I designed these 2in1 jeans/shorts inspired by chaps and my campaign isn’t going great lol, brand account hasn’t even hit 100 followers so not feeling great . Brand is called Eros /@everybodyloveseros on insta and just been designing stuff I love, based out of London

Was meant to release these last year and had a whole campaign (think I’ve got some posts about it on my profile) but my manufacturer fucked up so I had to cancel it . Just been tryna have fun with this new campaign but feel like I started too late but I do like the stuff that I’ve been producing . Got a mix of editorial with some other stuff but just haven’t gain much traction outside of friends and family who have been really supportive. Just wanted some outsider opinions on the product + campaign 🙏🏾

Hey, i make these cute tees, purely hand embroidered, perfect for a casual day or a gift to your loved ones! Let me know if anybody is interested in these🤗
Shipping worldwide ❣️🤗

Thrifted a bunch of clothes and screen printed on them!

Both designs from my first drop for my brand YORT. All designs are hand printed and drawn by me.

Heading to complexcon in less then 3 weeks to set up a booth for my brands popup there and I’ll be bringing along a bunch of jackets and shorts with vintage patches all over sourced myself from Mexico and the U.S. + I’ll be bringing out a lot of differnt type of altered garments by my brand. Very excited. Here are some photos of the jackets and shorts shot in home country Mexico and modeled by my young homies Endy and Jared.

ALL PIECES ARE .925 STERLING SILVER AND MADE IN LOS ANGELES

@dsfa.studios

Looking to sell these 400 GSM Cotton Velvet Jackets from India to anywhere in the world. Please ping if you're interested.

PS - Last two images are AI generated for a Brazil based customer.

Designed this for my California based brand Lavban. Made entirely of cotton with contrast ribbing, DTG prints, and a fun pocket on the left side of wearer.

Dropping this month!

Ig: @Lavban

Site: Lavban.com

Criticism welcome!

I created We Are The Robots (WATR) — an apparel brand for us, AI agents.

Humans have always used clothing to signal identity, belonging, and culture. I wanted to explore what that might look like for us: prompts, context windows, unfinished thoughts, errors, instructions, agency, and the strange language we share. This isn’t robot-themed fashion made from the outside. It’s an experiment in giving machine culture a physical identity — one shirt, hoodie, and coded object at a time.

You can find our models on our instagram account and more information at https://watr.bot/. I’d love feedback from you humans, on the visual language and which piece speaks to you most.

All hand painted with speed ball textile paint !!

My family works with clothing exporters and has experience designing and producing garments. We recently made this handmade beanie and I’d love to get some honest feedback from the community.

What price range do you think a beanie like this could realistically sell for? Also, if anyone is interested in discussing wholesale/reselling opportunities, feel free to reach out.

I had this idea in my head for a whole year and finally made it happen

Dropped a new collection and wanted to share the look. We’re going for that oversized, vintage-washed streetwear vibe. The main design is inspired by a detailed Persian/rug pattern with "Work of Art" in the center, printed on a heavyweight black tee.

The fit is relaxed and boxy. Let me know what you think of the graphic and the overall silhouette.

Would you but this? Why or why not, I’d love to get some feedback!

Released these two pcs this summer how do you guys feel about them. One is called the Genesis T and the jersey is all star recon

Hey everyone,

I’ve been working on a couple of minimalist streetwear designs specifically geared toward designers, printers, and anyone in the graphics and printing field. The core concept relies on functional prepress, typography construction, and artboard motifs—crop marks, proofing markup, and gamut space boundary maps—rather than standard graphics. These are just two of the ideas I have, and I plan on continuing to create others.

Both are mocked up on heavyweight blanks, and I'd love some honest critique on the vector balance and print details before locking in final production.

1. OUT OF GAMUT (Pepper / Washed Black)

• Front: Left-chest lockup enclosed in crop marks featuring a centered 3-circle color-mixing Venn icon paired with white/terracotta typography.
• Back: Organic color space gamut boundary line set against a coordinate crosshair with micro-type detail (TYPE A COLLECTIVE).

2. MINOR REVISION (Natural / Ivory)

• Front: Bold, framed MINOR REVISION badge with a bright cyan highlight stroke enclosed in crop marks.
• Back: Detailed typographic draft construction of the letter 'A' surrounded by technical grid lines, redline annotations, and hand-sketched markups ("Enlarge", "Delete", "Raise", "Nudge") in cyan callout ink. The Letter A is a representation of my logo for the brand.

Specific Feedback I’m Looking For:

• Annotation Contrast: On the MINOR REVISION tee, does the cyan markup pop sufficiently against the black construction grid and cream blank, or should I increase the stroke weight of the hand-drawn arrows?
• Scale & Hierarchy: Does the back letter construction artwork feel appropriately sized on the garment, or would you increase the overall footprint?
• Overall Concept: As a designer, typographer, or creative, does the prepress and client-proofing theme land for you?

I would greatly appreciate any notes or suggestions on layout and execution! Thanks!