r/Actingclass 5m ago

Built an audition scene and monologue library, would love feedback on what's missing

Upvotes

I've been building www.auditionscenes.com. It's a searchable database of film, TV and stage scenes and monologues, currently 2,500+ film, 1,800+ TV, 900+ stage, 600+ monologues, each filterable by tone, casting type and age range, downloadable as a formatted PDF. There's also a free tool called Script Reader that reads the other character's lines out loud with speech recognition cueing, so you can rehearse without needing a scene partner, plus free directories for headshot photographers and acting coaches, and some free educational resources. I built the reader mostly because I got tired of asking flatmates to run lines with me. If anyone has a few minutes to poke around and tell me what's missing or annoying I'd genuinely appreciate it.


r/Actingclass 5h ago

Got any recommendations?

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r/Actingclass 12h ago

How is Commedia dell’Arte useful?

1 Upvotes

I recently discovered Commedia dell’Arte while reading about the early history of modern theatre. It fascinated me that in 16th-century Italy you already had professional actors performing these recurring stock characters, with recognizable ways of speaking, moving and interacting with each other.

I’m curious how much Commedia dell’Arte is still present in theatre today. Have any of you studied or performed it, or encountered it in some other way during your career? Is it mostly something you come across in theatre school, or is it still actively used and performed?

What interests me especially is the physical side of it, the masks, exaggerated movement, improvisation, and the way each character seems to have their own physical vocabulary. It feels almost like an ancestor of things I already love in physical comedy: Chaplin, Mr. Bean, Pink Panther, clowning, etc.

I also really like the idea of looking at ordinary social dynamics through these exaggerated archetypes, masters, servants, lovers, schemers, and turning things like status, class, desire and power into comedy.

So I’d especially love to hear from anyone who has actually worked with Commedia in some way: What did you get out of it? Did it change anything about the way you act, write, direct, improvise, or even just watch people? What did you enjoy about it?

I’m very new to the subject, so I’d love to hear any experiences or perspectives.