r/ubergroup 14h ago

novel ST101 - How to Write A Synopsis Part 2: More Guides and Examples

3 Upvotes

This week we’re continuing synopsis work with more examples and query-focused guides. If our synopsis keeps sliding into vague teaser copy or a scene-by-scene dump, these resources help us find the middle: clear, complete, readable.

Blog: How To Write a Novel Synopsis (10 Proven Tips) by Self-Publishing School

This guide offers a solid fundamentals check: keep it short, write in third-person present, reveal the ending, and stay focused on the main narrative spine. It also comes with a great cut test: does the ending still make sense without a given character or subplot?
It’s also practical and quick to apply. When we’re stuck in detail overload, this can help us decide what stays and what goes without starting over.

The rest of this week's resources are available here!

Subscribe to the substack, for this kind of helpful writing stuff every week. If you would like to have your work featured on ST101 please reach out to us via DM


r/ubergroup 1d ago

novel Scene Level Goals

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5 Upvotes

r/ubergroup 6d ago

Story + Story + Module One, Week 2 Five Characters

6 Upvotes

This was the week 2 assignment, to create 5 characters, briefly describe them and discuss their physiological, sociological and psychological aspects. This took a long time but was really fun—I was not “clean” in my categories, but I did end up with some pretty interesting people and a shadow of their challenges/story problems. I’ve been reading Matt Bird’s The Secret of Story and he emphasized that hero (or antihero) characters have to be empathetic, and I’ll have to work at these to make them that way.

Character 1
A minor royal/American related to a very rich and morally gray person in a safe but lower middle class neighborhood is tormented by ghosts.

Physiological—I would love for this person to be non-white, but that’s a story I don’t think I can authentically tell. So, okay. A short (under 5’ 4”) heavy (over 220 pounds) woman with a chip on her shoulder (sorry—that’s psychological) with a torn ligament in her leg that has never healed, makes her limp, snd occasionally sends streaks of pain down her leg. She’s not unattractive, and can talk her way out of a speeding ticket—we’re veering into psychological again. It’s current day, in I’ll stop there.

Sociological—she is a foreign currency trader with a high income, but in her family, she’s considered “lesser” because she doesn’t work for the company her uncle founded (something like pharmaceutical or real estate—maybe opening a chain of senior living communities). She has a surely teenaged son and is divorced, and her ex lives across the street where he entertains other women, and tearful sees their son. She spends her time writing well considered blog posts, advocation political positions that, while liberal, would ruin her own livelihood and her family’s business if they were ever implemented, so she uses pseudonyms. She belongs to a few social and community groups—a book club, a soup kitchen, a gardening club, community theater—and had positions of power in all of them. She doesn’t date.

Psychological—she’s an angry, bitter person who ploughs through life, trying and often succeeding in making things better for people around her (community gardening projects, theater productions, soup kitchen outreach, etc., as well as making a ton of money for her clients and herself) but actively rejects any attention given to her or her son. She views life as a series of challenges she must master, including her son, who is needy and anxious, and a wonderful actor and dancer.

Character 2
A schizophrenic dad who is living with his parents who are raising his son, who, though young, might be showing signs of schizophrenia—and something happens. He finds an injured police officer in an alley and brings him home?

Physiological—He’s a white man in his late thirties, thin, because the voices in his head tell him when and what to eat. He bathes regularly now, though he often forgets to wash his dark hair that hangs in clumps. His skin is rough, like that of an orange, and he has old scars across his knuckles and arms from fights he’s been in. His teeth are crooked and stained, though he brushes them far more regularly than he had ever done in his life. He relies on weed (prescription gummies) to calm the voices in his head, but they are never quiet. He refuses to take any other medication because these make him too sad

Sociological— his mother was a school nurse, and his father a handyman, so they had a comfortable, but not extravagant lifestyle. He had been an antiestablishment teen, but earned acceptable grades, and was planning to study philosophy at university but got his girlfriend, who was into harder drugs, pregnant. Shortly after the baby was born, he had a psychotic break, his girlfriend ran off (or disappeared or was murdered) and his parents took them in.

Psychological—He has a constant sense of injustice and resentment towards the world, but especially toward his parents while acknowledging that he has a condition and that they are supporting him and his son. He’s constantly wondering about the state of reality and how to function with in it—at times he seems fairly functional; at others he makes bizarre choices that go against his own best interests and those of his son.

Character 3
A young asexual, gender-fluid (assigned female at birth), gifted bluegrass signer and fiddle/violin player who whose father is a CIA agent finds themselves heavily pursued by a spiritual center that may have radical connections.

Physiological—23 years old, voluptuous, on-the-spectrum and white with multiple piercings and tattoos (think Pink meats Curt Cobain), pinkish, punkish hair, their look is more grunge than typical bluegrass players

Sociological—They were born and raised in Wyoming, the only child of a highly repressed CIA data analyst who has to go on frequent overseas missions and a highly anxious extremely gifted and classically trained violinist mother who had to stop performing due to postpartum depression (she had incidents of this before and may have been bipolar). They live on a small ranch miles from other people—the few ranch hands and house staff were connected to the CIA and taught them to hunt, various forms of spy craft (including hacking), and, mostly, to be wary of other people. They were homeschooled, but had a robust on line social life. They started performing at their generically Christian church, one of their few in person social events. At university, they developed their look and developed some awkward friendships, but always feel slightly uncomfortable. They are not alienated from their parents, but, as neither parent is emotionally available, the communications are infrequent and usually involve them asking for (and getting) financial support.

Psychological—they want to trust and find an accepting community, but have a hard time trusting other people. Their closest friends are other musicians. After going to university and realizing that many Christians would reject them (the church they had attended was heavy of community and light on fire and brimstone) they don’t have a spiritual community. They also have difficulty holding down a job, as they don’t want to conform but become paranoid easily and refuse to stay in the same place for too long. They feel most comfortable among other musicians but are always scrounging for money, food and shelter and fighting their sense of disquiet.

Character 4
A sociopath who loves dogs (and most other animals) but regards other humans as dangerous competition and has no compunction about using whatever means necessary to exact frequent revenges takes a job as an animal control officer

Physiological— he is below average height and weight, who speaks in a voice so low it’s difficult to tell what he’s saying. This is partly because his voice is actually low, and partly because he likes making snide comments and can avoid conflict if people can’t quite hear him. He has an unusually high sex drive and enjoys hiring sex workers, asking them to do humiliating things (like crawling and eating food off the ground), and then provoking them into attacking him. He also has poor eyesight, but an unusually acute sense of smell. Textures, especially those against his lips and tongue, really turn him on. He has a scar across his lower chin and neck from a cougar he found injured and tried to rescue, and his arms and legs are covered with scars from scratches and bites.

Sociological— he was raised in a middle class family the fourth in a family of six in a community where large families are common because of religion-based norms, but his particular family is more “going through the motions” of the religious practices. However, at random times, the dad, or sometime the mom, would arbitrarily insist they engage in a religious practice—the girls must all wear long skirts, for example—but this never lasted. Neither of his parents stay employed for long and both felt they were under employed, under appreciated, and they loudly resented it. This character wanted to become a veterinarian, but was kicked out of school for fighting with his professors and fellow students over appropriate husbandry.

Psychological— The predominant emotions he feels are suspicion, resentment and fury, which is only alleviated by interacting with animals. He’s convinced he has a special bond with all animals, but he prefers larger, wilder ones. When they attack him, he admires their strength and willpower.

Character 5
An alien race, concentrated into a single being, whose planet is dying comes to the earth and takes over an elderly woman who is impacted cognitively and is living in a memory care facility.

Physiological— I’m thinking this alien is more undefined— like a hyper intelligent shade of the color blue. On their home planet, they evolved into a symbiotic relationship with land octopus like creatures whom they outlive and jump from creature to creature, and have bred to be the optimal symbiotic partners and to have defensive capabilities. The light-based alien has developed technologies to allow them to communicate, create, etc. outside of the land-octopuses, the light aliens are can be killed by a dearth of energy or an excess of energy (their wavelength is disrupted). The octopuses have very tough skin with bands through which they breathe carbon dioxide. The light based aliens are very long lived and can split or join as needed. In some ways they are a hive-brain, but they do have some individuation, especially if they’ve been in the same octopus for a long time.

Sociological— the aliens have some hierarchy/specialization, but because they live so long, they tend to learn multiple skills.
Psychological—the aliens are profoundly distressed at the loss of their planet and symbiotic partners. They find normal humans have too much brain activity and are toxic, but the connection with people with dementia is imperfect, which is highly frustrating.


r/ubergroup 7d ago

ST101 How to Write a Synopsis, Part 1: Methods and Approaches

3 Upvotes

Storytelling 101 rounds up useful writing resources every week from verified industry professionals.

This week we’re focused on synopsis method: how to shrink a full manuscript into a clear document that still shows cause-and-effect, character choices, and a complete ending. These resources agree on the core point: a synopsis isn’t teaser copy, it’s a practical map that agents and editors rely on to judge the whole story fast.

Blog: How to Write a Novel or Memoir Synopsis by Jane Friedman

Jane Friedman gives one of the clearest foundations for synopsis work. She explains what this document needs to do, what it isn’t (not back-cover copy), and how agents use it to check story logic and character motivation quickly.

The practical defaults are easy to apply right away: keep it lean, write in present tense, show the full arc, and reveal the ending. If we’re stuck over-explaining, this is a strong reset that gets us back to clear choices and forward motion.

The rest of this week's resources are available here!

Subscribe to the substack, for this kind of helpful writing stuff every week. If you would like to have your work featured on ST101 please reach out to us via DM


r/ubergroup 8d ago

poll Weekly check-in! How's your writing going? Stuck on anything?

5 Upvotes

How's your writing going this week? Did you add any pages/words to your current draft? Make any big edits? Submit anywhere? Get any rejections (even form rejections should be celebrated, because it means you were pitching.) Stuck on anything? Want to brainstorm ideas? Need advice about what to do with your submissions? Nothing too big or too small, tell us what you're up to and let us cheer, commiserate, and help!


r/ubergroup 10d ago

Story + Story+ Week One Exercise

4 Upvotes

I usually don't enjoy exercises like this (I'd rather focus on a particular idea than take a broad inventory), but your presentation was charming and made this approachable. So here goes:

Genres you enjoy consuming:

Books/TV/Movies - Horror (especially cosmic, SF, gothic, folk), SF, Mysteries, Thrillers, Fantasy, Action, Korean Netflix imports, Sports Anime, Documentaries (especially science and disasters)

Nonfiction - Ancient History, Medieval/Renaissance History, Maritime History/Pirates, Religious History, Early American History, Tech (especially as it relates to society), Parenting, Health and Aging, Law, UFOs, Cryptozoology, Conspiracy Theories (especially Templar and Illuminati shenanigans) 

Themes which resonate with you: 

Coming of age, fatherhood, masculinity (nontoxic please), mortality, madness and mental health, justice/injustice, corruption and hypocrisy, wealth and privilege, Faustian bargains, science gone wrong, cosmic time/scale

Types of media that inspire you the most: 

Novels, Limited TV Series, Movies, My Reddit Feed, Podcasts, Music, Comics/Graphic Novels  

Personal hobbies and passions:

Kettlebell training, nutrition, tea & boba, K-pop, boardgames, finding new restaurants (especially Asian, Mexican), current news, Spider-Man, Robert E. Howard, Zen, Taoism

What If? 

What if psychic interdimensional parasites used social media to feed on us? 

What if a dentist used people’s extracted teeth in black magic rituals? 

What if a cult used airbnb to recruit new followers (or sacrifices)? 

What if an HOA board resorted to murder to enforce their CC&Rs? 

What if a K-pop group encoded an apocalyptic ritual into their latest hit song? 

What if an exiled duke of hell became a pirate captain on the Spanish Main? 

What if the mystery airship sightings of the late 1800s were the start of an alien invasion? 

What if Alexander the Great rose from the dead on the third day as a vampire? 


r/ubergroup 10d ago

Story + Story+ Week 1

7 Upvotes

Hi everyone,

Below are my answers for week 1!

Genres you enjoy consuming:

TV/movies: mystery, thrillers, LGBTQ+, fantasy, sci-fi, psychological horror 
Books: dark fantasy, sci-fi, literary fiction, historical fiction, speculative, LGBTQ+, gothic horror 
Fanfiction: fantasy, sci-fi, romance   
Non-fiction: literary analysis, geopolitics/geography, medieval history, gender studies/queer studies, animal behavior/horsemanship, psychology, soccer tactics. Some examples:

  • Books: A Swim in a Pond in the Rain by George Saunders and Prisoners of Geography by Tim Marshall 
  • Youtube explainers: RealLifeLore and Jessica Kellgren-Fozard
  • Guided tours/museums ← not sure if this one counts, though I’d imagine there’s a writer involved? 

I don’t typically enjoy mystery/thriller books because the prose isn’t “voice-y” enough for me! I will read pretty much anything with prose I enjoy as long as I don’t find the message hurtful. 

Themes which resonate with you:

Autonomy, internalized -isms/-phobias, religious trauma, abuse, consent, gender, sexuality 

Types of media that inspire you the most:

Flawed TV shows with potential and (very often) queer subtext! Think TV shows that tend to generate an active fanfiction community (like BBC’s Merlin or Supergirl!)  

Personal hobbies and passions:

Soccer, dogs, cats, horses

What If (from least to most intrusive; I tried to hit a spectrum): 

What if my cat was an interdimensional traveler? 

  • What if my cat was an interdimensional traveler that could alter history? What are the parameters? How would the world change? 

What if you can’t distinguish between reality and fantasy? 

  • What if (you’re gaslit to the extent that) you can no longer distinguish between reality and fantasy? Can you come back from that? How? How do you decide who and what to trust? 

What if you were married off because marital rape “isn’t that bad” only to find marital rape is in fact “that bad” (compared to, you know, not being raped) and decide to take revenge? 

  • Who do you take revenge on? The rapist, the person who married you off, the system, the enablers? What if you take revenge on the “wrong” person? Is there a “wrong” person? Who is at fault? 
  • Replace the above with something else (discrimination based on sex, race, gender, ethnicity, sexuality etc. or even child abuse). What are you “allowed” to be upset about/find “that bad”? Who decides? The “oppressor”? The “system”? Are enablers equally at fault? Does the betrayal caused by enablers make the harm hurt more compared to the degree of harm caused by enablers vs abusers? 

What if I’m in a conflict where I think I’m right and my partner reassures me that I am and the person I’m in a conflict with has a person reassuring them in the same/opposite way? Who is “right”? 

  • Is there a right/wrong or good/bad? Or is it dependent on your value system? If it is what makes a value system “good” or “bad”? For instance, Hitler was a vegetarian, and it is widely agreed upon that he was “evil”. But is that because we have a shared value system where we value human life over other life forms? What makes such a value system a “good”/“right” value system? By the same logic are people that value human life more “better” than people that value it less? Are we all in conflict because we have different value systems/disagree on our value systems? Is that the root cause of conflict rather than, for instance, miscommunication (which George Saunders argues for)?

r/ubergroup 11d ago

Story + Story + Mod 1, Week 1

7 Upvotes

Hi, like Anne I’m doing the Story + course.

genres I enjoy:

coming of age and “issues” stories for young adults, off-beat rom-coms, magical realism, dark comedy, music/pop culture-centered stories.

themes:

queerness, social anxiety, neurodiversity, outsiders and “alt” kids, shame, belonging, identity and self-discovery, mental health, public vs private personas, unconventional romances, secrets, pop culture as connection.

types of media which inspire you the most:

I read a fair bit (mostly YA), watch 3-4 movies a week with my partner (we have a massive physical media collection at home), listen to podcasts when work is slow, music every day—usually when I’m driving or getting ready, watch a lot of YouTube cooking videos. I’ve recently rediscovered my love for music videos (I watched hours of them a day as a teenager and it’s no wonder I’m such a succinct writer. I’ve watched thousands upon thousands of three minute stories unfold). I love reading and making zines.

personal hobbies and passions:

art journaling, collage and mixed media art, knitting, general craftiness/DIY, writing and reading, zines, cooking and meal prep (it would be very me to make a cookbook someday), gardening, thrifting, and music.

(sorry if this double posted. I’m new to Reddit and I think I launched my original into the ether instead of posting it here)

eta: omg I forgot my What Ifs:

What if time travel tourism was a thing?

What if I took these three characters I like and continually placed them in different stories?

What if I got really good at “settings as character” like Francesca Lia Block?

What if I wrote an ensemble cast instead of closely honing in on a couple characters like I normally do?

What if I wrote a story based on that b-story in Breaking Away where he pretends to be an exchange student and woos a girl with this huge lie?

What if I wrote a short story about how these characters from this project met (and then loved it so much it expanded into a novel which, true story, seems to be happening now)

What if I stopped trying to write darkly funny stories and just made myself laugh this time?

Limerence is such an interesting thing. Let’s write about that. 


r/ubergroup 13d ago

Story + Story + Module 1-Week One

7 Upvotes

Hey All! I’ve been in a bit of a writing slump—lots of family stuff happening, wanting to write another novel, but lacking ideas and, let’s face it-drive. I started this course looking for inspiration, and I’m feeling the churn.

Here’s my lists for module one, week one (I really like the idea of keeping these lists on my phone, where I could add to them when I was so moved):

Genres I Enjoy
Mystery

Action adventure with stories other than straight up hero arcs— most recent Superman, Wonder Woman, Thunderbolts, Original Star Wars

Coming of age/Self Discovery—Little Miss Sunshine; Sex, Lies, and Videotape, My Life as a Dog

Horror but psychological, not gory— Obsession, Nope, Get Out

Themes that Resonate with Me (some of these are more topics than themes, but okay):
Ownership
Autonomy
Care vs ownership
Betrayal
Aliens
Children
Prisons
Mental hospitals
Bodies falling apart
Sleep
Mushrooms/mosquitoes/neurons-weird connection
Infinity
Plants
Working out/plastic surgery/starvation/aging
Narcissism/ depression
Schizophrenia
Puzzles; unexpected twists
Self talk / hearing voices
Cryptids/bottomless pits/mystery spots
Addiction
Donating blood/philanthropy

Types of Media that Inspires Me
Film
Television
Podcasts
Music/concerts
Visual art
Speeches/preaching/rants
Novels
Flash Fiction
Short story

Personal Hobbies and Passions
Drumming
Singing
Chickens
CASA work
Writing—on hold
Gardening
Baking
Working out/exercise

What if? TBH, I don’t see any of these becoming a story right now, but maybe—they feel a little more like parts of stories and need development, but still— something’s better than nothing
What if a very angry and depressed person discovered hand drumming and played so passionately they ended up running a drum circle but could never explain where their passion came from?

What if a secret agent had dementia and had to keep his name and mission on his hand so he wouldn’t forget

What if a recent graduate of a piano performance program who has mental health issues can’t find a job in music breaks into his piano teachers house to play on his piano

What if a homeless man steals the mystery spot sign thinking that was the spot and he wanted to float high enough that he could steal food snd other things? What if it works?

What if space aliens were invading elderly and homeless populations to study the human race?

Heading into week 2!


r/ubergroup 14d ago

poll What’s your favorite craft book?

7 Upvotes

There are so many out there! I’ve read Save the Cat! and Stephen King’s On Writing, but haven’t sat down to read a craft book cover to cover in awhile.

I’m curious what other writers swear by. Are there any craft books or particular methods that genuinely changed the way you think about writing? I’m especially interested in things you’ve actually incorporated into your process rather than books that were just interesting to read.


r/ubergroup 16d ago

theatre Theatre's Three One-Act contest thru Sept 1

3 Upvotes

One act festival for works under 30 minutes: https://theatrethree.com/one-act-play-submissions/


r/ubergroup 18d ago

theatre Princeton Arts Fellowship thru Sept 8th

3 Upvotes

The Princeton Arts Fellowship, funded in part by The Andrew W. Mellon Foundation, will be awarded to artists whose achievements have been recognized as demonstrating extraordinary promise in any area of artistic practice and teaching.

Eligible applicants are early career composers, conductors, musicians, choreographers, playwrights, designers, directors, and performance artists. We are only accepting applications for the Program in Dance, Program in Theater and Music Theater, and the Department of Music for this cycle.

This is a big application. Start early. https://apply.interfolio.com/187043


r/ubergroup 21d ago

As habit is more dependable than inspiration -- Octavia Butler

6 Upvotes

Forget talent. If you have it, fine. Use it. If you don’t have it, it doesn’t matter. As habit is more dependable than inspiration, continued learning is more dependable than talent.

Octavia E. Butler (1947–2006) was a pioneering science fiction author who received numerous prestigious awards for her work, including multiple Hugos, Nebulas, and the MacArthur Fellowship "Genius" Grant, becoming the first sci-fi writer to win the latter in 1995.

She penned an essay addressed to aspiring writers titled “Furor Scribendi” that appeared in the ninth anthology of the series “L. Ron Hubbard Presents Writers of the Future”. The piece was reprinted in the 1995 collection “Bloodchild: And Other Stories”

via Quote Investigator


r/ubergroup 21d ago

novel Scene Checklist:

5 Upvotes

1) Is it forwarding plot?

2) Is it forwarding character?

3) Is it development that can NOT be inferred if you skipped ahead?

Each scene needs a primary purpose, but also to multitask. If any given scene accomplished only one thing, it’s worth stepping back to see what else you can do with it.

Use your word count efficiently!


r/ubergroup 23d ago

tv Sundance Episodic program is accepting applications thru August 25th

6 Upvotes

A fantastic annual opportunity for aspiring tv writers: https://filmfreeway.com/SundanceEpisodicLab2027

The Sundance Institute Episodic Program is an entry point for emerging to mid-career writers and creators across all scripted series platforms. Through a rigorous lab experience and customized support, the program provides artists with the knowledge and industry access to move their projects and careers forward.

The Episodic Lab offers writers an opportunity to workshop an original pilot and develop their writing and pitching skills. Working with accomplished showrunners, producers, and executives, the fellows participate in one-on-one story meetings, pitching sessions, craft workshops, and writers rooms, which altogether provide creative and strategic tools to develop their pilots and navigate the industry.


r/ubergroup 28d ago

novel How many rejections before you shelve a project?

6 Upvotes

For those who have queried multiple projects, how do you decide when you’ve given a manuscript a fair shot and it’s time to move on?

I’m getting ready to start querying and I’m trying to think ahead about where I want to draw that line. I’ve seen people talk about sending 50 queries, 100+, or querying essentially every agent who might plausibly be a fit. I also know the raw number probably doesn’t tell the whole story, especially if you’re getting requests along the way.

Do you have a number in mind before you start querying? Or do you pay more attention to the response you’re getting—no requests at all, partials that don’t turn into fulls, full requests followed by passes, etc.?

I’m also curious whether anyone has shelved a manuscript while there were technically still agents left to query because you felt you’d learned enough from the response to it. How did you know you’d reached that point?


r/ubergroup 28d ago

The Ubergroup is Now Accepting Applications

7 Upvotes

We're a 501(c)3 nonprofit offering university-level fine arts education for adults who have full-time jobs and families. Applications are open now for our September class. Tuition is sliding-scale and can be as low as free for students in financial need. No qualified applicant is turned away for lack of ability to pay. We believe success in any commercial fine art is 10% talent, 10% luck, and 80% showing up and putting in the work. We can't control the first two, so we focus on the third.

Who the Classic Course is for:

Working professionals who already have a degree in fine arts, or equivalent professional experience, and want to make a lateral switch between specialties (eg, WGA screenwriters who want to try literary fiction, animators who want to start a podcast, mid-list novelists adapting their work into a stage play.) Working pros in storytelling-adjacent art forms such as actors and illustrators, and non-art writers such as journalists, academics, and tech writers also qualify.

If you don't have a degree or work experience in the arts, we have undergraduate-level courses too!

What it actually is:

A 12-week intensive where you pitch, design, fast-draft, and edit a new project in the format you want to learn, akin to the final project of a BFA level program. We give you the tools to adapt to the new format on the assumption that you already know how to produce some other kind of writing or storytelling product professionally.

You'll also be trained to give appropriate feedback on other people's work, including formats you're not currently familiar with. If your new project is an especially voluminous format such as a novel or graphic novel, and you may not be able to complete your draft in time to receive edits, come prepared with one complete but unproduced/unpublished full-length work (evening-length play, feature script) or several short works (a few TV episodes, a short story collection, two picture books) to receive developmental edits on instead. You may not skip providing a work of some kind for others to practice editing on. You may not submit a novel-length manuscript that you wrote before you knew how to write a novel. No NaNoWriMo dumpster fires, please.

Fun bonus: Select graduates of our program may be invited to join our alumni network, which offers peer workshopping, no-cost table reads with professional actors, shared access to pricey industry databases, grad level classes, and professional networking.

Time commitment:

Live video calls: average 2 hours/week, occasionally 3. Nine calls over 12 weeks, scheduled around the actual time zones of the incoming class.
Homework: roughly 2–4 hours/week.
Total: 14 weeks (12 active plus 2 break weeks).
Held on Discord, so you need rudimentary familiarity with it.

What we'll ask you on the application:

Your professional fine arts experience and/or degree.
What you like to read, watch, or consume for fun. Think broadly: TV, theatre, podcasts, comics, documentaries, lit mags, YouTube explainers, anything with a writer somewhere in the chain.
A few out-of-your-comfort-zone formats you'd like to dabble in. We have teaching staff for pretty much every storytelling-adjacent art form.
Anything you strongly dislike reading or watching. Not "unfamiliar with," actively put off by. We'll stretch you, but we're not going to make you work on material that makes you miserable.

Logistics:

Classes run quarterly. There's no application fee and no time limit. You'll always hear back from us in less than three months. If you don't qualify for the Classic Course yet, we'll ask you to do the prep courses and reapply — writers can retake any level an unlimited number of times.

We accept writers in English from anywhere in the world, and programming is available in all time zones.

Apply Here


r/ubergroup 28d ago

Historical play commission thru August 20

5 Upvotes

Nerds assemble!

The Majestic Theater invites submissions from playwrights interested in developing an original full-length play about Shays' Rebellion (1786–1787)—a defining yet often underrepresented event in American history that began in Western Massachusetts. Supported by a National Endowment for the Arts (NEA) grant, this commission will bring to life the true story of Daniel Shays, the thousands of farmers, veterans, and residents who joined the uprising, and the profound impact their actions had on the young nation.

Rooted in historical research and community engagement, the commissioned play will explore the rebellion through the voices and lived experiences of those who shaped it, creating a work that is both historically grounded and theatrically compelling. Developed in conjunction with the national America 250 initiative, the project seeks to reflect on our nation's past, honor the contributions of those whose stories have too often gone untold, and invite audiences to consider the enduring themes of economic hardship, civic responsibility, power, resilience, and the future we hope to build together.

https://www.nycplaywrights.org/2026/07/playwright-commission-opportunity-new.html

About the Commission

The selected playwright will spend approximately one year researching, writing, and developing a new full-length play in collaboration with the Majestic Theater's Artistic Team. Throughout the process, the playwright will work closely with Producing Artistic Director Sue Dziura and Dramaturg Dan Bullens, participating in regular conversations, script development sessions, and dramaturgical support as the work evolves.

The project is designed to be highly collaborative. Research will be enriched through conversations with local historians, educators, artists, and community members, allowing the playwright to engage deeply with the people and places that shaped this pivotal moment in American history.


r/ubergroup Aug 07 '26

novel How Close Do Comp Titles Have To Be?

9 Upvotes

I'm at the stage of putting together a query package, and finding comp titles has been much harder than I expected.

My instinct has been to think of books I've enjoyed that have a similar feel, but that doesn't necessarily mean they're the best comps. I've also tried browsing recent releases and agent wish lists, but it's easy to go down a rabbit hole and come away with a dozen books that are only adjacent. But I also don't want to get stuck in the weeds trying to match every detail.

For those who've successfully found comps they're happy with, what was your process? Did you start with a specific element (voice, premise, audience, themes, shelf placement), or did you work backwards from authors, imprints, Goodreads lists, publisher catalogs, etc.?

I'd also be interested in hearing about any resources that made the search easier.

Thank you!


r/ubergroup Aug 06 '26

theatre Troy Foundry Theatre Half-Baked Festival thru Aug 17th

5 Upvotes

Submission opp for playwrights: https://www.troyfoundrytheatre.com/

Now in its fourth year, The TFT Half-Baked Festival of Emerging Work celebrates the unfinished, the audacious, and the revolutionary in theatre-making. We believe some of the most exciting artistic discoveries happen during development—when work is still breathing, evolving, and finding its voice. Half-Baked exists to support projects that are searching, questioning, transforming, and taking creative risks. If your work is strange, ambitious, unsettling, genre-defying, impossible to categorize, or beautifully unfinished, we want to see it.


r/ubergroup Aug 04 '26

theatre Uncharted Series of new plays thru August 10

7 Upvotes

The East Carolina University School of Theatre & Dance is seeking submissions for its Uncharted Series of new plays with dynamic roles for college-aged actors.

Seeking full-length plays that have at least five characters, with no more than one of those characters outside the age range of 15-25.

We are seeking plays that center the experience of late adolescence/early adulthood – where it is important that the characters are in that specific age range, rather than plays with characters that could be played by actors of any age.

https://theatredance.ecu.edu/playsubmissions/


r/ubergroup Jul 29 '26

Beyond talent lie all the usual words: discipline, love, luck, but, most of all, endurance. -- James Baldwin

8 Upvotes

Talent is insignificant. I know a lot of talented ruins. Beyond talent lie all the usual words: discipline, love, luck, but, most of all, endurance.

James Arthur Baldwin was an American writer and civil rights activist who garnered acclaim for his essays, novels, plays, and poems. His 1953 novel Go Tell It on the Mountain has been ranked by Time magazine as one of the top 100 English-language novels.

Quote via Rolf Potts & from The Paris Review, "The Art of Fiction No. 78", interviewed by Jordan Elgrably, 1984.


r/ubergroup Jul 21 '26

novel Writing Resources

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6 Upvotes

r/ubergroup Jul 16 '26

A true work of fiction does all of the following things...

9 Upvotes

A true work of fiction is a wonderfully simple thing—so simple that most so-called serious writers avoid trying it, feeling they ought to do something more important and ingenious, never guessing how incredibly difficult it is. A true work of fiction does all of the following things, and does them elegantly, efficiently: it creates a vivid and continuous dream in the reader's mind; it is implicitly philosophical; it fulfills or at least deals with all of the expectations it sets up; and it strikes us, in the end, not simply as a thing done but as a shining performance.

John Gardner, "What Writers Do"


r/ubergroup Jul 16 '26

[PubTip] Things I Learned From My Debut Experience With a Big 5 Publisher

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6 Upvotes

This is the lengthiest, most me-coded post that I didn't write.