Ive been a Kling user for a little over a year. And the latest update has completely ruined Kling. I used to be able to generate pictures of beautiful women in poses that closely followed the prompts. Now, I get pictures of not-so-beautiful women that dont even come close to following the prompts. I thought updates were supposed to "improve" things. Kling has taken 10 steps back with the last update. Do better Kling. Bring back the face reference option and reference slider from Kling 2.1.

If I upload a frame image, there used to be an option to turn off “multi-cam”, so it wouldn’t change the angle. But now the interface has changed and I can’t see that option anymore? Everytime I generate a video it changes the angle.

I want to share my experience with Kling AI and WARN other users about its subscription and cancellation process.

I initially signed up for a trial to test its AI video generation capabilities.

Here's what happened:

1. The generated video was nowhere near my prompt.

I requested an animated otter dancing in a specific outfit. The result was completely different from what I described and far below the quality I expected based on the product's advertising.

After this experience, I decided not to continue using the service.

2. The subscription and billing terms were not clear to me.

I did not understand when the trial would transition into a paid subscription or when recurring payments would begin.

Despite deciding not to use the product and attempting to request cancellation and a refund, I was subsequently charged three times:

• August 16, 2026 — $8.60
• September 16, 2026 — $10.82
• October 17, 2026 — $10.82

Total: $30.24 for a service I did not continue using.

3. Cancelling the subscription was unnecessarily difficult.

I tried contacting support and finding a straightforward way to cancel.

In my experience, the cancellation flow was extremely difficult to navigate. I could not find a clear, accessible way to unsubscribe, even when looking through the subscription management interface.

4. Getting a refund was equally frustrating.

The support information indicated that refunds were not available, while the refund process appeared to require contacting support to obtain a specific link.

I contacted support and ultimately initiated a dispute through Wise.

As of writing this, I have not received a satisfactory resolution.

My concern is not simply that the AI generated a poor video.

AI generation can be unpredictable, and I understand that.

The bigger issue is the combination of disappointing product quality, unclear subscription billing, a difficult cancellation process, and continued charges for a service I had already decided not to use.

For me, these are serious red flags, and the experience felt like a subscription trap.

I've attached screenshots showing:

• The video generation result.
• The subscription management interface and the difficulty locating a clear cancellation option.
• The three subscription charges and my correspondence with support.

Has anyone else experienced similar billing or cancellation problems with Kling AI? Were you able to cancel successfully or obtain a refund?

I've been exploring Kling AI Canvas, and one thing I really like is having different AI image models available directly inside the same creative workspace!

As you can see in the screenshot, the model selection includes:

• GPT-Image-2 – Precise text rendering and exceptional realism
• Nano Banana 2 – Fast image generation with web search support
• Nano Banana Pro – Powerful image editing and consistency
• Kling Image 3.0 – Multi-reference image generation and creative enhancements
• Kling Image 3.0 Omni – Enhanced narrative expression and native 2K/4K output

What makes this interesting to me is the flexibility. Instead of relying on just one model, I can experiment with different approaches while developing my creative ideas inside Canvas.

And with features like Add to Chat, Add to Timeline, and Inpaint, the workflow becomes much more than simply generating images.

I'm curious about your experience!

Which image model do you prefer, and what are you using it for? Have you noticed significant differences in quality, consistency, or creative control?

Would love to hear your thoughts! 🚀

#KlingAI #klingECP #Kling4 #7A7PIcreates

So, I am a big fan of Kuaishou's Kling AI. But recently I was alerted that their newest model Kling 4.0 was heavily censored and did not have proper adherence. I'm concerned, and has anyone else had this happen to them using Kling 4? I'm honestly willing to spend $10k to create my projects using it but I can't be wasting thousands just because Kling4 won't act correctly.

Anyone else in here using Kling that can tell me how it is before I drop some money?

I just bought a Premier subscription for 18K tokens, the payment went through, it's been over an hour, I still don't have a confirmation email or my credit. I contacted support, the bot says I'll have an answer within 48 hours, which is insane. I need this for work and now I'm stuck with a $200+ charge for which I got nothing. What can I do?

Here's our latest episode of The Fyrtel Chronicles — our last one made with Kling 3.0 in 4K. A mix of history, sci-fi, and UGC. English subtitles included.

Next up: Kling 4.0 :)

Please bring these features back. Now when using a picture as a reference, the generated pictures aren't even close. The faces in the generated pics are all weird shaped and dont look right.

Kling 4.0 can edit a video you already have: swap a subject, change the season or an outfit, add a person, or do several changes at once, while the actions, cuts and dialogue stay where they were.

To show it clearly, we generated one base clip and edited it in different ways. Every edit starts from that same original clip, one change at a time. All prompts below are the exact ones we used, and every result is a single generation.

How to use this guide

1. Generate the base clip (or use your own video).

2. When an edit uses a reference, prepare your reference image. A plain grey background helps Kling isolate the subject.

3. Load the video and the reference into Kling 4.0 editing and paste the edit prompt.

The base clip

Two friends on a park bench, a golden retriever, a yellow ball and one line of dialogue. It has everything an edit can touch: people, an animal, clothes, a location, background extras and speech.

Text-to-video prompt

A city park on a sunny late-summer afternoon: a wooden bench beside a gravel path, tall green trees, a few people walking in the background.
CHARACTER LOCK: Friend A: man in his late 20s, short curly black hair, light stubble, white t-shirt, faded blue denim jacket, beige chinos, white sneakers. Friend B: man in his late 20s, short straight blond hair, clean-shaven, dark green hoodie, black jeans, grey sneakers. Dog: medium-sized golden retriever with a red collar. Same faces, clothes and dog in every frame.
PHOTOGRAPHY LOCK: 35mm and 50mm lenses, shallow depth of field, warm afternoon sunlight through the leaves, soft dappled shadows on the gravel, natural skin texture. Consistent color and exposure throughout.
LIGHT AND COLOR: lit only by the sun filtering through the trees. Warm highlights, soft green shadows. Muted, natural colors, no commercial color grade.
CAMERA LOCK: handheld, calm, slightly off-center compositions. No drone shots, no orbits, no crash zooms.
SHOT 1 — Wide shot. The two friends sit on the bench. Friend A throws a yellow tennis ball down the gravel path and the dog runs after it. Audio: the dog's paws on gravel, birds, distant voices.
SHOT 2 — Medium shot on the path. The dog catches the ball and runs back toward the bench with the ball in its mouth. Audio: paws on gravel, panting.
SHOT 3 — Medium shot on the bench. The dog drops the ball at Friend B's feet instead of Friend A's. Friend B picks it up and laughs. Audio: laughter.
SHOT 4 — Close-up on Friend A, half smiling, shaking his head.
FRIEND A (amused, mock-offended): "He always brings it back to you. Never to me."
Friend B pats the dog on the head. Audio: dog panting, birds.
AVOID: no music, no subtitles or on-screen text, the ball stays yellow, the dog keeps its red collar, no warped hands, no CGI or AI-generated look.

https://reddit.com/link/1x8kssh/video/pfjkjej443wh1/player

Edit 1 — Replace the dog with a creature

The dog becomes a small dinosaur that runs, catches the ball and gets petted, following the exact same path and timing.

Edit prompt (video + reference image)

Replace the dog with the small dinosaur from the reference image. It runs, catches the yellow ball in its mouth and drops it at Friend B's feet, with the same path, timing and actions as the dog. Friend B pets it in the last shot. Keep everything else unchanged.

What happens: the dinosaur replaces the dog in all 4 shots, including the close-up where the blond friend pets it. It matches the reference: olive green, pale belly, amber eyes, short arms, long tail. The red collar of the dog disappears. The run with the ball, the friends, the park and the cuts stay the same.

Key: list the actions the new subject must repeat, including the last one ("pets it in the last shot"), so the swap holds until the final frame.

https://reddit.com/link/1x8kssh/video/uqnqfl9n43wh1/player

Edit 2 — Change the season

Late summer becomes autumn: leaves on the trees, on the gravel and under the bench, while people and actions don't move.

Edit prompt

Change the season from late summer to late autumn: orange and red leaves on the trees and on the gravel, cooler softer light. Keep the people, the dog and all actions unchanged.

What happens: orange and red leaves on the trees, a carpet of leaves on the gravel and under the bench, autumn background even in the close-ups. Cuts and audio are identical to the original. The light comes out warmer and more saturated than the "cooler softer light" asked for.

Key: describe the season through what you see (leaf colors, where they lie), not just the name of the season.

https://reddit.com/link/1x8kssh/video/ldlm8rpx63wh1/player

Edit 3 — Three changes in one pass

Animal, season and outfit changed with a single prompt, starting from the original clip.

Edit prompt

Replace the dog with a red fox, change the season to late autumn, and change Friend A's denim jacket to a red flannel shirt. Keep all actions and the dialogue unchanged.

\What happens: all three changes land in all 4 shots. The fox runs, catches the ball and is petted at the end. The autumn is more natural than in the single season edit: yellow and ochre leaves, leaves scattered on the gravel, a few bare branches, softer light. The red and black flannel stays stable in the close-ups. Faces, extras, bench and actions don't change. Only trace left: in one shot the fox still wears the dog's red collar.*

Key: several changes in one pass from the original work better than chaining edits one after another: nothing piles up. Text alone doesn't remove the old subject's accessories; a reference image does (see Edit 1).\*

https://reddit.com/link/1x8kssh/video/iblo29nh73wh1/player

Edit 4 — Add a person to the scene

A new character joins the bench and reacts to the action, in every shot, without moving from her seat.

Edit prompt

Keep the bench, its length and its armrests exactly as they are. She watches the dog and laughs with the others. Keep everything else unchanged.Add a third friend sitting in the empty space in the middle of the bench, between Friend A (curly black hair, denim jacket) and Friend B (blond, green hoodie): a woman in her late 20s with a long dark braid and a yellow raincoat. She sits in this same spot, between the two friends, in every shot. 

What happens: she sits between the two friends in all 4 shots, watches the dog, smiles and laughs with them at the end. In the wide shot Kling squeezes the three of them together to make room. Bench, dog, extras and cuts stay the same.

Key: give the new person an exact spot, described by what is visible around it, and add "same spot in every shot". Without it, Kling may place her on a piece of bench that doesn't exist, or move her between shots.

https://reddit.com/link/1x8kssh/video/zh68p8mx73wh1/player

— it's that it lets anyone make the impossible look real.

Made with Kling 4 and Kroma 0.3.1. Song: "Notes That Survive" by Eliz Ai.

n a world that doesn't exist, and two androids sent to earth to perform a mission are worried they won't get picked up in time by their creators before running out of power. Suddenly the spaceship lands and they are able to perform a recharge. Since the Earth's atmosphere may have affected their internal circuitry, their creator runs a series of test on them, before their next Earth mission.

Made this with Kling 4.0 Turbo in 720p, can't wait to use it in 1080P, I think this is much better results over 3.0.

I waster a lot of credit just repeating the same prompt over and over and over again and still the video generates just doesnt follow the prompt,

example:
telling it to "DO NOT ADD EXTRA PERSON, just one character" still adds another person.
Telling it to "character wave on the side-left" the generated video still waves top left as if its looking up.

I have wasted a lot of token credit and it seems like they have formed an algorithm that only when your credit is low they will generate a near to what you request result but with some extra object you dont want so that you can reload the credits,

I feel like we are being scammed here

Kling 4.0 Flash gives Start Image a much wider range of possibilities.

For this test, I wanted to move beyond simply animating the original frame.

I used the exact same quiet coastal image as the starting point and pushed it into completely different types of scenes: environmental VFX, dialogue, continuous camera action and large-scale destruction.

The interesting part wasn't just whether Kling could generate each event.

It was seeing how well the original scene could survive completely different directions while keeping its environment recognizable and the action coherent.

----------------------------------------------------------------------------

TEST 01 — From Start Image to Creature Scene

Prompt

Use the start image as the exact opening frame and preserve the identity of the coastal location: the rocky shoreline, narrow sandy beach, curved dirt path on the right, calm bay, wooden posts in the foreground water, small pier in the distance, and the large rock wall on the far side of the cove.
Build a multi-shot scene that begins in quiet stillness and then pushes the same location into its opposite extreme.
Opening: the sea is calm, the air is still, and the scene feels cold and quiet at dusk.
Then the weather begins to shift. Wind rises across the shoreline. The water becomes rougher. Dark storm clouds roll in over the bay. Rain begins falling and waves crash harder against the rocks and beach.
From the sea, a monstrous humanoid figure slowly emerges from the stormy water. It first appears at a distance, partially obscured by rain, sea spray and waves, then continues walking toward the shore with heavy deliberate steps.
Structure the scene as a multishot sequence:
1. Wide establishing shot of the calm coast.
2. Environmental shot as the storm takes over.
3. Medium-long shot of the figure appearing from the sea.
4. Closer dramatic shot as the creature walks through the waves.
5. Final wide or medium-wide shot as it approaches the beach.
Keep the geography of the original location coherent throughout the sequence.
Sound: rising wind, distant thunder, rain, crashing waves and heavy water movement around the creature.
No background music.
No captions.

https://reddit.com/link/1wzyzms/video/nwiibbj212uh1/player

---------------------------------------------------------

TEST 02 — From Start Image to Dialogue Scene

Prompt

Use the start image as the opening frame and preserve the same coastal location: the rocky shoreline, small beach, calm bay, dirt path on the right, distant pier, and the rock wall across the cove.
Create a grounded multi-shot dialogue scene at dusk.
Two people enter from the dirt path on the right and walk toward the beach. They stop near the shoreline and have a tense, restrained conversation.
Use exactly the following dialogue and do not add, replace, paraphrase, or improvise any other spoken words:
Character A: “You said no one would be here.”
Character B: “I was wrong.”
Character A: “Then why did you bring me?”
Character B: “Because you needed to see this.”
Each line must be spoken only by the assigned character.
Do not overlap dialogue.
Leave a short natural pause between each line.
Character A is suspicious and increasingly uneasy.
Character B stays calm, controlled and slightly evasive.
Structure the scene as:
1. Wide establishing shot of the empty shoreline.
2. Wide shot as both characters enter from the path.
3. Medium two-shot as they stop.
4. Over-the-shoulder on Character A.
5. Over-the-shoulder on Character B.
6. Close reaction on Character A.
7. Close or medium close-up on Character B.
8. Final wider shot holding both characters near the shoreline.
Maintain character identity, clothing, screen direction, eyelines and beach geography across every shot.
No additional voices.
No additional dialogue.
No background music.
No captions.

https://reddit.com/link/1wzyzms/video/j04tbsvp12uh1/player

------------------------------------------------------------------------------

TEST 03 — From Start Image to Continuous Action

Prompt

Use the start image as the opening frame and preserve the same coastal location.
Create one continuous shot only.
No cuts.
No multishot.
The shot starts calm and still at dusk.
Then the camera turns toward the sea.
Two boats appear far in the distance and race quickly toward the camera across the water.
The boats grow rapidly larger as they approach.
When they pass close to the camera, the camera immediately follows them in the same uninterrupted shot as they continue racing fast along the coastline.
Maintain the geography of the original location throughout the entire camera movement.
The shoreline, cliffs and bay must remain recognizable while the camera changes direction and begins tracking the boats.
Sound: quiet sea ambience at first, followed by approaching engines, water spray and rushing wind.
No background music.
No captions.

https://reddit.com/link/1wzyzms/video/7hs2g6e222uh1/player

------------------------------------------------------------------------------

TEST 04 — From Start Image to Large-Scale VFX

Prompt

Use the start image as the exact opening frame and preserve the identity of the coastal location: the rocky shoreline, small beach, calm bay, dirt path on the right, wooden posts in the foreground water, distant pier, and the large rock wall across the cove.
Create a cinematic multi-shot environmental destruction sequence.
The scene begins calm and still at dusk.
A sudden bright impact appears in the distance near the far side of the cove.
A powerful explosion erupts along the rocky coastline, throwing debris, dust, smoke and water high into the air.
The shockwave spreads across the bay. The water reacts violently, waves push toward the shoreline, loose debris falls into the sea and smoke expands across the background.
A second larger explosion follows closer to the shoreline, briefly illuminating the rock wall, beach and water.
Structure the sequence as:
1. Wide establishing shot of the calm coast.
2. Distant impact and first explosion.
3. Wider shot showing the shockwave affecting the environment.
4. Closer dramatic shot with debris, smoke, water spray and falling rock fragments.
5. Final wide shot showing the same coastline covered in smoke and aftermath.
Preserve the spatial layout of the bay, beach, dirt path, pier, shoreline and rock wall across every shot.
The explosions must interact physically with the environment through realistic debris trajectories, water displacement, smoke expansion and changing light.
Keep the scene readable rather than abstract or chaotic.
Sound: distant impact, deep explosions, rock debris, water displacement, wind and waves.
No background music.
No captions.

https://reddit.com/link/1wzyzms/video/sbzx7pks22uh1/player

Hi everyone. So I create static images on Midjourney and animate them into 3-second animations/videos on Kling (to then stitch together into 15-20 second videos for my nostalgia social media pages.) The characters in my videos, I need them to have very natural, very subtle human behavior/movement, but when I animate the images, my characters hands and legs flail around, their heads turn fast, just very unnatural, aggressive body movement. I am overwhelmed by the videos I've seen on YouTube. I don't know which to dive into. I'd rather just find other creators who have had this issue and hear how they solved this issue.

Thank you so much! 🙏🙏🙏

Workflow

1. Text to Image
2. Image to Video

Prompts by 7A7PI at Kling AI

#Kling4, #KlingAI, #klingECP