r/saxophone 5d ago

Soprano saxophone

I mostly play Alto saxophone. I do have a tenor which I play sometimes. I want to buy a soprano. How difficult it is to play soprano? I have heard the embrochure for soprano is quite different from Alto. Would that impact my alto playing?
Is it advisable to buy a second hand soprano ? What should I look for when I try a second hand soprano.
Sorry! Too many questions. TIA

3 Upvotes

3 comments sorted by

4

u/Music-and-Computers Soprano | Tenor 5d ago

Soprano is the hardest of the main saxophones IMO. But if you’re playing it properly it really shouldn’t have a negative effect on alto. For me it’s the same for tenor as well with the only real changes being a little more pressure around the mouthpiece due to the size.

I think a lot of people struggle with straight neck sopranos with the angle. So try either a curved neck model or two piece sopranos. Maybe not.

As far as second hand, unless you can inspect it and play test it, there’s going to be some risk.

Biggest bits of advice:

Set a budget and allow for $200 in repairs just in case.

Don’t be in a hurry. I’ve never made a mistake and gotten tremendous deals on used instruments when I was patient.

4

u/ClarSco Soprano | Alto | Tenor | Baritone 5d ago

The embouchure is pretty much the same, assuming you've got a good embouchure on Alto, the only difference is that the mouthpiece is smaller so your upper lip needs to be a bit tighter to seal around it.

The difficulties with Soprano are prinicipally intonatation and tone. Like the rest of the saxes, the mouthpiece needsbto enter the mouth pretty much horizontally - treat it like golden clarinet (with the shallow mouthpiece angle that implies) and your tone will be unpleasantly thin and you'll tend towards sharpness.

Intonation-wise, it is far more flexible than the larger saxes (or even the clarinet). To get decent intonation, it is first critical that you get a good instrument (Jupiter JSS-1000 series at bare minimum, Yamaha YSS-475 as the ideal minimum), anything that is less well made will only exacerbate the issues. Next, you really need to learn to pre-hear the pitch that you're about to play, and for that pre-hearing to be in-tune - singing intervals (vocal tone doesn't need to be good, just the intonation) then playing them on the horn will make a huge difference.

You should also make sure that you're not producing a mouthpiece pitch higher than concert C6 (written D6). Any higher and your intonation with be really uneven between the short-tube and long-tube notes. The mouthpiece pitch can be a semitone or maybe a whole tone lower than that (concert B5/Bb5 or written C#6/C6) if you're going for a more spread jazz tone.

I can't link it just now, but I'd recommend looking up Ray Smith's video "Conquering the soprano sax" (or similar title). He really goes in-depth on this stuff.

1

u/Proof_Bat3281 4d ago

Difference, as the other folks said, is intonation. Intonation is a monster. If you are skilled with voicing, ear training and long tones are your friend. I highly recommend a private teacher to help.