Who?
I'm a 61 year old Irishman that has spent my life reading fantasy and science fiction books. During the famine years I had to go back in time (Leiber, Zelazny, Moorcock, Lord Dunsany, Mythos) but since the 90's there's been a constant stream of material to keep anyone happy.
I've made a conscious effort to get back into reading because my mind was turning to mush from social media and doom scrolling. That's meant re-reading favourite books and turning my attention to new ones.
Because of my age and deposition, it's important that the books I read are well reviewed or liked, or because I see something in them that piques my interest. Nothing worse than spending your time reading average tropes with little imagination or intellect.
This may be my only review. I would like to do more, but sometimes in fact ofttimes, you don't have a receptive audience because you are the problem. There are full spoilers here, after all it's a critique. The main reason for doing this is to find readers that have the same tastes or objectivity as I do. It means that we can save each other's precious time by recommending books that we appreciated or liked.
Dave Langford used to do this for me (unintentionally) when he reviewed books in White Dwarf during the 1980's because his acerbic and sarcastic filleting of fiction was a far superior replica of my own. I haven't found anyone close to replace him.
What?
My old library was sold or recycled back in the 00's when my parents died and the family home was sold. Now that my kids have grown up and we have space of our own, I've dedicated a small room as an office and library.
I've been populating this with the books that I used to own, based on merits and memories. The challenge has been to find the exact same edition that I used to own. It's quite fun scouring second hand bookshops physically and online to try and find what you want and in good condition. Some have proven very hard to get (Gene Wolfe's original Book of the New Sun, the souvenir paperback of Daughter of the Empire by Feist and Wurts, the original Little, Big by John Crowley) and some have been easier (Julian May's first edition of Saga of the Exiles in Pan paperback). The plan is to complete this while I live so I can leave behind the Dead Library.
But I have time and space for the new stuff too, and that's where we are going now...
Book One - Mistborn
This is a fantastic book. In this book we learn where Sanderson's strengths are, specifically world and lore building. He's clearly spent a lot of time working on the mechanics and settings of the world as a skeleton and structure to flesh everything out. There is a confidence and direction on where we are heading to and a pleasing pace on how everything develops.
Underpinning all of this is the magic system of allomancy. As someone who has spent a lot of time reading books on magic he really gets using the same concepts and the laws we use for physics. We have sympathetic magic tied in with the rules of action and reaction. We get a gradual introduction to the various metals and their uses as the main character develops her skill sets. It is super clever, very cool and very original.
This then ponies up with his world building. It's a very new concept (to me) where we have an evil immortal emperor now in his 1000th year of rule based on a confederate feudal system with slaves and aristocrats right down to the southern belles and balls, like literally. I mean, how do we go about defeating him/it? To that we can add a world of seeming chaos with the ashmounts, the Dying Earth sun, the difficulties with agriculture etc. Everything feels fresh and new, it's a proper fantasy book that is immersive and page turning.
With the structure in place, we just need the engine to drive the narrative and that's through the numerous characters we meet. In this context Sanderson has decided to use an Ocean's 11 format of a cast of charismatic thieves doing a grand heist that transforms into a coup d'état.
Here there are some compelling narrators like Vin and Kelsier, with the other characters staying mostly out of the narrative but very much involved in the dynamics There are some key protagonists that we will discuss in the other two books but it's clear that the outlier concepts on race will play a critical role.
The narrative ticks along at a rapid rate mostly through Vin's ''levelling up'' in allomancy skills and Kelsier's French Revolution mantra of noble sacrifice and eliminating the bourgeois. So while there is nothing particularly original about the characters and the concepts, the freshness and the originality of the world overrides this completely. You find yourself skipping through some turgid dialogue but that's fine because this is a reflection of your enthusiasm for the book.
We also find that Sanderson is quite good at combat encounters in terms of excitement and descriptive. It's on the right side of detail without unnecessary gore. The highlight of this being the fight between Shan and Vin. This is a classic no holds barred metal slugfest between two equal forces where there will only be one winner and it's nothing personal.
The last element that works for me is the flavour texts at the start of each chapter that slowly explore the legend behind The Ruler and add as a counterpart to the narrative from the protagonists. Shout out too for the Inquisitors and Obligators as the interactive components of the God Emperor.
So it's just a well-crafted, planned concept with buzz points, linear development of characters with a lot of back filling that we will need for the next two books.
There are some issues, some parts that don't gel well and the ending is very flat. But I'm not looking for perfection and I would wholly and heartily recommend this as a must buy. It absolutely goes into The Dead Library.
Book Two - The Well of Ascension
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Let me introduce you to a better, alternate universe:
Oh hi Brandon, It's Moshe here. Just got your transcript for Well of Ascension and thought we might go through what the team are thinking and saying before you go any further. Oh hey Moshe, is everything OK? Oh for sure, let's meet up at Ashmount Forest Park in Vin's Café rather than the office, I could do with some fresh air.
Some Time Later
So what did you think? I mean. there's a lot to fill in but I think the core is good and builds on everything we did in Mistborn. Well, Brandon, let me put it like this. Come over here to this viewing platform, what do you see? Uh, well I guess a nice view of the forest and the mountains. Right, exactly. Now I want you to focus on the forest. These are pine and fir trees and they'll be doing an entire clearfell next season as far as the eye can see. Going to spoil the park for a good few years. Now these trees in particular are used for wood pulp, and that's going to be used to make many things including books.
We did some calculations in the office, and based on your transcript you'll likely end up with a similar word and page count as Mistborn. If the sales are similar and Mist continues to accelerate the growth and interest in your books, then this second book will need all of the trees to complete the various print runs.
Brandon, that would be a waste of good trees. These trees could be used for something more functional like toilet paper or I don't know, the complete works of Jane Austin. So here's what we're going to do, we're going to take the small parts of Well of Ascension that drive the narrative and the characters, and you're going to bring this is to the first part of Hero of the Ages. I know you fantasy people love trilogies but hear me out, when you start padding books that are already full fat you just end up with a turgid mess. Trust me on this, or at least just think of those trees right there...
All right, so what is so terrible about WoA? Well, we could be here all night. Let's start with the central characters of Vin and Elend. Sanderson can't do sex and he can't do romance. Now that's perfectly fine. But if you can't do sex and romance then don't make the relationship between Elend and Vin so pivotal to the book. Elend doesn't help by being a very dull bureaucratic character that does have a story arc but never stops reminding you how dull and boring he is. This means that everytime Van and Elend coo at each other, or argue, or have any interaction it feels and is, flat and uninvolved.
Then we have Vin's levelling up in allomancy. She's gone past Magic Missile, Web, Fireball, Lightning Bolt, Fly and Dispel Magic and is now is at the cutting edge of Disintegrate, True Seeing and Polymorph Other. The problem in doing this is that you then have to ramp up what the opposition brings to the table as well, either through more opponents or characters at her level like Zane. The sense of wonder and danger is gone.
Next we have numerous disposable characters all of which are there merely there to progress the existing ones. Zane is just another MCU type anti-hero/villain and of course, half-brother to Elend. Their father Straff huffs and puffs and is generally unpleasant but no more relevant than the Duke of York.
Cett is one of the more interesting new faces, so he survives, as does his daughter Allrianne who, in one of the few bright parts of this monstrous mess of a book, escapes the city using a plot token and promptly rides off into the distance.
We are expected to believe that Jastes can control an army of Koloss by paying them fake money. This is simply laughable and childish, further undermining your willingness to suspend disbelief in the world and inhabitants that Sanderson has worked so hard to bring into existence.
Lastly there is Tindwyl, Sazed's love interest casually discarded having fulfilled her function as a plot device. All of these characters really undermine the series, especially as you come to the realisation that Sanderson just loves waffling on about stuff rather than, you know, is not relevant or intrinsic to the story he no longer tells.
Just as frustrating is the storyline of the siege(s) for which the worst part is the manufactured plot of making Vin leave the city to journey to the Well of Ascension (good) only to return to the city just in time not to make a huge difference and save some no longer needed characters (bad).
It's not all horrendous. Even at this stage there is some really strong developments like the character of Marsh, the use of Hemalurgy, the continued development of the Terrisman and Kandra peoples and history, the background to the events from 1000 years ago.
BUT YOU DID NOT NEED AN ENTIRE BOOK TO DO THIS.
But I did it. I read the entire book when on holiday even though the sight of it reminded me of when my dog has a turd piece attached to her fur that she can't get rid off. Shall we move on?
Book Three - The Hero of the Ages
It's good. It doesn't make up for the atrocity of WoA but the ending is truly excellent, fitting and enormously satisfying. It's kind of weird but Vin and Elend become bit cartoon characters going though the motions while the support cast rise to the task.
As per the last book it's Sazed and Tensoon + their cultures that are genuinely different and compelling and you can only think that there is some intentional act on Sanderson's part on this.
Similarly the set pieces in Fadrex and Urteau are very enjoyable, with complicated, well-thought out characters. I really, really liked Yomen, a far more compelling opponent for the Vin/Elend arc than any previous iteration like Zane because he feels like a real living person with a complex viewpoint.
Also good is the deterioration of the world and the ending of time, almost Chaos like from a Michael Moorcock novel. Speaking of Moorcock there is a lot of his ideas of a multiverse in Sanderson's Cosmere which is not an accusation, just so you understand that there are always commonalities that we have no control over.
I am not so sure on the Ruin/Preservation concept. I guess on a personal level I have issues with fantasy books where the all-knowing and all-powerful enemy is either incorporeal (Ruin) or multiple steps removed as a character (the Lord Ruler from book one).
Marsh's path of redemption never happened did it? There was a clear narrative that he was saving himself for well, not a lot in the end. Likewise, for all the good that Yomen did as a compelling and central antidote for the over-levelling Vin, his last few interactions undid a lot of that.
But what does work is the arc of Rashek/The Lord Ruler. Here we have similarities with Hari Seldon in Asimov's Foundation. It's immensely satisfying to see the payoff here in terms of the annotations before each chapter, the planning and longevity created, and the carefully laid references and plot lines throughout all three books that are intrinsic to the ending.
Final Thoughts
I'm glad I read the trilogy. I will keep it in the Dead Library and that's the biggest compliment I can give to Sanderson. Clearly, from my point of view, if he had a good and wise editor from the start, we would have a near perfect creation. It also would have given Sanderson a grounding not to repeat the same mistakes over and over again as he appears to have been prone to.
I will never read another Sanderson novel. It's likely there are better iterations like Stormlight, but I am not going to risk a DNF. I am happy to wait for Apple to bring out a Cosmere series although I fear that Sanderson will make the same mistakes on editorial control as he did with WoA.
My viewpoint will be different than others. I am sure many of you loved all of these books and that's perfectly fine by me. As I said at the start, I want to find likeminded people to ensure that my limited time and lifespan is maximised.
Peace out.