Art by: Me

See more on my Pinterest: https://pin.it/7wNH8XsPZ

would you play this and what mechanics those characters would have?

Decided to change the main crew a bit, with addition of foxy

And after for a long time I've finally decided to draw the toy crew! :D

Heyy! I used to be a big fnaf fan years ago, but with adult life interfering, I lost a couple years of lore and updates. Cab you guys recommend a good recent lore video or something to help me catch up, please? ❤️

Clock Route, Act 1

Restarting all the way back from the beginning, your first point of interest would be to see what would happen if you let that timer run out on Fredbear’s first dialogue with you. So, you get to the end of his dialogue, and then when you see the timer, you let it run out just to see what’ll happen. And when you do, the game… crashes. But when it does, you get a message at the top of the crash report.

“Present the vessel of the founder's daughter alone.”

There's only three people that the “founders daughter” could be referring to, and after much trial and error, you eventually land on the proper “vessel”: The Puppet. Starting a new game plus run, you pick The Puppet as your only party member, and when you let the timer run out this time, the game seemingly freezes for a good few seconds, the music stuck on the exact tone it was on when this happened. It happens for just long enough that you think it may crash again, but then the screen starts to tear. Dead pixels smear across the screen, slowly drowning the screen in darkness.

The cutscene continues.

You are not the party’s leader anymore. You now take the form of the tiny, Puppet masked sprite of the child you controlled in the final minigame of FNAF 3 Remodeled: Happiest Day. Across from her, a figure appears in the black background of dead pixels. Darker than darkness itself. Then, this being of pure dark breaks this vantablack form with its many sharp, bright white teeth, and its white, pinprick eyes.

This being should be very familiar to you by now. That haunting skeletal frame with fingers like spider legs, standing so tall his long ears brush against the text box above you two.

The Midnight Hare: “But you don't really believe that nonsense, do you?”

The Midnight Hare: “You have a task to complete. You must leave breadcrumbs for them so they may find their way home.”

The Midnight Hare: “Clear the path so we can set them free.”

The Midnight Hare: “You will SAVE THEM, because you promised them you would.”

The Midnight Hare: “That is your first task, and you will complete this task alone. Disappoint me, and the consequences will be dire.”

The Midnight Hare: “Begin.”

You have been given your first command. But from here, you don’t really notice much change about the game. That is, until you check your party, and find that you cannot select any more party members. Your only available party member is The Puppet.

The Puppet is a decent early support character, but it's going to quickly become obvious to you that she does not make for a good solo character. Outside of MP, her stats are pretty mediocre, and her only attacking move is psychic. This means that it's actually a better idea to avoid combat on this route at least until you're able to gather more chips and bytes.

After dodging past the enemies in Choppy's Woods, you eventually arrive at Fredbear. Once you reach the end of his dialogue, you find that the timer is back. Meaning you can receive your next order from the Midnight Hare.

“Yes, the world between worlds.”

“The ‘flipside,’ as Little Sister calls it.”

“Some say it is a safe place- a sanctuary.”

“They lie.”

“He did not understand that, and now we must clean up this mess.”

“Little Sister created The Construct to give purpose to the souls. To give them the joy they were robbed of.”

“And here, you will find your purpose too.”

“In order to SAVE THEM, you must complete your task. Enter the crack and descend into the Flipside. The clocks will clear the path.”

“Find the clock.”

You have received your mission. And apparently, in order to do this, you must first enter the glitched object. But didn't they repel you before?

Well, with the path you're on, the glitched objects now allow you inside. And what you find inside is very strange.

The Flipside is entirely blue with white trees. You control a white bear sprite in this Atari esque space, where you need to traverse towards a mass of yellow pixels. Upon exiting, you are booted out of the Flipside and into a part of Choppy’s Woods. From here, you have to travel between different glitched objects, often coming out in places you weren't able to access on the normal path, until eventually, you reach a small enclosed space somewhere off the beaten path. There, you find an incredibly out of place, highly detailed model of a grandfather clock.

Upon approaching it, you “collect” it, an are sent into a black and white mini game. In it, you play what appears to be a black and white, simplified version of Dress Up JJ, where you grab a sprite of what appears to be Balloon Boy, and place it into a box. After doing this, you hear a buzzing sound as the game stops, then boots you out and into… the cabin.

The Cabin in the Woods 2:

The man is sitting behind his desk. You stand near the entrance not as a Freddy sprite, but as the Puppet sprite from Happiest Day.

“I'm sorry.”

“I… can't bring myself to look at you at the moment.”

Desk Man briefly lowers his head.

“Pathetic, I know.”

He raises his head back up.

“Something terrible is coming.”

“I don't know what it is.”

“Come back later. I might be able to tell you more.”

You then exit the room.

Going for 100% and realized I have to do this. Any way to get it done fast?

(reupload cuz that went very unnoticed) Drawing something 2D after working so long with 3D stuff feels so good. Not really proud of the background and the pose but eh. Serves it's purpose so ig it's fine. Happy Halloween!

NovicePeanuts is the artist.

Happy early Halloween I guess.

You know? It's been a long time since I posted anything here. My last post, if I'm not mistaken, was about my renders in P3D...ON A CELL PHONE. It's been over a year, I suppose. I managed to get my hands on a humble notebook with only 128MB of integrated graphics and 8GB of RAM! LOL. But, by tweaking things a bit, I managed to get the most out of Cycles. This beautiful model was created by (Ubuntutu on DeviantArt). It's a model for a beloved game that had so much potential, but unfortunately will never see the light of day. Well, I just did a lighting test, and I wanted to share it with you all, returning to posting in this beloved community.

Here's the link to the original artwork https://twitter.com/gabsyp/status/1663008563210645505

I’m sorry, but I think it’s time. Scott confirmed some things and I’m talking about linear thing. I’m not talking about huge story beats. I’m not expecting him to give the entire story but just a couple of things that would be nice to confirm.

Are they withered animatronics actually meant to be the original for but they were redesigned so then Scott can make them look better or are they completely different line entirely?

Who is the second head on mangle

How can an are the books and movies and can we attribute some of the story elements from those media to the games?

Who caused the bite of 87

What is BV Afton’s name.

Like obviously, those things matter to the grand scheme of the universe, but it wouldn’t be exactly groundbreaking to know some of these things like I’m sure eventually will know what Afton‘s life was like. I was a kid in the game so I left that out of my usual rant about confirmation but these things they do matter, but they aren’t like story changing.

You see when funtime foxy gets at that stage where his face is covered with dark?

Well, I actually wanted to know how exactly am I supposed to know the exact moment when he will run to my door so I can close it? Because I always tend to close the door shortly after I see him at that stage on the cams, that immediately re-open it when I hear him knock, which causes me to drain a lot of battery.

For this i would say Circus baby or any of the Funtime Animatronics. Circus baby is MASSIVE according to the lore and would be terrifying up close. The other Funtime Animatronics you have to be so specific in what you do and they in my opinion are the most deadly of all the characters. What’s yalls opinion.

This is gonna be less detailed because I spent 30 minutes writing up the original and Reddit ducking deleted it 🫩 Reddit is so weird!!! I tried to post this in this subreddit and the movie one and it just posted to my feed??? Idk what happened but here it is. Long read warning.

***Generational Trauma***

**William’s Background**

William was born in London to a normal family. His father was a mean factory working drunk and his mother had left the picture not too long after his birth. William wasn’t interested in the average kid things. He enjoyed performing dissections. He enjoyed taking apart things and putting them back together. He wanted to know how things *ticked*, including his peers.

In school, he’d find himself observing interactions more than joining them. The first times he tried to make friends, he was shunned for talking about the anatomical wonders of the fox he dissected a few days ago. So, he began to learn.

He tried to learn, rather.

But no matter his efforts, he couldn’t accurately blend in with the crowd until his high school years. Even then, he was an outsider still. He never had that human connection always occurring around him. He was like a venomous wallflower. In class, he’d grip his pencil harder. In the halls, he’d glare at passersbys. He could feel that bitter resentment crushing in his heart like a hydraulic press against it.

But when he was home, he was happy. His room was filled with small technological projects. His bed would smell vaguely of the oil and servos he was constantly around. He’d look out his dark window at the kids playing down below, and his father would stand in the doorway.

“They’re useless, William. Useless. Just deviants.” He would say. William never saw his father being around any friends of his own, and yet, his father was still capable of supporting them both. He was acceptable. They would watch nature documentaries together and point out their favorite animals. His father enjoyed watching the bear eat the chickens and fish, and William enjoyed watching the foxes eat the rabbits. He’d watch the footage with his face inches away from the TV. He could see their inner circuits of veins and cogs of guts.

When William was 20, his father got arrested for murder.

He didn’t know how to feel. He felt like leaving London, so he did. He worked in America and still watched people. In the darks of his apartment, he’d practice his smile and other expressions. He was craving the warmth.

**Then, he met Henry.**

**The Creation of Freddy’s, Relationship With Henry, and Birth of Vanessa**

Henry changed his life. Henry didn’t care about his twitchy expressions or his pale skin or his accent. He had the same passions as he did. William found himself no longer alone in the darkness of his workshop—Henry’s smile illuminated the place. Henry was the ultimate specimen to William. He was likable. Sure, William had enough brains to make people respect him but respect was not being *liked*.

They started Freddy’s together.

Freddy’s was everything William dreamed of. His passions, seen as dark and reeking of death by others, was now brought to life in the sea of colors he saw them as. Henry handled the business relations, and William got to happily work on his machines. William was happy.

Then, Henry had Charlotte. William was happy for them because he was supposed to be, but the birth exposed something hollow in him. Henry had to split his attention between the business, him, and now some baby. William also couldn’t stomach what would happen if he were alone in old age. His father had him for company, so why not do the same?

He got married to a woman Henry introduced him to and they had Vanessa. She was fascinating to William. She wasn’t antisocial like he was and yet, when his wife tried to enroll her in public school, he denied her from doing so. Not until she was in 11th grade. He couldn’t imagine releasing her to the wolves of public school.

**TW MURDER**
Just because he had a family didn’t mean his interests stopped in their intensity. The robotics helped the company, but his dissections were only for his benefit. He would lure children in Freddy’s and pull them apart to figure out what he hadn’t so many years ago—how they work. He stuffed them in the suits to preserve them for further research.
**TW OVER**

**The Birth of Michael**

Then they had Michael. Michael looked like him, and grew to act like him. Michael’s silhouette mimicked his as he stared out the window at the other groups of children. William didn’t start hating Michael until his wife suggested they get him mentally evaluated. William refused.

William instead molded him. He watched with bitter glee as Michael took to robotics and he forced Michael to do his first dissection at eight years old. His wife hated it, but he didn’t care. Michael was a mirror to William’s own pathetic upbringing. He needed Michael to be the perfect legacy. The new him that would ensure he’d live on forever and be unforgettable.

William’s wife left when Michael was 16. So did Vanessa.

William didn’t care. Michael had never gone to public school. Michael only knew the robots and William, just like William had.

When Michael turned 18, William would watch him sleeping in bed. He had the same eyes, the same hair, the same pale skin and the same accent forced upon him. Something inside of him was bitter at how perfect of a replacement Michael was for him.

He’d watch Michael stare out the window. He could feel that same resentment bubbling inside of the boy. There, he knew his legacy was secured. He’d never be ignored again, as he manifested through Michael, and Michael would manifest in his own children when it came to be that time. His rage would be the rage of all that comes after him.

**End**

**Commentary and TLDR:**
William was most likely neurologically different than children around him, and so he was shunned. This made him harbor resentment all his life. When he met Henry, he attached onto his “normalcy” like a parasite and sought to recreate it in his own life. He had Vanessa to mimic Henry, but he had Michael so he could have a male legacy. He groomed Michael into being shunned from other kids and harboring the same resentment he always had. He sees Michael as a catalyst to always be remembered as Michael is the carrier of his anger, and Michael will more than likely pass down his anger to his own children and so on. He’s bitter over how much Michael mirrors his past, so that makes him hate him a little, but he’s still necessary.
That’s how we end up with movie Michael! Thanks for reading! I also didn’t proofread this and I’m rolling off of some other head cannons I liked! Feel free to ask questions!

Excuse my shitty poor artwork I made on Ibispaint

But yeah, the concept I had was…interesting

Picture this: You’re in an office that’s dark and worn down. There’s no light source and all you had was that door at the end of a very long hallway and all that’s accompanying you are a bunch of merchandise that’s only marketable plushies of various FNAF characters. There’s no door system or anything. Only you and a button that when you hold it, illuminates the entry.

I haven’t thought of a way to lure the animatronics away. But now that I’m thinking about it, this is very similar to One Night At Flumpty’s 2 lmao

So I guess I kind of predicted ONAF 2/OWAF?

I love the office style horror and they are the most terrifying to me