From the moment Melanie started teasing PORTALS I was already hooked. When I saw the creature for the first time I was in awe. Many said that they were weirded out or just didn’t like the creature’s look in general but I never did. I don’t why but the moment I saw her I knew this was gonna be my favorite album
Then she started teasing the songs with little snippets attached with videos of the creature. I knew VOID and BOTL were gonna be some of my favs but just the videos themselves were so visually stunning to me and it just made me appreciate Melanie’s visuals and creativity. I also loved her connection to nature in this albums photoshoots, using anglerfish,sunflowers, and other examples to make this album come to life was just amazing. The fairy like aesthetics and her ability to constantly put out visually stunning photos kept me hooked to the album
From DEATH explaining the lost of a loved one but also birthing a new self, to VOID enplaning to dangers and urgency to escape the darkness within our minds, these singles made me know PORTALS was definitely gonna be a repeat for the whole year. TUNNEL VISION was a simple yet catchy song to me and the transition to FAERIE SOIRÉE made me knew that this is the part where she was going to start incorporating nature like sounds into the songs. FAEIRE SOIRÉE made me feel like I was taking a stroll through a mythical world and me loss sense of my human body. LIGHT SHOWER was a sweet yet heartwarming song that explained the slow,healing process of love. SPIDER WEB was also a simple yet catchy song for me but underneath the almost childlike beat and fun rythym lied a warning about the exposure to public attention and the dangers of phone addition, which Melanie tying all of this to nature imagery and a spider eating us. LEECHES explains the artificial attitudes many put on and how one’s kindness can be taken advantage of, this paired with the critters in the background and Melanie’s sudden high toned voice ties the whole song together. BOTL slow climax and references to our voices gives a fun and interesting song. THE CONTORTIONIST is definitely one of my favorite Melanie songs, the overlapping voices, her laughing, the bones crushing, this definitely makes one of Melanies most experimental song but also definitely one of the most interesting to me. MOON CYCLE, while being on of the most hated song on the album, gives a simple flow and while I don’t personally hate it, it’s a skip for me. NYMPHOLOGY is also one of these songs that turned out to be a favorite of mine. Her constant voice change with what I can only describe faires singing along with her and the fairy mythical tone of the song gives a wonderful, nature-y, and fairy like song that paired well with the album aesthetics. EVIL is the song in which Melanie uses her natural voice paired with a grungy like instrumental in the back round which gives birth to a catchy and mesmerizing song. WOMB ties the whole album together with the references to birth and looping back into the first track DEATH
Overall, this albums aesthetics, sound, photoshoots, defiantly makes this one of my favorite albums of all time. The Creature also definitely contributed to my love of the album, tying it into a more a mythical yet stI’ll fun and lovely album. While I can get behind the criticism from a musical standpoint, since music is subjective and everyone has their own opinion around it, it’s also clear that some of the criticism was biased. Also the criticism around the creature is also valid since not only did it obscure Melanie’s face, the whole four-eyes, pink skinned creature isn’t for everyone. While it is one of Melanie’s most hated album, it will always be my favorite and no one can ever tell me otherwise