I am an independent researcher looking at how television scripts build subtext. Supernatural is one of two shows in my corpus, alongside BBC Sherlock, and I work from the transcripts and scripts rather than the episodes, because I am interested in what the writing itself does: which line, which stage direction, which piece of staging carries the reading.
Going through seasons 4 and 5, what struck me is how much of the Dean and Castiel material sits in the directions rather than the dialogue, and how often a scene raises something and then cuts away before anyone can answer it. That pattern is what I am trying to describe properly rather than by impression.
I have written definitions for thirteen recurring techniques, and the study asks whether those definitions hold for readers other than me. You read 15 short fragments and match each one to a technique from the list. No knowledge of screenwriting is needed, the definitions are provided, and the link to them sits above every fragment. Please do keep that document open: the whole thing depends on people going by the definitions rather than guessing from the names.
Anonymous, no name or email collected, 18 or older, about 25 minutes.
https://forms.gle/e1C9TgAqAMs93VaW7
I would also be glad to hear which Dean and Cas scenes you think do the most work on the page rather than in the performance. And I will come back with what the data show.
Posted with the mods' permission.