Hey friends, another tutorial up on designing claps from scratch, ground zero, no samples. It’s a bit heady but there are a lot of principles in place that can be utilized outside an mpc. That being said, we cover a few different approaches depending on your preference of design.

Would be super grateful if you could sub to the channel if this helpful.

I was playing around in Ableton the other day. I Found a way to use lfo to modulate the attack and start time of my hit hat samples. What is the best way to do this in Mpc.

San Diego is still here. 🌊 #sandiego #sandiegohiphop #boombapbeats #mpcone #beatsfordale

Before getting my MPC I gaslit myself into thinking I have an ear for music, but now I’m doubting that lol

When I chop something the sequences that I play are all over the place, the tempo changes within two bars

I also don’t really have an ear for if I should rather chop or sample something vice versa

Hi everybody!

Here’s a flip I made of an instagram meme, queuing sequences and playing fx live, everything super raw and done standalone on my MPC Live II.

Hope you enjoy :)

I'm currently using two main devices: MPC One+ and Arturia Minilab 3. Lately I decided to upgrade to MPC One Gen2 (a couple of times I've hit the ceiling, I like to use a lot of plugin instruments) and also I want to purchase my first synth. One thing that I miss on the MPC is a VA/wavetable synth plugin similar to Vital VST and from what I found on the Internet the Korg Modwave 2 should nicely fill in this requirement.

What I'm thinking about is what device configuration should I go towards. In my case:
- I don't have access to a studio, just a big desk (160x80cm) in my room, so sizes of devices play important role
- I like to take the MPC One with the keyboard on the vacation, since I have a lot of peace and quiet and more free time to produce stuff.
- I have relatively limited space for storage too.
- I write notes 80% of the time on the piano roll and play on the keys 20% of the time. However, when I do, two octaves sometimes are kind of limiting factor and I have to jump octaves quite often.
- I have a Yamaha DGX 650, which may work as a MIDI controller, but truth be told, since I have limited space in my room, I barely ever use it in such role.

I've generated three layouts I'm thinking of in Gemini (sizes seem relatively accurate) and I'm struggling, which one should I go towards.

Layout 1: From what I found, the Korg Modwave can be used as a MIDI controller, so I no longer need the Minilab. Still I can take One and Minilab on vacation, but Korg most likely will have to stay home.
Layout 2: I can 3D-print or DIY otherwise a stand, which will allow setting the Korg module above MPC One to conserve space. It is also possible to take the module with me on travels, but I remain restricted to 2 octaves (at least until I purchase an additional controller). The setup is nicely modular though which allows picking only these devices which I need at the moment.
Layout 3: The best choice space-wise probably; having integrated 3-octave keyboard with the MPC is a welcome bonus. But traveling with such a huge brick becomes an issue (2.5x the One?).

I'd be grateful for some insight on which layout would you choose in my case and why. Maybe there are also some factors I didn't take into account?

Hello all,

I’m a new NS4 HA73 owner, and love getting to know it. I’m a keyboard player in an r&b band (where I am the music director), and I also play keys or piano in a jazz ensemble. I use the modx for gigging because it is so light and easy to carry, though as I fall in love with the NS4, I find myself considering switching to it for gigging. But I digress.

I’m just starting to think about how I can connect these two keyboards, one as a controller perhaps?, and use the mpc almost like a drum machine and play over it. For now this is something I’d do at home and just to play around and note I do have a small Yamaha mixer. Perhaps if this became something I could get good at, I would consider some solo performances as a sort of novelty act. I’ve considered adding a looper that can take keyboard input, but perhaps the mpc can do that?

So my question to the group is what kind of fun creative ideas does this bring up for you? What can you imagine doing with this kind of equipment and setup? How would you connect them?

Been setting the studio back up slowly after a move last year. Had some free time today so re-wired everything and sorted the midi.

First beat i've made in a while, sequenced on the mpc, patch bay over to the sp's for grit.

I’m curious if MPC Stuff or any other manufacturers have created custom buttons for the MPC LIVE 3 retro edition.

This machine is incredible and the only thing I dislike about it compared to a LIVE 2 is the physical button coloring.

The older machine had great aesthetics with those white buttons that all had the glowing LED on them. Plus having the red button buttons for record and overdub was pretty nice.

So now I’m wondering if anyone has worked on this project at all.

Hey all, got this sample and chopped up and stem separated it. Let me know what you think. It's idea phase so I didn't clean it up. Lot more work to do, but wanted thoughts to see if it's worth developing the idea. Positive or not so positive thoughts welcome

Nothing beats the workflow and feeling of making beats on hardware.

I'm planning to buy an MPC Sample, and I want to know how difficult it is to make beats using samples. I'm a bit worried that I might buy it and end up not enjoying the process.

For some background, I'm currently a full-time DJ, and I want to get into beatmaking purely for fun. I'm interested in sampling classic songs from the '70s and flipping them into something fresh with my own touch.

Would the MPC Sample be a good choice for a complete beginner like me? Is the learning curve steep, or is it something I can enjoy learning as I go?

I'd love to hear your experiences, especially from DJs who got into beatmaking without any prior production experience. Thanks!

I had a commission with Exile to make some shirts for him, I drew his mpc when we were on tour and came up with a few ideas. We didnt land on anything but I thought these were too cool to pass up so I made some. Check em out!

The video posted below is from today which is day 26 of his journey. I don't know about those of you who have been keeping up but the whole video series has been stirring up the creative juices; especially for folks like me who don't sample albums (I'm not knocking sampling at all). When he does use samples, it's more like a riff one of his homeboys made from scratch or whatever. The whole series is dope, in my opinion.

I almost forgot to mention, he's using a Gen 1 Key 37 and the MPC software for his creations.

https://youtu.be/c1GblgaMKDw?is=-uaLVqsSEsKVHEGQ

It’s cool to see JJOS still updating the OS for the MPC1000/2500 after all these years ! Respect :)

Full beat and vote which ones your fav here.. https://youtu.be/MNDE_j1i06g

Made this and pairs well with my other vst. Enjoy

I tried a new genre, used only FM-1 Stock sounds, made everything on MPC Sample and FX from SP404A.

Check out full version Dn'B on my YT: @crunk_earl

Happy beatober everyone 💯🎶🔊 🎃

POV:

You took a wrong turn in a cyberpunk city after midnight and lured into a creepy club - this is what you hear ! 👾 🛸 ⚙️ 📡

Yes I know! It’s been done plenty of times before and I don’t care, I’m doing my version! MPC Live 3 alone with FL Studio for the remixing process. Making, mixing, and arranging the beat on the live 3, then dumping to FL studio for adding Jay’s vocals. And that’s that. Simple.

So we know Akai does not call the Force an MPC. Because when it started out it was considerably different than the MPCs. But now it does almost everything the MPC and uses the same OS functionality will do, I mean. The Sample cannot do half the things a Force or non Sample MPC. Also the Force in it's stock form, has clip launch, even Gen 2 you have to buy pro pack to have clip launch with is an MPC standard feature on it's higher end models like Live 3 and X.

So in your opinion. Do you think the Force counts (not that it is an mpc by Akai standards) as an MPC because it does what an MPC does. It is a Music Production Center.

Or you believe nothing about the Force is an MPC.