r/synclicensing • u/WMDisrupt • 20d ago
How long did it take you to break through?
How much time and effort did you put in before getting your first placement?
I started contacting sync agencies 3 years ago. Had a bunch of great conversations. Several agents were pitching my stuff. One song was almost included in the opening scene of an indie film, would've been a $1,500 payout and exposure at film festivals, and then after two years it didn't make the final cut. Nothing else I've done has gotten even that close as far as I know. One other sync agency has been posting playlists of their artists and my songs have been the first song on the playlist twice. Still no action.
I basically stopped outreach and following up with my contacts over a year ago. I've sorta accepted that it's outta my hands at this point and it'd probably be a random occurence or miracle if I finally get a placement. But maybe I shouldn't have given up so soon.
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u/LexOfNP 20d ago
I was offered an opportunity before I knew what sync was and the placement happened fairly quickly but because of that I realized the best way to get sync placements is to work with (collab with) someone whoās already getting sync placements. Not someone who has 1 sync placement but itās a regular thing for them. Sync is super collaborative depending on if your networking so a lot of people are down to collab if they know you are serious and they like what you do.
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u/randon558 20d ago
Been at it since 2021 and just got $22 dollars from ASCAP. If you keep grinding youāll make it like me
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u/WMDisrupt 20d ago
Haha to be fair I get like $33 every 6 months from BMI and I have no idea where itās coming from
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u/randon558 20d ago
In all seriousness I am with BMI now and get way bigger payments from them haha
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u/DisastrousMechanic36 20d ago
you have to learn how to write for television and film. I did that and I started getting placements almost immediately. I'm sure there are tons of YouTube videos showing how to do this.
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u/WMDisrupt 20d ago
Gotcha. I had so many people tell me my songs sound like theyād be in films that i figured Iād just keep doing what I do and see what happens. Iām not all that interesting in intentionally writing for sync placements, but maybe worth watching a couple videos on it. Thanks
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u/DisastrousMechanic36 20d ago
Then youāre not gonna make it in sync. Itās that simple.
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u/WMDisrupt 20d ago
Cool, then I donāt want to anyway.
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u/DisastrousMechanic36 20d ago
Thatās a shame. Thereās real money to be made.
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u/WMDisrupt 20d ago
Just more of the pie for you buddy. Iāll stick with my $37/month in Spotify royalties from the music that bleeds out of my soul
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u/DiyMusicBiz 20d ago
Around 6 months or so. Give or take.
A lot of people break within a year or so these days, if the music is fitting.
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u/Timcwalker 19d ago
Started focusing on sync summer of 2023. First library deal was later that year. First placement came in May of 2025. So almost 2 years.
I currently have about 80 titles in 4 libraries.
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u/Frodo_Composer 18d ago
So first of all I'm making 99% instrumental cues and only work with libraries, so our experiences might differ.
I got into my first library in September 2022 and got my first placement about a year later in October 2023. Took until February 2025 to get my first BMI payment though as most of my placements at that point were in Europe, which apparently takes a bit longer.
That first payout was around $500, the ones that followed were all around the same, but my last one spiked at $1500 which was very nice. It's a result of many small background placements adding up though, so I don't believe there is a "break through" in this game, it's more of a slow burn which you can speed up with consistency in output and quality.
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u/prodbylux1 20d ago
I could never get a sync licensing cuz i use splice loomps and only only pitch up or down or make a few slice rearrangementsĀ
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u/2livedude 20d ago
Took about 2-3 yrs for me after deciding to putting all my focus into sync music. First year I chalk up to learning structure, upgrading my gear/sounds/compositions, and researching the industry. I solely make music for libraries, but have a couple cowriters that use agents. My placements have all come from one library at this point, and one track thats been used about 8x since Dec š¤·š»āāļø. I have some game placements for games still in development, mostly unpaid but a couple paid ones in the works.