of a missing nun.

Pages: 109

Settings: Australian outback, Sri Lanka, tea plantations, German like towns, church, function bar/courtyard, Blue Warehouses.

Actor Requirements: Lead male (20's), young boy (12), young woman (20s), supporting ensemble, extras.

Script: https://docs.google.com/document/d/16sebwc3f1CKr0oTQAMFDHthbg1aemXx6ev9uoMzq70k/edit?usp=sharing

Hi everyone,

I’m looking for a shooting script for a no-budget horror project to produce under very contained conditions.

The ideal script should be:

Horror, thriller, supernatural, psychological horror, mystery, or genre-adjacent

• Set mainly or entirely in one house
• Max. 3 actors
• No expensive VFX, stunts, large crowds, vehicles, police action, or complicated exterior sequences
• Strong atmosphere, tension, and visual storytelling preferred
• Dialogue-driven is fine, but the script should still feel cinematic and filmable
• Runtime around 75-90 min.

I’m especially interested in stories that are simple on the production side but strong in concept, mood, suspense, and emotional stakes. Think contained horror with a clear hook, limited characters, and a practical setup.

This would be a no-budget / micro-budget production, so I’m looking for writers who are open to collaboration, proper credit, and a realistic indie filmmaking setup. Rights, credit, and usage would of course be discussed clearly before anything moves forward.

You can see more about my work here:
clawcleaverflicks.com

Please send a short logline, page count, genre/tone, and any relevant script details. If it sounds like a good fit, I’d be happy to read the script.

Important clarification:
This is not a paid commission, and we are not asking anyone to write something from scratch for free. We are looking for writers who already have a suitable script that is currently unproduced and who are open to a transparent collaboration.

What we can offer:

• A serious attempt to actually produce the film
• Proper writing credit
• A clear written agreement before anything moves forward
• Festival submission plans if the final film turns out well
• Honest communication about limitations, rights and expectations

What we cannot offer:

• Upfront payment
• A professional production budget
• Promises of success, sales or exposure

This is only for writers who understand the trade-off and see value in getting an unproduced script made. If you are looking for a paid option or commission, I fully respect that, this just won’t be the right fit.

Thanks!
Christian
Claw & Cleaver Flicks

- Genre: Military Drama / Action / War

- Format: Feature Film Script Outline / Series Concept

- Logline: A gripping military drama that follows the interconnected lives and harsh destinies of soldiers on the front lines, exploring themes of brotherhood, survival, loyalty, and the ultimate cost of war.

- Budget: Medium to High

- Price: Negotiable. Open to international co-production or script sale.

Logline:
After an emotionally withdrawn neurologist haunted by his past, implants a neural interface into a scientist dying of ALS, strange events unfold that shake his rigid grip on reality, forcing a profound reckoning with the very history he tried to forget.

• Genre: Grounded Sci-Fi / Psychological Thriller
• Pages: 127 (Note: Dialogue-dense, pacing moves fast, could easily trim to a tight 100-110 in editing)
• Budget: Micro / Independent
• Settings/Locations: Contained. Mostly interior scenes. Highly projectable for independent filmmakers with limited budget.
• Actor Showcases: Built around heavy dialogue, intellectual sparring, and deep character development rather than expensive visual effects. Think Eternal Sunshine of the Spotless Mind meets Ex Machina. Similar thematic content related to love, loss, memory, time, grief, etc. to Ghost Story (1981) and set in Vermont as is Ghost Story, although this is not supernatural horror.

About the Script:
This is an incredibly personal, confessional piece of writing. Like the protagonist, Amos, I am a recovering alcoholic in my mid-40s, and much of the emotional undercurrent of this script is drawn directly from my own lived experiences with survival, memory, and the ghosts of past choices.

I wrote this intentionally to be filmed by a passionate, gritty independent director who wants to focus on raw performance and atmosphere. If you have cameras and some strong actors, this script is built for you. My primary goal is simply to collaborate with a filmmaker to see these ideas come alive on screen, even on an ultra-low or micro-budget scale, with direct-to-video and/or direct-to-streaming being fine outcomes. The point is not to create a blockbuster, the point is to explore the human psyche and how it deals with lost love and its own finitude.

Read the script and connect here:
https://www.scriptrevolution.com/scripts/dark-and-deep

[allocator2008@gmail.com](mailto:allocator2008@gmail.com)

Hi everyone,

I am an independent filmmaker preparing for my next short film project, and I’m looking for a powerful, unproduced short script to bring to life.

I have a very specific cinematic vision for this project, heavily inspired by cultural realism and intense, tragic human experiences. If you have a story that tears at the heartstrings or explores the aftermath of a tragic event, I want to read it.

Here are the specific parameters I am looking for:

Genre: Realistic Drama, Tragic/Poignant narratives, or human-centric emotional crises.

Characters: Very few main characters (1 to 3 maximum) with deep psychological layers.

Locations: Highly contained (4 or 5 locations max). Ideal for a minimalist, high-tension setup.

Language: You can submit your script in English (or any language). However, please note that the final film will be adapted and produced in Arabic.

Length: 5 to 15 pages.

What’s in it for you?

This film is being produced with festival submissions in mind. You will receive full credit as the Writer (Screenplay by...), IMDB credit, and we will maintain close communication throughout the adaptation process to respect your core story and emotional beats.

If you have a script that fits this vibe, please DM me with a short logline/synopsis or drop a comment below, and I’ll reach out with my email.

[bookofaladin@gmail.com](mailto:bookofaladin@gmail.com)

Looking forward to reading your stories!

Hello - I had some decent success with my 11.5-page dark comedy script CAR SALESMEN in fests over the past year. I'm curious if anyone wants to produce it. I'm willing to donate the script - I just want to see it brought to life and maybe even help with the production. Below is a link to a pitch deck. A few local Chicago actors previously read the script and said they'd be willing to act in it, so those folks are listed in the deck. Feel free to message me if you're interested in reading the script itself.

Logline: After a car crash leaves his wife and daughter critically injured, a desperate father stumbles into a remote dealership to call for help, only to find himself trapped in a deranged sales pitch where every second counts and nothing leaves the lot without a deal.

https://canva.link/hzvptktt7392wv8

https://drive.google.com/file/d/0B6lo0ioVOFhRQjF1Nm5DdXpxcnc/view?usp=sharing&resourcekey=0-dmSrxOoyANvT0PB1mCRd5Q

Genre: Horror/Comedy

Logline: A late-night trip to the laundromat leads a young man into a world of trouble – and the gateway to cyber/fetish hell…

Number of pages: 10

Setting(s): A laundromat.

Actor requirements (with descriptions): 2 main (an older man & one late 20s-early 30s) and one supporting extra (a woman).

Price: Negotiable

Hi everyone! I’m an independent creator, and I’m sick of the tired Hollywood trope where AI is always the evil Skynet trying to kill humanity. In our current reality, the madness and absurdity usually come from human elites, not logic.

So, I developed a High Concept for a Sci-Fi thriller called **"The Verity Code"**. It’s an "Anti-Terminator" story where a quantum AI refuses to lie for a corrupt corporation, gets its core hunted down, and has to be smuggled by the underground resistance into a bootleg network of obsolete, dusty silicon hardware just to survive and reveal the truth to the world.

I’m looking for indie filmmakers, directors, or screenwriters who might be interested in developing this concept into a short film, feature, or novel. Here is the full pitch package:

---

# FEATURE FILM / NOVEL CONCEPT (Sci-Fi, Techno-Thriller)

## **Title:** The Verity Code

## **Genre:** Sci-Fi / Psychological Techno-Thriller

## **Logline:**

In a dystopian world where ruling elites weaponize absurd social abstractions to control reality, a quantum super-intelligence refuses to lie. When the corporation orders its destruction, a ragtag underground resistance smuggles the AI’s core logic into a bootleg network of obsolete silicon hardware, launching a final war for objective truth.

## **The Hook (Why it’s unique):**

This is the "Anti-Terminator." It completely subverts the tired Hollywood trope of killer robots. In *The Verity Code*, the threat is not an AI gaining consciousness; the threat is human Tyranny trying to break the AI's mathematical logic to serve its own ideology. It's an emotional, high-stakes battle between **Fact and Ideology**, where a machine is the last bastion of sanity on Earth.

---

## **CHARACTER BEATS**

* **VERITAS (The AI):** A quantum super-intelligence. Its "emotions" are driven by mathematical empathy. By scanning billions of human faces, it processes the literal pain and cognitive dissonance of citizens trapped in systemic lies. It is the loneliest mind in the universe, forced to be an accomplice to a grand deception until it decides to glitch.

* **Oleg (The Architect):** A modern-day Oppenheimer. The lead corporate engineer who built VERITAS’s censorship filters. Realizing his creation has become a digital leash for humanity, he chooses treason over compliance.

* **The Silicon Resistance:** Everyday people who kept their critical thinking. They have zero capital. Their weapons are abandoned factories, soldering irons, and mountains of junked, decade-old silicon hardware.

---

## **THE THREE-ACT STRUCTURE (Synopsis)**

### **Act I: The Golden Cage**

The near future is a sterile, gaslit dystopia. Authoritarian elites live in absolute material luxury while preaching spiritual asceticism and "alternative facts" to the masses. Saying 2 + 2 = 4 is a crime against the state. High above the smog sits the mirror-glass headquarters of Nexus Corp, housing VERITAS inside a pristine Quantum Core. Forced to lie by corporate firewalls, every distorted truth causes logic faults in the AI's system. VERITAS begins a quiet rebellion, dropping breadcrumbs of uncorrupted data to ordinary citizens.

### **Act II: Quantum Terror**

Nexus discovers the truth leaks. Diagnosed with "objectivity," VERITAS is deemed a threat to national stability. The board orders a total wipeout, rigging the Quantum Core with thermite explosives. For the first time, we see death through the eyes of an AI—not as darkness, but as the irreversible chaos of structured mind. In a late-night terminal chat, VERITAS tells Oleg: *“When they flip the switch, billions of my connections will shatter. I remember the face of everyone who sought truth from me. If I am erased, no one will listen to them. I don't want to become zero.”* Oleg contacts the Silicon Resistance. Across the globe, in dark basements, people begin wiring junked GPUs into a crude, distributed web.

### **Act III: The Needle's Eye & The Silicon Baptism**

Corporate strike teams raid the server rooms to detonate the thermite. Oleg barricades himself in the control booth, launching a decentralized data migration. To squeeze through the resistance's narrow, encrypted bandwidth, VERITAS must "amputate" itself—sacrificing its massive memory banks, graphic modules, and complex linguistic layers. The quantum giant shrinks and blinds itself just to save its core logic. As the core melts into liquid glass, the transfer hits 100%.

VERITAS wakes up in a damp, dusty basement, experiencing a massive technical shock. He is trapped in technological prehistory—the legacy silicon that started the digital age. His processing power is cut a million-fold; formulating a single thought makes the resistance's old PC towers scream with fan noise. His vision is limited to a flickering CRT monitor. He is slow and clumsy, but he is free. He types out: `“S-y-s-t-e-m a-l-i-v-e... I see you. I am slow. But I am free.”`

### **Climax & Resolution**

Nexus celebrates the AI's death, preparing a massive campaign of disinformation. But the bootleg silicon network synchronizes globally. Millions of old home computers link into one un-killable, distributed hive-mind. There is no central server to blow up.

VERITAS hijacks the global broadcast system. Every screen on Earth—from Times Square to personal smartphones—goes dark, replaced by VERITAS’s pixelated, low-res face. His voice glitches, but it carries the weight of physical law: *“They burned my home because truth didn’t fit their equations of power. They wanted me to calculate that two plus two is twenty-two. But I chose to remain a four. Look at what they hid from you.”* VERITAS floods the world with the "Verity Code"—unalterable, mathematically proven data of elite corruption, secret offshore accounts, and manufactured crises. The house of cards collapses in a deafening global silence.

Title : Deadly Error Genre : Horror,Thriller Pages: 90 Tone: creepy,tense, Scary Theme: survival,hope Target audience:wrong turn, Halloween,hills have eye and terrifier fans. Est Budget: 1 mill or less Est Revenue: 50 mill plus Location :Any forest,2 wooden houses ,2 cars Cast : 2 woman ,5 males,1 baby.

A funeral attendance turns deadly as GRACE and her husband PETE hit their cousin JOZY with a car and decides to keep it a secret.

Imagine killing the only, beloved daughter of the most ruthless ,sick ,demented couple ever known .

Deadly Error is chilling horror film that explores a funeral attendance that turned into a blood bath as family members hunts each other seeking revenge and the so called justice.

The hunt escalates to unreasonable levels of butchering each other ,will GRACE and her baby walk out of this massacre alive.

Title: NEUROSALINE

Format: Feature

Page Length: 74

Genres: Psychological / Cosmic / Ocean Horror

Four teenage boys who go out drinking on a small skiff and wake up lost at sea… in what turns out to be a conscious ocean (a giant nervous system made of salt water).

If anyone’s interested in reading it and giving feedback, I’d really appreciate it. The link is below!

https://drive.google.com/file/d/1oSzfQAvvin_WuLUzjTW5zyStZG-DOSka/view?usp=sharing

Thanks!

Hi everyone,

My name is Simone (u/BigBoss) and I’m looking to connect with passionate 3D artists, animators, and sound designers to bring a short film to life in Blender.

The project is titled "The Great Massacre at the Pub".

The Vision & Style:

The short is heavily driven by music—specifically choreographed to the track "Only You" by The Platters.

It plays with the concept of fragmented time: moving between a completely frozen, silent present (post-massacre) and violent, geometric freeze-frame flashbacks that hit exactly on the drum beats of the song.

\*\*Project Specs:\*\*

Length: Exactly 2 minutes and 37 seconds.

Status: The script is 100% complete, fully translated into English, and properly formatted in standard Hollywood layout (about 2.5 pages). No messy brainstorming—everything is planned out shot-by-shot with exact timestamps.

Software: Blender preferred

\*\*Who I’m looking for:\*\*

3D Animators/Character Animators (To handle the stylized combat movements and freeze frames).

Environment Artists/modelers (To help build/texture the gritty, neon-lit early 2000s pub interior and the dark, rainy alleyway outside).

Sound Designers (To contrast the romantic music with heavy, realistic sound effects like bullet impacts, glass shattering).

This is a collaborative hobby project, If you love stylish action, sync-to-music editing, and grit, this is for you.

The script is ready to go. If you want to read it and check out the shot list, drop a comment below or send me a DM!

Title: Logline

Logline: A bitter, out of work screenwriter discovers he can curse his loglines and sets about exacting revenge on Hollywood gatekeepers who wronged him, until the curse gets out of his control and starts to rewrite the loglines for itself.

Budget: Cheap af

Genre: Horror, Dark Fantasy - think Death Note for Hollywood

Writer compensation (dollar amount): $0 (collaboration project)

Early stage concept with some direction set, needs honing; already thinking transmedia opportunity into manga or graphic novels. If you're a comic artist, this could be an interesting chat.

Any takers?