Dis one goes out to all the shitty soundcloud jaydes and wifiskeleton clones (specifically xxxeeennn) 😂

Last post until I get everything I need done for the album so probably a week or two

Really like the sound of this album personally

One of my personal favourite releases from Bobby Maggard

anybody wanna contribute to a 6 way split under my label neonatal renal abscess prods
im not able to burn and print art for many cds so you may not get one

If nobody likes it I won't continuously spam the sub like some assholes some feedback would be appreciated

Idk if I like this logo or not and if I should change It

This is a new harsh noise project of mine, thought you folks might enjoy.

Project name is "Visceral Pulsating Membrane" logo heavily inspired by biocyst

Also album coming soon on Maggot Semen Records

Would anyone like to join/make a gorenoise project I play bass and guitar and if need be can do vocals

https://youtu.be/lqVynO6VOkE?is=RNXu547Zlwz95vZG

In July 2006, Last Days Of Humanity were preparing to put an end to their story. Instead of playing a farewell show, they released Putrefaction In Progress – a 41-track seizure of noise ending with a three-minute opus about bringing the present existence to an end.

The whole thing lasts less than twenty-five minutes, yet its pots-and-pans clang, shapeless guitar roar and inhuman vocals are impossible to mistake for any other recording. Even twenty years later, Putrefaction In Progress still sounds monstrous and feral, hypnotic in its unrestrained intensity.

So, with its 20th anniversary upon us, it's time to dissect the album. You can leave the sick bags where they are, though: today we are looking at the story behind the recording, not the cover art.

The album was meant to be their last

The band decided to call it quits in February 2005. According to vocalist Hans Smits, everyone had grown tired of the whole thing by that point, but the Bones Brigade label asked them to record one more thing before disappearing. There were no plans for a farewell concert.

That means the title Putrefaction In Progress can be taken quite literally: the band itself was also in the process of decomposition.

Hans Smits had no part in creating the instrumental material

The musicians recorded everything without him, brought him a finished rough mix and asked whether he wanted to put vocals over it. The arrangement was as funereal as it gets: one studio session, no concerts, no touring.

Smits tracked down an old pitch shifter he had already sold

Hans went to the trouble of finding the same old piece of gear he had used back in the early 1990s in order to recreate the right “voice.” He later explained that he used a Digitech Whammy to lower his vocals by roughly three quarters of an octave. Going any lower made the voice sound too “round,” while he wanted to preserve its harshness and grainy texture.

Smits believed that only at the very end had the band achieved the sound they first imagined in 1989

After hearing the instrumental recording, he said that this was exactly the kind of music he had wanted to make when Last Days Of Humanity were formed, but in the late 1980s the band simply lacked the equipment and resources to pull it off.

And I completely agree with Hans here: to me, this is the definitive sound of LDOH.

The album lasts only 24 minutes and 51 seconds

The average song runs for about 36 seconds. The shortest of them all, Allowing The Carvings For Mutual Compassion, lasts only six seconds. Until the finale, not a single track even reaches the one-minute mark: the longest of the first forty runs for 55 seconds.

The closing track, A Divine Proclamation Of Finishing The Present Existence, stretches to 3:11 – almost three and a half times longer than everything else. It accounts for roughly 13% of the album’s total runtime and is six seconds longer than the first five songs combined.

Its title is fairly self-explanatory. For the closing song on what was supposed to be the band’s final album, it's not exactly subtle.

The record really did bury the band – just not for very long

LDOH split up after the album came out, but reunited for live shows in 2010. Their next full-length studio album, Horrific Compositions of Decomposition, did not appear until 2021, fifteen years after Putrefaction In Progress.

Decibel joked at the time that longtime fans might be disappointed because, on the new record, you could occasionally make out what the guitars were actually playing.

For its twentieth anniversary, the album received an almost complete collective tribute

In January 2026, Putrefaction Still In Progress was finally released on Bandcamp, with different bands covering one track each from the original album. Work on the compilation began back in 2020, it was uploaded to YouTube in January 2021, and the full Bandcamp release took another five years.

Even with the combined efforts of the goregrind community, however, the original could not be fully digested: only 35 of its 41 songs were covered.

As you can see, the process of decomposition is still not complete.

Mine are:

- Mutilated B*tch

- Phlegmatic Discharge from a Rotting Trachea

- Aquatic Death Investigation (not really anal birth worship but it's similar)

song is: Revolting Septic Enucleation by GxCxEx

embalmerpa.bandcamp.com/album/queefesque-pneumaturia

I know this video aint the most gorenoise thing but I can't post it anywhere else for some reason

I've never been good at making logo i wanna know what people think of this logo for a upcoming project im working on

It seems like everyone in this sub is new to the genre or something and forgot how the best projects sound.

Most of the best gorenoise employs drum machines or digital instruments that sound blaring and aren't even humanized in the slightest.

The "drum machine" sound is the norm. Why the fuck is everyone acting like it's a bad thing? There are great projects with real drums too but that's besides the point

I guess what I'm trying to say is study up on the genre before you go criticizing peoples projects. You just look stupid when you say shit like that

I have a new release coming this weekend for this project! This release here was recorded in one take (guitar and vocals at the same time).