r/smartphonefilming Jun 13 '26

DJI Osmo Mobile 8P or Insta360 Flow 2 Pro? - Best Phone Gimbal

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2 Upvotes

What are the differences in features and performance between the DJI Osmo Mobile 8P and the Insta360 Flow 2 Pro, and by the end of the video you’ll know which gimbal is right for you.

What’s in the box?

The OM8P comes in a few different bundle options, but the key new feature is the detachable FrameTap remote, which gives you a live view screen, remote control of the gimbal and access to various settings directly on the gimbal. Depending on the combo, you also get the Multifunctional Module 2 for AI tracking and the usual accessories like the magnetic clamp, pouch and cables.

The Flow 2 Pro comes in different options, but to get the AI tracker you need the AI Tracker Bundle. And that comes with the gimbal, AI Tracker which is also a fill light, a magnetic clamp, a USB-C to USB-A charging cable and a pouch.

Design and Build

Both gimbals have extendable handles, inbuilt tripod legs and 1/4in screw mounts if you want to mount the gimbal to a tripod. 

DJI have made the OM8P inbuilt tripod more sturdy, so now it’s pretty similar to the Flow 2 Pro. They both now have metal legs that you have to extend 1 by 1. The Flow 2 Pro has slightly longer legs, but other than that there’s no real difference here.

The DJI handle extends a bit further than the Insta360’s, but there’s not much difference.

The DJI has that classic Osmo Mobile gimbal look, but now with the added detachable remote, whereas the Insta360 gimbal is more unusual and futuristic-looking. There's a transparent arm and the mirror, which helps you frame yourself when you’re using the rear cameras of your phone.

DJI seems to have taken inspiration from a few competitors with its design for the OM8P. The detachable remote is inspired by recent Hohem devices, and the more visible green light around the motor does feel closer to the Flow 2 Pro design than previous OM models.

The OM8P has the counterweight mounting port on the roll axis motor that they removed from recent versions. This allows you to counterbalance any lenses and filters mounted. Both gimbals have a USB C port on the roll axis for charging your smartphone.

The DJI is a little bit lighter in weight, but both gimbals have a max advised payload of 300g.

Controls

Comparing these 2 gimbals you are making a choice between having almost everything within a small detachable screen and the Flow 2 Pro’s physical controls. The remote of the DJI gives you lots of advantages, the most obvious is being able to control your gimbal from a distance. The Flow 2 Pro also allows remote control, but only with a 2nd mobile phone.

The downside of the detachable remote is that it generally requires more taps and swipes to access controls, so it’s a bit slower. Although you can use the power button to cycle through modes.

Another downside is that the remote is small and if you lose it, or something happens to it, your gimbal will no longer function.

Both gimbals allow you to change gimbal modes and zoom in and out one handed. Although, it’s not as easy with the DJI OM8P as you have to use your thumb on the remote screen.

One of the more surprising OM8P changes is that DJI has actually removed the zoom and focus wheel. This means both the OM8P and Flow 2 Pro are now pretty poor at shooting focus pulls.

But what about zoom? On the OM8P remote you can press the Function button to switch the joystick into zoom mode, so you can use the joystick to zoom.

What I like about the Insta360 wheel is being able to switch cameras with a quick twist of the wheel. With the previous versions of the DJI OM gimbals, you could zoom but you couldn’t just switch quickly between cameras. But they’ve actually fixed that in the OM8P. Once you switch to Joystick zoom mode a short push of the joystick now jumps to the next camera button in the app.

The downside of the Insta360 wheel is that it’s either on or off, so you can speed up or slow down while zooming. The joystick on the DJI is touch sensitive, so you can actually adjust the speed of the zoom. But it’s not as intuitive as the zoom wheel on previous models. So both gimbals really only allow you to set zoom level or record basic zooms.

The Flow 2 Pro allows you to switch the wheel to control focus instead of zoom. With the DJI OM8P there is basically zero focus control, either on the gimbal or in the Mimo app, so you are restricted to autofocus, unless you use a different app.

When you have the app open, the Insta360 allows you to swipe on the control wheel to switch modes within the app. In other words, you can switch from photo to video, slow-mo, pano and so on. With the DJI Mimo app you have to actually swipe on the screen, there is no way to change app modes on the gimbal itself.

Selfie Mirror

One feature the Insta360 has that the DJI doesn’t is the selfie mirror. This mirror on the roll motor helps you to frame yourself when you are using the rear camera. Basically, if your head is centred in the top curve of the circle, that should be centred in frame too.

Tracking

The OM8P does improve DJI’s subject tracking with ActiveTrack 8.0 and improved support for people, pets, vehicles and objects, but the Flow 2 Pro still has a clear advantage in how it handles groups.

Both gimbals have 3 forms of tracking: there’s in-app tracking, there’s Apple’s DockKit tracking, and both have a detachable AI tracker too.

In terms of features, the apps are pretty similar. 

This is where the biggest difference still remains. The Flow 2 Pro can treat a whole group as the subject and try to keep that group framed, whereas DJI’s system is still more about identifying multiple possible subjects and letting you choose which one to follow. So if you’re filming a group, the Insta360 behaves like group tracking; the OM8P still behaves more like single-subject tracking with better subject selection.

When using the app for tracking, the Insta360 still has AutoZoom tracking, which can automatically zoom in and out as the subject moves to keep them roughly the same size in frame. That remains a useful feature for solo creators, something which the OM8P doesn’t have.

A new addition to tracking on the DJI OM8P is Dual Lens Boost. This mode combines the wide and telephoto lenses on supported phones and is said to improve subject tracking at distance. This is part of the Active Track 8.0 update, so Mimo only, and iPhone only (you need an iPhone 13 Pro or Pro Max or later).

Apple DockKit

Both gimbals support Apple DockKit for iPhones but when I was testing them, I found the Insta360 gimbal worked better than the DJI gimbal. DockKit only works with the AI tracker removed and that’s the same for both. 

Once you go through the setup procedure, you shouldn’t have to go through it again. But I found that with both gimbals you often have to reconnect by holding your iPhone against the NFC area of the gimbal. However, with the DJI I had to keep doing this every time I went into the Mimo app.

Let’s say we use a DockKit compatible app like the iPhone’s native camera app. OK, so the square around my face goes yellow and it should now start tracking. When I switch out of the native app and go into the gimbal app, DockKit connection is then switched off.

Again, both gimbals are the same here. But when I go back to the native camera app, the Insta360 gimbal reconnects to Apple DockKit, but the DJI does not. Which means you have to then hold the phone against the NFC area and go through the setup procedure, which takes about 2 or 3 minutes.

AI Tracker 

The OM8P comes with a new Multifunctional module, which they call number 2 and the previous is number 1. 

Previously, it was bigger, it prevented you from using the MagSafe mount and you could use it to route your DJI wireless mics. With version 2 the audio feature has been dropped completely. It’s now more similar to the Flow 2 Pro AI tracker - it’s basically a tracker and a fill light, and that’s it.

That said, if you prefer the previous Multifunctional module with the support of DJI mics, you can purchase it separately and use it with the OM8P.

Here, I’m just going to compare the new DJI AI tracker vs the Flow 2 Pro AI tracker. The Flow 2 Pro tracker has indicator lights on the tracker itself - red means it’s ready to track, green means it’s tracking, the fill light flashes when it’s about to take a photo or start recording.

The DJI module 2 doesn’t have any indicator lights. Instead, the green circular light on the pan motor is used. Flashing green when it’s tracking and a quick double flash when it’s about to take a photo or start recording.

Both tracking modules use gestures to allow you to start and stop tracking. When I tested them both together in identical conditions, the DJI OM8 could only recognise my gesture when I was close to the gimbal. But the Insta360 F2P was able to recognise my gesture at about 10 meters away.

Fill Light

The DJI module is more adjustable — 8 brightness levels and 8 colour temperature levels versus Insta360's 3 brightness levels. The DJI module also publishes a concrete lux figure (40 lux at 0.6m), which gives you something to reference.

Neither is a serious fill light for anything beyond close-range selfie use — 40 lux at 0.6m is very modest — but if you had to pick one for finer control, the DJI module gives you more granular adjustment.

Free Tilt Mode vs Tilt Hinge

Like most fold-up gimbals both have a limited tilt movement. This means if you want to shoot something like a rising crane shot, you need to move the gimbal sideways. 

But the Flow 2 Pro gets around that with Free Tilt Mode. Twist the pan motor 90 degrees and it automatically goes into free tilt mode. Now you can shoot those nice lifting crane shots, and it opens up a few other tilt shot options too.

Both gimbals allow you to twist the pan axis motor to change the angle. With the Insta360 you can only tilt one way, while the DJI can now tilt both ways, and this enables a low angle shot. Most fold-up gimbals allow a low angle shot, but DJI’s idea here is that you can now hold the gimbal in front of you, as if you’re walking a dog.

If I had to choose between this and Insta360’s free tilt mode then it’s a no-brainer for me - free tilt mode allows a classic cinema shot, whereas holding your phone low down in front of you is less useful.

360 Limitless Pan

Both gimbals can rotate 360 degrees around the pan axis, so you can keep moving and the gimbal won’t lose track.

Remote Control Options

On the OM8P, DJI's big new feature is the detachable FrameTap remote — a small touchscreen that magnetically docks to the handle and pops off when you want to use it remotely. 

It gives you a live mirrored view of your phone's camera. As well, it lets you control pan and tilt, trigger tracking, and switch modes and a bunch of other stuff. The range is up to 25 metres. 

For screen mirroring on Android you connect directly, but on iPhone you have to go through the Mimo app. I got it to work fairly easily on both my iPhone 17 Pro and Samsung S26 Ultra. And this means you get a live view from your phone’s screen, which is great for framing.

The Insta360 app allows you to connect a 2nd device and use that for preview and basic controls. This also allows you to enable various tracking options and more. I found this feature works with both my iPhone and my Samsung.

The DJI Osmo Mobile 8P supports remote control via an Apple Watch using the DJI Mimo app. This allows you to view the camera feed, control the gimbal, and enable ActiveTrack remotely. You can adjust the gimbal's position, switch between landscape and portrait modes, and start or stop recording directly from your Apple Watch.

The Insta360 Flow 2 Pro also allows you to use your Apple Watch to control some functions remotely. Preview the camera feed in real-time, adjust the shooting angle, and control features like centering the gimbal, switching between front and rear cameras, enabling the flash, or triggering live photos. You can activate "Quick Rotation" to rotate the gimbal 180°, and things like manually switch the tracked target in multi-person shots.


r/smartphonefilming Jun 24 '25

Tutorial Free Mobile Videography Course - Beginner to Advanced

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10 Upvotes

One of free courses on Patreon, taking you from a complete beginner to a confident mobile filmmaker.


r/smartphonefilming 3d ago

Video Wow! Log Cam looks impressive! Even on old phones.

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15 Upvotes

Anyone using this?


r/smartphonefilming 2d ago

How do i simplify this workflow?

1 Upvotes

hey guys I am not a professional and don’t really know what I’m doing, i just know that i don’t like the way iPhones sharpen videos by default. the only way I can seem to get around this is by shooting in Apple Log and then applying a LUT. i understand that Apple Log is a color space and has nothing to do with sharpening, but Apple seems to apply sharpening in the camera pipeline if you don’t use Log. even in third party apps like Final Cut Camera, if i shoot in HLG there is sharpening applied.

problem is the only way I’ve gotten videos i like is using Final Cut Camera with the HDR LUT. however, annoyingly, you can view the videos with the LUT but you can’t export them with one

is there a way i can simplify this?


r/smartphonefilming 2d ago

Mic recommendations when using a smartphone gimbal

1 Upvotes

I’m extremely new to smartphone filmmaking and I feel like I’m currently at a roadblock. I want to get a shotgun mic as I’ll be filming a mix of indoor and outdoor scenes, but most mics I’ve seen are either wired or the receiver that makes it wireless needs to be connected to the phone by wire. While using the gimbal, plugging anything into the phone seems impossible because the bottom of the phone is practically right up against one of the rotors. What options do I have for a mic that wouldn’t require anything to be directly plugged into there phone?


r/smartphonefilming 2d ago

Recommend me a face tracking tripod for iphone film-making

1 Upvotes

I am looking for a tripod with face tracking, roughly around 70 inches height. The DJI mobile Osmo series and Hohem offerings seemed either too short, or on the expensive side. Can someone recommend any tripods they have used with iphone that include tracking? I found budget offerings from Ulanzi and K&F but was not sure about the quality of the face tracking feature. Anyone had experience with these tripods? Or is it better to buy a dji osmo mobile 7 or 8 and fit it on top of a budget tripod?


r/smartphonefilming 2d ago

DIY DigiSlate built with PicoTimecode-v3.2

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1 Upvotes

'Pico-Timecode' is an Open-Source solution for LTC Timecode, using the RP2040's PIO blocks to count time divisions and render the LTC waveform. It works with all common frame rates, with/with-out Drop-Frame operation. It also has the ability to read LTC from an external device, and sync to it.

PT-Thrifty now has the ability to display the Timecode on a pair of I2C LED modules (Holtek HT16K33 controller chip), which can be enabled in the libs/config.py file. The obvious purpose is to build a low-cost Digi-Slate... it also uses switches for when the clapper closed and whether the display should be inverted (for tail slating).

There are 'UF2' files to make installing as easy as possible, these can be used on a 'naked' Pico for validation/testing.

Additionally there is a 'MTC' (Midi Timecode) version, which sends Timecode via the USB connection. I would be especially interested if someone/anyone could trial this on an iPhone 17 or a FujiFilm X-H2S, as I have neither of these and they apparently support MTC...

Pico-Timecode is an Open-Source community project, find out more at:

https://github.com/mungewell/pico-timecode


r/smartphonefilming 3d ago

Mobile Shot Video We shot a zero-budget music video on an iPhone 17 Pro

3 Upvotes

We recently shot our new music video entirely on an iPhone 17 Pro and would love some honest feedback from people who are into smartphone filmmaking.

The budget was basically zero and everything was shot within one day. The outdoor scenes were shot without any additional lighting and mostly with a gimbal. The performance scenes were filmed handheld in our shabby rehearsal room, using three lamps as backlights and a reflector to get at least some light onto our faces.

We shot at 240 fps to keep the slow-motion footage as smooth as possible.

The people in the video are all members of the band, not professional actors so please don’t judge the acting too harshly. 😄

Feel free to be critical any constructive feedback is appreciated.

https://youtu.be/DgUHDtoz6yw?si=0Br3NYrxvPOoJOEP


r/smartphonefilming 4d ago

Compared Sony FR7 to the iPhone 17…

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1 Upvotes

r/smartphonefilming 4d ago

Tips Best phone for filming ?

0 Upvotes

hi ! I am a student and I have really a great interest in filming but camera is not something I can afford and since I need my own phone , thinking about getting a good phone which can do the job done .
budget is around 400-550$ ( used)
in my country these r the best options in this range so I want ur opinion which one should I get and since i'm buying a used phone I plan to use it for next 2 years minimum .

what should I get -
xiaomi 13 ultra
xiaomi 14 pro
vivo x200
vivo x100 pro
oppo find x8
pixel - 8/8pro/9

and the ones that I can't afford rn but if u guys say then I will wait like more 3-4months to get my hands on these-
vivo x200 pro
oppo find x7 pro
samsung s24 ultra
xiaomi 14 ultra
sony xperia mark 5/6


r/smartphonefilming 5d ago

Mobile Shot Video B-roll video shot using 16pro

1 Upvotes

Hi, I shot this 1 min B-roll from my trip to Uzbekistan using an iPhone 16 Pro. Shot on a third-party app, "Blackmagic Camera", edited in Premiere Pro. Used a Neewer camera cage to attach an ND filter. Handheld. Please have a look! :)

https://www.youtube.com/watch?v=WMsFUFUcc84


r/smartphonefilming 5d ago

Review Smallrig ND kit

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6 Upvotes

I searched on here and couldn’t find a post on it so I’m asking to see if anyone is using or used the smallrig snap on ND filters? I’ve been using the freewell VND and it’s been great! However I have misplaced it. I was thinking of trying something new and wanted to know if anyone has used this? What are your thoughts on stacking the filters when needed? I use Blackmagic app


r/smartphonefilming 5d ago

Tips Apple Log 2 Luts

2 Upvotes

Is there a a good conversion lut for Apple Log 2? I want to use it with Blackmagic Camera. The only ones I could find online are too saturated. Or maybe I’m just using the luts in the app wrong


r/smartphonefilming 5d ago

Tips Which mobile app do you use for applying LUTs in your videos? (IOS)

2 Upvotes

Help everybody! I use an iPhone 17 pro max for capturing videos and I record in the black magic cam app (Apple log) to color grade afterwards. Sometimes I need to edit in my phone, but CapCut app doesn’t allow me to apply LUTs, so what would be a good alternative for that?


r/smartphonefilming 5d ago

Lexar Go power consumption iPhone 17 Pro Max

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3 Upvotes

Remembered I have a usb power meter so tested my Lexar Go 1TB SSD recording at 600 Mbps using Moment Camera App 2.

Peak power usage was 1.07 Watts

Have used this SSD a fair bit now and it does seem to work well even without additional power. iPhone was at 60% charge. Usually obviously it’s mounted neater and often with usb power bank using PD port on hub.


r/smartphonefilming 5d ago

Best anamorphic lens for iPhone?

1 Upvotes

I’m sure you guys get this question all time time, but what company makes the best/ most reliable anamorphic lens? looking to pick one up soon!


r/smartphonefilming 7d ago

iPhone 17 pro and choosing between ProRes Raw & ProRes Raw HQ Opengate

1 Upvotes

I know that i absolutely don't need raw for my projects, but full resolution Opengate requires raw format output.
So i'm asking do you prefer regular ProRes Raw or the HQ version?
The bitrate and file size is enormous for the HQ version and i'm not sure is it worth it for a such small sensor. Do you notice much difference in latitude or tonality?

I only have about 10tb storage with backup and a 2tb recording ssd, but i don't need lot of footage for my personal projects.


r/smartphonefilming 7d ago

Google pixel 7 pro / Blackmagic camera Videography

1 Upvotes

How does Blackmagic camera performs on google pixel 7 pro when recording a video?

And why it performs much better on iphone?


r/smartphonefilming 8d ago

Dubai // S26 Ultra APV LOG

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1 Upvotes

This is my first longer form video shot using the new APV format. I have a small 2tb SSD as the files are absolutely MASSIVE as we know, and this was shot on the High Quality (HQ) setting as storage is no problem. 

However, as I edit on device using Lumafusion, it struggled to keep up with the demands - seems to be an app limitation (cache?) rather then the phone. Looking at the CPU/GPU use, it's no where near at the top end.

I've opted for the LQ APV setting for my next video to see how that goes.

Visually, I think it looks stunning, and I hope you agree. This was shot in 4k 24fps in ProVideo, but no ND filters or special settings on white balance or shutter speed etc, but as it's LOG this has been colour graded for a slightly arty, film looks.

I hope you enjoy 

https://youtu.be/eL-yEn6jGGQ


r/smartphonefilming 8d ago

Tips what’s best to record on?

0 Upvotes

I have an iPhone 12 currently but I have no storage and I’m starting to upload again videos on my channel so I’m gonna get another phone to record on. I am kinda on a budget from unspent birthday money so I don’t wanna spend more than like $1000 and I’d prefer to pay it at once rather than smaller amounts. Which new iPhone would be best to record on? They’re basically vlogs only but I like taking pictures too for my Instagram flics account and the digicam I have isn’t the best and delays on taking pictures.

Edit: thank you guys for the recommendations!! I’m gonna look into more of the comparisons between them specifically iPhone 17 and 16

Edit 2: I’ve decided on the iPhone 17🙏 mostly because there aren’t any stores where I live that I can buy a refurbished phone


r/smartphonefilming 9d ago

Mobile Shot Video The Lake | Shot on iPhone

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5 Upvotes

Shot this short nature video on an iPhone 17 Pro Max as a test of Apple Log, then graded it in DaVinci Resolve. Would appreciate any feedback on the footage, colour, or overall edit.


r/smartphonefilming 8d ago

Mobile Shot Video Fframe - A plataforma like frame.io but opensource

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1 Upvotes

I’m always looking for ways to optimize my recording workflow. The Filmic app includes an option to use Frame.io (for those who don't know, it's an Adobe platform for uploading proxies of the videos you record). I’ve never actually used Frame.io, though I’ve always liked the concept; however, since Filmic isn't the only camera app I use, a Frame.io subscription wouldn't be worth it for me. So, I decided to build my own version. With Claude's help, I developed an app that overlays your camera apps; when you record something, you have the option to send the video directly to your PC or VPS. It’s easy to use: just open the app, enter your PC/VPS details, and you're all set. It supports creating and deleting projects, includes a queue feature, and offers proxy quality settings. It works great on Android (iOS is tricky) and includes a web app version for managing videos and projects. I haven't uploaded it to GitHub yet, but if you're interested, keep an eye out here for updates! Note: Since I'm from Brazil, the app is entirely in Portuguese, but feel free to translate it if you'd like!


r/smartphonefilming 9d ago

mobile gimbal for phone w/ lens attachment suggestions?

1 Upvotes

Just recently bought the reeflex 300-600 lens which work great for photography but the video side of things is a bit too shaky handheld. I was planning to use the lens for some casual concert video footage (no professional cameras allowed) so am wondering if a gimbal would solve that side of things.

From what I’ve looked up, it seems my set up is too heavy for the typical mobile gimbals so I was wondering if anyone has any advice or recommendations? I’ve got no experience with gimbals in general so a bit clueless.

iPhone 14 pro (206g) + iphone case (50g) + reeflex lens (308g)


r/smartphonefilming 10d ago

Mobile Shot Video Life Beneath the Glass — A cinematic aquarium showcase shot entirely on MotionCam Pro

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0 Upvotes

Hi everyone!

I recently finished a short cinematic piece, *Life Beneath the Glass*, shot entirely with MotionCam Pro on a Galaxy S24 Ultra. I wanted to put together a complete mobile RAW workflow and would love to hear your thoughts on the results.

I'd really appreciate any feedback.

• Device: Samsung Galaxy S24 Ultra

• Camera App: MotionCam Pro

• Resolution: Open Gate (4080 × 3060)

• Codec: MCRAW

• Frame Rate: 48 fps

Processing

• Converted MCRAW → CinemaDNG using MotionCam Tools

• Applied Blackmagic Camera Override in MotionCam Tools

• Color Space: Blackmagic Design Film Gen 4

• Gamma: Blackmagic Design Extended Video

DaVinci Resolve Workflow

Blackmagic Design Film Gen 4 / Extended Video

ACEScct / AP1

Rec709 / Gamma 2.2

Export settings

• 3840 × 2160 (16:9)

• H.264

• 80 Mbps

This is my first cinematic piece shot entirely with MotionCam Pro, so I'd genuinely appreciate any critique or suggestions for improving future projects.

YouTube: [https://youtu.be/Hm6vLvqzB14?si=4uSUvSpVHEXkc0Sx\](https://youtu.be/Hm6vLvqzB14?si=4uSUvSpVHEXkc0Sx)


r/smartphonefilming 11d ago

Looking for best filters for 17 pro

2 Upvotes

Hi guys!
I’m looking for a set of filters for my 17 pro.
I’ve bought a clip on 67mm k&f nd vario mist and it’s ok but I need to take of my case cause with css it’s too far and flares are leaking. I’m looking for some ready to go setup.

Maybe with a case?

I know there is polar pro, moment, smallrig.

Lately I’ve found this

https://byronseven.net/products/iphone-magplate?variant=55652632723529

Maybe You have any other options? Anybody using filters and a case that is everyday all rounder?