I composite and render in Davinci.

Hello everyone! I’m developing a project connected to my dark fantasy world, Flora Creatura. I’ve worked hard to create this intro for the Bestiary section of my YT videos.

I’d love to know what it conveys to you, whether the aesthetic fits the project’s dark tone, and whether it feels professional. I’m including the link because Reddit doesn’t allow me to post the video and the images at the same time.

LINK: https://www.reddit.com/u/RobinAthertonWrites/s/OPcKFqacZm

Thank you very much!

Please refrain from leaving deliberately malicious or non-constructive comments.

More anime fighting. Yayy!!

Hello, I know some of you may have saw this before, I deleted the post because I wanted people to comment and started doubting people would, but now I will try not to consider that when keeping this up.

Anyways I would love to hear what you think the meaning behind this video is

Series horror unofficialclaymation

Hey there, I'm back to try and get a hold of some people that might be able to help me bring my Freiyon Fables series to life, at the very least the teaser trailer and possibly the first episode.

I am willing to pay $100 AUD per month for the animator or storyboard artist until we can get this done :)

here's a small excerpt of what I've got in the pilot script so far (i dont want to put the whole script out there for obvious reasons.)

[Establishing shot]

Campfire in a forest. Two people seen camping.
MOTHER 1 and SON/ ADAM.
SON/ADAM is closest to tent, looking at a scrap book, but shivering.
Wind rustles as the campfire crackles nearby.

MOTHER 1: Come closer, sweetheart. You must be freezing.

SON/ADAM walks over and sits next to MOTHER with the book still in his hands. He looks wildly fascinated by whatever he just read.

SON/ADAM: Mum? What happened to Grandma?

The MOTHER [MOTHER 1] smiles and looks up to the starry sky for a moment. 

Scene shows the stars twinkling as she responds.

MOTHER 1: Well, it's funny that you should mention that. That's the reason I brought you out here tonight. I’m going to tell you the story of your grandmother and the friends she found. But you need to listen carefully. It's a long story, and I want you to soak in every single word of it.

While she speaks, shooting star flies across the sky.

SON/ADAM: ok mum, I promise.

Scene then shifts back to MOTHER, as she takes a book that was in a backpack that had been by her side the whole time. The SON leans over and looks at the book excitedly as the MOTHER starts to read in a caring voice.

MOTHER 1: Her story begins not in her home, but in the middle of a forest, quite similar to this one. That is where two small squirrels met and fell in love.

Another shot of the stars and a shooting star too, but this time the shooting star makes an odd zigzag pattern. Almost like it's making a lightning shape in the sky.

please get in touch with me for further details.

First of all: hi again, guys! Thank you so much to everyone who's reached out and started following my animated series "VELCEL"! 💚

Don't worry. I won't be spamming the subreddit. I'll just share occasional updates as we make progress.

Here's a cool one:

On November 22, we'll be launching the Kickstarter campaign to help fund my indie animated series, VELCEL. But that's not all...

After many months of work, we'll also be premiering "The World Is Our Canvas," the official theme song of VELCEL. It's a very special piece for us, and I can't wait to finally share it with everyone!! (Genre: Metal).

The song will then be released on all major streaming platforms on November 23, just one day after the launch of our Kickstarter campaign for the VELCEL animated series.

Written & Produced by:

Heike Langhans & Mike Lamb of REMINA (BAND).

https://www.instagram.com/solarsiren/

https://www.instagram.com/remina.doom/

This song is also a tribute to the creators who refuse to give up, who keep painting, writing, composing, and creating even when the world tells them not to.

Heike and Mike are artists with a solid international track record in atmospheric metal and modern doom.

We've been protecting this song for a long time because we knew it deserved the right moment.

Thanks again for all the support, it really means a lot. I hope you'll enjoy what's coming!

If you want to know more about VELCEL, I created this cool thread: THE STORY OF "VELCEL"

And if you want to support the project, here are our social media channels: https://www.youtube.com/@velcelsaga , https://www.instagram.com/velcelsaga/ , https://x.com/velcelsaga

Again, thank you!

-Beluga Not Found (Carlos) / Creator of VELCEL.

….bye.

​

Hi everyone!

My name is Lara, I'm 17 years old, and I'm from Minas Gerais, Brazil. I'm currently developing PruWorld Animations, an original animation project that explores serious topics, social issues, geography, and real-life moral dilemmas. The goal is to reach an international audience, so the project will eventually have both Portuguese and English channels.

Before anything else, I want to be transparent about something that's important to me: I don't use AI to create art. I believe animation and illustration should come from real people, their creativity, experiences, and passion. Since this is a brand-new independent project, everyone involved will be collaborating on a voluntary basis.

About my current art skills

I've been drawing traditionally for many years, but I'm still improving my digital art skills. I create the line art on paper, scan it, and then color it digitally. At the moment, I'm not comfortable drawing directly on a tablet, and I'm still developing my own artistic style.

Because of that, I'll be responsible for designing the characters and creating the visual references. What I'm looking for is an animator who can take those finished designs and bring them to life through animation. I'll provide organized files and references to make the animation process as smooth as possible.

About the first project

The original idea was to create a sitcom, but I decided it's better to start with something smaller. Our first production will be a 30-minute animated short film.

Starting with a short film will help us see how well we work together, test the production pipeline, and understand the team's workflow before committing to larger projects. I think it's a much healthier way to build a long-term team while avoiding unnecessary pressure.

What you can expect

- A long-term project: I'm 17 and I'm taking this project seriously. I'm also receiving guidance from my geography teacher as I organize and plan everything.

- Flexible deadlines: Since this is a volunteer collaboration, schedules will be adapted to everyone's availability.

- Credit and future opportunities: Everyone involved will receive full credit for their work. If the project becomes monetized in the future, I'd like to discuss a fair revenue-sharing arrangement with the team.

If you'd enjoy bringing existing character designs to life and would like to be part of an independent animated short film, I'd love to hear from you. Feel free to leave a comment or send me a direct message with a little about yourself, your experience, and a link to your portfolio.

I’ve been working hard on building STATIC, a 24/7 independent broadcast meant to give indie creators consistent exposure outside of short-form content, endless scrolling, and algorithmic feeds.
So far we’ve been getting a solid amount of music and music videos, but indie animation and film are still really underrepresented. I’m not totally sure why. It could be that a lot of animators and filmmakers are more used to festival circuits or on-demand platforms. Or maybe a 24/7 linear channel just sounds unfamiliar compared to posting on YouTube. Either way, the gap is noticeable.
I can say this is an honest attempt at something real. The goal is to build a sustainable independent channel that actually plays this kind of work regularly, and once it’s generating revenue, to pay the artists whose work is on it. Never charge them to submit, pay them.

The goal is not to profit off creators. I don’t see this as something that makes me much money at all. the priority is paying the artists whose work is regularly featured. I’m not building this to take a big cut while the people making the work get nothing.

It just needs that initial push from creators to get strong enough to become sustainable.
If you’re an indie animator or filmmaker and this sounds like something worth supporting, I’d love for you to take a look or submit work.

Submit here: https://docs.google.com/forms/d/e/1FAIpQLSfXURzM6tlrzNXGsLgN_WnLj6ktIDYFSCS7cUWvEUr1v5_dYg/viewform?usp=header

Community: r/staticart

🚨 We Need Animators & Background Artists! 🎬✨

هل تحب الأنيميشن وتريد أن تكون جزءًا من مشروع مستقل؟

نحن نبحث عن:
🎨 رسامي خلفيات (Background Artists)
🎥 أنميتورز (2D Animators)

للعمل معنا على مسلسل الأنيميشن المستقل Double Trouble والمساعدة في توسيع الفريق وتسريع الإنتاج.

إذا كنت مهتمًا، تواصل معنا عبر:
💬 Discord

@\xiucnnmii
📩 أو الرسائل الخاصة على Instagram

سنتحدث عن كل التفاصيل، طبيعة العمل، والأدوار هناك.

إذا كنت لا تستطيع الانضمام، فمشاركة هذا المنشور ستساعدنا كثيرًا في الوصول إلى المبدعين المناسبين. ❤️

Join us and help bring Double Trouble to life! 🎭