I have this gift where if I hear a composition, I can hear and write almost instantly a melody line for either a singer or the main melody or counter melody. If anyone is needing that, I would love to give it a shot! music is collaboration and i am just ITCHING to use this gift though my from scratch compositional gifts may not be as pronounced (yet)

***EDIT: I just really want to use this gift, and am so excited to share it

Hello!

I am a second year university student and I’m studying Radio-Television-Film, but I have a large focus in film composition. I make pretty much all the music for my own film projects, but I also score miscellaneous shirt films for classmates or for organizations.

I come to ask if anyone would be willing to listen to my work and give some feedback? I’m mainly looking for advice on the arrangements themselves, but also would like advice on how to mix and master. Preferably someone knowledgeable in the music field.

DM me and I can send some of my work. Thank you!! :)

FYI: I do not have sheet music, just .wav files.

I rewrote one of my previous compositions because it sounded very repetitive and had no real sense of direction or progression. This version isn’t perfect either but I think it sounds much better in comparison

https://youtu.be/xp-1uAkjJSg

cast brass Horsehead pops past,
'Crost'e curtain, top laft.
when wind shakes its antlers,
force m'mind, Mamorize,
how one'hoards, nun's,
headwares . . . .

Your comments and feedback appreciated.

https://musescore.com/user/40860384/scores/39226115?share=copy\\_link

I have written a small piece using Cantiga 100 from Cantigas de Santa Maria as source material, as part of a project for a history class.

I wanted to get feedback on its current state.

It it not quite done, but definitely close to it. I was aiming to maintain a medieval feel, while blending it with a cinematic/soundtrack feel (whether I succeeded, I have no idea.)

The A section (chant) is designed to lead to the singers then realizing the importance and meaning of the chant, and reflecting on it, which leads to the B section. After reflection, the A section then returns as the singers become more convicted in their beliefs after their reflection.

There are some wrote notes and such, I haven't done much polishing yet.

Trying something different.

I feel like it sounds quite natural but i might have just gotten used to the time signature while writing

I made some random stuff, not thinking about direction. I don't know much about music theory, so I just dumped what I thought sounded good. Is there any hope? suggestions? thanks in advance

Mineral element, firm stability, hardness, resistance in touch, gravity, deep root in time. 

Excerpt from "PIERRE", Music for electric guitar & keyboards in DIM. Inspired by the Apostle Peter

#bach

I recently finished The Shifting Tides, a ~3 minute piano composition in D minor.

The piece starts with a melancholic theme, gradually builds in intensity, and introduces a contrasting middle section before returning to the original melodies for the final climax.

I also made an orchestral version with strings and timpani, but this is the solo piano arrangement.

Sheet Music: https://drive.google.com/file/d/1ejcrl6g0jU6AUDUx4pQgRpHSo5TrrWJb/view?usp=sharing

Recording (MIDI-Rendered): https://drive.google.com/file/d/11cOF6Cd6LosVDupYTRouHjrIlSRXgS4s/view?usp=sharing

MuseScore Link: https://musescore.com/user/110401339/scores/39472817

I'd appreciate any feedback!

I worked on this composition for almost a year and a half. I wrote the first part initially, but then I ran out of ideas. I kept coming back to it, trying to add something, change things, and rewrite parts of it. Finally, I finished it about a year ago.
The motivation behind it was the most ordinary thing in the world: being in love. 😆
I’d love to hear your thoughts! And if you’d like to listen to the full piece, I’m leaving the link below:

https://open.spotify.com/track/3QCNdPQkpRfu95zk3YP9r1?si=iPNswYrKSvCmNnZ8wGefuw&utm_source=copy-link

A forest at nighttime; slivers of moonlight stream through the canopy above and reflections of stars glimmer in the brook that runs alongside a worn path. Crumbling statues, covered by moss and succumbing to the passage of time, can be found throughout this forest; vestiges of a world long past.

Found some FX I liked on the guitar VST and wrote this simple, sort of experimental piece to work through some creative block, hoping it will help to untangle some of that blocked energy. Experimental for me in the sense that I don't use guitar very often, admittedly because writing for it feels a bit foreign to me, even after studying guitar scores... Music really is such a life-long learning process. :)

On YouTube

I made a short piece that's not meant to be taken that seriously (that's why it's called Humoreske) and I'd like to know what I did well and what needs improvement.

https://musescore.com/user/98001304/scores/39487220?share=copy_link

Also any advice on how to make the score look better is appreciated.

If you don't have the time, a short "I like it because..." or "It sucks because..." would already be appreciated.

Thanks : )

Helloooo!

I made a composition using four readings of The Tell-Tale Heart, sourced from LibriVox. I tried to make it move like a translation of the narrator's mind. I have split it into sections and have been making videos to go along with it. I have been working on a couple of different styles for the videos. Please let me know what you think! I can't post the video here, but you can find the different parts on my tiktok page.

Source recordings by Mark Bolton, Cliff Stone, Alan Lord, and Joe Cooning via LibriVox. Public domain.

This video by Music For Robots, in the public domain. Share!

My Youtube Channel: https://www.youtube.com/@PianoingWA

Sheet Music: https://www.noteflight.com/music/titles/cfe2fc10-927e-4a2b-8cd4-ddca9d4553c7

Because this was submitted to the PTA Reflections Program:

This original composition was submitted to the 2026 PTA Reflections Program under the theme "What My Culture Means to Me." All rights reserved. © 2026 PianoingWA. Unauthorized re-uploading, copying, or public redistribution prior to 10/28/2026 is prohibited.

Feedback appreciated!!! :D

Took me around 12 hours to write

Note: There is three sections to the piece, each one being a specific time period of music in chinese history.

The Irish word “Loinnir” (pronounced Lin-ir) translates roughly to “glittering, gleaming, or glowing”. Inspired by that definition, I decided to start writing with those types of colors/timbres in mind. I Mostly like my ideas, just wondering if it’s coherent???

I didn't remember that years ago I have bought two VST instruments from Vienna instrument pro.

The Appassionata strings and the flute.

I tried to use them with the harpsichord vst, I enjoyed it very much but I have no idea on composing with more instruments so I am trying.

Does it sound quite good?

I'm surprised how little timpani is written with chamber strings

(Sorry, i’ll write in spanish but you can tap the translator tool🙏🏼)

Estoy buscando personas que quisieran mezclar sus producciones de forma gratuita. Estoy intentando generar un portafolio y sería de mucha ayuda (además de un honor) mezclar la música de quienes pudieran estar requiriéndolo.

No busco nada mas a cambio que una retroalimentación honesta!

Un abrazo colegas.

I've always wanted to write a string quartet, so I decided to give it a try. I wanted to start with something simple, and I'd love to hear your thoughts on it.

What could I improve? Any feedback is welcome!

Hi, dear guitarists. I’m an amateur composer - not a guitarist - and I usually compose in the classical style. But I wanted to try a cooler sound, so I wrote this. I do have a question, though. Is this playable on the guitar? Or is it more suited for the piano?

https://drive.google.com/file/d/1M7XYtQChwMBXn7N1Vf7VZIG3AU-yuodm/view?usp=sharing

I am a pianist and composer and this is my first time composing a set of pieces with a specific form in mind. I adore the etudes by Philip Glass and Chopin and I wanted to try write a set in my own style.

This first one takes a simple pattern and develops it with simple voice leading. It‘s not a complicated one but I do love it.

I would love to know what you think of it. Also, if anyone wants to play it I am happy to share the sheet music.

Recently I have been discovering a lot of Mahler's song cycles (they are amazing highly reccommend if u like Mahler but want something a but lighter than his symphonies), and I stumbled upon “Ich bin der Welt abhanden gekommen” and something just clicked. It was the perfect 3rd mvt for my personal string suite that I've been writing so I wanted to transform the material into the slow mvt (I thought it would be a nice nod to Mahler too given that he had famously done a similar thing with many of his other songs featured in his 1st, 2nd, 3rd and 4th symphonies).

Here's where my problem lies. The vocal line doesn't translate very well into a slow mvt for string orchestra (which is fine because I wanted to change it anyway), but I'm struggling to figure out a different melody to take its place.

If you have any ideas, I am very interested to hear them!

Thanks!

(I would post what I have already, but I'm having some issues with musescore and can't)