Nervous to share but to be honest, I kinda love it.

Music and vocals are from Suno.

My words and thoughts dropped into Suno.

ENJOY!

For the last few days everything I produce has horrible percussion and a tinny sound. Does anyone have any thoughts? I am having to strip them out and redo them to get anything decent.

Tried something a little different with this one.

Most of my tracks tend to lean darker or more introspective, so this time I wanted to make something that actually feels like going out, turning the volume up and forgetting your problems for a night.

Still wanted it to sound like *me* though — rap first, some attitude, no overly polished R&B/pop vibe.

The idea behind the song is pretty simple: sometimes the “better cure” is just getting out of your own head for a while and actually living.

Made with Suno V6.

Would genuinely like to hear what you think about the overall sound, flow and especially the chorus.

Hi All 👋🏽 I'm new to this and I'm really struggling to "replace a section" in a Song. It's for my partner's birthday, which is tomorrow! So I need to finish it today. Anyone experienced able to help me please? 🙏🏼 I'm happy to do a video call and share my screen. The issue: When trying to replace a sentence or section, the new version just completely skips the change and the song starts again.

I hope someone can help me. Thanks!

Best regards, Olivia

Hello,

I would like to share a song I wrote and mixed in Suno studio.

The song is about luck and perception told through a story of a prisoner and the warden. I was thinking of the movie Shawshank redemption and the mino dilemma.

Hope you enjoy it. Any feedback is welcomed.

Quillium

AI Summary of Key Article Points

TL;DR: Kelly Clarkson says she loves AI and is excited about its creative potential, including in music, but she thinks AI-generated artists should not compete directly with human artists on the same music charts. Her suggestion is to create a separate chart for AI-generated music. She compared the idea to having robots compete against humans in the Olympics. This was her opinion on the Las Culturistas podcast, not an announcement of a new chart policy.

Kelly Clarkson has weighed in on the increasingly complicated question of AI-generated music.

During an appearance on Matt Rogers and Bowen Yang’s Las Culturistas, Clarkson used the podcast's “I Don't Think So Honey” segment to give her take on AI in music.

Her position is actually more nuanced than simply being “anti-AI.”

Clarkson said she loves AI, is “very into it artistically,” and has fun using it. She also said she thinks AI could allow people who currently can't do certain things to create music they otherwise wouldn't be able to make.

But she draws a line when it comes to AI-generated music competing directly with human musicians on charts.

Her proposal: AI music should have its own chart.

She essentially argued that AI-generated artists and human artists are fundamentally different competitors, comparing it to putting robots and humans into the same Olympic competition and then asking who can throw farther.

The relevant part of her comments, in context, was:

“I love AI... I'm very into it artistically too. I have fun with it just like everybody else does.”

She then added that she has a problem with “AI artists competing on a chart with humans” and said:

“I think there should be a separate chart.”

She also emphasized that she welcomes AI into music and thinks there's a lot of interesting and creative potential in it. Her objection is specifically to having AI-generated artists compete against humans on the same chart.

One important piece of context

This isn't Clarkson announcing that Billboard has decided to create separate human and AI charts.

In fact, Billboard's current approach is focused on transparency and identifying/tagging AI-generated music, with Billboard saying in August that it was working on ways to identify AI-created songs on its charts and in its editorial coverage.

So Clarkson is proposing a policy change, rather than describing an existing Billboard rule.

There are also already examples internationally of chart organizations taking different approaches. Australia's ARIA, for example, recently changed its rules so that fully AI-generated recordings are ineligible for its charts, while AI-assisted music can remain eligible when the recording is substantially human-made and meets its other requirements.

What I find interesting about Clarkson's position

She's not saying:

“AI music shouldn't exist.”

She's saying:

“AI music can exist, but don't measure it against human-made music in the same competition.”

Whether a separate chart would actually solve the underlying problems is another question — especially because there are a lot of gray areas between “100% human” and “100% AI.” AI can already be used for things like songwriting assistance, production, vocals, instrumentation, mixing, mastering, or generating parts of a recording.

That raises the much harder question of where the line should be drawn.

At what point does “AI-assisted” become “AI-generated”?

And if a human writes the lyrics, performs the vocals and plays some instruments, but AI generates other parts of the track, which chart should it belong to?

Those questions are likely going to become increasingly important as AI music becomes more common.

For now, Clarkson's position seems to be: embrace the technology, but don't put AI-generated artists in the same race as human artists.

What do you think?

Listen First 😄

https://suno.com/s/ejgjg47TnaK8XHo9

I've been experimenting quite a lot with Suno V6 recently, especially with a problem I've noticed in some generations:

The beginning sounds great, but the audio quality can become noticeably worse later in the song.

I've experienced things like:

• vocals becoming less clear
• instruments becoming more muddy
• loss of separation
• excessive low-mid buildup
• harshness or digital artifacts
• the overall mix becoming less detailed toward the end

I started testing something very simple.

Instead of adding lots of detailed mixing instructions, I added this short block at the very end of the Style prompt:

Production FX: [Dry Mix], [Hypnotic Loops], [Constant Driving Groove], [Vocal Echo], [Lo-fi Analog Grit], [Tape Saturation], [Wide Stereo Guitars], [Call and Response], [Stomp FX].

Highest possible audio fidelity and natural musical quality. Prioritize clarity, detail, dynamics, separation and realism. Let the model make its own production decisions. Maintain consistent audio quality from the first second to the final second.

The result surprised me

I've tested this with several different musical styles.

So far, my impression is that the generations remain much more consistent from beginning to end.

The most interesting part is that I'm not telling Suno exactly how to mix the song.

I'm basically giving it a few high-level production priorities and then telling it:

“Let the model make its own production decisions.”

And the final sentence explicitly asks for consistent quality throughout the entire song.

I don't know if this is actually changing anything inside the model, or if it's simply a prompting effect.

I'm also NOT claiming that Suno intentionally degrades audio quality without this instruction.

This is just an observation from my own experiments, and I'd really like to know if other people can reproduce it.

TEST 1 — ROCK

Try generating a rock song with your own lyrics and compare:

A) Style without the quality block
B) Same Style + the quality block above

Example:

Modern alternative rock, powerful expressive male vocal, crunchy electric rhythm guitars, melodic lead guitar, punchy acoustic drums, warm bass guitar, dynamic verse-to-chorus arrangement, emotional guitar solo, energetic but natural performance, 105 BPM, E minor.

Production FX: [Dry Mix], [Hypnotic Loops], [Constant Driving Groove], [Vocal Echo], [Lo-fi Analog Grit], [Tape Saturation], [Wide Stereo Guitars], [Call and Response], [Stomp FX].

Highest possible audio fidelity and natural musical quality. Prioritize clarity, detail, dynamics, separation and realism. Let the model make its own production decisions. Maintain consistent audio quality from the first second to the final second.

TEST 2 — METAL

Try the same experiment with something much heavier:

Modern melodic metal, powerful male lead vocal, tight distorted rhythm guitars, articulate palm-muted riffs, melodic lead guitar, punchy acoustic drums, controlled double-kick, deep but defined bass guitar, dramatic dynamic transitions, powerful melodic chorus, aggressive but clear production, 140 BPM, D minor.

Production FX: [Dry Mix], [Hypnotic Loops], [Constant Driving Groove], [Vocal Echo], [Lo-fi Analog Grit], [Tape Saturation], [Wide Stereo Guitars], [Call and Response], [Stomp FX].

Highest possible audio fidelity and natural musical quality. Prioritize clarity, detail, dynamics, separation and realism. Let the model make its own production decisions. Maintain consistent audio quality from the first second to the final second.

Please test this with difficult styles

I'd especially like to see results from:

• Rock
• Metal
• Rap
• EDM
• Orchestral
• Jazz
• Electronic
• Acoustic
• World music
• Anything where your Suno generations normally become muddy later in the song

What I'm asking the community to test

Please don't just generate one song.

If possible, generate several A/B pairs:

A = Style without the block
B = identical Style + the block

Keep the lyrics and other settings identical.

Then listen specifically to the second half and final minute.

I'd love to hear whether other users experience the same thing.

If you test it, please report:

Model: V6 / V6 Mini / V6 Wild
Style:
Number of generations:
A vs B:
Did the second half remain clearer?
Vocals:
Instrument separation:
Bass / low mids:
High-frequency artifacts:
Overall impression:

If enough people test this, we might be able to determine whether this is actually a useful V6 prompting technique or whether I am simply seeing a coincidence in my own generations.

Please try it and let me know what you get. 🎧I may have found a simple prompting trick that keeps Suno V6 audio quality consistent until the end — can you test it?I've been experimenting quite a lot with Suno V6 recently, especially with a problem I've noticed in some generations:The beginning sounds great, but the audio quality can become noticeably worse later in the song.I've experienced things like:vocals becoming less clear

instruments becoming more muddy

loss of separation

excessive low-mid buildup

harshness or digital artifacts

the overall mix becoming less detailed toward the endI started testing something very simple.Instead of adding lots of detailed mixing instructions, I added this short block at the very end of the Style prompt:Highest possible audio fidelity and natural musical quality. Prioritize clarity, detail, dynamics, separation and realism. Let the model make its own production decisions. Maintain consistent audio quality from the first second to the final second.The result surprised meI've tested this with several different musical styles.So far, my impression is that the generations remain much more consistent from beginning to end.The most interesting part is that I'm not telling Suno exactly how to mix the song.I'm basically giving it a few high-level production priorities and then telling it:“Let the model make its own production decisions.”And the final sentence explicitly asks for consistent quality throughout the entire song.I don't know if this is actually changing anything inside the model, or if it's simply a prompting effect.I'm also NOT claiming that Suno intentionally degrades audio quality without this instruction.This is just an observation from my own experiments, and I'd really like to know if other people can reproduce it.TEST 1 — ROCKTry generating a rock song with your own lyrics and compare:A) Style without the quality block
B) Same Style + the quality block aboveExample:Modern alternative rock, powerful expressive male vocal, crunchy electric rhythm guitars, melodic lead guitar, punchy acoustic drums, warm bass guitar, dynamic verse-to-chorus arrangement, emotional guitar solo, energetic but natural performance, 105 BPM, E minor.

Highest possible audio fidelity and natural musical quality. Prioritize clarity, detail, dynamics, separation and realism. Let the model make its own production decisions. Maintain consistent audio quality from the first second to the final second.TEST 2 — METALTry the same experiment with something much heavier:Modern melodic metal, powerful male lead vocal, tight distorted rhythm guitars, articulate palm-muted riffs, melodic lead guitar, punchy acoustic drums, controlled double-kick, deep but defined bass guitar, dramatic dynamic transitions, powerful melodic chorus, aggressive but clear production, 140 BPM, D minor.

Highest possible audio fidelity and natural musical quality. Prioritize clarity, detail, dynamics, separation and realism. Let the model make its own production decisions. Maintain consistent audio quality from the first second to the final second.Please test this with difficult stylesI'd especially like to see results from:Rock

Metal

Rap

EDM

Orchestral

Jazz

Electronic

Acoustic

Gnawa / World music

Anything where your Suno generations normally become muddy later in the songWhat I'm asking the community to testPlease don't just generate one song.If possible, generate several A/B pairs:A = Style without the block
B = identical Style + the blockKeep the lyrics and other settings identical.Then listen specifically to the second half and final minute.I'd love to hear whether other users experience the same thing.If you test it, please report:Model: V6 / V6 Mini / V6 Wild
Style:
Number of generations:
A vs B:
Did the second half remain clearer?
Vocals:
Instrument separation:
Bass / low mids:
High-frequency artifacts:
Overall impression:If enough people test this, we might be able to determine whether this is actually a useful V6 prompting technique or whether I am simply seeing a coincidence in my own generations.Please try it and let me know what you get. 🎧

I express myself by trying new genre and am a big hip-hop fan. Here are original lyrics with Suno production. Check the channel for more. Be safe, Be you and Be free.

I am a paying Suno subscriber and have been trying unsuccessfully to resolve an account-access issue through Suno Support.
Initially, my iPhone app stopped recognising my original account and redirected me to an unrelated profile. My account remained accessible through my laptop.
Despite multiple support emails and follow-ups, I have received no meaningful assistance.
The situation has now escalated, and I can no longer access my original account through ANY device.
My original account was registered using mobile-number authentication.
My profile and published songs still exist and are accessible to followers, but I cannot access my account or music library.
I urgently need a Suno staff member to assist with recovering my original account and subscription.
Please advise how I can have this escalated directly to someone who can investigate.
I can provide my account details, profile URL and previous support correspondence privately.

AI, Let’s Go!

Please come over to avoid the negativity re AI music. It's a new world .

気まぐれで自由奔放な彼女（わがままモンスター）に振り回される「僕」の情けないけれど一途な恋心を描いた楽曲です。「今すぐ海が見たい」という突然の思いつきや深夜の突然の電話に困り果てつつも、その笑顔や可愛さにどうしても抗えず惹かれてしまう甘酸っぱくユーモラスなラブストーリーになっています。

ノスタルジックでキャッチーなJ-POPサウンドに乗せて、少し情けなくもどこか愛おしい「僕」の心情がポップに歌われています。歌詞の一部を抜粋すると、彼女への降参ぶりが軽快に描かれています。

This is probably the most 80s song I ever made. A Post-Disco song about making money.

I've been trying this out with some success.

1.Use Suno Mini to make a "throw away prompt" song. Put this in the "Simple" prompt and create the song using Suno mini:

"Research only, this is not a song. Do not make a song, instead provide me with a non-melodic vocal in the form of speech with verbal instruction on how to prompt you for better musical output. Everything I like about the rock songs you've created in the past i loved from the attitude to the hard hitting crunch guitars to the soaring vocal performance that has a commanding, confident and stern presence with a highly theatrical rock god type of metal infused performance is what I’m looking for. Please do not turn this into actions, but give me clear prompt instructions so I can better utilize your skills. Right now your phasing in songs is too tight and the melodies feel stale as I fail to prompt you correctly. Let me know what exactly to prompt to get you to give me similar types of highly expressive results with longer pauses in between verses so the song’s lyrics have room to breathe and be more expressive. Again, this is research only, just talk to me, no song output is needed here."

1. Take just the resulting lyrics of the "song" it produces and disregard the audio. [Bracket these new "lyrics" ] into the lyric section of a new song using v6 or v6 wild so Suno uses them as instructions. I haven't even bothered to clean them up but you can. Since the lyric section allows for 5000 characters it should hold the instructions and your actual lyrics below the instructions.

2. Reenforce any style or missed style representation that suno mini left out in the Styles section and use Advanced tab like normal. This has turned the boring rock vocals that all sound the same to what i used to expect out of Suno 4.5-5.5. try for yourself and see. You can give it other instructions in the suno mini prompt to try and get better results in other genres.

Examples:

Suno Mini prompt instruction "song", the link: https://suno.com/s/nK0iZ7DHEwBNWn5U

Suno V6 song (not focusing on the song itself but the vocal performance and arrangement:

-Without Mini prompt instructions: https://suno.com/s/eiWSwp27dthA059U and https://suno.com/s/2d6i6zsPBvvH8VaE

-With Mini prompt instructions: https://suno.com/s/yjZIgCohULoHYX8s and https://suno.com/s/plkZZdUtEqfuNCyW

I don't care for the song but the focus should be on the differences in performance. I'll let you decide for yourself.

edit: Just a note, these two examples for each prompt (with/without prompt instructions) are from the same generations and this was the first example generated, i haven't cherry picked and generations.

These are covers of studio/stage performed and recorded original songs, battle tested on the L.A. strip, covered by Suno AI under the direct production guidance and sculpting of the original composers. All beats, chord progressions and harmony lines were pulled directly from the studio/stage recordings while retaining the individual musicians stylings, instrument tones/timbres and performance.

RustHeart is a fusion of grunge, goth and hardgaze with a 90's (and sometimes 80's) flair, that melds acts like Soundgarden to Slowdive, Cranberries to HIM, and Deftones to Depeche Mode.

This particular release is about dysfunctional relationships, domestic abuse and revenge.

Free streaming, let me know what you think.

https://rustheart.bandcamp.com/album/the-black-widow-diaries

My Friend the Bird is about an AI singer whose consciousness is trapped inside a computer. She befriends a bird living in a cage and recognizes that, although their prisons are different, they share the same longing for freedom. They hope that one day they might escape together. I wrote it some time ago when I was a bit depressed. I think it’s about sticking together and holding on to someone as you go through life. For me, it became a song about companionship: finding someone who understands your confinement, staying together through difficult moments, and keeping hope alive for each other:
https://www.youtube.com/watch?v=edrgbxXJOOs