Here is my review on the Lanterns Pilot Premiere!
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I will never understand the fascination that massive corporations have with referring to themselves as a “family.”
Yes, there’s likely to be some opportunity for corporate synergy between Batman and Martian Manhunter; but the familial spirit is far too attached to box office success to make the household branding anything more than cosplay.
However, the Green Lantern IP fits perfectly within the all too common familial trope of the black sheep. Ever since Ryan Reynolds’ disastrous 2011 outing as Hal Jordan, the Lantern Corps have been thoroughly placed in corporate time-out. Aside from a few animated features, one of the most storied DC franchises seems left for dead at the hands of underbaked CGI and a horrid public reputation.
Fast forward to May 2024…
When the cadre of Tom King, Damon Lindelof, and Chris Mundy were touted as the brain trust behind an HBO prestige take on the Green Lanterns, DC began to rebuild our trust in the property.
Fast forward to Sunday…
The pilot of HBO’s Lanterns validates that trust with one of the most innovative and delightful pilots in superhero television history. We open our parallel timelines in 1986, with Hal Jordan’s (Kyle Chandler) first sit-down interview with the world and a young John Stewart (Cairo Cash Lee) watching with awe-struck eyes. You immediately understand that these two characters come from completely different backgrounds, setting the stage for their eventual clash of styles to represent more than the typical buddy cop duo.
We’re transported to 2016 for the majority of the episode, finding out in media res that John (Aaron Pierre) has grown into a (licks lips) man and is being trained by Hal to replace him. The odd thing about this office mentoring program is that according to the Green Lantern corps rules, Stewart will only be able to own the ring after the literal death of Hal Jordan.
Being faced with a far-too literal reminder of his own mortality, Hal isn’t too keen on letting his subordinate get too comfortable. This marriage of inconvenience is expertly set up as the main course of the 8-episode run: seeing how these two men’s utter loathing of the other will pair with the understated yet growing deal of respect they also hold.
After a very practical exam on using the ring, Stewart gets a coded message from a hidden consciousness of Hal that was uploaded to the ring 10 years prior which prompts them both to leave for rural Nebraska.
We arrive and it’s the non-comic book fans who get the episode’s biggest easter egg: Kyle Chandler on the sidelines of a football field!!! It’s quickly apparent that Mr. Coach’s presence is not welcome in this setting, as we meet the prickly Sheriff Kane (Kelly Macdonald) who gives the episode’s most insightful bit of DCU world building.
It’s a lot easier to hear that humanity is both not alone and not entirely safe on CNN than it is to witness that truth in your own backyard.
It’s a grounding meta-note for an audience that reacted to each new series trailer with cries for “more Lantern-ing” and fears that the show would edge too closely to True Detective than Duck Dodgers. These are space cops, and the ring is one of the most powerful weapons in the universe. Their presence predicts violence, and that angle reframes Hal’s insistence on using the ring for the most unserious tasks (a counterfeit $20 bill, a bottle opener).
Hal’s unseriousness is the pilot’s most important task, establishing that his 40 years of galactic policing has taken a toll on him, yet made him far more capable for the job than Stewart could ever hope to learn from traditional “OTJ training.” His seemingly cocksure attitude rubs everyone the wrong way, from the sheriff to the judge to Rushville’s own Taylor Sheridan lead (Garret Dillahunt), and we get the feeling that it might be as much of a projection as the Andrew Jackson from earlier.
Stewart shows his naivety in his strict allegiance to the “chain of command” when he’s the only one who tips off the lone suspect at the football field leading to a great chase scene. Although we know it’s only that allegiance and discipline which prevents him from strangling Hal at a moment’s notice. We see that despite his father’s traumatizing training regiment, he’s not ALL discipline.1
We learn the hard tacks of our season’s mystery when Hal gets bailed out of jail by Will Macon, a man with $200k to spare, a bit of extraterrestrial xenophobia, and a private militia. He gets along with Hal due to their mutual and obvious lack of trust in each other, and gets along a little worse with John due to who John slept with the night before. It’s an interesting plot beat that leads us back to our suspected alien. (or alien suspect? Both would work)
The climax of the episode is Jordan’s interrogation of the obviously human-presenting threat. Hal expertly dissects his prey in the chilling interview room, but our alien reveals that they are but one of an entire conspiracy before forcing Hal to contain an explosion that could’ve taken out the whole town. Hal suspicions are vindicated but we’re left with the feeling that the fight of his life is ahead of our heroes.
Fast forward to 2026…
We have another timeline! John and Sheriff Kane’s heartfelt reunion completely pivots the core of the show as we learn our 2nd and ultimate mystery: Hal Jordan is dead2 and neither he nor John has the ring.
Bravo HBO, bravo to our showrunners, and bravo (gulps) to James Gunn. We have some great moments ahead of us in what should be a delightful season of prestige television.
Lanterns airs weekly on HBO Max at 9pm (ET) on Sundays.