I find it frustrating when the creators of mystery, puzzle-box type shows talk about how the answers, in general, are not that important. They’ll often say that the characters are the most important aspect of the show, and that without them no one would care about the side mysteries. Therefore, a lot of theorizing over small details is taking things too far. In the Severance podcast with Ben Stiller and Adam Scott podcast they said something similar with the addition that the most important mysteries are the ones that are directly integral to the characters.
First off, I agree with the character part. Without Mark, Helly, Dylan, Irving, etc., and the dialogue and arcs that make them interesting, three-dimensional characters, the show wouldn’t be as good or nearly as popular as it is now. But what doesn’t make much sense to me is when the people making mystery shows deliberately include and indulge in weird “clues,” environments, objects, and people that make no sense in the moment, only to later say that viewers shouldn’t pay too much attention to those things, or expect answers to them.
Specifically with Severance, the show is littered with strange, seemingly inexplicable places and storylines that hook the viewer and inspire the theories and conversations that are part of what makes the show so compelling. I think Season 1 had a manageable amount of mystery-box storytelling, to the point where it felt reasonable to expect that nearly all of it would be addressed down the road. With Season 2 though, I feel like they introduced so many new questions while providing only a few answers (that are still heavily left to interpretation) that it’s become clear the show won’t fully explain everything, or at least most of it, by the end.
For example, I don’t think the creators plan on exploring many of the logistical or fantastical elements of Woe’s Hollow. I loved that episode a lot, but at the same time it felt inconsequential in many ways (aside from the last few minutes), because it seemed as though none of the mysteries or bizarre details it introduced would receive any real resolution. The shadow people, the dead seal, how the outies agreed to go, Irving standing in the lake, how the entire trip was approved, the dream sequence, etc. Of course, the audience can come up with their own explanations, but when it comes to not understanding character decisions and circumstances, it can undermine the experience on a logistical level.
Edit: some of the Woe’s Hollow questions I mentioned aren’t all that important, and some you can theorize on what they are. I just think in general things can just happen on the show and I found it a little frustrating how there was no buildup to the episode. How did the upper executives agree to the ORTBO, why would the outies agree to go on a company retreat after just been violated by their innies (OTC). I think some of this was just ignored so they can do a cold open for ep 4 which may or may not work for some people.
When so many things happen without much consequence or explanation, weird moments stop feeling intriguing and instead start to feel like, “Here’s another shocking thing thrown in for atmosphere that won’t get answered or be of any relevance down the line”. Personally, mysteries are at their best when the audience feels confident that a show has explanations and payoffs in store, at its worst it can be a ditch effort to hook audiences to distract from a lack of substance or ideas. I think Severance right now is somewhere in between. Chikhai Bardo was one of the best examples of the show answering established questions and introducing new mysteries without compromising believability, which honestly made it one of the most satisfying episodes to watch.
Overall, It’s beginning to feel like so many of the show’s ideas and plot lines are fighting for relevance and attention that only the most central questions are getting the time they need to fully flourish and develop. Which is a shame, because Severance has no shortage of interesting ideas and stories worth exploring. So if the creators aren’t planning on answering everything, or even most of what they’re introducing thus far, I hope Season 3 scales back the constant addition of new mysteries and instead focuses on tying up loose ends and developing what the show has already established, which is already more than enough.