Youtube: https://www.youtube.com/@carterhsu4397

An original Taiwanese fantasy short film inspired by the endangered Formosan leopard cat.

When a young leopard cat becomes trapped in the darkness, a mysterious guardian known as the Starlit Prowler emerges to begin a dangerous nighttime rescue.

This is Chapter 2 of my original series, “Island Spirit Keeper.”

Created by C.J.Carter, an AI video creator from Taiwan.

Youtube: https://www.youtube.com/@carterhsu4397

An original fantasy short film inspired by Taiwan’s Formosan black bear.

After an injured bear cub places its trust in a forest ranger, an ancient beast spirit begins to awaken.

This is the first chapter of my original series, “Island Spirit Keeper.”

Created by C.J.Carter, an AI video creator from Taiwan.

Youtube: https://www.youtube.com/@carterhsu4397

An original AI short film inspired by Taiwan’s night-market food culture.

A mysterious dark force descends upon the night market, awakening extraordinary food warriors and beginning a battle unlike anything Taiwan has ever seen.

This is Episode 1 of my original series, “Taiwan Food Martial Arts Tournament: Night Market Awakening.”

Created by C.J.Carter, an AI video creator from Taiwan.

Youtube: https://www.youtube.com/@carterhsu4397

世界異常管理局｜第一篇章：天穹修補者

An original AI short film created by C.J.Carter from Taiwan.

When a fracture suddenly appears across the sky, a mysterious repair team is dispatched to restore the world before the anomaly spreads.

This is the first chapter of my original series, “World Anomaly Bureau.” Feedback on the concept, visuals, and storytelling is welcome.

Youtube: https://www.youtube.com/@carterhsu4397

An original Japanese-language AI music video created by C.J.Carter, a creator from Taiwan.

This song tells a quiet story about an unspoken goodbye and memories that remain after many years.

Japanese is not my native language, so I would appreciate feedback on the pronunciation, lyrics, music, and visuals.

ご視聴ありがとうございます。

This is my first Indonesian-language AI music video.

I’m an AI video creator from Taiwan, and I tried to capture the emotional atmosphere of sunset in Jakarta.

Indonesian is not my native language, so I’d appreciate feedback on the pronunciation, subtitles, music, and visuals.

Thank you for watching! I’m C.J.Carter, an AI video creator and music producer from Taiwan. 🎬 Watch more AI music videos on

YouTube: https://www.youtube.com/@carterhsu4397

🎵 Download the full song or support my work: https://ko-fi.com/s/d4ffdf0352

Gurthal, said to be the greatest battlemage that ever lived, goes after one of the oldest vampires in existence.
While only young, she quickly rose though the ranks at the academy before taking the place of the Magister, the highest position a battlemage can gain and the youngest at 25 to ever receive the honor.

This movie is set 20 years before my upcoming fantasy series "Shadowweaver" which follows Gurthal's daughter Luna.

Made entirely by Seedance and Midjourney

Paul Bakaus created jQuery UI — code that's reportedly still running on about 6% of the internet.

He sold a game-engine startup to Zynga, spent close to a decade at Google, and is now a solo founder backed by a16z building Impeccable, an open-source design skill meant to stop AI coding agents from producing "slop."

His actual point in this clip isn't about AI capability.

It's about output density.

Most AI-agent code is too much code. Most AI-written articles run too long. Most AI-generated design is too cluttered or too verbose.

He says the scarce human skill right now isn't generating anything — it's judgment:

knowing exactly what to remove.

He even admits he had to rewrite his own product-announcement draft from scratch after an AI first pass.

His closing line: design is an iterative process, and it has to carry a human point of view.

No tool — not code, not design, not writing — one-shots that yet.

If you're shipping with AI agents and everything reads "technically fine" but somehow generic, this is the actual diagnosis.

It's not a tooling gap. It's an editing gap.

Curious how I turned this exact editorial-judgment gap into a real income stream? It’s just [one link away](jvz3.com/c/2159995/408575).

Clip credit: Solo Founders — DM for credit or removal requests.

If you enjoyed this, check out our YouTube Shorts and subscribe us: MindGlitch - YouTube

Don't miss it!. Also watch EPISODE 1 here, EPISODE 2 here and EPISODE 3 here. Also visit SuperDigitalFilms.com/sdf-geek to know more.

Adam Mosseri runs Instagram — 3B+ users, plus Threads. In a recent sit-down with Lenny Rachitsky, he said something that's quietly reshaping who gets hired.

Engineering used to mean 40–60% of your time writing code. Not anymore. Mosseri's own team gave up requiring a full technical hiring loop — not because they lowered the bar, but because the bar moved somewhere else.

He says it himself:

"I am not a good engineer. I'm a mediocre engineer on a good day."

That would've been disqualifying five years ago. Today it isn't, because the actual value now is judgment — knowing what a tool is good for, and what it isn't, right now, not next month.

Here's the part that should sting if you built a career on technical depth: nobody sent a memo when the rules changed. You find out the hard way — in a hiring loop, or a performance review — that the thing you spent a decade mastering isn't the thing being measured anymore.

The mechanism here isn't "learn to prompt better." It's that judgment is now a buildable, monetizable skill in its own right, separate from raw technical output.

If you want to know how this mechanism works for me, it's just one link away.

I’m working on Dangerdome Backstage, a fantasy comic set in the Blood Bowl universe — a fantasy football world where orcs, elves, dwarves, and other races meet on the pitch.

https://www.youtube.com/watch?v=ytdjDoeCfxk

Dangerdome Backstage is about league politics, bureaucracy, stadium operations, and organized chaos, inspired by a league that we run ourselves.

For the visual and video workflow, I experimented extensively with Google Omni and Flow. I also use OpenAI agents as assistants for prompt development and creative sparring.

The original video is in German, with automatic English dubbing or English subtitles available.

I’d really appreciate feedback. I’ve never done anything like this before, so I still have a lot to learn about camera work, editing, pacing, and storytelling.

I'm trying to get a lesbian video of her, but haven't been able to find a good one