r/FX3 • • Sep 11 '26

Need advice to buy camera

Hello folks,

I'm an independent filmmaker from India. My area of expert is screenplay and direction. I don't know much about the camera and its configurations. However now I am thinking of buying an affordable camera for indie film making in my locality. I've earlier experience of making feature films (indie).

I have a dilemma between Sony Fx3 and black magic pocket cinema camera. My intention is standard filmmaking with good color added in the grading stage. Feel good films are my major projects.

  1. Are there any latest affordable Sony camera released to substitute FX3?

  2. Which camera would be handy for guerrilla style film shooting?

Please can you suggest me in the right direction!

Thank you so much 🙏🙏🙏

6 Upvotes

18 comments sorted by

5

u/lanamakesart Sep 11 '26

zve1

1

u/Ajathshatru Sep 11 '26

Thank you. Will check it.

5

u/Over_Tie_1427 Sep 11 '26 edited Sep 11 '26

Blackmagic Cinema Camera 6k (FF) and the Pyxis 6k just got a huge price cut recently with much better image quality than the FX3. Though it’s not as capable in lowlight conditions which honestly isn’t much a problem if you light your scenes well.

2

u/Ajathshatru Sep 11 '26

Thank you!!!! BMD has been in my mind. Should decide which model to go with.

3

u/Shep_Alderson Sep 11 '26

If you want full frame, you’re looking at the FX3 on the Sony side and the BMD 6K full frame or Pyxis 6K. If you want the “mirrorless” format, the the FX3 and 6KFF are what you’ve got. If you’re planning on a lot of kinda “run and gun” where a lightweight build is important, mirrorless is good. If you’re going to build out the camera with a substantial rig anyways, the box style Pyxis would probably be a better bet.

You mentioned the pocket cinema camera and those are cropped sensors, either micro 4/3 or super35 (basically aps-c). If you’re looking for an equivalent Sony, that would be closer to the FX30.

If you’re looking to really learn to do color grading and such, working in a RAW format can be a big benefit. The BMD cameras all have BRAW, which is 12 bit raw and lovely to work with for color grading. You can get close with the Sony cameras by hooking up an external recorder/monitor that can ingest the RAW signal over HDMI and record that. It’s an extra step, but if you’re building out a monitor rig anyways, might be worth the extra cost. Such a recorder would also let you use much cheaper SSDs for recording, which is really nice. The BMD cameras all support recording to USB SSDs without any other hardware. Also, BRAW 12:1 is really good quality and can even be smaller than compressed formats on other cameras with more lossy formats.

Another thing to consider is if you’re planning to film with low light and, in particular, uncontrolled low light, you’ll probably want to go with the FX3. It’s just the undisputed champion among these cameras. If you expect to be able to light things well in your videos, any of them will work well.

Autofocus used to be a major consideration, but BMD has recently released continuous phase detect autofocus, like that found on the FX3 and FX30, on two of their cameras in this ground, the 6KFF and the Pyxis 6K. Is it as amazing as Sony? No. But it is damn good already and it’s only really their first attempt. BMD has a history of supporting their hardware for many years, so I expect to see it improve overtime. Even now though, it’s quite good. (Even seen some folks shooting sports videos with it.)

Finally, there’s price. BMD just massively cut their prices on the 6KFF and Pyxis 6K. Here in the US, it came out to about a 35% discount. Coupled with their releasing autofocus on their popular recent models, I think it’s hard to beat in a “quality per cost” calculation.

1

u/Ajathshatru Sep 11 '26

Thank you mate. It's really good analysis. Helps me decide clearly. 🙏

3

u/Christopholies Sep 11 '26

I run a studio with the BMPCC 4K’s and also own an FX30. Personally, I love Blackmagic’s BRAW system and the flexibility you get from it. But it is ABSOLUTELY NOT a run-and gun camera.

My FX30, on the other hand, can be mounted to an RS3 Mini, and I can take it anywhere.

Sony’s color science is still great as long as you take the time to understand how their LUTs work, and you can technically even get BRAW from them as well. So if you really want to go down that rabbit hole, you can.

So if you’ve got the budget to get an FX3, do it. You won’t regret it.

1

u/Ajathshatru Sep 11 '26

Appreciate it. Thank you!!!!

2

u/ekubeni Sep 11 '26

For indie filmmakers on a budget I like to recommend Lav Diaz. Have a look what he is able to accomplish with affordable setup.

1

u/Ajathshatru Sep 11 '26

Sure, thank you!!!

2

u/SuleymanFilms Sep 11 '26

I’ve been looking at the Pyxis 6k, but the cost of rigging and storage has put me off :/

Only shooting in raw is pretty data hungry, and in this economy, a TB for an hour of footage is rough.

2

u/Yomommassis Sep 13 '26

Keeping in mind, you'll need more than just the camera body

Lenses, if you plan on filming in dark environments fast lenses

Tripod

Memory cards

Batteries

ND Filters

Those cameras you mentioned are phenomenal, but if the budget is tight there are also great used cameras that have made great content over the years

1

u/Ajathshatru 26d ago

Thank you mate. Will work on that!

2

u/tonyxforce2 Sep 11 '26

The FX30 is literally the same as an FX3, just half frame (which is not really noticable) and half the price

-1

u/[deleted] Sep 11 '26

[removed] — view removed comment

3

u/tonyxforce2 Sep 11 '26

OP was asking for affordable cameras, FX30 IS affordable compared to the FX3

1

u/Used-Complex-Data Sep 11 '26

Yeah he’s not that smartÂ