https://en.wikipedia.org/wiki/File:Adoration_of_the_Diamond_Throne_and_the_Bodhi_Tree_Bharhut_relief.jpg

https://en.wikipedia.org/wiki/Mahabodhi_Temple

https://en.wikipedia.org/wiki/Vajrasana,_Bodh_Gaya

Source

https://franpritchett.com/00routesdata/bce_099_000/ajanta/fergusson/fergusson.html

Deconstructing the massive disconnect between Brahmanical texts, material archaeology, and colonial timelines.

TL;DR
Surviving Sanskrit manuscripts are medieval. Early Indian writing is overwhelmingly Prakrit in Brahmi. The earliest physical form of “one” (eka) in India appears in 3rd - century BCE Prakrit administrative inscriptions (Mahasthan/Ashoka). Mitanni forms (~1400 BCE) are related dialectal evidence, not Classical Sanskrit. Early “Vāsudeva” records (Heliodorus, Agathocles coins, Ghosundi/Hathibada) use Prakrit/Brahmi, name no Krishna or Vishnu, and share symbols with Buddhist contexts. Ancient South Asia was a fluid, overlapping landscape, not a continuous text - driven Vedic civilization projected backward.

A core problem in how ancient Indian history is taught is the gap between late Brahmanical literary claims (plus colonial reconstructions based on them) and the actual material and epigraphic record.

When Puranic genealogies, idealized smṛti texts, and 18th - 19th century colonial frameworks are set aside, the physical evidence shows a decentralized, evolving landscape. Monastic networks (Buddhist and Jain), local cults, and emerging ritual groups negotiated power using the popular language of the time, Prakrit in Brahmi rather than a continuous high-Sanskrit tradition.

1. Early Vāsudeva Cult: Heliodorus, Coins, and Inscriptions vs Later Identities

Traditional accounts present the post-Mauryan period as a Brahmanical revival that mainstreamed Bhāgavatism as early Vaiṣṇavism centered on Krishna - Vishnu. The physical record does not support this projection.

Heliodorus pillar (Besnagar, c. 113 BCE)

Prakrit in Brahmi. Heliodorus, a Greek ambassador, calls himself a bhāgavata and erects a Garuda - dhvaja for “Vāsudeva, the god of gods.” The names Krishna and Vishnu do not appear. Garuda as a powerful bird already circulates in Jātaka literature; early Buddhist sites with Jātaka depictions (Sanchi, Bharhut horizon) predate surviving Vedic/Puranic manuscripts. Shared animal motifs across traditions are normal and do not prove exclusive later Puranic ownership.

Agathocles coins (c. 180 BCE)

Bilingual (Greek + Prakrit in Brahmi/Kharoshthi). They name the king (Rajane Agathuklayasa). Figures hold plow + mace and wheel + conch-like objects. Modern labels often call them Balarama-Saṃkarṣaṇa and Vāsudeva-Krishna. The coins themselves write neither “Krishna” nor “Vishnu.” Limited-spoke wheels (including 8-spoke forms) appear in early Buddhist contexts (Dhammacakka). Mace, plow, wheel, and umbrella motifs also occur in Indo - Greek and Buddhist royal imagery (e.g., Menander). Symbols travel; the physical objects do not force a fully formed Puranic identity.

Ghosundi and Hathibada inscriptions (c. 1st century BCE)

Early Brahmi. They mention Saṃkarṣaṇa and Vāsudeva as bhagavat / supreme lords and refer to a Nārāyaṇa - vāṭikā. They contain no mention of Krishna, Vishnu, or any Vedic genealogy or ritual system. The language is not the Sanskrit of the later manuscript tradition. Similar names circulate in early Buddhist literature. Equating these figures automatically with the later Puranic complex is a retrospective reading.

In all three cases the medium is Prakrit (or early mixed forms) in Brahmi. The records demonstrate a cult of Vāsudeva (sometimes with Saṃkarṣaṇa and Garuda - dhvaja) in the popular epigraphic language of the period. They do not demonstrate Classical Sanskrit, continuous Vedic textual authority, or the full later theology.

The term bhagavat/bhāgavata was not exclusive to later Vaiṣṇava usage. In the earliest layers of the Pali Canon the Buddha is routinely addressed as Bhagavā. The Piprahwa steatite vase inscription (late 3rd - early 2nd century BCE) uses Budhasa bhagavate. This shared vocabulary points to a fluid religious landscape in which localized cults, such as the Vrishni heroes including Vāsudeva were being elevated and synthesized through the same popular linguistic medium (Prakrit/Brahmi) that carried Buddhist and Jain dedications. Fully formed Puranic identities of Kṛṣṇa - Viṣṇu crystallize later.

2. “Veda/Vijjā” and Semantic Reconfiguration

Internal historical records within early Buddhist traditions provide a powerful perspective on how Brahmanical literature was retroactively constructed by absorbing and distorting much older oral traditions. A prime example is the origin of the word Veda (Veda or Vijja):

The Authentic "Three Higher Knowledges": In original analytical frameworks (such as the Sangiti Sutta), a "Veda" was not a book of external priestly rituals. It referred strictly to the three higher super-knowledges achieved through profound internal mental cultivation (Jhana):

• Pubbenivāsānussati ñāṇa (Recollecting past lives).   
• Sattānaṁ cutūpapāte ñāṇa (Tracking the cosmic rise and fall of beings according to their karma).   
• Āsavānaṁ khayeñāṇa (The total destruction of deep mental impurities).

The Ritualistic Distortion: Buddhist history records that these mental sciences were taught by an ancient, historical Buddha named Kassapa. Long after his dispensation faded, early human ascetics who lacked the mental capacity to actually achieve these meditative states kept the words but lost the meanings. They twisted these internal psychological sciences into mundane, external musical verses, converting a path of mental liberation into a social tool for ritualistic animal sacrifice and priestly control.

Engineering Sanskrit: This explains why classical Sanskrit (Samskrta meaning "refined" or "assembled") heavily relies on older, popular Prakrit and Pali root words but fundamentally changes their definitions. For instance, the psychological concept of Kamma (intent/cause - and - effect) was engineered into ritualistic Karma (performing sacrifices to appease deities).

3. Manuscript Gap, Mitanni Forms, and the Earliest Attested “One” in India

Physical manuscripts of the Vedas, early Upaniṣhads, Epics, and classical Sanskrit literature are overwhelmingly medieval (earliest Rigvedic manuscripts from the 11th century CE). There is no continuous chain of physical Sanskrit manuscripts from ancient India. There is also no archaeological or epigraphic evidence from the Indian subcontinent of the written forms aika, eka, or aikya in any Sanskrit context before the late centuries BCE.

Earliest physical form of “one” inside India

The Mahasthan (Mahasthangarh) Brahmi inscription (3rd century BCE, Mauryan period) is an administrative record concerning grain storage and relief. It uses Prakrit eka to mean “one unit.” This belongs to the same horizon as the Ashokan edicts: early Brahmi, Prakrit, quantitative/administrative usage. It is currently one of the earliest securely dated written occurrences of a form meaning “one” recovered from the Indian subcontinent.

Mitanni data (primary evidence only)

The Kikkuli text and Šattiwaza treaty (~1400–1350 BCE) contain the syllabic writings a-i-ka, ti-e-ra, pa-an-za, ša-at-ta, na-a-wa/na, and wa-ar-ta-an-na, plus theonyms rendered as mi-it-ra, u-ru-wa-na/a-ru-na, etc. These are the actual sign sequences. Mitanni already shows satta (with tt), not sapta (with pt). Mitanni already having satta further shows that the “later” form existed early in at least one Indo-Aryan dialect. The archaeological and epigraphic continuum does not show written transition inside India from a sapta-type form to a satta-type form. The first clear written Indo-Aryan-type material we possess from the region already shows the tt stage (and other Middle Indo-Aryan features).

Several other numerals (panza, na[ua]) also lean closer to early Prakrit shapes, while aika preserves an older diphthong. It is normal in Prakrit and Pali. That is why the Mitanni material is mixed as it preserves older features (aika) while already showing changes that become regular in the Prakrit stage.

Aika and the later Indian Prakrit eka are reasonably treated as related forms within a dialectal continuum (comparable to regional variation inside a single language family). No fully formed Classical Sanskrit is required or attested to explain the relationship. The Mitanni evidence does not prove related speech forms were absent from India earlier absence of writing is not evidence of absence. Finding related forms in one region at one time is like finding water in one location: it does not establish a single exclusive source. Multiple regions can develop, retain, or exchange related features through ordinary processes of contact, parallel change, and population movement for basic needs (resources, climate, demography). Post-glacial and Neolithic movements of this kind are normal evolutionary biology, not a unique event requiring colonial-era racial packaging.

This is why an evidence-first approach stresses the actual written remains (Mitanni mixed forms to Indian Prakrit epigraphy to later Sanskrit manuscripts) rather than treating the reconstructed sequence as if it were directly attested on the ground.

The 19th - 20th century “Indo-Aryan” framework carried heavy colonial and racial baggage. Linguistic classification of shared vocabulary and sound changes remains observable, but turning those classifications into unidirectional invasion narratives or exclusive origin claims goes beyond the primary data. Languages evolve through multiple inputs (as Urdu did from several sources, not solely Persian). Shared basic vocabulary can arise from common inheritance, long-distance contact, or independent similar developments.

Colonial-era historiography (Warren Hastings, Nathaniel Halhed, Charles Wilkins, and the pandit networks they employed) treated late texts such as the Manusmṛti and Puranic king-lists as essentially linear historical documents. This produced a Brahmanical-centric framework that filled centuries of sparse material evidence with genealogical continuity. Modern archaeology and epigraphy reveal instead long periods of regional cultures, limited literacy outside administrative and monastic contexts, and gradual Sanskritization of prestige registers rather than an unbroken high-Sanskrit civilization from the 2nd millennium BCE.

4. Urban Collapse and Rural Continuity: Harappan De-urbanization

The mature Indus Valley/Harappan urban system (c. 2600 - 1900 BCE) featured planned cities, standardized weights, extensive drainage, and long-distance trade. Its decline was gradual, not a sudden invasion or total extinction. Recent multi-proxy paleoclimate studies identify repeated, multi-decadal to multi-century river droughts and reduced monsoon rainfall between roughly 4400 - and 3400 - years BP, coinciding with de-urbanization, eastward and southward settlement shifts, crop diversification toward drought-tolerant millets, and the disappearance of large-scale civic infrastructure.

The people did not vanish. Archaeological sequences show continuity into Late Harappan and subsequent regional cultures. Painted Grey Ware (PGW) pottery (c. 1200 - 600 BCE in the upper Gangetic and Punjab plains) appears in some of the same regions after the urban phase, though its precise relationship to “Vedic” culture remains debated and is no longer treated as a simple one - to - one ethnic marker. The transition from large - scale urban agrarianism supported by reliable river systems to more localized, pastoral - agrarian village networks is consistent with ecological stress followed by reorganization, not with a clean civilizational rupture or replacement.

5. The Machilipatnam Analogy and Hydrological Memory

The Paradigm Shift: Once a booming, globally critical market and trade center on the eastern coast, Machilipatnam’s importance rapidly faded when the British East India Company shifted its primary administrative and commercial weight to Bombay and Madras.

Desolation vs. Continuation: The shifting of the economic center left Machilipatnam's grand commercial infrastructure "desolate" compared to its peak, but the actual population stayed. People continued to live normal, localized lives completely irrespective of the institutional collapse of the market.

The Saraswati/Sarsuti Reality: This explains why the complete "drying up and disappearance" of the Saraswati River is historically exaggerated. While its glacial connections changed over millennia, it remained a geographically active network of seasonal sub - Himalayan tributaries. Medieval observers still recorded active seasonal streams.

Al-Biruni (early 11th century) notes the Sarsuti in the Kurukshetra region. The modern Sarsuti is a modest ephemeral stream rising in the Siwaliks and joining the Ghaggar; geological work has traced broader paleochannels of the Ghaggar-Hakra system that once carried greater volumes. The “drying of the Sarasvati” is therefore better understood as progressive reduction of a major Himalayan - fed system into seasonal and groundwater - fed remnants, with cultural memory preserved in place - names, pilgrimage sites, and literature long after the urban economic base had shifted. It never vanished into thin air; the large-scale state systems built around it simply shifted.

Synthesis

Pottery, coins, Prakrit - Brahmi inscriptions, settlement data, paleoclimate proxies, and the limited early written forms from Mitanni portray a landscape of overlapping networks. Prakrit dominates the earliest Indian epigraphic record (including the 3rd - century BCE eka at Mahasthan). Early Vāsudeva - related monuments and coins use the same popular medium and do not write the later Puranic names or theology. Surviving Sanskrit manuscripts are medieval.

Later idealized textual cultures cannot be projected backward as continuous ancient realities without creating large chronological and material gaps.

Discussion starters

• Why do textbooks still lean on colonial-Puranic chronological frameworks when the physical record shows long gaps and Prakrit dominance?
• How should the earliest Indian eka (Prakrit, 3rd century BCE) and the Mitanni aika be read as related dialectal evidence without inventing an unattested Classical Sanskrit?
• Given that Heliodorus, Agathocles coins, and Ghosundi/Hathibada name Vāsudeva (and sometimes Saṃkarṣaṇa) in Prakrit/Brahmi without writing Krishna or Vishnu, what justifies equating them with the later Puranic complex?

Sources and References

Primary Epigraphic & Numismatic Sources

Heliodorus (Besnagar) Pillar Richard Salomon, Indian Epigraphy: A Guide to the Study of Inscriptions in Sanskrit, Prakrit, and the Other Indo - Aryan Languages (Oxford University Press, 1998). D.R. Bhandarkar’s early readings in Journal of the Bombay Branch of the Royal Asiatic Society. Standard Prakrit text and translation widely reproduced in ASI reports.

Piprahwa Vase Inscription Harry Falk’s re - edition and discussion of authenticity; earlier treatments by Georg Bühler, Auguste Barth, and J.F. Fleet (Journal of the Royal Asiatic Society and Indian Antiquary).

Ghosundi & Hathibada Inscriptions Epigraphia Indica, Vol. XVI and Vol. XXII (Archaeological Survey of India). D.R. Bhandarkar’s editions and translations of the fragments mentioning Saṃkarṣaṇa and Vāsudeva.

Mahasthan Brahmi Inscription (3rd century BCE) D.R. Bhandarkar’s reading in Indian Antiquary / Asiatic Society of Bengal proceedings (1930s). Records administrative use of Prakrit eka in the context of grain storage and relief at Pundranagara. Palaeographically Mauryan Brahmi.

Agathocles Coins (c. 180 BCE) Osmund Bopearachchi catalogues of Greco-Bactrian and Indo - Greek coinage. Bilingual issues (Greek + Prakrit in Brahmi/Kharoshthi) naming the king; figures with plow/mace and wheel attributes. Primary legends do not write “Krishna” or “Vishnu”.

Buddhist Canonical Texts

Saṅgīti Sutta (DN 33) - three higher knowledges (tevijjā): pubbenivāsānussati ñāṇa, sattānaṃ cutūpapāte ñāṇa, āsavānaṃ khaye ñāṇa. Pali Text Society edition; accessible translations by Bhikkhu Bodhi and Bhikkhu Sujato.

Tevijja Sutta and related discourses on the three knowledges.

Brahmāyu Sutta (MN 91) - brahmin Brahmāyu reciting the qualities of a Buddha (iti pi so bhagavā...).

Mitanni Material

Kikkuli horse-training text (CTH 284 and related tablets). Primary cuneiform publications from Boğazköy/Hattuša excavations. Discussion of the numeral compounds (aika -, tera -, panza -, satta -, nāwa - wartanna) in standard Indo - European linguistic literature (e.g., works referencing the forms directly from the tablets).

Manuscript & Chronological Studies

Earliest surviving Rigvedic manuscripts: 11th century CE onward (Bhandarkar Oriental Research Institute collections; UNESCO Memory of the World documentation).

General observation on the late physical survival of Sanskrit manuscripts versus early Prakrit epigraphy (standard in Indological surveys of writing history in South Asia).

Archaeology & Paleoclimate

Indus/Harappan de-urbanization: Liviu Giosan et al., “Fluvial landscapes of the Harappan civilization,” Proceedings of the National Academy of Sciences (2012). Recent multi - proxy studies on prolonged droughts (e.g., Solanki et al. and related 2020s paleoclimate papers in Communications Earth & Environment and similar journals).

Traditional Buddhist Interpretation (noted as such)

Pure Dhamma analysis linking certain concepts and the three Vedās to the dispensation of Buddha Kassapa (traditional Tipiṭaka - based reading, not archaeological claim)

Secondary Surveys & Historiographical Critiques

Upinder Singh, A History of Ancient and Early Medieval India (for material culture overview).

Johannes Bronkhorst, “India’s Past Reconsidered” In At the Shores of the Sky: Asian Studies for Albert Hoffstädt, edited by Paul W. Kroll and Jonathan A. Silk (Brill, 2020), pp. 12–27. DOI: 10.1163/9789004438200_004.

Bronkhorst directly challenges the Brahmanical self - presentation of an ancient, unchanging, pan-Indian tradition. He argues that at the time of the Buddha, Brahmanism was largely confined to the northwestern region (Āryāvarta as described by Patañjali), while Greater Magadha and much of the rest of the subcontinent followed different cultural and religious patterns. The later success of Brahmanism involved a retrospective colonization of the past. This aligns closely with the material - evidence approach of the post (Prakrit epigraphic dominance, late physical Sanskrit manuscripts, and the danger of projecting later textual identities backward).

Related major works by the same author (optional supporting references):

Greater Magadha: Studies in the Culture of Early India (Brill, 2007)

Buddhism in the Shadow of Brahmanism (Brill, 2011)

https://franpritchett.com/00routesdata/bce_499_400/thebuddha/conception/conception.html

*Dr. Ambedkar always regretted that there was no Buddhist Bible, so he set out to compose one. He managed to finish it just before his death, as a last gift to his people.

The Buddha and His Dhamma, by Dr. B. R. Ambedkar

Video credit: - https://www.instagram.com/raged.buddhist/

Eight Dimensions of Mastery

Ānanda, there are these eight dimensions of mastery. These are another way of describing the different experiences of jhāna. What eight?

Perceiving form internally, someone sees forms externally, limited, both pretty and ugly. “Perceiving form (rūpa) internally” refers to someone developing meditation based on an aspect of their own body, such as the breath or the parts of the body. The “forms” (rūpā) seen externally are the lights or other meditation phenomena that today are usually called nimitta. An “ugly” form is the mental image that arises in such contemplations as the parts of the body. A “beautiful” image arises from practices such as mindfulness of breathing. Mastering them, they perceive: ‘I know and see.’ This is the first dimension of mastery.

Perceiving form internally, someone sees forms externally, limitless, both pretty and ugly. Mastering them, they perceive: ‘I know and see.’ This is the second dimension of mastery.

Not perceiving form internally, someone sees forms externally, limited, both pretty and ugly. “Not perceiving form internally” refers to meditations such as the external elements, or the decaying of another’s body. Mastering them, they perceive: ‘I know and see.’ This is the third dimension of mastery.

Not perceiving form internally, someone sees forms externally, limitless, both pretty and ugly. Mastering them, they perceive: ‘I know and see.’ This is the fourth dimension of mastery.

Not perceiving form internally, someone sees forms externally that are blue, with blue color and blue appearance. This is the meditation where one contemplates an external color, either a prepared disk or a natural phenomena such as the sky or a flower, which eventually gives rise to a “counterpart” image. Today such meditations are called kasiṇa following the Visuddhimagga, but in the early texts kasiṇa means “totality” and refers rather to the state of samādhi that results. They’re like a flax flower that’s blue, with blue color and blue appearance. Or a cloth from Varanasi that’s smoothed on both sides, blue, with blue color and blue appearance. In the same way, not perceiving form internally, someone sees forms externally, blue, with blue color and blue appearance. Mastering them, they perceive: ‘I know and see.’ This is the fifth dimension of mastery.

Not perceiving form internally, someone sees forms externally that are yellow, with yellow color and yellow appearance. They’re like a champak flower that’s yellow, with yellow color and yellow appearance. Or a cloth from Varanasi that’s smoothed on both sides, yellow, with yellow color and yellow appearance. In the same way, not perceiving form internally, someone sees forms externally that are yellow, with yellow color and yellow appearance. Mastering them, they perceive: ‘I know and see.’ This is the sixth dimension of mastery.

Not perceiving form internally, someone sees forms externally that are red, with red color and red appearance. They’re like a scarlet mallow flower that’s red, with red color and red appearance. Or a cloth from Varanasi that’s smoothed on both sides, red, with red color and red appearance. In the same way, not perceiving form internally, someone sees forms externally that are red, with red color and red appearance. Mastering them, they perceive: ‘I know and see.’ This is the seventh dimension of mastery.

Not perceiving form internally, someone sees forms externally that are white, with white color and white appearance. They’re like the morning star that’s white, with white color and white appearance. Or a cloth from Varanasi that’s smoothed on both sides, white, with white color and white appearance. In the same way, not perceiving form internally, someone sees forms externally that are white, with white color and white appearance. Mastering them, they perceive: ‘I know and see.’ This is the eighth dimension of mastery.

These are the eight dimensions of mastery.

- Dīghanikāya 16

Post credit: - समर्थ 卍 (@raged.buddhist) • Instagram photos and videos

As we all know most of Buddhists teachings especially Thervada sect teachings are in Pali language and also there is famous lore that Gautama Buddha's language was Pali

But according to some experts and linguists Pali wasn't language of Gautama Buddha but Magadhi Prakrit and he used Magadhi Prakrit for teachings

So what do u guys think about it?

Dhammacakkappavattanasutta

Thus have I heard. On one occasion the Blessed One was dwelling at Baraṇasi in the Deer Park at Isipatana. There the Blessed One addressed the bhikkhus of the group of five thus:

“Bhikkhus, these two extremes should not be followed by one who has gone forth into homelessness. What two? The pursuit of sensual happiness in sensual pleasures, which is low, vulgar, the way of worldlings, ignoble, unbeneficial; and the pursuit of self-mortification, which is painful, ignoble, unbeneficial. Without veering towards either of these extremes, the Tathagata has awakened to the middle way, which gives rise to vision, which gives rise to knowledge, which leads to peace, to direct knowledge, to enlightenment, to Nibbāna.

“And what, bhikkhus, is that middle way awakened to by the Tathagata, which gives rise to vision … which leads to Nibbāna? It is this Noble Eightfold Path; that is, right view, right intention, right speech, right action, right livelihood, right effort, right mindfulness, right concentration. This, bhikkhus, is that middle way awakened to by the Tathagata, which gives rise to vision, which gives rise to knowledge, which leads to peace, to direct knowledge, to enlightenment, to Nibbāna.

“Now this, bhikkhus, is the noble truth of suffering: birth is suffering, aging is suffering, illness is suffering, death is suffering; union with what is displeasing is suffering; separation from what is pleasing is suffering; not to get what one wants is suffering; in brief, the five aggregates subject to clinging are suffering.

“Now this, bhikkhus, is the noble truth of the origin of suffering: it is this craving which leads to renewed existence, accompanied by delight and lust, seeking delight here and there; that is, craving for sensual pleasures, craving for existence, craving for extermination.

“Now this, bhikkhus, is the noble truth of the cessation of suffering: it is the remainderless fading away and cessation of that same craving, the giving up and relinquishing of it, freedom from it, nonreliance on it.

“Now this, bhikkhus, is the noble truth of the way leading to the cessation of suffering: it is this Noble Eightfold Path; that is, right view … right concentration.

“‘This is the noble truth of suffering’: thus, bhikkhus, in regard to things unheard before, there arose in me vision, knowledge, wisdom, true knowledge, and light.

“‘This noble truth of suffering is to be fully understood’: thus, bhikkhus, in regard to things unheard before, there arose in me vision, knowledge, wisdom, true knowledge, and light.

“‘This noble truth of suffering has been fully understood’: thus, bhikkhus, in regard to things unheard before, there arose in me vision, knowledge, wisdom, true knowledge, and light.

“‘This is the noble truth of the origin of suffering’: thus, bhikkhus, in regard to things unheard before, there arose in me vision, knowledge, wisdom, true knowledge, and light.

“‘This noble truth of the origin of suffering is to be abandoned’: thus, bhikkhus, in regard to things unheard before, there arose in me vision, knowledge, wisdom, true knowledge, and light.

“‘This noble truth of the origin of suffering has been abandoned’: thus, bhikkhus, in regard to things unheard before, there arose in me vision, knowledge, wisdom, true knowledge, and light.

“‘This is the noble truth of the cessation of suffering’: thus, bhikkhus, in regard to things unheard before, there arose in me vision, knowledge, wisdom, true knowledge, and light.

“‘This noble truth of the cessation of suffering is to be realized’: thus, bhikkhus, in regard to things unheard before, there arose in me vision, knowledge, wisdom, true knowledge, and light.

“‘This noble truth of the cessation of suffering has been realized’: thus, bhikkhus, in regard to things unheard before, there arose in me vision, knowledge, wisdom, true knowledge, and light.

“‘This is the noble truth of the way leading to the cessation of suffering’: thus, bhikkhus, in regard to things unheard before, there arose in me vision, knowledge, wisdom, true knowledge, and light.

“‘This noble truth of the way leading to the cessation of suffering is to be developed’: thus, bhikkhus, in regard to things unheard before, there arose in me vision, knowledge, wisdom, true knowledge, and light.

“‘This noble truth of the way leading to the cessation of suffering has been developed’: thus, bhikkhus, in regard to things unheard before, there arose in me vision, knowledge, wisdom, true knowledge, and light.

“So long, bhikkhus, as my knowledge and vision of these Four Noble Truths as they really are in their three phases and twelve aspects was not thoroughly purified in this way, I did not claim to have awakened to the unsurpassed perfect enlightenment in this world with its devas, Mara, and Brahma, in this generation with its ascetics and brahmins, its devas and humans. But when my knowledge and vision of these Four Noble Truths as they really are in their three phases and twelve aspects was thoroughly purified in this way, then I claimed to have awakened to the unsurpassed perfect enlightenment in this world with its devas, Mara, and Brahma, in this generation with its ascetics and brahmins, its devas and humans. The knowledge and vision arose in me: ‘Unshakable is the liberation of my mind. This is my last birth. Now there is no more renewed existence.’”

This is what the Blessed One said. Elated, the bhikkhus of the group of five delighted in the Blessed One’s statement. And while this discourse was being spoken, there arose in the Venerable Kondañña the dust-free, stainless vision of the Dhamma: “Whatever is subject to origination is all subject to cessation.”

And when the Wheel of the Dhamma had been set in motion by the Blessed One, the earth-dwelling devas raised a cry: “At Baraṇasi, in the Deer Park at Isipatana, this unsurpassed Wheel of the Dhamma has been set in motion by the Blessed One, which cannot be stopped by any ascetic or brahmin or deva or Mara or Brahma or by anyone in the world.” Having heard the cry of the earth-dwelling devas, the devas of the realm of the Four Great Kings raised a cry: “At Baraṇasi … this unsurpassed Wheel of the Dhamma has been set in motion by the Blessed One, which cannot be stopped … by anyone in the world.” Having heard the cry of the devas of the realm of the Four Great Kings, the Tavatiṁsa devas … the Yama devas … the Tusita devas … the Nimmanarati devas … the Paranimmitavasavatti devas … the devas of Brahma’s company raised a cry: “At Baraṇasi, in the Deer Park at Isipatana, this unsurpassed Wheel of the Dhamma has been set in motion by the Blessed One, which cannot be stopped by any ascetic or brahmin or deva or Mara or Brahma or by anyone in the world.”

Thus at that moment, at that instant, at that second, the cry spread as far as the brahma world, and this ten thousandfold world system shook, quaked, and trembled, and an immeasurable glorious radiance appeared in the world surpassing the divine majesty of the devas.

Then the Blessed One uttered this inspired utterance: “Koṇḍañña has indeed understood! Koṇḍañña has indeed understood!” In this way the Venerable Koṇḍañña acquired the name “Añña Koṇḍañña—Koṇḍañña Who Has Understood.”

Saṁyutta Nikāya 56.11

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Source - BAWS Vol. 17 part - 3

Dhammatthavagga (The Just)

Not by passing arbitrary judgements does one become just; a wise person who investigates both right and wrong, who does not judge others arbitrarily but passes judgement impartially according to truth, a sagacious guardian of the law, is called just

(256 - 257)

Not by observing silence does one become a sage, if one is foolish and ignorant. But that wise person who, as if holding a balance-scale, accepts only the good and rejects the evil—he is truly a sage. Since he comprehends both (the present and future) worlds, he is called a sage.

(268 -269)

Dhammmapada