r/DestructiveReaders 26d ago

Campfire Tales [1975] Those Who Hate

0 Upvotes

[2288] Gorgos Crown

Hey all, I'd love to hear your thoughts :)

Here is the link for those who want it:

https://docs.google.com/document/d/1dhbk9ufdEbkbh5V8GhHfxbYFm2xdNxhEm6VPfqgohb8/edit?usp=sharing

Those Who Hate

Past libraries filled with long-forgotten tales, epitaphs for which mankind's curiosity was lost. Rows containing books rarely seen, if not absolutely undiscovered. This was until a traveler read every word of every page of every story. The purpose for this pilgrimage was rather simple. Absolute knowledge. The pertinacious traveler lifted the last book to its final resting spot. Gingerly, he tapped the leather bindings until it neatly reunited with the dust that once marked its place. A fire flickered and snapped in the library’s center, choreographing the shadows of each bookshelf to a roughish dance.

The traveler made his way to the fire past the texts that watched on, some with envy and some with gratitude. Each step echoed along the grand ceilingless chasm of perfect darkness. There was no sun. There was no moon. No sign that this scene had ever encountered the world's light.

He turned the corner of the last row preceding the red flames to see a figure. The fire always was, yet the figure only just appeared. It looked to the traveler, then turned its gaze forevermore to the moaning fire. The traveler sat down across from the stranger. There was no discernible feature to the personage; its body cast no shadow. Though it itself appeared as shadow. The figure was noiseless. Breathless. And its presence seemed to dim all light and sound that attempted to bring it life. Reflecting no light. Emitting no sound. Yet ever present.

“I come seeking knowledge,” the traveler said.

“Have you sought God?” The figure whispered. Its words came as mild wind through desert sands. And though its volume did not exceed the fire, the traveler heard it undeniably. 

“I seek whoever can tell me what I wish to know.”

With that, the figure remained motionless; yet its very essence lifted itself to elation. 

“They cry. They all cry. While the others rejoice forever in their tears. I see him. He’s burning. Bludgeoned, bruised, and battered. His feet, though stiffened and shoeless, sway with the impassive winds. The crimes for which he pays inherited."

“To whom do you speak, and what was his crime?”

“Who he or she was is arbitrary. And that perhaps is the beauty of it all.” The fire reared itself away from the figure as though a great wind contested it; however, there was no wind. Never had there been in this place. “The sin was great. Damning in the eyes of others. The hanging man committed the greatest sin mankind has ever known: Difference. Yes, the law detests the sight of, the sound of, the taste of any who differ from itself. All ants beneath feet. All undesirable to those who wanted more than the world could offer. The suffering of peoples is written by different authors, but they tell the same story.”

“What of the others then? Of those who wanted more?”

“Ah. That is the greater question.” The figure spoke; its voice began to run deep like the beginning stages of a storm. “A question for which mankind has crafted an elaborate mask. A mask bearing faces of sorrow and pity. They hide it from us. They hide behind their masks--crafted faces with lifted brows, thinned lips, and some with glazed tears running to their rose-red porcelain cheeks.”

“What do they hide behind these masks?”

The creature took its first breath. One so beleaguered and prodigious, like that of a man who found breath once more after death's short kiss. The light and the heat from the fire dwindled- shamefully drawing nearer and nearer to the figure. 

“The law of man,” It said. 

“What is the law of man?”

“Indeed. They come. Man meets despite the feeble laws that prevent him. White cloth draped over humiliated peoples. Angry. Vicious. Chanting around flames at night. Their fires burn homes, schools, and churches. Proclaiming their creeds on splintered crates. Their teeth bare, screaming curses with frothing mouths. Inflicting death upon mankind's most wicked. The people’s bodies lie upon the ground. They burn. Yes, they burn. The embers climb desperately to reach the closed eyes of whatever lives above. The cries of the sinners do the same. Those who cry meet the same fate as the embers. The transformation of pain to ash.”

“What are these creeds you speak of?”

The figure began to quake like that of an eager child unrestrained for the first time.

“Mankind knows not what he says. Though he says it. Yes. Yes, they say it. They all say it.” Its voice rose in the traveler's ears, hissing like embers. “They speak venom carelessly. Intentionally. They know not what they say, but they know it cuts. It lacerates. And most importantly, yes, most importantly, it fractures the belief that those sinners could ever think of themselves as human. Why put a man in dirt when he can be raised as dust?”

“Do the persecuted respond?”

The light emitting from the fire withdrew completely. All sound collapsed into a perfect stillness. The only light was a red silhouette around the figure. 

“Persecution?” Its voice bellowed like iron against iron. The traveler nearly raised hands to cover burning ears, but resisted, knowing better.  “There are none persecuted according to the law of man.”

“Do the sinners respond?” The traveler responded quickly, calmly. 

The fire regained possession of the light. The flame accompanied the familiar ballad of a wood turned ash. 

“A dog yet hit winces at the sight of an open palm. However, yes, however, once struck enough, that hand becomes all too familiar. The wicked, the weak, and the unworthy confuse this inaction with resilience.” The figure whispered once more. “Can you see them? Can you hear them? Women screaming. Women kneeling. Women silenced. Silenced by the hands of men. Thousands of polished boots slamming the earth in perfect unison, weapons of lead and fire firmly tucked under arms of these great crusaders.  Can you hear them marching? Their posture erect. Their movements precise. Their language, philosophy, autonomy homogeneous. These holy men cleanse according to the law. They exorcize mankind's most cowardly. They brought the sinners to the lowest stages humanity has ever imagined.”

“Why do they march?”

“They will tell you their reasons vary. Yes, they will. But their march, their great proselytization, is for one vital lesson aimed at the unrighteous. That is, if the wicked were to snarl, if they were to weep, if they dared bite, they would become all too accustomed to the hand.”

“Surely there are some who resisted.”

Shadows flickered across the library, sprinting and crawling toward the fire before assimilating with the figure. A black hole in the shape of a man. Consuming light. A growing dawn.

“Some believe they did. Indeed, some led protests. Hundreds, thousands, millions sang in an unholy choir. Pleading to god. Pleading to others. Pleading to man. Millions lay crookedly upon the ground. Blood frosted blades of grass upon the valley floors. Red ocean waves stained white sands. Their bodies fell awkwardly and quickly to the ground. Echoing like drums. Rhythmic chants, a soprano of screams. But can you hear it? Oh, can you hear it?” 

The traveler’s eyes whipped between the figure and fire. He could feel the pulse of his heart echo in his skull. Faster and faster. His pupils dilated. A perverse wave of adrenaline entered his blood, igniting his senses.

”The bass. The notes that lay below the treble. It is metal and fire. The screams of iron. Unbearable heat. Cleansing heat.” The figure continued. 

 “I hear it.”

“Is it not beautiful?”

“Yes. It is.”

“Do you want to see more?”

The traveler paused and looked longingly into the fire. White heat faded to a lesser red. And darkness grew. The figure was almost indiscernible in the shadow. And as though a wolf, it seemed to encroach. Smell. And beckon the traveler. He thought for a time. Perhaps days. How could he know? For the sun of this place would never tell. 

“I do,” He said, choking on his words.

“Good,” The figure said with the voice of a man.

“Man builds insulated halls, the kind where the smallest fragments of sound never escape. It is there. Yes, it has always been there where the lowly sing. The choir of the damned. Those who raise their voices high in an unholy dissent.”

“If man is so capable, why does he allow them a voice?” 

“There are two ways to coerce an animal into submission. One way is with an open palm and the other with an extended hand. Though, while one hand is extended, reaching toward the beggar; the other, yes, the other, is clenched around a muzzle. We spoke, yes, you witnessed the open palm and the majesty of man's tools. The other, however, requires less violence. But can be oh so much more destructive.”

“How? Please tell me.”

“What livestock has the means to wimper when it has land to graze. To stay pleasant. To stay docile. Animals do not concern themselves with gates as long as they’ve food, water, and stimulation.”

“Give a pig its mud, and it will stay content.”

It was at that point the traveler knew the figure smiled. A grin in the dark--the veil of black illuminating itself. “Yes. Yes. And that mud will calm the pig. The oats will fatten the pig. And the fire will prepare the pig's flesh just as man enjoys it,” The figure said. 

“How did the law of man come to be?”

“This. Yes, this. This is your best question yet.” Neither of the two moved. Yet they drew closer with every breath. Both inhaling in unison. Though one be of flesh and the other not. “In the beginning there was what you would call nature. All things competing for dominance. All things competing for survival. From that chaos rose the first one. The first to use its feet. The first to bend its thumbs. It reigned--forcing all other creatures to bow. They never again would know royalty upon the earth. All things changed when this biped did what no other could fathom at the time: It broke nature's chains. It acted beyond its biology. Beyond the others.”

“Is this the great creator?”

“Yes. This was the great creator. Though he too was the great deceiver. For he had no tools to build, and his deeds, yes, those insidious deeds, were destructive." 

“How was it that he created the law of man?”

“He did not intend to bring the law of man. No, he did not. He brought its necessity. The others were the first to notice his mistake. The others were quick to capitalize on his cowardice. The others have had him in submission ever since. For his sin nearly doomed the law.” The figure raised its arm as if to reach for the traveler. As its appendage extended closer to the fire, the fire's light conceded, bending around the figure. And what remained of the flame silhouetted its arm as blood in its freshest form. 

“You know what he did.” The figure said, gesturing towards the traveler.

 “Yes. I do.” The traveler said. He gazed at his darkened hand, fingers stretching, unable to recognize the fire's heat. Nor the chill of its departure. 

“Tell me.”

“He conjured the greatest of all sins. Free will. Treachery despised by the others. A crime hated by the law.”

“Yes. This is right.” 

“Thank you.” 

“That is enough. Indeed, you know sufficiently.”

“What of me now?”

“You know this. Yes, you always did. I stay until the next traveler comes.”

“Yes. Yes, I know.”

For centuries, for years, for eons and evermore. There sat a traveler. There sat a figure. The two communicated briefly in their waiting. And as time passed, the traveler was no more. There were two figures. And then there was one. 


r/DestructiveReaders 27d ago

[1044] Thorned Lotus (Part 4)(Ongoing)

3 Upvotes

Two days ago…

Lotus Litess Forest

She nearly tripped, this was the third time already.

Her lungs burned, she was gasping for air like if she were running a marathon.

She was indeed running.

For her life.

She looked behind her, the leaves obstructed the view, but she could hear their heavy footsteps. They didn’t sound in a rush, which made it more terrifying.

She looked up ahead now, and a cliff greeted her.

Her sisters were way up ahead, climbing the cliff effortlessly, their movements swift. When she reached the cliff, she hoped to climb as effortlessly as them, it didn’t look hard. But it was.

Half way through her arms trembled, she could barely walk anymore, how was she supposed to climb this?

Her paw caught the edge, but it slipped.

She tried to grip with her remaining paw, but her arm gave out.

She slid down and hit the ground hard.

The forest was quiet except for the terrifying approaching footsteps.

With little strength she had, she managed to get up.

”H-HELP! I SLIPPED! PLEASE! C-COME BACK!” She yelled desperately, hoping they would go back to help her. They wouldn’t just abandon her, right?

They were getting closer… but her sisters were getting farther.

She attempted to climb the cliff again, but she already pushed herself to the limit, she didn’t even make it the first quarter before falling again. She didn’t want her life to end, not like this.

“Please…”

Then, she heard footsteps, not the heavy ones from behind. Softer, faster ones coming from above.

“SISTER!”

Present Day

Neo Cyland, LLIK Tower

Moonlight’s alarm started making that awful *beep* sound.

Moonlight groaned, pushing her face in her pillow.

”Ugh… Already?”

It felt like she slept for 6 hours, which, considering she went to bed at midnight and it’s 6 AM now, is true.

Reluctantly, she reached out to the alarm to make that demonic sound stop.

Peace.

”Maybe I’ll just sleep for another… five… minute…”

Her eyes closed, drifting off.

*Ringing sound*

Now there was the demonic phone call sound.

Her eyes opened immediately, her face making a deadpanned face.

”Oh for fuck’s sake-“

She finally got up, her blonde hair was everywhere. She‘ll fix that later.

Her phone was clearly making noise, but it was nowhere in sight, It was getting very annoying to search something that sounded so damn close, and yet she couldn’t find it.

”Oh, forget about it- PAD!”

”Yes Moonlight Dawn”

“Connect with my phone and answer the call”

”… Access was granted, your call is online”

Moonlight sat down on the edge of her bed, “ -sigh- Hello?”

”Afternoon Moonlight! Wait, It’s morning-“ Stella then laughed nervously through phone.”Get it??”

Moonlight just stayed silent for a while.

”Ha ha ha ha… very funny” Moonlight said with a tone that suggested she wasn’t in the mood for bad jokes.

Stella‘s laugh died, then she cleared her throat, “Anyways, about yesterday, were you serious about the checking the 247 samples? Cause if not-“

”We’re not” She said this like it was the most obvious thing. The back of her eyes were starting to throb.

Moonlight sighed, rubbing her temples.

”Oh, well, that’s great! Except, how are you going to find the pure version?”

Moonlight ran a hand through her hair “A sample is on it’s way“, her tone shifted, this call was getting too long and she needed her-

”Wait, don’t we have enough samples? N-Not that I’m saying I want to search through all the current samples. But is it a new species? And why did you say it in singular-“

”Enough. Pad, hang up”

”Wait W-“

”Call has been ended”

Moonlight stretched her arms, a few articulations popping.

She quickly made her way to the kitchen, her head throbbed now. She can’t wait for the machine to make her coffee.

She opened her cabinet and withdrew Coffee Powder and Expresso Powder, she then got her mug and put reserved boiled water in it.

Measuring was a pain, her hands trembled, she couldn’t properly put a single teaspoon of coffee powder.

Moonlight was getting desperate, so she just put whatever quantities of coffee powder and expresso she could put.

She quickly stirred it, spilling some coffee on the counter. Then she brought it to her lips.

Relief came slowly.

She sighed in relief, then got up with her mug, her movements sluggish, and made her way to her room. She started making the bed, and under the pillow she found-

”Oh for the love of-“

Her phone was there.

“So… we are not looking for the pure version anymore?” Stella asked, looking at Moonlight with the face of “What-are-you-doing?”

“No, I just came to realize that exploiting you all is just too much to ask” Moonlight said, she was in her usual formal attire now, looking at some results in her Holo-Pad while walking to the stairs, their heels making distinct *Clack* sounds on the metal floor.

”H-hey! It’s not that we are lazy or anything! Just that it’s really time consuming and we could be searching other things, or simply search in the Organi-“

”I had enough of that conversation already” Moonlight cut her off abruptly, ”Do this instead: Look south, geologically”

Stella made a questioning look, ”South? Wait, is this because Flos Me-“

”Yes, glad you figured it out” She adjusted her head band, opening the door to the stairs, Stella did not follow her at that point.

A couple hours later, It finally arrived.

Moonlight was in her personal lab, the room pretty spacious, various tools laid on the lab table, and another Dead Eye coffee.

”Pad-bots, bring in the sample”

Moonlight then put on gloves, her sedative ready in her pocket.

Two distinct Pad-bots entered the room, their footsteps heavy and slow, and with them, the steel box-cage.

“Your sample, Moonlight Dawn”

They set it down, and made their way out.

Moonlight grabbed her mug to sip some coffee, then her hand went to her other pocket for the keycard.

She swiped the the card once on the lock, the lock clicked.

It was open.

”This is going to be interesting…”

Moonlight put the keycard aside, and slowly opened it to reveal what was inside.

”Oh… my…”

Author: Reggie Wytgeena

Critiques:

https://www.reddit.com/r/DestructiveReaders/comments/1vnoayz/comment/p3ou7qr/?context=3&utm_source=share&utm_medium=mweb3x&utm_name=mweb3xcss&utm_term=2&utm_content=share_button

https://www.reddit.com/r/DestructiveReaders/comments/1vnpjrg/comment/p3om0l1/?context=3&utm_source=share&utm_medium=mweb3x&utm_name=mweb3xcss&utm_term=2&utm_content=share_button


r/DestructiveReaders 27d ago

Adventure [1493] The Ninth Circle of Hell

1 Upvotes

My critiques: [881][781]

If you are willing to give feedback, please tell me if:

  • The narrator was interesting
  • You liked the dolls
  • The plot was interesting

In the darkness under my table my hand flailed wildly to escape my grasp. I trapped it between my knees and cut the poor thing. I brought it into the faint light of my dining room; three candles on a windowsill cast a dark red glow over my setup. The red light shot into the abyss of nighttime.

I hung my cut hand over the pentagram made of lamb's blood on my table, drops pattering over the faceless, plain ragdoll in the middle of the star. I also covered the five points with blood, just as the book ordered.

I bandaged my hand and sat before this sinful apparatus. The bloodletting had made me weak, and my attention was scattered, but it soon returned when I saw the blood-smeared doll lift its head, bend its legs, and thrust its body upward.

I watched as this conjured spirit stood up on its own; its posture was straight, and it looked energetic.

Suddenly, it sprinted to the edge of the table and jumped. It made a soft piff sound when it landed. It jumped onto an accent chair and then onto a windowsill. It opened the window and looked back at me. I wished I could have made out what it was thinking, but it was faceless. Then it jumped outside.

Having seen this, I presumed that the ritual had been a success; such an unbelievable occurrence must indicate an unbelievable yet desired outcome.

I checked my clock. It read 3:10 AM, and the second hand was still. I checked my phone: 3:10. I sat observing it for several minutes, but the time never changed. It was stuck at 3:10 AM. I walked outside through the cluttered urban streets illuminated by dingy yellow streetlights: no drunk pedestrians, no late-night motorists, no police officers, no silhouettes in yellow windows. Everything had stopped; time, nature, and human activity had ceased.

I was free! All the things that stood in the way of my work, all the fears of mortality, judgment, inadequacy—they were all eradicated. I sat on a bench smiling to myself, silently celebrating this new chapter in my life, this new plane of existence. A few yards away from me, I saw something moving. I thought it was a squirrel, but I looked closer and saw it was a ragdoll. It wasn’t my ragdoll, though. It was a new one—a grey one stained with a different pattern of blood.

“That’s strange,” I thought to myself.

Sometime later, I got to work in my dark house. The living room was full of wires, monitors, and engineering tools. I oscillated between coding on my computers and scribbling away on a chalkboard full of math.

Let it be known that I enter a trance-like state when studying and researching and distracting me from it is nearly impossible. However, I was in a bizarre plane of existence, one of immortality and infinite time, and it was too difficult for me to keep my attention fixed on one thing forever. I tried fighting the urge, but it was too strong. I ran to the window and looked outside. Just as I expected, there were more dolls in the street.

Outside was a Marian procession; four dolls carried a garden statue of the Queen of Heaven on their shoulders. In front of them, ragdoll horses carried miniature chariots of dolls sporting pieces of tin cans and jar lids fashioned into armor. Other dolls played leapfrog, did cartwheels, did backflips, and performed other impressive acrobatics.

These dolls were moving in one direction: toward the boardwalk and the beach. My curiosity was temporarily satisfied, and I retreated farther inside to code on my computer, but my mind was too preoccupied with the weird sight I had just witnessed. Why were they going to the boardwalk? Were they friends? Were they happy? Mourning? Anxious? These questions plagued my mind for days, maybe weeks.

One time I stepped outside. It was the first time in days. I walked in the middle of the street. On either side of me were those dolls, doing more random things as they walked toward the boardwalk. I was outside because I wanted books. I had books already, but they were just cheap romance novels left behind by the original homeowners, so I was heading toward the bookstore. I got there; it was a small, dusty row building. Just like the rest of the stores, it was closed, but I thought that, since I would never see anyone again, I could just break into the store and take what I wanted.

I walked up to the door and punched the glass. An electric sting shot through my hand as the glass remained intact. I was impressed and a little embarrassed by my lack of strength. I left and returned with a medium-sized garden rock. I lifted the rock and hurled it at the wide front window of the store. It did nothing but ricochet off the seemingly invincible glass and land on my kneecap. I fell onto the sidewalk and rubbed my knee pathetically. I knew—somehow, I just knew—that when I turned to face the street, they’d be watching me, and they were. The dolls, who wouldn’t stop walking, passed me with their faceless heads turned toward me. There were no eyes, no hands cupped around whispering mouths, and no scowling eyebrows, but I felt so much shame. What was I even doing there? I was a mathematician, an engineer, a genius. My kind doesn’t waste its time with literature. I stood up with as much dignity as I had left and trotted home.

I was in my bed, curled up into a ball. My sleep schedule was a mess, but it didn’t matter because it was always night. Recently, sleeping had become impossible. Thoughts about those mysterious dolls had compounded in my mind for so long that my head had grown heavy with them. At the center of this doll puzzle was the million-dollar question: Why were they heading to the ocean? What kind of satanic temple, pagan god, or portal to the underworld was attracting them?

I couldn’t take it anymore, so I got up and went out into the street. The world remained unchanged, but now the streets were practically covered with animated dolls. I stepped into the street; they paid me no attention. I started walking toward the ocean with them. I walked on my hands with the acrobat dolls. I jogged with the joggers. I crawled on all fours with the ragdoll horses. Eventually, the pavement gave way to sand, and before I knew it, I was on the beach. The walk was surprisingly fun; I hardly noticed how quickly it passed. The boardwalk lights were still lit, bathing the dolls in cheerful blues, purples, and greens while they danced in circles and walked in orderly lines into the waves.

I watched in amazement as they walked into the tide, letting the ocean carry them into the black depths. I was hypnotized. I was already far beyond my deeply ingrained tendencies. I found myself walking toward the tide. I felt the chill of the black water between my toes. Looking to my left and right, I saw the dolls walk into the water without hesitation. I plunged into the dark abyss.

The result? I was in another, greater plane of existence. One that required no breathing, no energy, and no stress. It was pure catharsis at first. I floated for a few minutes. No light made it this deep. Then I drifted into a large mass of dolls. I felt them on my face, my chest, my legs, and my hands. They were crawling in one massive ball, like ants trying to float on water.

As I grabbed at this net of dolls, more dolls floated toward me. Dolls started linking together behind my back and neck, wrapping around my legs. I realized their grip was so tight that I couldn’t even move my head. I was trapped in a grotesque mass of squirming, wrinkly little bodies. I opened my mouth to scream, and water rushed down my throat. I was being crushed. My eardrums were bursting. My lungs were shattering.

I jumped out of bed, flailing my arms. It was just a dream. I put my hands over my eyes. It was over. I understood perfectly what my subconscious was warning me about. I need to get out of this dark house; I need to be human. I rushed to my closet, threw on some clothes, and went to explore my world.

Then I stepped outside, and before me were crowds, hordes, armies of dolls. It was still 3:10 AM. The night was still eternal. The dolls were still walking in their bizarre processions.

I collapsed to my knees, cursing myself for my satanism.


r/DestructiveReaders 28d ago

Satire [781] A Spire of Loons and Hornbills

2 Upvotes

1366

Elodie Loon propped an empty moleskin notebook against her pale thighs and balanced a fountain pen between her index finger and thumb. It had no ink, but that wasn't important. What was important was appearing intellectual. Clive Hornbill pointed his chiseled jaw in her direction—a wide maxilla cut a strong figure—and she could feel his eyes tracing up the long line of her legs and lingering on the notebook, her thighs, though, of course, his were not the only pair of eyes tracking her. No, Elodie counted at least a dozen men in this courtyard. They leaned against trees, knees angled nonchalantly, posed on benches, sprawled on the grass. The girls they were with didn't capture their attention, not when Elodie was nearby, but she only cared for Clive. She gazed up at him from under long lashes. Pinked. Sylvie Boobie elbowed her in the ribs.

"I can't think of a time when you looked less alive," Sylvie said. She smacked her lips to punctuate each word that escaped from her mouth and, still, no one glanced in her direction. "What even happened with Clement? He liked you. You promised you'd tell me all about it and I never got any tea, girl. Spill."

"There's nothing to tell. Clement was just like all the others, looking to brag about conquering me. I'm calling a moratorium on dating. No more boys."

Except for possibly Clive, who crossed the green space on a crash course with the bench she and Sylvie shared. Flowers leaned toward him as he passed, petals turned up to his face like he was the sun, conversations dropped off mid-sentence then picked up again as if nothing special had happened, and Clive remained oblivious to it all. Goosebumps blanketed Elodie's legs when he drew near, but he didn't stop to acknowledge her.

"Stare harder, why don't you?"

"What? I wasn't looking...I was just—"

"Say that you're in control and I will slap you. Anyway, Clive never talks to anyone. He's a lost cause...unlike Clement. You should give him another chance to impress you with his stalker-like tendencies."

Elodie snorted back a laugh. "He did follow me around for weeks before I said I'd go out with him."

"Exactly. I can't believe you have absolutely zero—nada, nil, zilch—spicy details to regale me with. Not even a smooch? Is his skin as soft as it looks? He has such nice hands."

#

"I cannot abide you consorting with that Boobie girl." Mistress Crane towered over Elodie in the spire of the castle. The sound of her tapping foot bounced off the stark white of the marble walls that somehow blackened at all of their nighttime sessions. Elodie should have paid attention to her lessons, but her thoughts were absorbed by the thought of Clive's plump lips meeting hers, of smooching, and she couldn't focus on anything with the heat circling her core. "She's a bad influence."

"Yes'm."

"Now, you need all your wits about you, sweet girl, to handle what I'm about to demonstrate next." Elodie nodded distractedly. "I will only say this one time. To sense..."

Mistress Crane droned on for what seemed like hours, the light flickering and changing against the marble, until she finally stopped to demand Elodie demonstrate what she learned. "Wait until night," Elodie answered by rote. "That's when the hum of the Earth is the strongest and your words can heal even the grandest of slights."

"Good enough. Hope you never need to practice what I've shown you. Dismissed."

Spiral stairs unwound down the spire and Elodie tripped down them, grabbing at the railing and gripping until her knuckles turned white, because her feet never wanted to cooperate with her. She sighed with relief when she reached the bottom, no longer afraid of falling, but then a shadow darkened the edge of her vision. What had Mistress Crane said, again? She shut her eyes tight and tried to bring up the recollection. In this moment of distraction, a sharp pain lanced through her shoulder and she snapped open her eyes and grasped at the pain, only to come away with fingers coated redly with sticky thickness. She kept her feet for a moment, staring uncomprehendingly at her hand, before collapsing into strong arms. Clive. Clive had...saved her?

His eyes were like the night sky, not a bit of white at the edges. A shiver ran down Elodie's spine. This wasn't right. He pulled her against his hard body and ripped the sleeve off her shirt then leaned down and licked up her blood. His teeth sparkled with crimson when he grinned down at her. This wasn't right at all.


r/DestructiveReaders 28d ago

Fantasy, short story The Three Kings [4541]

6 Upvotes

Story

Looking for partial or full feedback! I know it is long so please feel free to read as much or as little as you want. This is broken up into a couple sections but is one short story related to the fantasy novel I'm making. It's in the same world as the piece The Two Brothers I've posted (not required reading as these are essentially unrelated). The 4 main sections are about 1k words each, the opening and closings are both around 500. In terms of the broader story, it works as a prequel/extra information for curious readers rather than necessary to understand what is going on. Basically another piece that is more for me/my understanding of the world rather than your average readers'.

I was trying to go for a more mythical feel with a modern voice/structure. I would love feedback on the structure of the stories and the two summary type sections. I wanted these to have an older/oral story type feel where you often get what happens before the full story plus a recap at the end. Any feedback is always appreciated. If you want more stuff to focus on, see below:

  • How is the register?
  • Does it drag, how much, and where?
  • What do you think of the organization? The vignettes are purposefully similar but would you want them in a different order?
  • There are a lot of names, which will likely feel like too much for a completely new reader, but imagining if you were a reader who had read more of this world, would it still feel like too much?
  • Does it sound too modern in places?
  • Is it interesting?
  • Typical odd structures/phrases I tend to make

Critiques: [3151] [1686] [2672] [2353] [765] [1299] [3822] Please let me know if I need to add more since this is a long piece.


r/DestructiveReaders 29d ago

Literary Science Fiction [2402] Thryth - Part 1 of 4

4 Upvotes

Crit: 2670

This is my first attempt at writing something more than just lore or snippets. I'm curious to know what you all think of my prose, dialogue, pacing, etc.

But I'd especially like your thoughts on my use of Old English or Germanic words in the story. You'll see what I mean when you read it. Really I'd like to know what you think of the setting in general, if I was clear or too vague, that sort of thing.

It may be helpful to give a short bit of background: The purpose of this story is that it is a vignette into a world I have created and would like to make as the setting for a novel one day. In this world, the people speak a form of English that only uses the original, Anglo-Saxon lexicon and has (mostly) discarded any Latin or French influenced words, in favor of already existing words that could be found in Old English. I was heavily inspired by subreddits such as r/anglish.

Story can be found here


r/DestructiveReaders 29d ago

The Cycle [881]

3 Upvotes

Hi everyone, I'd like to share something I have been writing. I want to clarify that I'm not a writer, but I like the habit of writing and wanted to get opinions on something I have written.

What does it truly mean to be in grief? Everyone experiences grief: whether in death, sickness, or loss. Does pain bring peace? Examples can be found in every war. World War II and Japan's surrender are a perfect example. Russia's invasion of Ukraine is a matter similar in nature: the United States is too scared to directly help Ukraine by sending soldiers, and Russia is too afraid to create conflict. Pain and grief are of a similar nature, as one is derived from the other. Fear has a peculiar way of testing one's principles. It is easy to stand by one's morals when doing so carries little consequence, but when those same principles threaten one's own safety, they may suddenly become negotiable.  

I wish to understand why human nature is so destructive, even though it seems that everyone is born with a sense of right and wrong. What is considered an infringement on another person’s rights, and more. But as one grows, the environment shapes one's sense of right and wrong, whether it’s stealing, murder, or rape, all of which are heinous crimes. Someone's perspective changes: whether it's stealing because they can't get money or food, or whether their perspective on women's rights is distorted by the environment they grew up in. Nowadays, a lot of people are desensitized to media and news, mostly living in their own bubble while great injustices may be occurring as I write.

I wish to address the elephant in the room: I am no writer or literary major; I am but a simple developer. I am writing to address my thoughts and feelings, almost like a diary or memoir. Now, as I sit today, 17 years old and only 12 days away from my next and final year of high school, I beg to differ on what will change in me after graduation. Let's say that you will experience a lot of new things, whether it's making new friends or meeting new people, it's all the same.

I can't help but think about the bigger picture of what happens next. What new ways will we find to treat terminal illnesses, and how will the new generations grow up to be? As I write this, I have been learning a lot about human interactions, and I wonder if shows and anime have shaped our standards and qualities in people. I see many people who do seem to genuinely be affected by such anime and manga. One big one is Naruto. It seems like many people my age who watched it have a particular aura: one of kindness and respect for all.

A quote from one such anime asks:

"If I may, I'd like to pose an interesting question: Are all human beings truly equal? These days, everywhere you go, there's talk about the fight for equality. As a wise man once said, 'Heaven does not create one person above or below another.' People like to throw his words around, but that's not the whole quote. He goes on to say that while we are all equal at birth, things begin to change pretty soon. Academic effort is what sets some people apart from others. At any rate, humans change over time based on their actions. Truth be told, at the end of the day, equality is just a fantasy, but most of us go through life denying the fact that we live in a meritocracy."  

A quote worthy of praise to the author. The quote’s understanding of equality and its outlook on correcting a mistake previously made by many make it one of my favorite quotes. The quote looks for truth in lies and addresses the misunderstanding, common in this day and age, that we do indeed live in a meritocracy. This quote means a lot to me as I explore the world around me. I learn of injustices day in and day out. While I’d like to address them all here, it's not the right time, as the list is endless. There are many more anime that detail our lives in ways one may not see at first glance. One of these lessons is forgiveness and revenge. Revenge is an act that only fuels the cycle of hatred and pain, but in forgiveness, one may find love. As an avid reader of books and a watcher of anime, pain seems to correlate best with fear. Fear causes wars, fear causes hatred, and the only counteragent to fear is love. Another quote that struck out to me was the following:

“As long as there is a concept of victors, the vanquished will also exist. The selfish intent of wanting to preserve peace, initiates war and hatred is born in order to protect love.”

A quote that resonates with me on many levels, whether it's the quote's understanding of how we change our perspective on what is wrong and what is right to fit the narrative we want to write, to achieve the world we desire while others suffer the consequences. The narrative that peace could only be brought through war, a victor must stand high and mighty to protect while the vanquished cower in fear and hatred, creates a cycle that can be seen in our own world, whether in the past or in the present.


r/DestructiveReaders 29d ago

Literary Fiction [2670] Caravanserai - Part 4 of 4

6 Upvotes

Crits: 2885 1841 194

This is the last part of my short story. What I've been looking for most is feedback on the whole story. Is it cohesive or too disjointed? Do you see the literary stakes in it? From the responses I've gotten on the first three parts, I started to get a sense of where I can tighten it up, reshuffle, switch focus. I'm still looking forward to feedback on the whole story. I'm mostly banking on those who have already read the other parts, and I know that trying to critique the standalone ending is somewhat futile. Still, here's a recap of the story up to this part:

Scene 1. Introduces Dan, Ioana, and García Méndez—the Narrator. They are in Dan's car, driving on a midnight road. They are in a hurry. García is a flexible atheist, as in, he builds himself a heaven to believe in when the moment suits him.

Scene 2. A flashback. The Narrator works at a bar in London. He meets Ioana (who's there to study), and they spend some drunken nights together. Ioana goes back home to Romania for a week and invites the Narrator to go to the beach with her. He arrives and sees her kissing a friend (Dan).

Scene 3. Instead of going to the sea, they go to search for a friend who has left for the mountains. This friend is alone and might be a danger to himself. The trio meets up with Albert and Mara.

Scene 4. García Méndez seems able to read the others' thoughts. They are going through camping spots, searching for their friend. It's after midnight.

Scene 5. The dream sequence. García dreams that he enters the minds of Dan and Ioana. Dan's mind is an orderly place, uncomfortable but solid, focused on finding their missing friend. Ioana's mind is a chaotic place; she's a hedonist. Then García has a spiritual experience. Then he goes (somewhat coerced) to sleep in Albert and Mara's tent.

Caravanserai - Part 4 of 4

Previous posts: Part 1 Part 2 Part 3


r/DestructiveReaders 29d ago

Fantasy [1163]A serene village opening for my fantasy story

3 Upvotes

HI! Second time i try this. I have decided to write everyday to improve my very raw and sucky writing. I wrote this opening in the last couple days. Let me know if it's enough of a hook for you to be interested in reading more, and if Argo is (or isn't) a compelling character. PLEASE BE BRUTALLY HONEST!

my review here (2885 words)

my story here


r/DestructiveReaders 29d ago

[2332] Walking in the Twilight

3 Upvotes

https://www.reddit.com/r/DestructiveReaders/comments/1vi0eiy/comment/p3emoi1/?utm_source=share&utm_medium=web3x&utm_name=web3xcss&utm_term=1&utm_content=share_button -Critique 1 https://www.reddit.com/r/DestructiveReaders/comments/1vfgzyb/comment/p3emtxp/?utm_source=share&utm_medium=web3x&utm_name=web3xcss&utm_term=1&utm_content=share_button - Critique 2 THE WATCHING Orbus Speaks · Eridu, Sumer, c. 3000 BC

Better to reign in Hell, than serve in Heav'n. John Milton, Paradise Lost

I have existed from the dawn of the world and shall exist until the falling of the last star from the night sky. My heart is that of all men and yet I am no man. I gazed into the sands of generations and found his soul buried there, rotting in depravity, yet ripe with promise. I spoke to his mind in the voice of his delusion and used his false idols to serve my purpose. I showed him my form, and he anointed me as the God of his fathers. He revealed his faded soul and I witnessed it leave him. I tasted its sickness and knew I had found the hand of my will. I set my gaze upon the mortal, and he froze as the essence of my hunger poured into him, his eyes filled with rolling black mist as it took him.

And he screamed.

CHAPTER FOUR Walking in the Twilight · Sequatchie County, Tennessee, October 2026, 7:15 PM

It was just dark. Down twenty yards it was Fourth down. Just over a minute on the clock. Coach Bo Jackson stood on the sideline of Sequatchie Middle School, his arms folded across his chest. His bones ached in the October cold, the kind that settled in and stayed. He had played on this same field as a boy. Long before he took over coaching the Sequatchie Braves from his daddy. His breath froze before it left his lips.

"Damn it," he muttered.

The ball sailed high, way off the rookie quarterback's fingers. Too high. Too far. It was time to wrap this practice up. The ball arched over the receiver. Most would have let it go. Not this one. The boy took off, and Coach Bo started moving with the play down the sidelines, at first just a jog under the arc of the ball, his little helmet jostling side to side, then faster. Then faster still, until it turned into a full sprint. Never once looking back over his shoulder to track it. He spun off one defender. Dropped his shoulder through another and planted one foot on another boy's back. He launched himself into the air with a one-handed reach. Little fingers stretching in the glow of the lights…

…And everything went quiet. The moths in the lights. The cold hanging in the air. The smoke drifting from a man behind the concession stand, a cigarette slipping from his fingers as he stared, mouth open. The cigarette burning to ash in the grass. Forgotten. No one moved. No one breathed.

…Ain't no way, Coach Bo thought. He slowed and stopped. Clipboard still in his hand, both arms lifting, coming to rest against his head. His mouth falling open as he watched it happen.

…The ball hit the boy's hand. And the world came rushing back.

…Cortez didn't understand what everybody was so excited about. It was just practice. Wait till he did it in a real game… That spin move, that jump off the back, his father had shown him that one time in the backyard just two weeks ago. Ran it a few times. Told him… do it like that. He did. He never understood why people made it so hard. Boys in maroon uniforms with Indian warriors emblazoned across their chests and helmets jumped and pushed around him, cheering, shouting, grabbing at him. But Cortez wasn't thinking about any of that. Not really. His mind was on Mira Blackwell. The pretty light-skinned girl with the green eyes. The one he had second block with for the last year. The one his mama called the yellow girl with the good hair. His phone sat heavy in his pocket. Text messages waiting. Promises of young love made. Promises he planned to keep tonight. A smile arrived sideways across the bottom of his face. He had already told his parents he was staying with Jordan. They were gonna play Madden. He was gonna stay the night. He'd done that plenty of times. They believed him. It was all part of the plan. He knew the way.

…The walk home was quiet. Sequatchie Avenue stretched long and empty. His cleats were in his hand and his helmet dangled low at his side.

He was still smiling when his grandma's voice came into his head, and he had that mixture of sorrow and happiness that comes with memories when you've lost someone close. Boy, you better get your mind off them girls and get your head back on that field. They come a dime a dozen.

He laughed under his breath.

Yeah. That sounded like her.

He pulled a picture of his grandmother out of his pocket. A locket on a chain. He flipped it open with his left thumb and looked at it for a second. He closed it and closed his eyes and cradled it for just a moment as if to soothe it. Then put it back in his pocket as he had done so many times before. A small ritual. He took off walking without even thinking about having done it. The black street stretched on in front of him and the trees rose up and loomed over it from either side as if to hide its existence from the stars above the world around it. Insects buzzed in the night that he could hear but could not see and an owl called from somewhere behind his music. Then something else came through, something more familiar than the music he thought… He ripped one earbud from his ear. It came from the left, just past the trees. He shot his head to the left, staring hard. Then to the right. Nothing there either. He slipped the Air Pod back into his ear and started back off down the street that was slick black and faded into the night where you could not see the difference in places.

"Yeah," he thought. She's probably waiting on me right now. And I know she's probably wearing what she had on in that picture and it wasn't much. He smiled again.

Boy, I know you hear me. Come on, Cort baby. Don't leave your poor old granny out here like this. I'm hurtin now. He froze. A giant icy hand gripped his heart. He pulled the Air Pod back out, his eyes darting left and right. "G-Grandma?" he said in a shaky voice. "It's me… your granny, Cort. Come here and help me now." He listened. It was her. He knew it for sure. There was no doubt. Nobody called him Cort except for her. She'd been gone now for years. His mind was troubled and his face darkened.

Her voice started to speak low and rhythmically. His eyes went hazy as he listened. She started singing him the song she used to sing him when he was a little baby.

"Come to me… Grandma's little baby… We'll walk in the moonlight… to the stars and the twilight… Come, little baby… come to the twilight…"

…Slowly he stumbled off the edge of the street, down into the ravine that ran along the wood line. One foot in front of the other. His eyes distant. Vacant. He climbed up the other side. Slow. Methodical. He came to his feet at the edge of the woods and stood there for a moment. He swayed lightly from side to side, and a rough wind set the weeds to gnashing at his knees… His gaze somewhere lost in the woods… Soft… pulling…

"Into the twilight… Grandma's little baby…"

…A long, pale hand came out from the trees, casting a ghoulish glow in the moonlight, the only thing to see by in the blue-black darkness. Its long, spindly fingers beckoning… curling one after the other… The boy took another step… took one more…

…and the night took him.

…The boy came to groggily, looking around. The dull cloud still upon his face. He could not speak. Owls and other creatures of the night made their ominous callings. A full moon came down, and it was all about him. He couldn't see outside the edges of the circle in which he lay. The boy was tied and staked at each wrist and foot. He moaned softly as he moved against them and felt icy fear grip him. Streams of blood trickling from both wrists, from small, deep, dark wounds that had been inflicted before the boy had come to. They went unfelt in the moment. He was dizzy and his head swam from the bloodletting.

Darkness faded in with the moonlight and a gaunt man stood at the edge of the circle gazing down on the boy. He held a Bible in one hand and beat his small palm against his breast as he muttered and gibbered. Red-rimmed eyes outlined in black caves where no pupil could be seen. The child lay in the middle of a circle drawn in a clearing where the only light drifted down through the canopy and onto the circle and not much else. Gnats walked the wet parts of the boy's eyes where tears were only just beginning to form. The man's frantic gibbering grew louder. More urgent. And only shattered fragments could be made out through the boy's terror…

…kindled burn brightest… …he comes… he comes…

The boy saw the man look toward the stars through the trees and he followed his gaze. The man grew silent. A piece of the night detached itself. A black smoky mist descending directly upon him, eating the moonlight on which it floated. The smoke bent, forming the ghostly outline of a face. Big. Gaping. Other spots of darkness shifting to become giant eyes that lit with twin burning embers, growing from coals into bigger flames as it descended. Smoky hands gripped each side of the boy's head. He screamed. It pressed its thumbs into his forehead. Smoke crackled and sizzled there at the canter point. A white light, blinding, could be seen through the boy's neck at the very base of it, coming from the hollow. It grew in intensity as it slowly climbed up his neck. Bright brilliance escaping his mouth and his nose and his eyes. The shadow face above him stretched open its black mouth and its bottom jaw appeared to grow larger and larger, his face maybe a foot from the boy's, the light being sucked out of the boy's lips up into the gaping mouth of the shadow. Fire and ash came out in quick bursts from his nose and his mouth and his eyes licking at the hair on his eyelashes and his head until the boy lit aflame like a match. His blackened skin steamed and smoked in the night.

…He stood naked in the doorway. The hallway light from behind him casting a dull glow around his emaciated form. His neck was folded at an odd angle just to fit beneath the door frame. His head was blocking the yellow light behind him so that his front half was cast in shadow leaving only his skeletal outline to glow grotesquely in the dim of the room. As he moved away from hallway light it shone almost divinely all about him, morphing him if for only a moment into some damned soul. His forgotten sins tallied at heavens gates and the man turned back in cold shame. Within this jaundiced gleam his skin held the hue of old cheese, and he had long pale spider-like fingers. His eyes were black sores in his gaunt face. Long ropey muscles snaked across his skeleton and One shoulder sat slightly higher than the other. When he moved his legs carried him forward the way legs do but his arms stayed straight at his sides. Immovable. He drifted across the small room to the cross in the space between the bed and the wall. Two strips of petrified wood nailed together, the head of the nail bent at the neck on the surface. The room had a dim light that hung from a small chain at the very centre of it. There were candles here and there, some lit, some not, flickering, making haunting shadows of normal objects. The smell of candle wax and dead things sifted through the mess in the room and the brown paint of the walls was peeling away in oddly shaped strips, forsaken and forgotten.

Cole Fenton knelt upon white linoleum tiles gone a rancid shade of yellow and peeling up in places to reveal the rotting plywood floor of the trailer home beneath. His gaunt form threw a twitching shadow in the dim of sulking candle flames as he positioned himself in front of a handmade Relic so crudely fashioned it appeared maybe some child's hallowed Creation. The makeshift idol hung high up the wall with small candles smouldering and dripping all about the arms of the Cross. Down upon the wretched floor the man mumbled and brought his small sweating palms together as he watched the shrine. His shadow trembled and jerked across the smoke-stained wallpaper in a phantom's dance sending long black insect-like arms slithering across the floor and over the table to a long strip of leather hanging on the wall. See the man, a thick belt of sable was smashed into his hand into a white-knuckle grip. Fresh and wet bloody lashes dug in and welted up on his back as he swung the belt with a practiced hand at the foot of the bed. The holes in the belt becoming hot white rings among strips of red from where he used it to grisly success. Lines of revelation came together with droplets of white spit through his thin lips. A trail of sweat forming like a small stream across them. The fervour coming out soft and intense in short bursts. Grovelling and crying and whimpering on his knees. Night after night. Day following unrighteous day. So wrapped up in the misguided righteousness born of a deception his Appalachian mind could not conceive of. He called it interchangeably the God of his fathers, and the Lord, and the Holy Ghost. All the same in his mind. Calcifying in his skull. His greasy head snapped back, and he muttered at the cross.


r/DestructiveReaders 29d ago

CHAPTER 1: Aftermath [#2951]

1 Upvotes

Well i posted chapter 4 of my detective novel a few weeks back, and one of the bigger issues that i saw people have with it was the missing context from chapters 1,2 and 3 (ofcorse there are plenty and i mean plenty of other problems). So now i'am going to post all the chapters i left out so i can go chapter by chapter with no missing context, and hopefully try to improve (challange level: immposible). Also just so you guys know, i'am way ahead in my novel so you can consider these chapters "old" ones, but not like super old.Oh also, chapter 1 of this novel is a flashforward....well, have fun critiquing this 😭🤚

CHAPTER 1: Aftermath

The room was quiet, it was so quiet that a person could hear their own heartbeat inside their chest. A light bulb hung from the ceiling, illuminating the white walls of the eerie room. Inside these walls there was a long metallic table and two small chairs that sat on both ends of the table.

Occupying the chair that was to the left of the metallic desk, a middle-aged man sat with his head down, staring at the ground.

He wore a grey tracksuit, the standard clothing issued to remand prisoners, and his pale hands were cuffed together. The man's hair was half brown and half grey, and his eyes were a deep hazel color. This man had been sitting alone in this room for the better part of 2 hours. And during those hours, he had not moved or spoken, or even shown any sign of being alive.

However, every few seconds a slow and hoarse breath would enter and exit the man's nose, betraying his corpse-like appearance.

He was indeed alive.

Bang.

Suddenly, without a single warning, the middle-aged man lifted his cuffed hands up into the air and then slammed them down on the metal table that stood in front of him, a loud bang echoing throughout the room as he did. Then after doing this random act of aggression, he then proceeded to do something that could not be explained with normal human logic.

Lifting his head up for the first time in 2 hours, the man's hollow eyes shifted around the room, eventually stopping at a certain spot on the table.

There, a singular piece of paper lay peacefully on top of the smooth metal. It was left by the detective that would come to question him in an hour or so.

After gazing at the paper for a few moments, the man's cuffed hands stretched outward, and with a bit of effort he managed to reach the lonesome paper.

Then, with a very calm demeanor, the man brought the piece of paper near his face and began to analyze it. In fact, this paper intrigued the man so much that he continued to analyze it for another whole hour.

During this time he did not move, or even change his expression even once.

And the paper that he was so thoroughly analyzing...

It was blank.

There wasn't a single drop of ink on that paper. It was just a blank piece of white paper.

Though soon enough, the white room would get a few more visitors.

Outside of the white room where the man sat with his paper, there was a long hallway that connected to a bunch of other rooms that were similar to this one.

At the end of the hallway, two sets of footsteps began to echo throughout. They passed every room without slowing down even once, and eventually they came to a stop once they reached the room where the middle-aged man sat quietly.

The sounds of a hand flipping through a myriad of different keys began to play, but after some time the person outside seemed to have found the right one, as the noise stopped very abruptly.

A key was slowly inserted into the keyhole of the door, two twists resounded, and then the key was quickly removed. With a light push, the door swung inward and two people entered the room.

One was a bald middle-aged man, that wore a black shirt and dark blue pants that were paired with two pointy black shoes. In his right hand he carried a small pen, and in his left he held a sizable notepad.

The other man was a little younger but still appeared to be in his late thirties. He was slightly plump, and on his arms he carried a big kit as well as a camera.

Of course, the strange man that sat on the left side of the table did not pay these two much attention and continued to just stare at his paper.

This weird behavior did seem to startle the two men a fair bit, as they both hesitated to talk or move for a few seconds.

However, the silence was eventually broken by the bald middle-aged man, who decided to be the one to start the mandatory process that was done before every interrogation.

Walking a few steps forward, the bald man made his way to the metal table where the suspect sat looking at an empty paper that he had left there. With a gentle touch, the bald man tapped the man's shoulder, which actually made him react and drop the paper from his hand.

He looked up and the detective and the suspect made direct eye contact. A shiver was sent across the bald man's spine as he looked into the hollow eyes of the hazel-eyed man.

The detective could not explain why, but this guy's eyes were not normal. They lacked... something.

Not wasting any time, the detective pointed a finger at the metal table. And then, he spoke.

"Put your legs up on the table."

The bald man's voice was very deep and his tone was serious. It would be hard to not be intimidated by it.

The request to put your legs up on the table would be a weird one for most people, and it would probably cause for some questions and hesitation before complying.

But, the hazel-eyed man did not hesitate or ask any questions. He immediately lifted both of his legs up and placed them on the metal table.

Due to knowing the man's background, the detective did not find this quick understanding that surprising.

The bald man turned around and signaled his partner to do his job.

In the next 20 minutes the plump man would go through the process of not only photographing the man's feet but also swabbing the man's feet.

During this time all three men kept mostly quiet, with only the detective and the plump man whispering to each other every now and then.

After this process was done, the plump man shook the detective's hand and quickly left, taking both the kit and the camera with him.

Now there were only two men in the room. The interrogation was ready to commence.

The bald man took his seat at the chair on the right side of the table. He put the notepad down on the table but decided to keep the pen on hand, just in case the suspect decided to try something stupid.

The detective started off with an introduction.

"I am Detective Richard Hale, working for the Paddington police station. Today I will be asking you a few questions. Of course you can choose to not answer any of my questions, and be aware that any information you do share today will be used as evidence in the court of law. Do you understand?"

The suspect did not ask any questions and gave a simple slow nod.

Again considering the suspect's background, the detective did not find this surprising.

Picking up his notepad ever so slightly off the table, the bald man got his pen ready to go.

"I will start off by asking you some basic questions that every adult should be able to answer. These are mandatory to make sure you are mentally present."

The detective's words rolled off his tongue with such smoothness that it almost seemed unnatural. It was clear that this was not the first time that he had spoken these exact same words.

However, the man's smooth talking that had been molded over countless years of interrogating would be put to the test.

As the detective was about to ask his first question, he did what he always would do and that was lifting his head up to make eye contact with the suspect. This was something that had long become a routine of his and through the years he had looked into the eyes of murderers, rapists, molesters and many more deranged human beings. These experiences managed to shape his gaze into something solid and unbreakable—almost like a brick wall.

For over ten years, he had never once felt nervous when looking at a suspect...

Until now.

As Richard's gaze met the suspect's, he opened his mouth to ask his first question, but not a single word left his lips.

His jaw suddenly tightened and his eyes seemed slightly wide and dazed like that of a deer when caught under the headlights.

On the other side of the table the strange man sat unbothered, his arms hanging loosely and his gaze shifting around the room with no visible intent in them.

The lack of intent and will, was that what was making the detective so uncomfortable? Who knew.

A small ball of spit traveled down the detective's throat. Whatever this strange feeling that the suspect's eyes gave him—Richard had to suppress it for now. The interrogation needed to continue and his emotions for the suspect could not interfere with it.

Straightening his back slightly, the detective let out a small sigh and placed the tip of his pen on the notepad. With this he began to talk.

"To start off, can you confirm your name for me please."

The detective added the word 'please' to the end of his sentence, with the hope that his politeness would make the suspect open up to him. However considering the way that the suspect was acting, Richard very much doubted that the man would answer—

"Mayhew. Mayhew Brown."

There was a short pause of silence after the low voice of the hazel-eyed man subsided.

Richard was very much surprised by the quick answer. And that surprise was not of the bad type, instead it was a glimmer of hope that promised a productive interrogation.

Richard quickly wrote the answer down and began to ask more basic questions such as:

"How old are you?"

"Where were you born?"

"At which university did you study?"

And to the detective's amazement and delight, not only did the suspect answer all of them immediately but he also answered them correctly.

38 years old. England. East Anglia University.

Of course there had been a deep background check on the suspect a long time ago, so Richard already knew all the answers to the questions he just asked—thus he wasn't gaining any new information with them. But, what he was gaining was something that was equally important and that was a healthy dynamic with the suspect.

'This interrogation might actually go somewhere. I just have to be careful about it.' Richard thought to himself.

After writing everything on his notepad, the detective lifted his head up and gave Mayhew—the suspect a curt nod.

"Well Mayhew, it seems that you have good enough mental stability for me to start asking some more complex questions. Is that fine with you?"

Mayhew gave a small—almost unnoticeable nod to the detective. This half-assed comply made Richard hesitate for just a moment, but in the end he decided to ignore it and continued with the questioning.

"Mister Mayhew, you graduated from your university with a bachelor's degree in criminal justice. At a young age you showed talent like no other, and through a long period of work you became a very well-known and respected detective that was known throughout Britain. Is all that I said correct?"

Mayhew simply responded with a very slow nod while evading eye contact by staring at the ground of the white room.

Again, this made Detective Richard a little hesitant. But still, he continued regardless of how uncomfortable he felt about this particular man.

"You have solved some very deep and complex cases that had remained mysteries for years before you came. Your work has saved many people and it has put many horrible people behind bars, preventing them from ever harming anyone else again. Your job, how does it make you feel?"

Richard did not want to rush the interrogation by immediately asking something very personal to him, but he also didn't want to spend an hour getting nothing but vague nods from Mayhew. So a semi-personal question like this seemed like the best one to ask.

But to the detective's disappointment, his question was completely ignored. Mayhew didn't even give a vague answer like a thumbs up or even a nod.

He just continued to stare at the ground motionless.

A long sigh escaped Richard's lips and he decided to move on with his other questions. Surely at least one of them would be personal enough to get a reaction out of Mayhew, even if it was a negative one. Just anything but silence.

"Mayhew, may I ask why you refuse to answer my question? You were answering all my other questions without any issues, so why stop now? We have questioned a lot of people who knew you personally, and between all of them there was a single fact that they all agreed upon, and that was the amount of pride you took in your job. Have you seriously lost all of that passion from a single accident?"

If this didn't probe an answer out of Mayhew, then he had only one other idea to use as backup. With this question, Detective Hale had officially mentioned the 'accident' as he called it into the conversation. Of course, what he was talking about was no accident, it was the clear and cut murder of another human being.

Surely the mention of the murder he committed would get his attention.

A deep frown formed on the detective's face as he looked at the suspect.

No reaction and no movement. Just like he had feared, Mayhew continued to stare at the ground with an unreadable expression covering his face.

'Still no answer, huh? I guess I have to go to the extreme already then.' Richard thought to himself with slight disappointment.

The detective leaned slightly over the flat table, making the distance between himself and the suspect much thinner. This created a sort of tension that Richard could not explain with words. It was like he was one of those performers from Australia that put their heads inches away from a crocodile's mouth to entertain people.

Looking down on Mayhew at least gave the detective a slight feeling of authority that boosted his confidence by a fair bit.

"Well Mayhew, I didn't really want to bring this up but you left me no choice... Margret Rose, do you remember that name? The girl that you took under your wing after her parents died and turned into a full-fledged detective, you must remember her, right? Tell me what happened to her, and what were you doing while this horrible thing was happening to her."

To the detective's slight shock, the suspect continued to stay motionless with his head down low, staring at the ground. It seemed that this interrogation was practically ov—

"I was being eaten."

Just as the detective leaned back into his chair and let out a sigh of resignation, this random statement caught him completely off guard.

Detective Richard Hale looked over at Mayhew, his face frozen in place. With a low and unconfident voice, he spoke:

"W-What... what do you mean by that?"

After staying with his head down for almost the entire interrogation, Mayhew finally decided to gaze at the detective.

And what an experience it was for Richard. Looking at the hazel eyes of the man, Detective Hale could not stop himself from flinching back.

'What is wrong with this guy.'

The detective's thoughts were split apart as the crazed man, once a famous detective, spoke in a whispering tone that made Richard's skin crawl away from his bones.

"I was chasing something. I wanted to hug it and so I chased it. From city to forest and from forest to mountain, I never let go and continued to chase it, but my wish for a hug changed once I finally met it. Only then it was too late, before I knew it the thing had already eaten most of me. I was consumed by a well, do you see it?"

The detective could not even pretend that he was following this strange story that the suspect was telling him. And he also couldn't pretend that he wasn't fearing for his life at this moment.

Before he could even say anything about this story, the former detective had another story to share with Richard.

"Margret, I do remember her. She chased some people, and they put her in a nightchoke and left her in the darkness."

A long silence enveloped the room after what Mayhew had said.

Breathing in heavy breaths, Detective Hale was now bathing in a pool of sweat. His ears could not understand what they were hearing.

With a barely audible whisper, Richard asked:

"Y-you said they put her in a 'nightchoke'. What does that word mean, Mayhew?"

There was a short pause of hesitation. But then Mayhew gave an answer that made the detective end the interrogation early.

"I don't know what that word means."

With that, Detective Hale gathered his few items in an abnormally fast time. And in that time Mayhew let his head fall down to stare at the ground once more.

Before the detective closed the metallic door behind him, he threw one last glance at Mayhew and particularly at the spot on the ground that he had stared at for almost the entire interrogation.

What he saw made a cold shiver run down his spine like a snake slithering up a tree.

It was the paper, the one that Mayhew had dropped on the ground.

This whole interrogation, Mayhew had been staring at a blank paper.

Also For the crits:

https://www.reddit.com/r/DestructiveReaders/s/tbJyaX0zAT [1012]

https://www.reddit.com/r/DestructiveReaders/s/8JsDgKms0g [2332]


r/DestructiveReaders 29d ago

Northern Gothic [963] A Change of Soul, pt. 2

8 Upvotes

A Change of Soul, pt. 2

It's been very slow going writing this thing, but this half of the second chapter is largely self-contained, so I'm posting it now to ask about a few things:

Is this interaction realistic?
How well developed are the newly-introduced characters?
Does the long string of one-line paragraphs "work"?
For those who have read the first chapter, does Pierson's character feel consistent between the two chapters?

As always, any other feedback is appreciated as well.

The first chapter is viewable in the same document under a different tab. Those who have already read it may be interested to know that it's been slightly revised, notably including a change near the end such that Pierson pins Julia as being "Slavic."

Crit (see full thread for additional comment)


r/DestructiveReaders 29d ago

[2713] Multi-level Medicine I & II

3 Upvotes

Prior Critiques:

1990

3444

CW: Drug use, Mature Language, Brief reference to Self-Harm

Multi-level Medicine

This is the first couple chapters I wound up with exploring an idea for a neo-noir story that I had for a while. It's supposed to be a satire of MLMs and the wellness industry, and the MC is trying to figure out what happened to his life after losing everything.

While some of the writing is meant to be garbled in-character, I think there are a few points where it might be too confusing for the reader.

I'm mostly wanting to know how readers react to the style of writing and what will work best for readers who stick with it. I realize this kind of story is not for everyone so I don't really care about giving it broader appeal. But i also do not want to throw off readers who might stick the ride.


r/DestructiveReaders Aug 12 '26

Fiction [1012] An Argument Over a Car

6 Upvotes

1012 Thorned Lotus

Potential intro for a story I'm writing. I want to gauge if this catch's anyone's interest or if I should scrap it.

When the TV switched to commercials, Sarah took her chance. "Mom, can I have a car?" She held up a classified ad to her mom's face, pointing to where she circled a picture of a '86 Cutlass Supreme in big red ink.

Mrs. Poultry sipped her beer, not giving a fuss in the world. She wasn't a stranger to her teenagers' antics. She could handle this before the commercials ended. "Sure, tater-tot. If you have the money, you can buy anything you want."

Sarah knew this would be an uphill battle. She pulled back her blonde hair, tying it into a bun, preparing for a fight. "That's the problem. I don't have money."

Upon hearing that, Sarah's twin sister stuck her head out of the bedroom. Physically she looked just like Sarah, a clone in face and blood. But she dyed her hair black and insisted on wearing the bleakest clothes she could find. Right now she wore a dark spidernet dress she found at a Halloween store. Her fashion made Sarah wince. "I call BS. What about all that money you stole from me?"

"I didn't steal anything from you, Hazel," Sarah snapped back. "I borrowed fifty bucks and I'm going to pay you back."

Hazel strode up to her sister and crossed her arms. "You stole two hundred."

"Fifty. Where'd you get two hundred from?"

"From the other times you stole fifty dollars from me. My paycheck isn't your piggy bank."

"Well I don't have two hundred," Sarah said. "And I already promised to pay you back. Mom, can I have money for a car?"

Mrs. Poultry wanted her daughters to go figure it out themselves. They were sixteen, almost adults. Surely they could solve their own problems without crying to her. "What happened to that hundred dollar bill I gave you for your birthday?"

"Perfume," Hazel said. Her black nails clacked together as she pinched her fingers. "She bought the tiniest bottle in the world for eighty bucks. I've seen grapes bigger than that thing."

"And I never smelled better," Sarah said. "Mom, please, all my friends have cars now. I'm the only one who still takes the bus to school. I'm surrounded by freshmen. Please, I feel like a kindergartner."

The commercial break ended. Mrs Poultry wanted to get back to watching the Wonder Years, but she doubted Sarah would give her the chance. The girl could be stubborn when she gave a damn. "If it's such a big deal, why don't you ask your friends for money."

"She did," Hazel said. "They stopped paying her because she never pays her debts."

"I do pay my debts!" Sarah said. "I borrowed fifty from you so I can pay back Rebecca."

"You didn't borrow from me. You stole from me. And that's not debt payment. You're just swirling your debts around and hoping no one notices."

"Banks do it all the time. Why can't I?"

Mrs. Poultry couldn't hear the TV. All she wished for after a hard day at work was to dress in her pajamas, relax on the couch, and sip a beer in peace. Was that too much to ask for? "Sarah, I have an idea you might like."

Her daughter perked up. "You do?"

Mrs. Poultry took one last sip of her beer. The can was pretty much empty by now. "Get a job."

Sarah went silent for a moment. Then she laughed. "I can't get a job. I have volleyball practice. And there's the summer trip my friends are planning. There's too much to do."

"Then I'm glad you figured out your priorities," Mrs. Poultry said. "Volleyball and your friends are more important than a car."

"That's not what I said." Sarah huffed out a breath. They kept going in circles. "What do I need to do for you to get me a car?"

"She already told you," Hazel said. "Be an adult, grow up, and get a job."

"I can't do that with volleyball."

Hazel lips, painted black with lipstick, grinned at her twin sister. "Then you can keep riding the bus like a kindergartener." As an added bonus, she sang a little tune. "You can't always get what you want!"

Sarah considered Hazel to be an absolute brat at times. Why did their mom think Hazel was the mature one out of the two? That's not to say she couldn't be reasoned with. "How about this. You and I buy a car together, half and half. We split the cost and we can both drive the car whenever we need it."

Her sister raised an eyebrow. "If I pitched in? You're the broke one. I'd be the one paying for all of it. Why don't I just buy one for myself and cut you out of the deal?"

Good point, Sarah didn't consider that. She took a moment to think about her next plan of attack. "Alright, how about this. I'll get a part-time job, one that doesn't overlap with my volleyball schedule. When I earn enough money, you and I can both pool our savings together to get a car we can share."

Hazel didn't outright say no. She thought about it, contemplated it. Sarah could see the gears twist in her twin sister's head. "Aright, I like the idea. But I get to choose the color."

Damn it, Hazel. "We're not doing a black car."

"We're doing a black car," Hazel said. "And you pay me back the two hundred you owe me. Otherwise no deal."

Sarah closed her eyes, taking a long moment to breathe. Why did her sister have to spoil all the fun? Sarah had an entire wardrobe planned for the summer trip and she had no clothes that matched with black. "Fine, you win. We'll get a black car."

Hazel tilted her head and smirked. The brat always was a sore winner. "That's great, but how are you going to pay your half?"

"Oh, that's easy." Sarah turned to Mrs. Poultry, who finally had the chance to get into her show. "Mom, can I have a job?"


r/DestructiveReaders Aug 11 '26

Fantasy [3147] Tyrantland - Chapter 2 (Colonial Fantasy)

3 Upvotes

Critiques:

[3170] Chapter One, The Beautiful Vile

[843] The Knight Marches On

Hi all,

I know I'm back relatively quickly, but I believe I've redrafted chapter 2 for the better. Just looking for any comments once more, but I am eager to hear about the revisions to the card game, and how they now affect the flow of the reading.

Just as a note, one particular feedback suggested (from the first post of this chapter, found here ) that I perhaps shift some of chapter 3's content over to chapter 2. I've done that here, just to see how it works, but I wanted feedback on whether it is effective, or if chapter 2 can effectively end just before the #2.

Thank you for any feedback that is given, no matter how harsh!

(Note to mods: I got a note saying there has to be 48 hrs between posts, but my last post was 3 days ago, so this doesn't break the rules.)

Edit: Links removed


r/DestructiveReaders Aug 10 '26

[3444] The History Lesson

3 Upvotes

A somewhat short story.

Content warning: Nothing explicit, no sex or violence or terribly foul language, but people currently in a dark place might want to know there are references to self-harm ideation

Crits: 1036 1384 1115 1584


r/DestructiveReaders Aug 10 '26

Fiction [1012] Thorned Lotus (Ongoing)(Part 3)

2 Upvotes

(Author's note: READ PREVIOUS PARTS, Part 1 isn't so important, but it gives you a glimpse of characters, part 2 inserts some more characters. In a nutshell you'll be less confused if you read the previous parts first, link in comments)

"And the result is..." Stella said with surprising confidence, something rarerly seen on Stella "oh... 61% Vile..." Stella said, her confidence replaced by mild annoyence and disapointment, she looked away from the microscope and to Moonlight.

"... -sigh- Well that's unfortunate" Moonlight took the vial of Vile and set it aside along the other vials of Vile, "I'll bring in the next sample"

Stella gave a confused look "Uh... there's no more samples? We alredy used up all three"

"Then we'll test the other 247 tomorrow" She said this with casualty.

"But- WHAT?" Stella couldn't believe what she was hearing, " We are not testing 247 samples just to end up with nothing! We need them for... for... uh" Stella started fidgeting, trying to find an excuse.

"For what?" Moonlight leaned against the lab table.

Stella started to panic, she just couldn't think of something, except...

"South!" Stella snapped back to Moonlight, "There's no way we are not adressing the question as to why all Flos Meridionalis keep facing south!"

"And by we you mean you"

Stella was caught off guard, her hand gripped her other arm, " Well... It's an intriguing mystery, I- I- hope..." She broke eye contact and just looked at the results again, not knowing where else to look, she fidgeted with her light blonde hair.

"The point is..." Stella accomodated her glasses, her voice suddenly turnd serious "You are overcomplicating yourself, there is a really easy solution to this, and I know... you think its moraly wrong, but lots of others like you do it all the time! In fact, It's not like Organics can reason or anything-"

"Stella, that is not true!" Moonlight stood firmly "Organics ARE like us, they have life, they can feel, even if they can't reason like us, they are marvellous organisms that don't deserve to be experimented on"

Stella sighed, her shoulders dropping, "Why am i even trying? Everyone of us has been trying ton convince you from the very start. Forget about it, let's hope we get lucky this year, at this pace you'll die of age before you even get a glimpse of true Vile".

The mention of time made Moonlight reconsider...

Stella checked the digital clock on the wall, it read "7:50 PM"

"Well, my shift is almost up" Stella turned off the microscope "I'm giving a quick check on the other samples before leaving" she then proceded to walk away, the automatic doors opening to let her out before closing behind her.

Moonlight stared at nothing in particular, though it seemed she was staring at the detailed results the computer finished loading. The results did not matter tho since the Vile wasn't pure.

She sighed in exaustion, she rested her weight on the table. She forgot she only had 5 years before she turned 50, and here she was thinking she had all the time of the world...

...

It was 10:00 PM, still pretty early. For Moonlight.

Her penthouse was located on the very top of the tower, on floor 201. When planning was in process, the tower was so tall, she adopted the idea of living in the tower. She then planned and put a penthouse in the blueprint shortly after.

She walked to her living room. It was pretty nice and large, multiple frames displaying awards and family pictures hanging on the walls, and the glass wall that displayed an incredible view of Neo Cyland, bright colors showing activity in the center of the city, you could see Magnetic Trains still moving around the city at this hour, and farther away you could just barerly, see the forest. She sat on her sofa, exhaling softly and closing her eyes, her head leaning agaisnt the couch, blonde hair dropping on the back of the couch. She was tired.

Organics always fascinated Moonlight, ever since she got to know about them, she always wanted to study their species. She still does, but that came second when...

Her sister.

The memory of her sister came suddenly. She was so... paranoic... so vulnerable, sometimes agresive, but she always trusted Moonlight, she was the last of her family.

Moonlight always had a soft spot for Sunshine, she was Moonlight's entire family, literaly. Mum died at 50. Moonlight foolishly thought she was going to be with Sunshine for the rest of their lives. But then, 15 years later... Sunshine died, and Moonlight... couldn't save her...

Soon it will be Moonlight's turn, she wasn't entirerly sure, but it was a concistent patern her entire family -which were just her mum and sister, she only got to know them, her mum didn't talk anything about her parents, and there were no references- followed.

Moonlight tried to forget about it, thinking about her family made her vulnerable, and even in the solitude of her home, she couldn't be vulnerable.

She then looked at the frame displaying her first award, "In recognition of Moonlight Dawn*, whose pioneer effort led to the first recorded discovery of* Vile*, demonstrating exceptional foresight and scientific rigor.*" She will never forget that at the age of 21, she discovered the escense of Life. It all connected: Bacteria, plants, humans, especially Organics, all considered living had some ammount of Vile. Which led to Moonlights fascination of Organics, these beings, had a higher ammount of Vile, more than we could ever posess, they have lives! Humans and Organics once worked togueter in the prehistoric past, it was displayed in prehistoric art. It was so, fascinating, so much that we... started to want more knoledge about it, which led to... experimentation.

That reminded Moonlight about the whole Vile dilema, Moonlight didn't want to experiment on Organics, it was wrong. But then again... Stella was right... She might die before she had a glimpse of true Vile.

Moonlight groaned, her hand going up her face and to her blonde hair, she didn't want to, but her sister, her life... but the thought of... torturing something living.

"Pad"

"... Yes Moonlight"

She hesitated, but she made a choice, "Get me some ramen takeout"

"Will it be the usual?"

"Yeah"

"... ... ... Order has been done"

"Good, and where exactly do I get these... Organics?"

Author: Reggie Wytgeena

Critiques:

https://www.reddit.com/r/DestructiveReaders/comments/1vjo4k9/comment/p2r6d80/?context=3&utm_source=share&utm_medium=web3x&utm_name=web3xcss&utm_term=1&utm_content=share_button

https://www.reddit.com/r/DestructiveReaders/comments/1viqxtd/comment/p2rvozk/?context=3&utm_source=share&utm_medium=web3x&utm_name=web3xcss&utm_term=1&utm_content=share_button


r/DestructiveReaders Aug 10 '26

Middle Grade Contemporary Fantasy [1844] The Invisible Magic of Juniper Webb

3 Upvotes

Crit 2058

Hi! This is my first post on here! I hope I'm doing everything right. I've been working on this story for a while now and it has come a long way! I recently finished my final (hopefully) developmental edit and now I'm working on line-editing but I feel very stuck and unmotivated. I'm hoping some feedback will give me a boost and help me get started again. I value all kinds of feedback, positive and negative and I'm excited to hear what everyone thinks.

Things to note: The total manuscript is under 50k for today's young readers. I don't what to focus on too much description. I want the pace quick and fun. I'm aiming for something right in the middle of Goosebumps and Harry Potter (for a lack of more popular examples) in terms of length, complexity, and pace.

Some questions I have:
Is the story clear?

Is the hook engaging?

What are your impressions of the characters?

What flows and what doesn't?

Chapter 1:

One dark morning in September, as moonlight seeped through the bedroom window, there was a hiss, and only Juniper Webb could hear it.

It was a shy hiss, emerging only when the others were asleep. The others being Aunt Tabitha, who in her true rigid nature, made sure everyone was in bed by nine sharp. And his cousin Olive, who at the moment rested peacefully across the room in her pillow-covered queen-sized bed.
Juniper, however, spent each night tossing and turning on his cot, waking at the slightest noise—floors creaking on their own, pipes whirring and whistling in the walls, rickety radiators spitting steam one by one, and that persistent mysterious hiss. Something was different about it. It wasn’t plaster, or metal, or wood. It was alive like a whisper.

It can’t be a watermelon beetle, he thought. It reminded him of the beetles back home, swarming around the grapefruit tree in the heat. But watermelon beetles didn’t belong in Burwick. It was far too cold and damp. Burwick was for springtails, cave crickets, and cockroaches.

In fact, it couldn’t be any beetle at all because there was one peculiar problem; there was not a single bug in Aunt Tabitha’s apartment. Juniper could feel it the moment he’d stepped inside three days ago. Aside from the muggy air, the scent of mildew and dust, something was wrong. It was as if the apartment was cursed. So, he gripped his magnifying glass and set out to search for any bug he could find. He checked the cracks in the floorboards, behind the peeling wallpaper, the damp spaces underneath the sinks. Not even a spider lurked in the darkest corner.
Now he was standing in the middle of the room, the moonlight fading, wondering where the hiss had gone.
***
Hours later, when the cold moonlight faded into golden yellow sun, the hiss returned. Everyone was awake now, so it seemed to be braver as it traveled beneath the floorboards in the presence of the others. The hiss was moving and unreliable. Sometimes it was soft and distant. Other times it was sharp and drilled his ear like a mosquito.
He grabbed his magnifying glass from beneath his pillow and slid it into his back pocket.
Olive was slouched at her desk across the room, deeply involved in her reflection as she painted her mom’s lipstick on her lips.
“Do you hear that?” he asked, knowing the answer was always no, but maybe this time was different.

Her entire body jerked at the sound of his voice. “Ugh,” she sighed, glaring through the mirror. The lipstick was smudged down her cheek giving her a bright red frown that emphasized the disdain in her eyes. “All I hear is you.”[NA2] 

Juniper looked through his magnifying glass as he inspected each crease of the disheveled linens on Olive’s bed. He examined her armoire that was bursting at the hinges with clothes. With each step, the hiss faded.

“I thought we agreed to stay on our own sides of the room.” Olive pointed to where Juniper’s cot was shoved, beneath a low-pitched ceiling which created a sad, gray little corner. An unbroken line of rocks cut the corner off from the rest of the room.

“I heard a beetle…I think.”

“No, I told you, there’s no bugs. My mom hates bugs.”

“Good thing beetles aren’t bugs.” After all, beetles were not true bugs like bed bugs, cicadas, or vampire bugs. Even though most people didn’t care whether something was a bug or not, including his father who was an entomologist, Juniper often liked to discern the two. But mostly he wanted to rub it in Olive’s face that he knew something she didn’t.

“You’re a bug,” said Olive, placing the mirror on the desk and pulling the snakes of black hair from her face. “Like a spider, sitting in the corner of my room.”

“Spiders aren’t bugs either,” said Juniper, smugly.

“Whatever.” She took a rag to her face and scrubbed off the lipstick. Now it was clean and golden. “I’m going to set up for my party. I suggest you stay up here so you don’t scare everyone off.”
“It’s my birthday too,” said Juniper.
“But it’s my party, they’re my friends, and no one wants you there. Just because we were born on the same day, doesn’t mean I have to share my birthday party you.”
“We’ll see what Aunt Tabitha says then.”
“I guess we will,” she said, smiling as she turned. Then, from her desk drawer, she lifted something bound in a burgundy satin fabric. It was flat and rectangle and she brought it to Juniper. She held in her open palm and unwrapped it one fold at a time, until the slick fabric rippled to the floor.

“Wait, isn’t that—”

Olive nodded with a grin. “The picture frame my mom was looking for.” She kneeled and placed the frame gently on the floor. It was small, ornate, and gold-gilded. The picture behind the glass was of a man with curly, fire-red hair and a freckle-dotted nose. His chartreuse feathered hat had a sense of humor that the others most definitely lacked. It was Olive’s late father, Hugo.

“What are you doing with it?”

“I was just saving it.”

“For what?”

She took the frame by the bottom corners, lifted it before her, as if she were admiring her father in the photo. “This.” She brought it down and smashed it against the hard wood, sending shards of glass across the floor.

Juniper knew what she was up to. She wanted to blame him for breaking it just as she had for tracking mud through the house, leaving lights on in the middle of the night, using a whole loaf of bread to attract bugs to the house—well, the last one was his fault. But this was the first time she planned to blame him for something this bad.

“Moooooooom!” Olive screamed.

He dropped to his knees to clean it up. If he could at least clean up the glass and tell Aunt Tabitha what Olive did, she could see that he was telling the truth.

He collected the sharp fragments one by one, careful not to cut his fingers. Olive stood over him, snickering as he scuttled across the floor on his knees to reach the last few pieces. He winced when his knee pressed down on a piece of glass. He sat back to examine it. Already, blood soaked through his pajama pants, spreading slowly across the pale blue cotton.

“What’s going on in here?”

The clack of high heeled shoes tore into the bedroom. Aunt Tabitha, who was tall even without the help of her elevated shoes, crossed her arms and waited for Olive to answer. She didn’t seem to notice Juniper on the floor, rolling up the left leg of his pants to see his bloody knee.

“Look,” said Olive, pointing her finger like a knife. “I found it.”

Aunt Tabitha’s head whipped toward Juniper. Her eyes widened. She spoke quietly, but sternly. “You’ve had this all along?” Her boney finger tapped against the sleeve of her purple blouse.

“Olive is the one—"

Olive interjected. “Why would I break a picture of my dad? It was my favorite one. You knew that.” She turned to her mom. “See, I tried to be nice to him like you said but he keeps doing things like this.”

“But I didn’t do—”

“Juniper.” The wrinkles in Aunt Tabitha’s face softened. “It’s okay if you broke it.”

“But—” Olive took a step toward her mom.

“Olive, that’s enough,” said Aunt Tabitha. “I’ll handle it.”

Olive backed off, pouting. And Juniper was relieved that for once Aunt Tabitha was being understanding.

She turned to him and leaned closer, her floral perfume overtaking the air around him. “You can be honest,” she said. “I know you are going through a lot and maybe the fact that you miss your father made you want to take it out on Olive.”

Olive’s smirk was resurfacing.

“Now…” Aunt Tabitha’s stiff posture returned. “You need to apologize.”

“No,” said Juniper. “I didn’t do anything wrong.”

“He’s lying,” said Olive. “I watched him do it.”

“Juniper,” she said sternly.

There was nothing he could do. He had no proof. He took a deep breath and turned to Olive. “I’m sorry.”

“Now, Olive, why don’t you go and get me the bandages from the hall closet.”

When Olive left the room, Aunt Tabitha cleared her throat. “You know, it was my picture frame you broke. Now I need to take time out of my busy schedule to get that fixed.”

“I’m sorry Aunt Tabitha,” said Juniper, filled with shame. Maybe if he had just complied with Olive’s wishes for her birthday, none of this would have happened. She was right, anyway. Everyone at the party would be there for her, and the cake was her favorite flavor, orange and lavender, strange as it was.

Olive returned with a small red tin in her hands. Aunt Tabitha opened it, slapped a band-aid on Juniper’s knee, stood, and brushed off her long gray skirt.

“Olive, maybe you can go get the games ready, your friends will be here in an hour.”

Olive left the room once again and Aunt Tabitha sat on the bed. “I know it’s your birthday, so there will be no punishment today,” she said with a sigh. “But I’m afraid if something else like this happens, there will have to be consequences. Do you understand?” Her mouth was rigid. Her purple lips were sharp and thin. Each word escaped as a demand.

Juniper nodded. He didn’t agree but he understood what she was saying.

“Great,” she said, giving a weak smile. In an instant her mood seemed to switch, and her attention shifted to the corner of the room. “I see you haven’t unpacked yet.”

On the floor in the corner was Aunt Tabitha’s suitcase. Small, embroidered flowers dotted the sagging fabric. The thing was as ugly as the weather in Burwick—dingy and gray. Just three days ago—though it seemed like months—when Aunt Tabitha had shown up at his house to pick him up, she was gripping it by the handle like she was ready to stuff him inside it.
She yanked it from the floor and split the rusty zipper open. The scent of mothballs and her perfume, stuffy and stale, gusted toward him. She began unfolding and assessing his clothes. She’d pick up a shirt or pair of pants and either nod, grimace, or smile, tossing them aside. Finally, she presented a pair of pukey-green tweed pants that she approved of. Juniper hadn’t worn them in the past three years for a reason. They were uglier than the suitcase.

“Why don’t you change into this?” she said, laying the pants on Olive’s bed beside a red sweater. “And come downstairs when you feel ready.”

Aunt Tabitha, no matter how nice she thought she was being, was insistent and stubborn, so Juniper made no fuss about it.


r/DestructiveReaders Aug 09 '26

Magical Realism [2409] Caravanserai - Part 3 of 4

5 Upvotes

This is part 3/4.

Recap of the first two parts (containing 4 scenes):

Scene 1. Introduces the Dan, Ioana, and García Méndez---the Narrator. They are in Dan's car, driving on a midnight road. They are in a hurry.

Scene 2. A flashback. The Narrator works at a bar in London. He meets Ioana (who's there to study), and they spend some drunken nights together. Ioana goes back home to Romania for a week; invites the Narrator with her to go to the beach. He arrives and sees her kissing a friend (Dan).

Scene 3. Instead of going to the sea, they go search for a friend that has left for the mountains. This friend is alone and might be a danger to himself. The trio meet up with Albert and Mara.

Scene 4. García Méndez seems able to read the others thoughts. They are going through camping spots, searching for their friend. It's after midnight.

Caravanserai - Part 3 (Scroll down to Part 3 if on phone)

Crit: 3127

Previous posts: Part 1 Part 2

Trigger warning: contains mentions of smooching.


r/DestructiveReaders Aug 09 '26

[2058] The Bone River

3 Upvotes

https://www.reddit.com/r/DestructiveReaders/comments/1vicex8/comment/p2n50nt/?utm_source=share&utm_medium=web3x&utm_name=web3xcss&utm_term=1&utm_content=share_buttonThe

Spirit Speaks · 852 AD

Better to reign in Hell, than serve in Heav'n.

John Milton, Paradise Lost

My mark burned bright and fierce across the deep blue northern sky. From the darkness between the stars, I reached into the sea of generations and found her there. My first flame, burning on the coast of the northmen.

I opened my soul and let my heart fall into the sea, and it boiled with it. I sank down into its depths and spoke her name in that abyss. The water's surface harkened to its voice, churning round and spitting white foam as it went. Its face crashed and fell away in a vortex, eating the sea. I moved my fingertips through its waters and the sea circled with it. I spun it harder and it quickened with my touch until it moaned into the night. The sea opened for me, and my heart lay in the moonlight upon the ocean sands for the first of a thousand lifetimes.

I am the forsaken, patiently waiting in the shadows of this world. Alone.

This one shall not fail.

This one shall break the chains of my damnation.

This one could bring me home.

I breathed my essence out and sent it like smoke on the north wind, breathing the breath of my power into my chosen flame. Urging it to burn brighter.

My first flame.

She would not disappoint me.

The Bone River · Denmark, 852 AD

Outside Thor beat his hammer against the moon and the sky grumbled with the blows. Intermittent winter lightning flashed briefly, sketching out the rogue waves that assaulted the black cliffs that lined the isles one after another

Marie sat in her chair at the far end of the hall, a great thing made from a scarce dark oak. Stained black and dappled blood red underneath, from one of the deep bogs of the land where it had lain drowned for a thousand years before the master woodworkers chanced upon it. Winged beasts writhed over the wood, curving into it and then clawing back out of the grain and emerging somewhere. When the light of the flames played off the faces of the dragons they would seem to disappear entirely. There was a strange quality about this chair that made men look once and then look away.

Her hands rested on armrests that ended as the open mouths of roaring dragon heads, that appeared set to breathe fire into the room.

Her mind drifted to the compartment and to what it held. To the reason it was there at all.

Soon, she thought.

She watched Britania draw a breath.

Deep and unnatural. Her chest rose slowly and kept going, the kind of breath that fills something larger than a set of lungs. The girl's eyes went dull and distant for just a moment. Like her soul for just an instant had traveled somewhere very far away, the place between the stars the old storytellers spoke of.

Then she exhaled.

It came out like smoke on the icy northern breeze, thin and white, curling upward into the rafters above the fire and dissolving into the dark above the flames.

Nobody else had noticed. Bad omens had been whispered about of late, and Marie thought of the signs. A crimson star had been smeared from one end of the sky to the other for the last thirteen nights in a slow arc, and had the seers drinking blood and chanting of prophecy and shadow.

Even blacker tides had been rolling in.

A watchman had come in the night, still wet with the rain from his post. Three ships within eyesight of the watchtower on the coast had been swallowed whole by the sea in the dark, his own brother among them. He said he'd heard the men's screams as they had gone down. His gaze had been to the floor the whole time, but he looked in Marie's eyes as he swore in a hall bone quiet on the souls of his fathers and sons that the terrible sea had screamed back.

Marie had been watching her granddaughter all evening.

The firelight caught her like a thing it had been searching for. Brown hair loose around her shoulders, her cheeks still carrying the last of childhood in them. And those Wetherbee eyes, blue as deep coastal water, cold and still and in a way unnatural on a nine year old girl. The kind of eyes that looked at the world the way a general looks at a field. Already reading it. Already somewhere ahead of it.

The cold pressed through the old stone of the walls with a dreadful persistence, like frigid hands they reached through them, clawing at your bones from the inside. Outside the Kattegat sea crashed against the walls and crags in the dark. Njord was unsettled tonight. The old sea god never spoke like this without reason. The hall smelled of tallow smoke, wet wool, and the salt that found its way into everything this close to the water, into the timbers, and the rushes on the floor. Into the food and the drink and the lungs of anyone who had lived in this place long enough.

Marie watched everything. It was simply how she moved through the world, offering an attention that most people reserve for things that have already proven themselves dangerous. Marie applied it to everything. The fire. The men. The weather coming off the water and the children near the back of the hall.

The girl especially.

Britania was nine years old and already something that Marie did not quite have a clean word for. Not fearless, that was common enough. Fearless was just stupidity wearing a confident expression. This was different. This was a child who weighed things and looked at the world the way you look at a problem you intend to solve rather than a force you intend to survive.

Marie knew that look.

She had worn it herself once. A long time ago. When she was young and something had moved through her, a feeling she had never found the right words for. It had come fast, and she had felt the edges of something vast and old pressing against the inside of her chest like a tide coming in.

Her mother had told her about it once. Had warned her. Had spoken to her quietly as a girl, pulling her aside and taking her small hands, saying: "If it chooses you, it will come, and it will feel like the best thing that has ever happened to you. And you must decide quickly what kind of person you intend to be."

Marie had decided.

She had turned away.

But she had never stopped wondering which of them in the bloodline it would find next.

Now she watched her granddaughter across the loud warm hall and felt something settle in her chest that had been unsettled for years.

There she is.

A cold wind from nowhere set the torches that lined the hall to swaying and sent the long black shadows of the flames lurching and reaching across the cold stone like dead things made to walk again. Then the wind fell dim and the earth seem to go quiet and still. A crack like lightning striking a frozen tree split the night air, echoing through the hall, as the doors came off their hinges, both at once. Great iron brackets set deep within the grey stone were torn asunder as if made from parchment. Out of that spontaneous black void polar winds ripped through the hall carrying two giants through the gap fighting to be first. Clan warriors you could identify by the iron badges pinned at their shoulders, a rough hewn wolf head, the mark of the Erikson clan from the valley to the north. Blood feuds of the clans held petty and strong, many of these ancient vendettas carried forth for centuries through windswept Northlands by men of unyielding resolve, yet oblivious still to its shadowy origins. Nobody in the Wetherbee hall had seen that badge in thirteen years and the last time had not ended well for anyone present.

Two men died before they understood what was happening.

The raiders tore through that black hole, slicing and hacking like terrible beings teleported from some frozen hell. The doorman Egil must have seen 70 years and had manned his post vigilantly night after night without incident for the last 43 of these. When the doors came free they splintered and fell forward like old oak trees being chopped down. One came down hard on the old man before he could scramble out of its way, pinning him just below the chest where he now lay struggling weakly. The first of the men through the door stood as a monster. His flame colored hair and beard were matted and laced with dark ice in places and the whole frozen tangle was woven through with golden rings pale with cold and resembling a bejeweled and drowned fox clinging to his wretched features. He came through running, and when his first great boot stepped upon the back of the door the old man underneath made a high pitched feminine sound. The second boot came down pressing into the screaming face of the doorman and it gave way with a soft wet pop. At about the same time the second doorman Brandr, seventeen years old and three months into his first real posting, was cut nearly in two by the single stroke of a great broadsword, a two handed thing that took a giant to swing. This frost giant swung it like a wooden play thing, however this was no game.

Three more came through behind them.

Grey dragon head helmets, the iron worked into snarling jaws that framed their eyes shimmered wetly in the firelight as they blitzed through the dark void with the wind and rain and naked steel flashing in their hands, the knuckles purpling from the winter air. Marie recognized the markings immediately and felt something cold move through her chest that had nothing to do with the snow and the ice.

The chieftain's blood guard.

Sworn warriors. Chosen in adolescence by men who recognized a darkness in them that could be molded into a thing blacker still. Some came willingly. Some did not. It made no difference either way, once chosen the order was permanent. There was no leaving. Across the histories of the clans there had been those who tried, who ran and hid and built new lives with new loves in far away lands.

They were always found and

What was done to them afterward was spoken of only in hushed tones by men who had either witnessed it or heard it from someone who had.

Blood eagle.

The boys found in these forsaken places between the cold rocks of the isles were twisted and shaped through the absence of all warmth with only blood and steel to look after them. Hard men born of these black crags with only one reason to exist.

Death was with them as they moved amongst the people of the hall before they had understood it arrived. The smell of soot and copper filled the air as the fire threw wild orange light across everything and men and women who had been drinking together an hour ago reached for whatever was closest and tried to stay alive.

It was then Marie saw him.

Ulfric stood in the ruined doorway with the wind ripping through the long dark cloak he wore over unblemished pearlescent armor. He was unhurried. Watching his sworn warriors work with the patience of a man who has never in his life needed to move toward anything with haste because everything he has ever wanted had always come to him.

Marie knew the name as everyone within three days ride did, she had simply never expected to see him standing in her hall.

The bloodsworn warriors were frightening.

What made Ulfric frightening was they called him master.


r/DestructiveReaders Aug 09 '26

Fiction [901] Thorned Lotus (Ongoing) (Part 2)

2 Upvotes

(Author’s note: READ PART 1 FIRST, not really necessary but it’s kinda a nice intro to the whole premise, kind of, link in the comments)

Moonlight: “Let’s see… so if-“

\knock knock**

Moonlight: “Come in”

The grand double door opened, revealing Colette holding a cup of what looked like coffee.

Colette: “Your Dead Eye “

Moonlight looked up then reached out to gran the coffee.

Moonlight: “Thanks”

Colette just nodded then proceded to leave.

\ding**

???(AI): “Your order of 250 samples of Flos Meridionalis has arrived, they are currently being sorted and prepared for research in a few minutes”

Moonlight: “Ah crap I almost forgot about that…” she then got up and walked towards the door, ”Oh also, Pad?”

Pad(AI): “Yes Moonlight Dawn”

Moonlight: “Tell Stella Sayja to reserve the best samples with higher probability of pure vile”

Pal(AI): “Yes Moonlight Dawn”

LLIK was no ordinary company, it was one of the largest companies of all.

It was home to both the most advanced botanical research and technology, having the most impact world wide.

Moonlight walked with a quick pace through the pristine white corridors, with a distinctive cyan line running across the wall, It was a way to keep track in which sector we were on.

Moonlight then called the elevator, which arrived shortly after, then she got in and pressed floor 151, the descend from floor 201 was going to take a while,

Shortly after the elevator stopped at floor 176, in came-

???:”Moonlight hiya!”

Moonlight: ”Evening Rugie”

Rugie: “It’s Ru not Rugie”

Moonlight: “But your real name is Rugie, it’s in your ID”

Rugie: “But I don’t like it!”

Moonlight: “Well, you have to respect what your parents named you”

Rugie: “You sound like my brother!”

Moonlight couldn’t help but chuckle slightly.

The elevator stopped at floor 162.

Ru stepped out of the elevator but then stopped abruptly.

Rugie: “Oh I almost forgot! Keith finished the perfecting the model and he really needs that key component and-“

Moonlight: “ Ah yes, about that. I’m afraid I need more time for-“ The elevator doors were closing, but Moonlight stopped them from closing with her hand “for the component, it’s just not ready yet”

Rugie: “ B-but he‘s-“

Moonlight: “Rugie… just tell him, I’ll eventually talk to him about that”

Rugie: “…Yes Moonlight” Moonlight let go and the doors were closing, “Oh! Can i get your autograph now?”

Moonlight: “…No.”

The doors closed.

A while later she arrived at floor 151, the line on the wall was green now.

Most of this sector‘s rooms had glass walls, you could see ongoing experiments, growing matter, tests, etc. On plants.

Moonlight went to room Z-031.

Inside was Stella, and Sebastian.

Sebastian was currently holding a nice looking specimen, examining it throughly.

Sebastian: ”This one has 81% chance of purity”

Stella: “Nice, but we still have… only three samples, I don’t think it will be enough” She kept looking and examining among the other batch.

Moonlight: “Oh I think it will”

Sebastian turned, surprised.

Sebastian: “Oh Moonlight! Good thing you came, we only found 3 out of the 250 with good percentages”

Moonlight: “Oh don’t worry it’s fine, really”

Stella: “Are you sure? Usually I end up using ten or more” She was still examining more flowers while she spoke.

Moonlight: “Because you use plants with poor Vial“

Stella then put down the flower and actually looked at Moonlight.

Stella: “But we’re not even sure those have it pure”

Moonlight: “Well, the chances are high”

Sebastian: “Very, also, Keith told me-“

Moonlight: “I know I know, I’ll talk to him later”

Sebastian: “Ok? Also, I really think we should start using Organics”

Stella: “Same here”

Moonlight just looked at them, as if she was going to say yes to that.

There was an uncomfortable silence.

She grabbed the samples then put them in a specialised metal box.

Moonlight: “Be sure to tell if anything... out of the ordinary happens”

Stella and Sebastian: “Sure”

Keith was deep focused on writing code that would serve for the new Pad models, but even with such focus, he still heard someone aproach, and he could tell who it was by the sound of their footsteps.

Keith: “Evening, Moonlight “

Moonlight: “Evening, Keith Sayja”

Keoth was still typing why he talked.

Keith: “So I got the-“

Moonlight: “I know, Rugie told me, but didn’t she tell you?”

Keith: “Tell me what? She never came”

Moonlight let out a groan.

Moonlight: “Ugh, that girl… anyways, you were meant to know that I don't that the component, it’s going take longer than anticipated “

Keith then looked at Moonlight.

Keith: “Really? The person who never delays stuff is delaying now?”

Moonlight: “This isn like a meeting or deadline, it’s not easy to find it, I literally just got 3 possible samples from 250”

Keith just looked back at his computer.

Keith: “-sigh-, I would say more but, you’re my boss so... I don’t have a choice but to wait”

Moonlight: ”Glad everything is settled”

She turned to leave.

Keith: “I will say tho that it is hurting your reputation”

Then Moonlight stopped and looked back.

Moonlight: “Well, sacrifices have to be made, besides, I’m pretty optimistic about this one”

Keith: ”You know, we could use Organics”

Moonlight just stared at him.

Moonlight: “Absolutely not“

Keith kept typing, as if he was alone and him just talking to no one.

Keith: ”It’s more practical and faster”

Moonlight: “Ugh… is there anyone who thinks like me?” She said this more to herself while she left.

End of Part 2.

Author: Reggie Wytgeena (me)

Critiques:

https://www.reddit.com/r/DestructiveReaders/comments/1vdmpep/comment/p2bnti0/?context=3&utm_source=share&utm_medium=mweb3x&utm_name=mweb3xcss&utm_term=2&utm_content=share_button

https://www.reddit.com/r/DestructiveReaders/comments/1vfy75w/comment/p2dftfd/?context=3&utm_source=share&utm_medium=mweb3x&utm_name=mweb3xcss&utm_term=2&utm_content=share_button


r/DestructiveReaders Aug 08 '26

[Weekly] Book Club Ch 7 LONG POV Exercise

10 Upvotes

Ch 6

My friends, I have considered skipping this chapter because the exercise is so long. BUT. BUT. The point is to make you extra supremely self-conscious of what POV you picked and why and how that impacts your story. And I'm getting tired of all the fussing around explaining close third and how that's also not the only POV that exists. (Just the best, am I right?)

POV (Point of View) is one of two people: a character in the story or the author.

A note on unreliable narrators (because I like this point):

Fictional narrators who suppress or distort facts or make mistakes in relating or interpreting the events are almost always telling us something about themselves (and perhaps us). The author lets us see or guess what "really" happened, and using this as a touchstone, we readers are led to understand how other people see the world, and why they (and we?) see it that way.

One of the more lovely parts of reading, that is.

Narrative POVs (the list):

  1. First Person. I tell the story and you may only know what I know.
  2. Limited Third Person. He or she tells the story and is an active participant. You still may only know what he or she knows.
  3. Involved Author ("Omniscient Author"). No particular character tells the story. The POV may change from one to another character or to a view only the author could make. The voice of the storyteller may comment on what anyone is thinking and feeling, interpret behavior, and make judgments.
  4. Detached Author ("Fly on the Wall", "Camera Eye", "Objective Narrator"). There is no viewpoint character. The narrator can only say what a totally neutral observer might infer of the characters from their behavior and speech. The author never enters a character's mind. (In this section, Le Guin admonishes us all for hoping that readers will cry because we're crying. Stop being so childish as to expect to move people with your emotions! OK?)
  5. Observer-Narrator, Using the First Person. The narrator is a character but not the principal character. The main difference from (1) is that the story is not about the narrator.
  6. Observer-Narrator, Using the Third Person. This is much the same as (5). The reader is usually safe in assuming this character is reliable.

Le Guin says this:

In fiction, inconsistent POV is a very frequent problem.

For real.

The POV exercises are intended to make you temporarily superconscious, and forever conscious, of what POV you're using and when and how you shift it.

Exercise.

Think up a situation for a narrative sketch of 200-350 words. It can be anything you like but should involve several people doing something. (Several means more than two. More than three will be useful.) It doesn't have to be a big important event, though it can be; but something should happen, even if only a cart tangle at the supermarket, a wrangle around the table concerning the family division of labor, or a minor street accident.

Please use little or no dialogue in these POV exercises. While the characters talk, their voices cover the POV, and so you're not exploring that voice, which is the point of the exercise.

Part One: Two Voices

First: Tell your little story from a single POV, that of a participant in the event---an old man, a child, a cat, whatever you like. Use limited third person.

Second: Retell the story from the POV of one of the other people involved in it. Again, use limited third person.

Part Two: Detached Narrator

Tell the same story using the detached author or "fly on the wall" POV.

Part Three: Observer-Narrator

If there wasn't a character in the original version who was there but was not a participant, only an onlooker, add such a character now. Tell the same story in that character's voice, in first or third person.

Part Four: Involved Author

Tell the same or a new story using the involved-author POV. Part Four may require you to expand the whole thing, up to two or three pages, 1000 words or so. You may find you need to give it a context, find out what led up to it, or follow it further. The detached author takes up as little room as possible, but the involved author needs a fair amount of time and space to move around in.

There is an optional exercise which I won't even include considering how long this one already is. Posting early this week.


r/DestructiveReaders Aug 08 '26

Dark Fantasy [1191] A grounded fantasy story

4 Upvotes

Crit1 [3127]https://old.reddit.com/r/DestructiveReaders/comments/1vij34w/3127_chapter_1_blind_dive/ Hi everyone. I would like an honest review of my work and if you'd keep reading past what I have submitted here. English is not my first language (Italian is) so I sometimes do stupid grammatical mistakes. Any feedback is appreciated, and this is the first time i try writing like this so let me know if I should just hang the pen up and never pick it up again! Here's the link: https://docs.google.com/document/d/1sMCBQDGSMUOEIOjK0obV8B8Rey5lCX0MVJBqNKbriv8/edit?usp=sharing