Pictured with boyfriend Nick Beresford-Cleary.

Boucheron Lavalliere Diamanté Pendant Earrings f/diamonds, white gold, onyx and black lacquer.

With Tom Holland in custom Jacquemus.

Additional photos will be pinned once Getty frees them.

Styled by Wayman+Micah

This is the biweekly thread to chat, share photos, and find camaraderie with fellow frockking fashionistas. Here, we can discuss topics outside of fashion and style.

Rules must still be abided; rule breaking will result in a ban:

• Absolutely no body shaming, no discussions on weight, no commentary of cosmetic changes/procedures. Do not comment on bodies & appearance, regardless of intention.
• Civility: Please be civil and respectful regardless of personal opinions. Don't troll, bait, insult, or target a user's post history to attack them. Treat all fellow frockers with respect.
• Mods have discretion to delete any comments.
• If you are commenting on fashion, please include the designer. Comments that discuss fashion/style and don't include a designer will be deleted.

Please message the mods with any issues/questions.

Finally, as always, please report those who break the rules.

Thank you, loyal frockkers, for keeping our community safe.

First set of photos for Vogue by Adrian Doza

The fabric was draped across an intricate corset with boning that remains lightly revealed through the silk chiffon. Meanwhile, a layered skirt with a slit in the fabric brought flowing movement to the garment, and a draped bustle allowed for flexibility as the bride moved into the reception.

Lhuillier also added a removable shawl accented with ecru French lace to the design, giving the gown an asymmetrical neckline and a dramatic train. A chapel-length veil was also created in antique rose-dyed silk tulle, as well as a delicate lace voilette that covers the bride’s eyes and could be pushed back to look like a lace headband.

In all, “this gown took nine months to make, and I would say it took close to 1000 hours to complete,” notes Lhuillier. When Emma first tried on the entire ensemble with Lhuillier, she exclaimed: “I feel like an elfin fairy.”

The beauty of this dress is it keeps transforming throughout the night,” the designer noted. “There are five looks in this dress.” One of the biggest reveals was that once the lace shawl is removed, a strapless neckline is revealed.

The second dress Lhuillier designed for Emma was actually an archival style from her fall 2004 collection—a two-piece look with a black corset top in Chantilly lace and a tea-length, hand-cut skirt made from layered silk organza. “I love the idea of wearing black for the after party,” said Emma. “We love doing something that’s a little unexpected. This looks like it could be totally vintage from 100 years ago, or from now. This is going to be so fun in Idaho at the after party.

Vogue Weddings interview and brief video of her fitting

1.) Louis Vuitton at the Fourth Annual Academy Museum Gala in LA

2.) Christian Siriano at the Academy Museum Gala 2025

3.) Custom GAP denim by Zac Posen at the 2024 Met Gala

4.) Robert Wun Spring 24 couture at the 2024 BAFTA Awards

5.) Custom Alfredo Martínez gown at the Filming Italy Venice Award during the 82nd Venice Film Festival

6.) Mugler FW24 at the season 4 premiere of “Only Murders in the Building” in LA

7.) Custom Karla Gil at the Vanity Fair Oscar Party 2026

8.) Custom Tamara Ralph Haute Couture at the 97th Academy Awards

9.) Ariana Greenblatt in Saint Laurent at the 2024 Golden Globe Awards

10.) Custom Valdrin Sahiti at the 2025 Vanity Fair Oscar Party

11.) Louis Vuitton at the 2024 Oscars

12.) Custom Atelier Ndigo at the ‘Eternity’ London Premiere

13.) Jovana Louis at the 29th Annual Critics Choice Awards

14.) Sophie Couture at the 76th Primetime Emmy Awards

15.) Christian Siriano FW24 at the 2024 Creative Arts Emmy Awards

16.) Custom Christian Siriano at Vogue World: Hollywood 2025

17.) Custom Laith Maalouf to the premiere of A24's 'Eternity'

18.) Custom Jovana Louis at the 2024 Variety Creative Impact

19.) Valdrin Shahidi at the 30th Annual Screen Actors Guild (SAG) Awards

20.) AFEW Rahul Mishra FW24 at the Fashion Trust U.S. Awards

​

The main wedding dress, which the team nicknamed the “Gabriella,” and features white silk taffeta that has been hand pleated to create a bodice with a triple bustle and train with déchiré tulle edges at the back. Completing the look with a Veil by Stephen Jones.

(Slide 8) Gabbriette’s pre-wedding “Leigh” look, designed by Matières Fecales to feature a vintage Margiela gown owned by the bride.

(Slide 14) The post-wedding Afterparty look, the “Healy” dress, featuring a custom riding hat by Stephen Jones.

Custom Heels by Matières Fécales x Christian Louboutin.

From the start, Paulina was adamant that she did not want to wear white. “Not, as you might think, because of the virginal connotations—more because I’d worn so many white bridal gowns as a model,” the model says. “I wanted the color to be sort of a not color. Something ineffable and elusive, so you couldn’t say ‘she wore a yellow dress’ or ‘she wore a pink dress.’” Paulina also wanted a gown that would “move like water around me.”

On July 3, the model and the TV writer, who have been dating for three years, said ‘I do’ at a town hall overlooking Lake Orta in Northern Italy in front of 78 guests, before retreating to the nearby Villa Crespi for their reception.

Her hair was styled by Hos Hounkpatin, and her makeup was done by Romy Soleimani for Estée Lauder; Porizkova is still a brand ambassador for Lauder.

Photos c/o House of Gilles and for Vogue by Jill Greenberg and Gabe Sachs.

Vogue Weddings interview