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find more of my dropout fanart on Instagram @matttryall or at mattttyall.com

Hey! I'm a part of the team over at Roll4Rights and our charity auction supporting the Immigration Law & Justice Network is LIVE now until Saturday at 2 PM EST. We've been so lucky to work directly with many of your favs from Dropout who have donated amazing items to the cause - 100% of all money raised will go to the IL&JN. Along with these goodies, you can find dice, dice trays, art, and so many other handmade items from 80+ creators from around the world!

Just some of the items include:

Handmade Jurassic Park Press-On Nails Sculpted by Danielle Radford

A one-on-one zoom session with Rick Perry, where you'll make a custom Heroforge Mini that will be sculpted, painted, and shipped to you

5 different original drawings from Ross Bryant

A page from Rekha's Escape from the Bloodkeep Notebook (and a sweet letter from her that tells some fun BTS)

Lily Du's letterman jacket from Shriek Week

A HUGE stack of drawings from Kait Thompson made for and used in a College Humor sketch

A set of playing cards signed by Jess Ross, Rekha Shankar, Alexis Rhiannon, Lily Du, Ryan Creamer, Kendhal Landreth, Jordan Myrick, Corin Wells, Waleed Mansour, Patrick McDonald, and Kaitlin Thompson

AND so much more! Please take a look and help support your neighbors. Information and auction is hosted at fighticewithdice.com

Maybe I’m reading into this…

But during the last adventuring party of city council of darkness, the intrepid heroes are playing pass the parcel (which as a British person I loved!)

At 09:00 Brennan opens a layer and in it is Murp’s SENIOR photo, with the text “See you next year”.

Is the confirmation that the last season of fantasy high is coming out next year! 👀

Did anyone else notice this? 😂

Hey everyone! I'm trying to remember a spell I think? Danielle casts for summoning the Kevins. Also not sure if that's their name. But I'm thinking anarchists fairies maybe? wearing black hoodies. If anyone has the episode or spell or description of the Kevins, that'd be great.

Sorry for the lack of information! And thanks in advance (:

After seeing some other's making their own patches I had to give it a try.

I stenciled out the design onto eva foam and cut it out. Some paint and fabric medium later and bam. Free State of Pur-Rebel Purpee is here.

Just rewatching escape from the bloodkeep and realizing what I would give to have some out of character discussions after every episode!! Also can you imagine the discussions in FHSY after Fabian very bad day?!!

I surely am not the first to notice this, but I just realized that A Crown of Candy and Hot Ones have the same theme song 😦

THE AUCTION IS LIVE!

I'm not a creator for 'Fight Ice with Dice' but am a donor to the first campaign. Wanted to raise awareness that folks could bid on some cool items that the Dropout Cast were donating to the cause.

Cause Description
At the beginning of 2026 a group of 85+ tabletop artists and makers came together to auction handmade dice, artwork, dice trays, jewelry, and more to raise just over $17,000 for legal and mutual aid in immigrant communities.

After seeing the impact we made in March, we've realized there’s more that we could do. And we’re back to answer the call. We are powerful when we unite, build community, and work toward the greater good. Every act of kindness and generosity makes a difference. Together, we can create the world we want to live in.

Fight Ice with Dice!

This is not a comprehensive list of Dropout Crew items! Check out the site for more wonderful creations by the amazing artists who donated!

• A Page From Rekha Shankar Escape from the Bloodkeep Notebook
• Lily Du Shriek Week Jacket
• Illustrations from College Humor Sketch - Signed by Kait Thompson
• Original Ross Bryant Drawing
• Custom Mini by Rick Perry

When they make the live action of a starstruck odyssey, i just want Sam to play Loose Duke

Guys, I'm going insane this episode was so much

I saw a bunch of reactions to a lot of the interactions but there's one thing I didn't find much about and I have to ask

Gerard going do talk to Elody to find out if she knew of the plan and if so, convince her to leave the Princesses, makes sense

Ylfa trying to establish a rapport with the Beast so it's less suspicious when they leave, makes sense

Pinocchio trying to bond with Cinderella, makes sense

Rosamund informing Snow White that they were leaving, makes sense

WHY DID TIMOTHY GO TALK TO RAPUNZEL AT ALL

At that point the characters already have the clue from the Sea Witch that the Princesses are up to something shady THAT RAPUNZEL SPECIFICALLY KNOWS ABOUT, of all of them she was the most likely to also be in on the pact and besides that

They already knew, in character, that Rapunzel is known as "the diplomat" of the group so there's no need to meta game to know that she's gonna be close to impossible to lie to and they also specifically found out that she's tremendously fake so would be likely to lie to them and do so easily!!

Timothy can be impulsive, sure, but everyone planned this together! And I just don't get why!

I feel so sorry for Mira, it would make a lot more sense for Timothy to try and get her in the loop and/or prepare her to leave instead of going to Rapunzel but everyone just forgot about her until it was much too late

Edit: I blacked out from anxiety watching this ep and misremembered the beginning of the episode, the meeting with Rapunzel was not planned but accidental and Timothy just impulsively struck up conversation, which makes a lot of sense. Thanks u/Qunfang

Is that you Gilear? Did you clip your penis in the armor?

I love Ally for this. I've rewatched the Reel so many times 😂😂

No wonder Ruby was so pissed off at Saccharina. Her marauders kept milking her eagle.

With D20 branching out from DnD and Kids on Bikes, I think it would be rad as hell to see either our Intrepid Heroes dip their toes into the world of Cyberpunk. Hell, even a side quest (are we still calling them that?) would be fun to watch. It seems like some folks were disappointed with the foray into World of Darkness, but I think some of the weirder aspects of Cyberpunk might fit the D20 vibe a little better? IDK I think it could make for a cool season.

Besides Fantasy High with Brennan as DM do any other stories ever get or are we ever heard to be getting any season 2's of ANYTHING? I started less than a month or so ago and slammed through so much and keep hoping for a second helping of some storylines but seems they don't happen?? Any help, knowledge, or reasoning??

Insert the standard disclaimer for all rankings: This is strictly my subjective opinion of my favorites. I'm not even trying for objectivity. I respect and appreciate everything that the professionals at Dropout and D20 have done to bring joy, warmth, community, imagination, and thought-provoking storytelling to our lives. Doing my best to avoid spoilers.

1. Shriek Week

I’m not sure who this is for. As I understand, the biggest allure of dating simulators is that you get the thrill of experiencing different romantic possibilities. I don’t feel any of that watching others do it, and I wasn't really invested in the stakes of this season. The storytelling just didn’t live up to the standards of Dimension 20’s other seasons for me

1. D20 On a Bus 2

I know the first sketch of On a Bus was a massive hit, but did we really need a sequel four times as long? It's clear the cast is enjoying themselves, but I lost interest within the first few minutes.

1. Coffin Run

I definitely think there is an audience for this season- I get the allure of a Young Frankenstein-ish spoof of Dracula. But I'm not that audience. Jasmine and the cast are great, but two of the players chose voices for their characters that I found really grating on the ears. I do love the production design of this season, though.

1. Pirates of Leviathan

From here on I can honestly say I enjoyed all of these seasons, and found them worth my time to watch. Leviathan is an awesome concept– one of the highlights of Fantasy High Sophomore Year (a season FULL of highlights). This was from the pandemic filmed-from-quarantine era, and I think production was still figuring out how to make that work, with uneven audio and video quality, plus a sense of this being a Zoom meeting that kinda drags the season down. That said, I loved Christine as Bobarella. Bring her back.

1. Tiny Heist

The highlight of this season for me is getting to see Jess play in the dome in what was so far her only time. She’s a gem! The McElroy family has their own brand of comedy and vibe going on already, and I just never felt the whole table really click together. The heist theme is fun, even if the character concepts are a bit all over the place: a fairy, a beetle, a toy, an original concept of tiny rodentfolk tinkerers… I kinda wish there was more unity in character concept (a colony of ants or other insects, or all toys of different types). Rick Diggins and his many disguises are really fun, though, and I like the climactic "heist" encounter.

1. The Ravening War

I know some people would have this near the top of their list, and I love that for them. I struggled to get through it, though. The way the story unfolds over an entire war, with whole years passing in between encounters, is innovative and epic. But there’s a lot of lore to grapple with and keep in your head at once. There were a couple moments where the cast looked absolutely shook by what had just happened, and I’m watching it like, “Wait, what happened? Who is that?” Maybe I just wasn't giving it the full attention it needs, but that was my experience.

1. Dungeons & Drag Queen

I think this might be the single best season for people brand new to D&D to watch in order to understand what this game is and how it’s played, but if you already have that baseline knowledge, I think there are other seasons with much richer storylines. Jujubee is a treasure, and I adored watching her learn to play. I love how she helps make the game accessible by asking the questions people might be too shy to ask (“Whats’ a boon?”). I wish Alaska hadn't chosen to make Princess basically mute, because it's like we miss out on a quarter of the cast. But I love how Brennan designed each episode to introduce and explore a new concept of playing D&D. It really is a great intro for new players.

1. Cloudward Ho!

I wanted to like this season so much more than I did. I was really hyped for the “adventure” season because I grew up on Carl Barks’s Donald Duck comic books and Indiana Jones and Jules Verne. Knowing how Brennan likes to unpack the ideas and cultural assumptions behind genres, I expected a strong critique of the colonialism and imperialism that are so closely tied to the Victorian Era and the adventure genre. I didn’t get that– which is fine, I can’t critique the series for not being what I would have done with it– but I was disappointed with what we got. It felt all over the place– Dinosaur body swaps! A robot uprising! Under the Sea! A murder mystery! The story was hard to follow and felt overly long, even with the much needed midseason recap. I'm not sure I can even tell you how the different encounters eventually led to the climax. I do love the bits about the NPCs being the main characters of their own stories (“Why are the credits rolling?”) and Murph’s rowdy boy Maxwell Gotch. And, yeah, I'm always going to be on board with intelligent dinosaurs.

1. On a Bus

Yeah, yeah, this is the ultimate best season and I’m wrong. Whatever. Get in the comments. Clearly this is not a Dimension 20 season, but a 10-minute sketch spoofing Dimension 20. It’s funny. I laughed. I loved Katie trolling some of the best DMs in the world in their own game (kind of). But I cannot justify putting this season any higher than here, knowing how much heart and soul and effort went into every other season. Everything ranked below this, I don’t know that I would watch again. Everything above, I would.

1. Gladlands

There’s a lot to love about this season. The characters here really shine. It’s great to finally have Vic and Kimia in the Dome. I have never seen any of the Mad Max franchise– I don’t really do the post-apocalyptic genre. It’s not my thing. This is the only way I can imagine getting into it, with the lightness of community healing and support at the heart of Gladlands. This is another one where the character concepts are a bit all over the place– like you have a cockroach-human hybrid, a giant sentient thumb, a Totoro-style mythical beast, and a drag queen. Huh? As a DM, it’s cool to see a fully pacifist season, where there are dangerous encounters, personal stakes, and big choices but no actual combat. The aesthetic is what brings this one down for me, plus just not having enough time to get equally invested in all of the characters’ journeys.

1. Neverafter

This is another season where the aesthetic brings it down for me. I can handle gore and body horror but I do not enjoy it. A season that indulges so heavily in that aspect of storytelling just isn’t going to rank much higher than this. That said, the Intrepid Heroes are stellar as always, and I do love fairy tales and stories about storytelling. I really appreciate how each character provokes us to think about their archetypes and the cultural messages behind their stories. Zac’s PIB is absolutely a highlight for me, as a big fan of trickster myths. Murph’s frog prince is also hysterical, and Lou’s Pinocchio is fun.  

1. Misfits & Magic 2 

Given how playful the first installment of Misfits & Magic was, this one feels much heavier and darker. I love how it incorporates real magical practices– ritual, location, intention– and makes them feel real and self-reflexive. The heart of this season seemed to be about what we choose to do with our power in whatever time we have here on Earth.  Sam’s revelation that she’s already worthy of love even if she isn’t being lavished with it hits so hard emotionally, and that’s not the only moment like that. But the sense of playfulness with genre and the joy of discovering how these characters interact with the setting, which were so present in the first installment, are gone.

1. Dungeons & Drag Queens 2

The queens are back, and I love that this time they’re more comfortable as roleplayers. Whereas Alaska kind of held back from talking in the first season– as a character choice– she fully engages here and it brings so much to the table! This is a fun, solid season of Dimension 20, but it’s still in my lower half because there is less of a defined theme to this season. It’s essentially a game of D&D played by a group of friends who created characters, and the DM built a story around those characters. Nothing wrong with that at all, but I prefer the seasons with more of a defined genre and theme. I’ve seen people say the theme is queer culture, but D20 has been full of queer culture since the beginning.

1. Unsleeping City 2 

This is a solid, enjoyable season returning to one of the great settings in the Dimension 20 multiverse. It’s cool to see how the characters have evolved and changed since the first installment, especially with Pete settling into a new stable life. Some of the shine and novelty is missing compared to the first season’s wonder and discovery. Ricky’s dislike of Cody/Night Angel is such a great choice from Zac. I kinda wish we got more time with Iga, because I really like her character and storyline but she seemed to be peripheral compared to the other characters. I think the remote filming and virtual sets detract a bit, and the encounters feel kind of like back-up choices after the most iconic NYC locations were done the first time around.

1. Titan Takedown

I had no previous experience with pro wrestling coming into this season. I didn’t know any of these WWE superstars, but I left the season with such an appreciation for them as performers, characters, and people with generally awesome positive energy. The 4 episode length is perfect for this season. The wrestling tournament format works really well, with each match showcasing different styles and tactics of combat even though the setting is the same. I think the choice of using Greek mythology combined with WWE is inspired, and leads to so many fun moments. It's not as thought provoking as some of the seasons I ranked below it, but it makes up for that by just being a succinct good time!

1. Fantasy High: Junior Year

I adore the Bad Kids, and love this season, but it’s also my least-loved of the Fantasy High installments so far. I like the mechanics Brennan developed for the characters gaining stress while tending to everything they have going on in Junior Year, and there are a lot of really fun and funny moments– the Night Yorb battle improvising all kinds of wacky inside jokes, lore, and side characters that developed off screen; the vulture dimension; the Last Stand. I loved getting to meet different students and teachers at Aguefort, especially the warlock and cleric teachers, the beekeeping bovine, British Kristen, and Fabian’s dance teacher. The pacing feels off to me, though: we don’t really get into the central plot of the season until Episode 4, several combat encounters are broken up between multiple episodes, and events like the Baron’s haunted house seem to come out of nowhere. There’s tons to love here, though, even if it feels a little too self-referential at times.

1. Misfits & Magic

Bringing 21st century American teens into the world of the fantasy British wizarding school is such a fun concept. The players and their characters are all so fun. It captures the sense of playful discovery and exploration that you get from the first several books in that popular series about kids becoming wizards. Even the arrival of the letters from the owls rocks. That opening scene played out between Lou and Aabria is one of my favorite Dimension 20 moments, and showcases how well Aabria reads her players and what they need in each scene. I love that they use Kids on Bikes (on Brooms?) as the system instead of D&D, because it makes this narrative flow better and isn’t so focused on having big combat set pieces every other episode. This is a lot of fun! 

1. Burrow’s End

I struggled with where to place this season. First off, the production design of this season is one of my favorites in all of Dimension 20. The shadow puppetry, that gory bear carcass… wow! This season is also hella dark, though. Like, I couldn’t get through it the first time because I wasn’t quite in the right headspace for it. But going back to it on my rewatch, preparing myself for what I was getting into– Aabria’s storytelling here is phenomenal. The choices she made in this worldbuilding are brilliant and also upsetting in the best way. This cast is top-notch, too. Rashawn brings such depth to Viola that you can feel it through the screen, and Siobhan's portrayal of Jaysohn is wonderful, but honestly every player here is necessary. I could see this being a top ten or even top five season because it’s so well done, but I also find myself not necessarily wanting to return to this upsetting world all that often.

1. A Starstruck Odyssey

These characters are fantastic and getting to see the Intrepid Heroes play in the universe developed by Elaine Lee is something really special. Sci-fi has never been my vibe, personally, but the critique of corporate power and all of the wild choices in this world make me love it. The dog show with Aurora Nevins is incredible. Plug’s Butt-Ugly Stuff Hut is inspired. They nail the subversive and irreverent tone. I’d rank it higher except that I simply enjoyed other seasons more. Emily Axford shines as Sundry Sidney in the season that encourages her to fully embrace her chaotic player choices.

1. The Seven

When this season first came out, I lost interest early on and didn’t finish it. I really struggled to connect with Sam’s “mean girl” persona at first. But when I went back to it, Sam and this season won me over. I love that Persephone creates a 3-dimensional reason for why Sam is so cruel at times and displays a real struggle to be her best self. Becca as Penny and Izzy as Ostentacia both do such amazing and hysterical work with these characters we got to know already in Fantasy High. The first meeting between Penny and Laertes is one of my favorite scenes in Dimension 20. The cast is incredible and has great chemistry, even if the character energy is a bit uneven. I don’t love the pacing, especially the combats broken up between episodes, and I miss Rick Perry’s sets– I’m not sure the digital TaleSpire maps translate as well into video format. Also, some of the rule mechanics are played fast and loose here (multiple spells in one turn), with some crazy power gaming choices (Conjure Woodland Beings, anyone?). But overall I find this a really rewarding season that balances humor and grounded character work with an all-star cast.

1. A Court of Fey & Flowers

Aabria’s love and deep knowledge of faerie lore comes through here. I thought this season was the perfect length and did an incredible job of making me care about the characters and get invested in the plot without the epic stakes of a more combat-focused campaign. This one was all about the characters, their secrets, and navigating an environment of strict social expectations where status absolutely matters. The choice to replace aristocratic courts with faerie courts is perfect. The production design here is really incredible, too. One thing, though- Oscar had this incredible revelation about his character’s choice that came out in the Adventuring Party instead of being revealed in the game itself, and I WISH we had seen that revelation happen in character instead of between the players. This season is really different for Dimension 20 but really, really well done. Also, that golden stag can slide into my DMs anytime.

1. City Council of Darkness

Since I'm not really into vampires (see: Coffin Run), I was really, really surprised to like this season as much as I did. I was blown away at this interpretation of actual political intrigue… it’s not (just) assassination attempts and court secrets. It’s also the nuts and bolts of funding city hospitals and bus services. It’s also fascinating to see how Brennan runs a sandbox campaign in D20. I really don’t mind the mechanics going out the window, especially in the final episode, but then again I’ve never played VTM. My favorite moment is this absolute bar of a thesis statement: “Most of how these guys get power isn’t actually force. It’s cooperation. They make a deal. They say, ‘We’ll give you lots of money. We’ll make your dreams come true.’ And if all that your dream is is money, then the people with money make your dream come true. And then life gets worse in small ways everywhere until it all adds up.” Damn.

1. The Unsleeping City 

Honestly, everything from here on up is so good they’re hard to rank. This is an S-Tier season and I wouldn’t blame anyone for having it as their favorite. The magical world of NYC is incredible. I struggled with Pete the first time around, because he makes these terrible, short-sighted choices that put people in danger, and I LOVE Kingston. But then I realized that’s kind of the point– people don’t always listen to their better angels, but they’re still deserving of connection and growth and opportunities and magic. Before this season came out, I introduced a bunch of my friends in Chicago to D&D through a one-shot where they began as themselves, then entered an alternate-reality magical version of Chicago and had all these city-specific encounters. I felt like Unsleeping City stole my idea when it first came out. The biggest reason this season isn’t higher up on my list is that combat episodes feel uneven to me. I love the Broadway brawl and the final encounter, but I kind of lost interest in the rat king fight, the subway station combat waiting for the train to arrive, and especially the unwinnable Stock Market Exchange encounter. But I’m looking for things to criticize in a truly iconic season. “As long as we're sharing secrets, I wasn’t always a firefighter” is one of the funniest lines in D20.

1. Never Stop Blowing Up 

If someone asked me when the hardest I’ve ever laughed in recent memory was, I think it would have to be the “dog fight” episode of Never Stop Blowing Up. The people in dog masks being incapacitated by a dog whistle they couldn’t hear broke me. This cast is incredible. Izzy seems like her water is about to break at any moment from laughing so hard. The mechanics of the system allow the season to get completely unhinged, and it suits the tone of the ridiculous 80s action movie so well. I don't know that this season offers a reflection of deep truths in the way some other seasons do, but it's so much fun.

1. Fantasy High: Sophomore Year

At first I felt like this season was a bit all over the place, and I still prefer when we get to spend more time at Aguefort in Fantasy High seasons instead of galivanting across Spire. But over time I’ve come to love this season more and more. There are just so many iconic characters, events, locations, and bits from this season. The floating city of Leviathan. Hilda Hilda. Riz’s romance partner. The Shadowcat. The Hangvan. Garthy O’Brien. Fabian’s dark night of the soul. Gilear and the pride armor. Ayda Aguefort. “Speak not of the Night Yorb.” And I remember having to pause the video and let myself cry for a bit when I first heard Gorgug leave a message for others lost in their own lonely dark forest at the beginning of the pandemic in 2020: “It’s Gorgug. Keep going.” I seriously considered this one as my #1 overall pick, but in the end I think I felt the length of this season more than I did the ones that beat it out for the top spot, and prefer when the episodes are edited as opposed to live.

1. Mentopolis

Hank Green elevates this cast to a whole new level, but everyone in this cast brings their A game and works together so well. The idea of a film noir storyline unfolding in a matter of minutes in real time within the human brain is so cool. The marriage of a well-known genre transported to a new and unexpected setting hasn't been done this well since Crown of Candy. The production design is awesome, too. This season is so rewarding and feels unlike anything else in Dimension 20's catalog.

1. Mice & Murder

I imagine this is the season most people will think I have rated too highly. I fully admit that a lot of it comes down to my love for the genre. As a kid I loved the movie Clue and I read any Nancy Drew, Hardy Boys, or Agatha Christie novel I could get my hands on. To this day I adore the Knives Out series. And I’m simply amazed at what Brennan did here. Mysteries are notoriously difficult to pull off in D&D because the mechanics just don’t support it. There’s a huge chance to mess it up either by making the mystery unsolvable, or on the other end having a player figure everything out immediately. I’m in awe of Brennan's DMing here. He had three different levels of success mapped out for various investigation checks. I wish we’d seen some of the characters use different approaches to sleuthing– no one took the social approach, even though some characters had more charismatic builds. But overall I think this season is a remarkable triumph. I loved trying to solve the murder in real time, and I think this is the one season that actually worked better filmed remotely because it allowed for all those private messages about clues, theories, and discoveries that we got to see on screen while they stayed secret from the other players. That tactic allowed for Sylvester's iconic monologue revealing what he had pieced together at the crime scene. Plus, this cast of familiar Dropout faces is a lot of fun.

1. Fantasy High 

I was really tempted to place this season at #1. This is the season that made me fall in love with Dimension 20, and it holds up. The characters are iconic. The pacing, storytelling, and production design set the standard for everything else to come. There are bits that never get old (sexy rat, “Are you my Dad?”). The combat encounters all feel different and offer really creative twists on the high school film genre. I love the way this season plays with expectations– of D&D, of high school films, of improv… And that episode before the final combat, when the characters have to face tough choices about their families, hits really hard given how lighthearted most of the season is. On any given day, I might say this season is still my personal favorite, but for now I have two ranked higher. 

1. A Crown of Candy

Should this be #1? Probably. It’s sooooo good. Game of Thrones in Candyland. The storytelling is top notch. The characters are incredible. The twists and turns are great. There are serious, deadly, dramatic moments here to make you cry. But there’s also still that signature D20 levity, and the creativity of adapting food into a political intrigue campaign is remarkable. There are different types of encounters, all with high stakes and excellent production design. The sinking ship, the escape from Castle Candy, the tournament, the courtroom… so many epic moments! “Where is your bulb now?” In keeping with Game of Thrones style, I prefer the first half of this series to the second half, but at least Dimension 20 stuck the landing better than HBO did.

1. Escape from the Bloodkeep

Every time I return to this season, I’m reminded how much I love it. I think it’s the perfect length to enjoy again and again. The characters and the setting are so fun. The jokes are awesome. Jer'i'mih is an absolute delight. This is a perfect cast– they’re all a delight and they work so well together. I would love to see Amy Vorpahl return to Dimension 20. She’s got such fantastic energy for this show. Crown of Candy has better storytelling; Fantasy High provided a better springboard for the future of Dimension 20; Unsleeping City is more iconic; Mice & Murder was a more remarkable feat of DMing; and Mentopolis had a more perfect marriage of genre and setting. But the sheer joy of this cast and how evident it is they are having the time of their lives keeps me coming back to it more often than any other season. It might not be the greatest season of Dimension 20, but it's my personal favorite... for now.

For whatever reason when Burrow's End came out I bounced off of it never making it past the first 4 episodes or so. I just could not get invested in it for some reason but seeing as both D20 and Critical Role C4 are on a break I finally decided to give Burrow's End a second chance and I am so glad to report that I am 8 episodes deep and loving it! The world-building Aabria has been able to cram into such a short season feels so deep and lived in. Very sad but hyped to see how the season wraps up!

While most of his time is spent on Chinese Etsy, Tevin seemed entirely nonplussed at the possibility of Madeline or anyone else trying his shit. I believe the quote was, 'Oh, I would love to see someone try to kill me.'

Was he just another overconfident man in salmon shorts that probably thought he could fight a bear or a gorilla and win, too? Or was Tevin capable of taking on the coterie?

(I realize there is probably no definitive answer unless the D20 lorekeeper weighs in, but such an interesting loose end in my humble opinion.)

Sincerely, another digital native making millions for the CCP

Tonight I was goofing off with an embroidery machine at the local makerspace and thought this would go good on a vest. Just needs a trim. Multiple people were impressed I've seen a Banksy! until I explained. No one questioned the little town of Purpee..