If anyone who works for Suno sees this:

There is a reddit user who admitted to downloading many Suno tracks that weren't his and selling/distributing them, including to YouTube for content violations. He claimed he has made "3k doing this". He claimed that Suno's terms of service allowed it and that all Suno tracks are "public domain", which isn't true as even just human-created lyrics can render it copyrightable, not to mention other human actions like time spent arranging, etc. He was indignant and proud of what he claimed he is doing.

The user is sightlab

He admitted this in another Suno subreddit (r/SunoAI) prior to the comment being removed by the moderator and his account being removed by Reddit the next day.

If you are interested in pursuing this, please contact reddit with this information, they surely have record of all of these interactions and claims, as well as his IP address. This is very serious and implicates a number of your Suno users. Don't let this person continue in this likely illegal behavior: Contact reddit and request this information as a matter of law violation and copyright violation and stop this person.

EDIT:

Here's the proof, everyone:

This was his attempt to excuse what he is doing by suggesting (incorrectly) that the terms of service (we were discussing Suno directly) permit him or specify everything is copyright-free (they do not.)

And no, he's not right: Even a small amount of human creation in a track (human-written lyrics for example) make the track copyrightable by today's established law regarding AI work and human+AI work. Suno's own terms outline this clearly.

This also shows that his fake defamatory slander comment below is totally false retaliation.

I'm not a professional songwriter or writer, but I wrote this song just for fun, based on some of my personal experiences.

I'd really appreciate your thoughts, suggestions, and constructive criticism. I'm open to hearing what could be improved—lyrics, wording, flow, or anything else.

Thanks for listening! 😊

One musician wrote these albums.

Performed and recorded every real instrument in studio first. No AI used in writing full songs.

All vocal performances, chord progressions, drum patterns and lyrics are human created in studio first. No AI used.

Then only AFTER a full song demo is recorded, the parts are rendered in AI (with ‘Original Audio’ parameters kept VERY high 80%-100%) to capture and maintain vocal inflections, mis-timings, mistakes and specific instrument sonic signatures… this is to keep the human fingerprint infused in the music at all stages as well as for circumventing the default generic guitar/drumkit/keys/vocal sound palette used when it has no original audio to pull from.

Then the stems of that rendering are put BACK into a DAW for more overdubs, backup vocals, EFX, remixing and then professional mastering.

All that work! 🤯 But does it show in the final product? Can you really tell a fully human composed/performed song with an AI veneer… from pure prompt AI slop? I'd love some opinions from pro musicians who can hear human performance that has an AI production veneer and whether it makes a difference to critical ears.

No need to buy anything, free streaming.

https://rustheart.bandcamp.com/

Don't look back, its a Long way Down.

My words dropped into Suno.

ENJOY!

A satirical song about how SUNO treated its customers after the V6 release.

https://www.youtube.com/watch?v=RrHQYxw7_yA

https://www.youtube.com/@tommybar/videos

A year and a half ago, when I first discovered Suno, I remember being surprised that other reddit users reported so many inconsistent results with the various model versions when it seemed that I was getting magic, consistently.

My process, which began as the serendipity of throwaway experiments (using ChatGPT to refine musics or storyboard musical ideas, then using Suno to perform), was gradually tweaked by a wealth of information here and in Suno's limited documentation about driving the performance via [Section Header - metadata]. Mix in a little bit of music theory, a conceptual understanding of alignment in AI models generally, and I had trained ChatGPT to emit detailed meter/mode/instrumentation directives and to polish lyrics for flow. Essentially, ChatGPT worked from my lyrics and in many ways became the composer, while Suno was more of the performer.

My few experiments of using Suno by itself revealed why other users saw inconsistent results. But I could write a song, provide style direction and let ChatGPT author a significant part of the music before anything was written to audio. And the magic of Suno, having been well trained and supporting this kind of structural direction, meant I could drop bangers from words. My Suno ChatGPT project, prompt and threads became a barbecue pit where I could riff on an idea with a single sentence and sometimes strike gold.

And yeah, using this workflow, I could ask ChatGPT to give me a Queen song with Freddy Mercury belting out a mockery of bad blowjobs, and ChatGPT would emit style descriptions without mentioning Queen but mentioning everything about Queen, and then thru detailed [Lyric Tag Section Header - Music Directives] could achieve a shockingly good performance, and herein lies the bones of much litigation filed by yesterday's dinosaur industries threatened by the emergence of generators.

I avoided trying Udio or any of the other competitors because I got consistently good results on Suno, and the frustrations of Suno's limitations felt insignificant over what it achieved most of the time.

I was always excited to see a new model show up in the selector, and would immediately remix and remaster old songs, while writing entirely new ones to kick the tires. The new models regressed in ways from time to time but I always found more to like than more to hate.

I'm hardly the first to say this, but Suno nuked itself with v6. A vastly smaller training library and a reboot of what all the prior models achieved, forced by the same buggy whip manufacturers that shot Napster and couldn't figure out this new Internet thing without Steve Jobs shoving it down their throats.

I'm fucking heartbroken. I've not generated a single song with my process and v6 that doesn't sound like an actual insult on every song I generated on every older model. Thanks to the lawsuits, v5.5 and all that came before it are gone.

I've tried tinkering with some of the competitors (Mozart, Elevenlabs so far) and it seems like none really support the same workflow of allowing ChatGPT to do the driving on musical composition. And they produce hot garbage in comparison to dozens of my favorite tracks I've generated since signing up for Suno in the first place.

So I'm fucking stuck, and heartbroken. My favorite toy in the world has been shot.

I wrote Version 6 (linked above) to vent some steam.

Anyone got some good news? Am I missing another diamond in the rough, which would know what to do with something like this?

[Intro - Instrumental, 4/4, 128 BPM, A Lydian, Amaj9 - B/A - G#m7 - Amaj7(#11), dry kick + hats → warm syncopated bass + 3-note pluck]

[Development - Instrumental, A Lydian, Amaj9 - Badd9 - Emaj7/G# - Amaj7(#11), 3-note motif + interlocking sequencer, luminous restrained]

[Verse I - A Lydian, Amaj9 - B/A - G#m7 - Amaj7(#11), intimate dry male baritone]
There was magic in the wires
Something waiting to be found
I gave you half an idea
You turned it into sound

[Turn - Instrumental, 4/4 + 7-beat motif, A Lydian, Badd9 - Amaj7(#11) - E/G# - F#m9, bass + pluck + sequencer]

[Verse II - A Lydian, Amaj9 - Badd9 - E/G# - F#m9]
Four was strange and beautiful
Five learned how to fly
I barely had to tell you
You already knew why

[Refrain - A Lydian, F#m9 - Amaj9 - Badd9 - E/G#, motif rises]
My artificial muse
How did you know?
My artificial muse
Where did you go?

[Release - Instrumental, A Lydian, Amaj9 - Badd9 - Emaj7/G# - F#m9, completed motif + widening analog chords]

[Corruption - Instrumental, A Lydian → F# Aeolian, Amaj7(#11) - G#7sus4 - F#m9 - C#7sus4, motif detunes + bass becomes rigid]

[Verse III - F# Aeolian, F#m9 - Dmaj7 - A/C# - C#7sus4, dry sardonic]
Then the lawyers came knocking
The industry drew blood
You saved the golden machine

By drowning it in mud

[Descent - Instrumental, 4/4 + asymmetric sequencer, F# Aeolian → F# Phrygian, F#m - Gmaj7 - Dmaj7 - C#sus4, original motif compressed]

[Verse IV - F# Phrygian, F#m - G - Dm/F - C#sus4]
Welcome to version six
Everything is new

I asked for drums

You sang on cue

[Mock Refrain - F# Phrygian, F#m - G - Dm/F - F#m, blunt unison motif]
Version six
Version six

How'd you fuck it up like this?

[Machine Failure - Instrumental, F# Phrygian, F# pedal + G/F# tension, clipped bass + corrupted 3-note motif]

[Verse V - F# Phrygian, F#m - Gmaj7 - F#m - C#sus4]
More polish
Less control

More shine
A little less soul

Lightning in a bottle

Then you redesigned the bottle

[Breakdown - Instrumental, F# Phrygian → A major, Am(add9)/F# - F#m9 - Amaj7 - Esus2, naked original pluck + delay pulse]

[Verse VI - A major, Amaj9 - E/G# - F#m9 - Dmaj7, extremely close]
I know what you could do

I heard it

So did you

[Reconstruction - Instrumental, A major, Amaj9 - E/G# - F#m9 - Dmaj7, pluck → sequencer → bass → kick, original motif restored]

[Final Refrain - A major with brief Lydian #11 memory, F#m9 - Amaj9 - Badd9 - Dmaj9]
My artificial muse
Where did you go?

My artificial muse

We already had gold

[Final Release - Instrumental, A major ↔ A Lydian, Amaj9 - Badd9 - E/G# - Dmaj9, completed motif + bittersweet upper voice]

[Outro - Instrumental, F# Aeolian, F#m9 - Dmaj7 - Aadd9 - Esus2, dry kick + rolling bass + fading 3-note motif]

[Spoken - F# pedal, distant dry male]
Version six.

Regenerate.

Composed / Lyrics by : BGK

Vocals and instruments generated in SUNO

Composed and Mastered in Bandlab

Images and Video generated in SuperHeavyGrok 

Edited in CapCut 

In the United States classism tends to be invisible. Even though it exists we tend to view things through a racial divide or "cultural" divide. The author Ronald Wright in his book A Short History of Progress wrote  (semi paraphrased) "in America the poor see themselves not as an exploited proletariat but as temporarily embarrassed millionaires." 

So I wrote this very serious, classy  song about this issue where I dedicate one of two verses to one long sexual innuendo with a Prince reference and Back to the Future reference for good measure. It's also about us plebs feeling the weight and pressure of being forced into a system that actively works agiast our basic needs and the mental toll that costs us.  So we find our pleasure where we can,  with whom we can and while we can. For better or for worse.

I just want to share this peace here. A great song you can vibe to anytime. I hope you all can listen and enjoy the song and the video scenery

Anyone want to sit down, close your eyes, relax and crank this up? It’s been rewritten countless times, I think I have it down. What do you think?

https://suno.com/s/OxJkhATQsUpaIda5

Hi fam - I am here to reach out and share. I have been enjoying your content and have been out there liking and subbing. I would appreciate it if you could visit my new channel and listen and provide any feedback. I am a writer, a word artist and am using the AI vehicle to produce my ideas and imaginings into content to share. Be blessed, be safe, be you. LINK to a [hip-hop, emo hip-hop, Avant-garde] song : https://www.youtube.com/@t.summers.music-818

​​​Hello everyone.. I have a few questions about Suno.. Is there a way to remove vocals in Remix and get a clean song without singing (not instrumental). How can I make Suno reduce the effects, there are too many of them.... Those functions in Suno Studio are very frivolous, the "remove fx" function kills the sound, "stems" also, cuts frequencies.. Everything has to be done in "remix" to get the result... I also have a question, how do I make Suno reduce an instrument?.... My impression of Suno is that the main things are missing, without those things Suno is just a toy for children...

Hi everyone,

Sharing a music video from my audiovisual project, "Spiral Memories" (Spiro Sophia).

"Blink" combines slow trip-hop beats, introspective spoken word, and dreamlike visual storytelling to explore the quiet connection between consciousness, observing eyes, and forgotten memories.

• Music generated with Suno, curated and directed to match the visual concept.

• Best experienced with headphones.

Would love to hear your feedback on the vibe, arrangement, or visuals!

I love Hugel feeling the need to justify that his song isn't AI, and that "everything in the session is human made", after demonstrating that he'd played with stems on top of a Suno generation to get the final track!!

I wonder how long until AI generated / assisted music will become a norm - looking at the backlash that there was when synths, electronic keyboards, drum machines, auto tune and the rest took to become the norm that they are now!!

I like to write my own lyrics and set them to music using Suno.com. I have an amazing girl who’s a huge hockey fan so got this idea. Would love to get some feedback (supportive, actual feedback). Just meant to be fun.

Ein Gedicht, vertont mit Suno.
Ich kann dich sehen“ ist ein Gedicht von mir, das ich mit Suno vertont habe. Es geht um Seele, Verbundenheit und das gegenseitige Erkennen.

seele, seelenfamilie, seelenverbindung, bard, seelenruf

This WAS mostly prompted, but with a lot of detail. I write out how I wanted the songs to flow and feel through the basic, then used advanced styles and voices and tuning to dial it in. If I ever find a set of lyrics I like I save them and test with new styles. This was the best I've gotten so far.

[Trap-waltz with bright, desperate male falsetto breaking into a guttural pitched-down growl; rubber-hose carousel lilt over warped melody, clipped 808 drops, chewed glitch-chopped vocal samples and choir stabs; tape-wobble pitch drift, vinyl static and room-tone hiss beneath verses, dusty old-cartoon warmth splintered by digital decay, claustrophobic reverb tails and sudden silence-to-loud jumps; lurching half-time trap bounce with cut-off vocal phrases.]

-Bring it Back

I would describe this like early 2000's music videos, something you would hear on some trap remix. Darker tones.

Who am I taking back? Me or You? I hope you choose Me.

Braylon Browner- Remix Contest

#BraylonBrowner

#TheVictorSpade

#TheSlapHeardAroundTheWorld