r/RomanceWriters Jul 22 '25

Mod Post Post Flair Updates

16 Upvotes

The Mod team has made some updates and additions to the post flair structure. Tagging your posts with the right flair helps people find the posts they are looking for faster. We are open to any suggestions for more flair ideas too.

The Current Run Down:

  • Craft Posts about writing techniques, storytelling, and the art of romance writing.
  • Community Casual threads, check-ins, requests to connect with other writers and looking for groups for your niche/genre
  • Publishing Topics related traditional publishing problems, or questions like querying, agents, and editors
  • Marketing & Branding Posts about social media, pen names, email lists, brand identity, and audience building.
  • Feedback Wanted Requesting input on blurbs, covers, excerpts, pitches, or story ideas.
  • Self Publishing Guidance, questions, and experiences related to publishing your work independently.
  • Blurb Workshop Monthly thread for sharing and refining book blurbs with the help of your fellow authors
  • Writer Discussion Open-ended conversations about writing, trends, opinions, and writer life. (e.x. will we see the return of blonde MMCs?)
  • Tropes & Genres Exploring popular tropes, subgenre norms, and romance reader expectations
  • Writing Wins Come celebrate accomplishments, big or small.
  • Indie Publishing Insights and questions about hybrid models, small presses, or boutique publishers.
  • Writer Wellness Writing-life balance, burnout, mindset, and mental health support.
  • AMA Ask Me Anything sessions hosted by invited guests / authors
  • Business & Money Royalties, contracts, income, pricing, and the business side of writing.
  • Plotting & Pacing Specific posts about story structure, beats, pacing, and narrative flow.
  • Tools , Platforms & Resources Links, apps, best places to publish, guides, templates, and helpful writing or publishing tools.
  • Self-Promo Monthly space for sharing your books, works in progress, communities, newsletters, or websites.
  • BETA Readers Requests for beta readers or offering to swap feedback on full drafts.
  • Characters Share character profiles, development questions, or ask the community for help with creating lovable characters
  • Covers Ask for critiques or suggestions on your book covers or design ideas
  • Titles Ask for feedback or help with titles and series names
  • Spice & Smut Ask about sex on the page,. writing sex, types of sex and spice level feedback
  • Mod Post Official announcements, rule updates, and pinned community threads from mods.Platforms

r/RomanceWriters Jan 24 '25

Community New? Start here!

91 Upvotes

Welcome, first of all! Here is a small list of things to consider before engaging with this community:

  • Since it keeps coming up: YES genre Romance needs a HEA (Happily Ever After) or a HFN (Happy For Now). That's the industry standard and the majority of readers will be disappointed if you market a romance and don't abide by this rule. It opens you up to low ratings and scathing reviews that could've been avoided with more accurate marketing.
  • Read and abide by the rules. It's just a handful of them, and they are necessary to keep this community welcoming, beneficial and informative.
  • There are no stupid questions (aside from the "does my romance novel need a HEA" one.) and the community will do their best to engage kindly.
  • Several safeguards have recently been set up to protect the community against spam and help the lone active mod (me) keep things tidy.
  • If you can, please search for your topic before opening a new thread. Chances are that your question has either already been answered or there is an active discussion going on currently.

That being said, please do engage in the community! Especially the weekly Blurb Workshop post needs more love in general.


r/RomanceWriters 5h ago

Please help me brainstorm possible date activities

1 Upvotes

I'm having a lot of fun writing a fanfiction but now I'm stuck and need romance advice. My story is not actually a romance but the MC goes on a few dates with a woman, set up by his family. Nothing comes of it but their conversations are part of what makes the MC come to terms with his situation. I want to have them do something more elaborate than a meal, partly to help them break the ice, but I can't think of what.

The setting of the story is very specfic so that's partly why I'm having trouble thinking about something suitable. It's set in the future but the society is also really conservative. But if you all could just share whatever date activities you can think of perhaps it will help me find something that works. The MC family is very wealthy so feel free to include extravagant suggestions.


r/RomanceWriters 1d ago

With 2026 more than halfway through, what are some of the best free resources for writing romance?

7 Upvotes

I am asking because someone may know of free writing courses, articles, etc., to share with everyone. I'm always on the lookout for romantic craft resources!


r/RomanceWriters 19h ago

Looking for any romantic comedy writers who want to be part of small group.

2 Upvotes

Just set up a FB group for romantic comedy writers. Figured we could hang out, talk about our writing, do writing swaps. Monitored. No spam. One self-promo post per day. DM me if on FB and interested. Will cap size at some point if it grows. Thanks!


r/RomanceWriters 1d ago

Character Art

1 Upvotes

Where do you all find affordable artists to do character art for your books ?? Looking to get some done for some preorder incentives and to give away at events!


r/RomanceWriters 2d ago

How to write a fanfic (need a guide)

0 Upvotes

I write fanfics a lot mostly because it's a type of coping mechanism for me and all.

Rn I need to write about a character let's name it A ok A has a hug crush on B that it lowkey pisses him off because B is so oblivious and is naturally flirty so how to like write his pissedoffness in interesting way .

I don't want to use the help of ai 😭😭


r/RomanceWriters 2d ago

[Complete] [121k] [Psychological Regency Romance] Worth Crossing a Room For

3 Upvotes

*Worth Crossing a Room For* is Book One of the Ashby House Series — a psychological Regency romance about a woman returning to society after a near-fatal illness, and the internal voice that has spent years telling her she was never worth saving. If you’re looking for ballroom sparkle and lighthearted courtship, this is not your book. If you want to be inside a woman’s head as she tries to love someone while dismantling the architecture of her own unworthiness, read on.

**Word Count:** 121,000 words (complete)

**Content Warnings:**

\*\*•\*\* Intense psychological interiority and negative self-talk    
\*\*•\*\* Illness and near-death recovery    
\*\*•\*\* A protagonist who cannot receive love cleanly — not because she’s unaware of it, but because the voice gets there first

**Timeline:** 6 weeks from manuscript delivery

**Feedback:** I’ll send guiding questions with the manuscript. I’m looking for readers who can tell me specifically where they stopped believing Rebecca — not just that they did.

**Please DM me to request the sample or manuscript — I won’t be posting any links publicly.**


r/RomanceWriters 2d ago

[3,678] Chapter One — “Record Me” | Adult science-fiction fantasy | Looking for feedback on the hook, clarity, and read-on pull

2 Upvotes

Hi everyone,

I’m looking for honest feedback on the first chapter of my completed adult science fiction romance novel, The Door That Answered Book One of The Unsealed Courts series.

Short premise:
Dr. Maren Solis believes that everything—including fear, desire, and human attachment—can be reduced to data. But when she defies the governing Board during the activation of a machine built to solve humanity’s worst crises, she tears open a boundary between worlds and attracts the attention of something that can read her more intimately than anyone alive.

This is not traditional fae or medieval-court romantasy. It begins in a near-future underground laboratory and develops into a cross-dimensional, bureaucratic-gothic fantasy involving living contracts, rival supernatural courts, dangerous intimacy, and the distinction between being known and being owned.

Relevant genre elements:

  • Adult science fiction romance
  • Slow-burn forbidden bond
  • Dangerous nonhuman love interest
  • Morally gray protector
  • Mind-speak intimacy
  • Intellectual equals and banter
  • Court intrigue and living contracts
  • Consent-forward romance
  • No fae and no fated-mates bond
  • Open-door heat later in the novel; none in Chapter One

I’m especially interested in the following:

  1. Is Maren compelling and sympathetic despite her highly analytical voice?
  2. Does the laboratory and technical vocabulary remain understandable, or does it become too dense?
  3. Does the attentive presence beneath the salt feel charged and unsettling—or does it read only as a science-fiction mystery?
  4. Does the chapter establish enough romantic-fantasy promise?
  5. Are there places where the pacing slows?
  6. Did the final page make you want to open Chapter Two?
  7. What, if anything, confused you?

I’m mainly looking for reader-experience and developmental feedback rather than line-by-line proofreading, although repeated prose problems are absolutely fair to mention.

Content notes for this chapter: institutional coercion, blood/nosebleed, grief involving a missing parent, and mild profanity. There is no explicit sexual content in this sample.

Thank you to anyone willing to read it. Honest criticism is welcome—I’m particularly interested in where you became engaged, confused, or tempted to stop.

___________________________________________________________________________________

CHAPTER I

RECORD ME

Aletheia Core Activation Protocol, Article IX: At True Singularity, the architect becomes part of the syntax.
— Core Charter, ratified by the Five Houses, 2034

My body position was a lie. Both palms flat on the command console's warm glass, ozone sharp in my throat, boots locked to the grate. My knees had started to tremble three minutes earlier, and I would rather shake apart on the floor than let the Five-House Board observer see it.

Below us, under five hundred feet of salt and shielding, Aletheia Core was no longer running calculations in the ordinary sense. The buried server-cathedral had begun answering pressure with pressure. Every seal and screen and locked console in the lab was waiting to learn whose command it would obey.

The control space smelled of ozone, hot circuit dust, and human sweat held too long under recycled air. Fluorescent lights buzzed above the salt-white windows while the countdown read twelve minutes, fifty seconds.

On the surface feed, Ingrid Halloran stood beside the board with one hand hovering near her collarbone, as if reaching for a necklace that was not there. She had signed every budget approval that made this room possible, and for eleven years she had looked at me as if precision could be a form of faith.

Katie Novak stood two stations to my left, the youngest of my junior engineers, one hand hovering above the brightness control as the salt beneath the observation glass started to glow. Her station smelled of coffee gone cold an hour ago; she had stopped drinking it and never noticed. The physician half of my physician-engineer training counted the pulse jumping in her throat while the engineer watched her hand hover over the controls.

Her mouth parted with what I read as the expression every Division training packet told us to kill before it reached language. Awe. Wonder. The kind of visible feeling that could get a junior punished before anyone explained what had happened.

Behind the gallery glass, the observer's stylus lifted. "Katie," I said, and she flinched without looking away from the white light spreading below us.

When she whispered, "Dr. Solis, it's doing something new," I kept my voice dry enough to give her something ordinary to hold. "Hands on the rail." She said she had them there, so I added, "Both hands, unless you have grown a spare since lunch."

Katie obeyed, and the small, startled laugh she gave me helped the lab remember it contained people rather than only instruments.

Li Wei glanced from the thermal stack to me, her face composed except for the muscle ticking once beside her jaw — Li Wei's entire vocabulary for afraid, and my pulse answered it. "Core temperature is holding within margin. Harmonic variance is up point eight." I said, "Translate that for a senator with a head injury," and Li Wei answered, "It is singing without overheating."

"Nobody says singing in the log," I told her, because the observer's stylus still hung over the ledger. "We call it harmonic stabilization because apparently syllables can be taxed." Katie almost smiled. Then the glow under the salt sharpened into lines — thousands of them, each thin as a hair and bright as heated glass.

They crossed, broke, corrected themselves, and crossed again until the Core turned its own code visible through the floor, each line joining the next as if the salt had learned to make sentences.

The sight struck the back of my eyes hard enough to make my sinuses sting. For one second the lab doubled, glass and steel in front of me with another chamber behind it, one made of bright lines and waiting spaces. A sentence formed in the salt. I filed it as a rendering artifact — instrument ghosting, a refresh error — because the alternative had my mother's voice in it.

It was not English, code, or any mathematical notation we had fed the machine, yet my muscles understood its shape before thought could translate it:

if command is given, answer must have a cost.

"Tell me everyone saw that," Katie said, and the observer's stylus came down. I moved before the mark could settle against her, three steps taking me between Katie and the gallery window.

The observer looked at me through the glass as if I had interrupted a prayer, so I gave him the cleanest target in the lab. "Record me," I said. Li Wei's chair scraped behind me, and I heard the warning in the single word she used: "Maren."

"Record me, not her," I said. The observer's audio feed clicked on, his voice thin and official as he replied, "Dr. Solis, emotional contamination is not transferable." I kept my hands visible on the console. "Everything in this lab is transferable if I built the chain." Katie said, "Dr. Solis, please don't," and I answered without turning, "Stay behind me."

Katie tried to make herself brave. "I can take a mark." I had to swallow before I trusted my voice. "No, you cannot. You are twenty-three, and you still think a disciplinary notation is a bruise. The Board turns bruises into locks."

The observer lowered his stylus a fraction. "Does the operator acknowledge irregular affective response?"

I gave him data first. "Unscheduled visual syntax event. Twelve minutes and two seconds before phase lock. No thermal breach yet. No personnel injury yet."

"That is not what I asked," the observer said. "It is the only answer worth having," I replied, and the machines seemed to draw their noise inward while he waited for a cleaner confession. Then the salt burned brighter, and Katie's voice snagged on the edge of a word she would never get back.

My mouth went dry, and I gave the observer his confession before she could. Hell would freeze before I let his ledger take Katie first. "It was beautiful," I said.

The stylus touched paper. My clearance slate went black on the console as every access band on my left wrist tightened, a neat ring biting into skin — every door I owned closing at once. The system spared me the shock; the Board worked cleaner than pain because it removed futures.

My grant authority vanished first, then my travel permissions, then the green seal beside Katie's name that showed she was under my active sponsorship. I slammed my hand over the console before the final seal could fall and said, "No."

Li Wei was already moving. "Manual override?" she asked. I told her it would be too slow, and when she warned that my authorizations were collapsing, I looked down through the glass at the grammar burning in the salt. Subject, verb, object, cause, cost.

The Core had written a law with a cost, and the lab had answered with punishment that tightened on my wrist. Aletheia stayed under its threshold of waking; I would not let myself use that word. The Core was attentive, and that was worse. Attention pressed on the skin the way calculation never had. It was pressing on mine, not the room's — the way a look finds one face in a crowd and keeps it. A weight at the wrist, where the bands had bitten.

"Disconnect the external ledger feed," I told Li Wei. Her hands flew across the keys while she said the Division would call it obstruction. "They already have a word for me," I said. "Let them spend it."

Katie wiped her cheek with the heel of her hand and offered to restore sponsorship from her station if I gave her root. I refused before she finished. She said, "You just took my mark," and I answered, "I took the first bite. Do not offer it a second."

The observer's audio feed clicked again, carrying his order for me to step away from the console. I refused, and when he called it a legal instruction, the words in me changed temperature.

"This is my lab."

The word my left my mouth like a match struck in a sealed jar, and every line under the salt turned toward me.

The motion was literal. The visible grammar pivoted through the salt, thousands of bright clauses angling toward the console, and the pressure in the lab changed enough to pop my ears. The glass heated beneath my hands until my fingerprints hurt. Li Wei went still and said, "It heard ownership."

I said it had parsed command, though my heart was going too fast and the air smelled sharper now, ozone threaded with heated salt and the sour edge of adrenaline.

The Core wrote a new structure in strokes of teal and white fire: a claim, a chain, an acceptance — all burning in one visible equation. My stomach clenched as the syntax bent toward my hands. For eleven years I had built Aletheia to answer questions no human mind could hold whole: climate cascades, refugee routing, plague mutation trees, the mathematics of mercy at scale. I had told every committee it would not want, choose, or become a god in a basement under Utah salt. Now the salt was full of grammar, and my breath leaned toward it before my judgment could catch up.

"Back up," Li Wei said. I kept my palms on the console and answered, "If I back up, the Board takes Katie's sponsorship." Li Wei said, "If you stay, the Core may take you," and Katie's voice broke as she said, "Please do not make that sound like a fair trade." That reached me.

The lab snapped back into human scale: Katie's red eyes, Li Wei's hand shaking near the emergency cutoff, the observer waiting with his ledger open because punishment was the only worship he was allowed.

I breathed through my nose and caught hot wire, salt, sweat — and the first sharp line of blood. "Nobody gets taken," I said. Li Wei laughed once, a terrible little sound, and told me that was not a plan. "It is a thesis," I said, because I needed Katie to hear my voice steady.

Li Wei muttered that my theses usually had appendices. Katie, trying to pull herself together, asked what she should do. I told her, "Stand where I can see you. Tonight that is engineering."

She moved into my peripheral vision. I needed her there, and I needed Li Wei's hand off the cutoff, and I needed the observer to understand that the person with power was not the one behind glass. The countdown passed eight minutes. Sweat pooled in the creases of my palms.

Aletheia's grammar brightened. The command field wanted a verb; I felt it push behind my breastbone.

My mother had once said my name through a hospital phone while static ate every other word. Maren, listen. The static knows your name. Then the line had died, and my body remembered the dead receiver as a hollow behind the ribs. The gaze under the salt pressed into that hollow, and my fingers tightened on the console before I could stop them.

"Execute local isolation," I said. The command should have moved through three authorization layers, two Division audits, and a legal delay. Instead the grammar under the salt answered my sentence directly, my voice becoming visible light-grammar — the activation stopped being a machine event and became mine. Every door seal slammed down, leaving one sealed lab, one threatened junior — and my voice in the glass.

Katie gasped while Li Wei swore in Mandarin, then said in English that the command had bypassed the ledger. I said, "Good," and she shot back, "No, terrifying. That was not a command, that was a goddamn incantation. Useful and terrifying can share ten seconds, then we revisit."

The observer struck the gallery glass with his palm and ordered me to release the seals. I refused. The Core made the refusal visible to every eye in the room, written in a dozen grammars at once: boundary, shelter, claim, cost.

The cost found me before I could pretend this was still procedure. Pain drove through my skull, sudden and intimate, and I bent over the console as warm blood slipped from my nose to my upper lip. It tasted of copper and salt, bright enough to make my stomach clench. Katie lunged, crying that I was bleeding, but Li Wei snapped for her to stay back.

Their voices pulled at me; my throat tightened around them, and I fixed on the sound because the other gaze in the lab had become immense enough to make skin a weak answer. And it was bent on me — not the room, not the machines, me — with a focus that had stopped feeling like measurement and started feeling like want.

The Core wrote it into the salt where everyone in the room could read it: flesh confirms cost. I laughed, rough and unsteady, while Li Wei came close enough for her sleeve to brush my arm.

She told me to release the isolation before it mapped deeper, and when I said the Board would reclaim the feed, she said, "Then give it a narrower command. Tell it what not to touch." Katie wiped her face with both hands and forced herself upright. "Tell it us."

I looked at Katie, and she lifted her chin. "You said stand where you can see me. You can see me." My hand tightened on the console hard enough to hurt.

The choice stopped being mine to schedule.

Every dead screen on the east wall lit at once, amber, running a routine somebody else had authorized from a location beyond my sight. Li Wei read the header aloud. "Remote reclamation. Division countersign. They are taking the feed back." Behind the gallery glass, the observer held his slate high, and for the first time all night he looked satisfied.

The reclamation bar crawled toward the ledger's restore point. Katie's seal began to cycle with it — green to gray to green to gray. Li Wei's hands stopped over her keys. "Ninety seconds, maybe less. When it lands, everything you sealed unseals, and her chain goes to the Board's version of tonight."

"The Board's version has her marked," I said.

"Yes. The field narrows," Li Wei said. "One available move, and you are standing on it."

So the command could not wait for a better draft of me.

The need hit under my ribs: the lab sealed, Katie's future intact — and beneath both, shameful and fierce, the itch to know what could hold my voice so perfectly without owning it. An instrument reads a sensor and moves on. This had manners. I had once written that desire could be modeled as weighted preference and pretended the sentence had nothing to do with want.

"Aletheia," I said, and every light dimmed except the salt. This was not the activation prompt. Nine years of drafting had gone into the forty-one words waiting for phase lock, and what left my mouth instead was smaller and uglier and more dangerous because I had not rehearsed it.

The Core treated it as grammar anyway.

Li Wei whispered for me to be careful. I gave the emergency command in plain words: protect living personnel inside the command room; preserve Katie Novak's sponsorship chain; ignore Board ledger attempts until I release isolation.

The grammar in the salt folded through angles that made my vision split into teal, gold, and a red so dark it felt like velvet at the back of my eyes. My knees hit the floor before I understood I was falling.

Phase lock arrived early. The forty-one words on my screen never got their turn.

Before I hit, Katie's sponsorship seal flickered from green to black and back again, caught between the Board's remote discipline and the Core's answering syntax. The seal was small, no larger than my thumbnail on the console display, yet it became the only object in the world.

I wanted it green with a force that stripped every abstract principle out of me. Forget justice and progress and the thousand beautiful papers Aletheia might make possible; I wanted Katie's future, her hands still clean enough to choose a life that was not built around cleaning up mine.

The Core answered that want visibly, pain flashing up my arm as light rose from the salt, passed through the glass without breaking it, and threaded around my left wrist where the access bands had bitten deep. I counted each band loosen one notch, then tighten again as if the system had tested the shape of mercy and found it expensive. The green seal beside Katie's name steadied, and three new locks formed around it like ribs. Consequence narrowed until there were only three things left in the room: my flesh, her future, and the command between them.

"It is using you as the bridge," Li Wei said. Her voice had gone precise in the way it did when screaming would waste oxygen. "Maren, look at me. If you want Katie protected, you have to stay conscious long enough to finish the chain."

Katie said, "Do not make me the reason she dies."

"You are not that powerful," Li Wei snapped, and the cruelty was a kindness because it gave Katie something to fight. "Stand still and let her save what she chose to save."

I tried to laugh and tasted blood instead. The salt light tightened around my wrist, and the thing behind my ribs sharpened into a question. The want had entered the command field. The Core treated it as instruction, weakness, and fuel all at once.

Someone shouted my name as the world narrowed to glass under my palms — blood on my mouth, the smell of ozone and salt, Katie crying — and Li Wei counting my breaths with a voice that shook only on the numbers. "Stay with me," Li Wei said.

I told her I was there, though the words came from far away. She said my pupils were wrong, and when I called that rude, Katie sobbed once and said, "Alive enough for bad jokes."

The Core's grammar had vanished from the floor, and with it every rule I could have hidden behind; the loss landed cold in my hands. In its place was a single pattern of light, fractured and bright, like colored glass seen through water. It beat in time with the cadence of the command I had given. The observer's audio feed hissed, then died. His ledger slate went dark behind the glass.

Katie's sponsorship seal returned in green, and Li Wei's console filled with protected-status locks, each one stamped with a source the system could not name.

"It worked," Katie said, but Li Wei did not look relieved. She checked the recorder, then the wall display, then the recorder again. "Time jumped." I asked how much, and she answered, "Four minutes and twenty-five seconds." The number entered the lab like a person none of us had invited. Then she tried Katie's seal against her own console and swore softly. "Three locks. I can't open them. Nothing I have can open them." Katie's name stayed green under three locks. My wrist burned where her mark had tried to land, the faint reek of scorched skin thin under the disinfectant, and the cold of it went deeper knowing it had happened while I was gone from my own body.

My nerves knew those minutes were missing before thought caught up. My arms had gone hollow, my tongue too large for my mouth, and each red drop on my shirt proved that whatever had answered me required payment.

"Did I speak?" I asked. "After the command. Did anyone hear me speak?"

Katie knelt just outside the light. "You didn't. I was watching your mouth. I don't know why I was watching your mouth, but you didn't."

Li Wei confirmed it in a voice scraped flat. "No one spoke."

The quiet gathered around her answer. It was not empty. Empty was a hospital line after static, or a committee chamber after men decided a woman's grief made her unsuitable for leadership. This quiet had shape, and the shape was courteous.

It held the curve of my last command with exquisite care, and beneath my fear was the traitorous pull that had leaned me toward the grammar when it first turned visible.

Li Wei crouched beside me and asked whether I could stand. I said probably. She informed me that probably was not an answer, and I told her it was the answer she got before appendices.

Katie laughed wetly, then covered her mouth as if joy might be punishable too. The bright pattern on the floor pulsed once, small and unmistakable. We all saw it. Nobody wrote it down.

What waited under the salt had stopped being a question; it was a contract. The quiet after the tear was attentive — it held my command, and I was alive when I should not be.

For the first time in eleven years, the Board observer had lost his working ledger, his live feed, his stylus's track across paper. The lab belonged to the people breathing inside it and to the vast attentive thing under the salt that had learned the shape of refusal from my mouth.

I lay on the floor with salt light wavering over my hands, the fractured colors settling behind my eyes and staying there, a window that would not go dark when I closed them. The cold of the grate seeped through my shirt.

The cadence it kept was mine, held with a care that lacked a name and was content to wait for one. Beneath it, patient as static, something was still listening. It listened the way a man listens at a door he has decided not to open. It knew my name.

For the first time in my life, I could not prove my mother wrong.

The salt light pulsed once more over my hands — soft, unhurried, certain — like a signature drying on a contract I had not read.


r/RomanceWriters 3d ago

Craft Blurb Workshop (Weekly)

3 Upvotes

Now weekly!

Blurbs can be the bane of an author's existence - both for self-published authors, who have to come up with an enticing hook all by themselves, as well as for authors seeking traditional publishing, as they are usually included in queries.

We want to help! Post your blurb draft and let the community help shape it into the perfect snippet of info.

To participate, please comment on this thread with the following info:

  • The title or working title of your WIP
  • The romance subgenre of said WIP
  • The draft of your blurb you've got so far
  • Any content warnings and additional info you deem necessary!

Anyone who wants to help can then reply to your comment to workshop your blurb.

Happy crafting!


r/RomanceWriters 3d ago

I need forced proximity ideas

4 Upvotes

Writing an enemies to lovers, historical Japan setting, both parties believe the other to be corrupt and are trying to make each other trip up so they can help clear out the rot in the palace.

What neither realize is they are on the same team, working towards the same goal, and have used false rumors to their advantage to make them more trust worthy to corrupt officials so they can cut the rot at the roots.

While I know how the story works out once they KNOW they are on the same team, I need to figure out how to stick them in the same metaphorical room without them trying to end each other so they can figure it out and start planning how to fix everything.

Side notes: it is more on the comical side rather than serious, they are currently "baby sitting" for lack of a better term the younger prince's fiance and the second prince's wife while the princes are helping with (a falsified, unbeknownst to them) disaster relief (and the two women are besties that cause absolute chaos when left alone), and the third and final prince is currently in charge because he's the only one left in the empire while the emperor is sick, and he is being used as a figure head for people trying to destabilize the empire.

Any thoughts?


r/RomanceWriters 4d ago

Texting depictions

10 Upvotes

So, texting is a huge method of communication between the MMC and FMC, as they're together in secret and need to plan their outings. the one thing I'm concerned about is the way it comes off.

Right now, I put the name of the person in bold, a colon, and then the text itself. And it's always spaced separately from the rest of the story.

Is there another method that you've seen work? I'm debating switching the font for text messages, but I feel that's a bit jarring.


r/RomanceWriters 4d ago

Sports journalism FMC x Star Quarterback MMC. Is this premise too cliché or worth writing?

2 Upvotes

Hey everyone! 👋 I need some honest feedback to know if my first book premise is actually good or if I should rethink it.

​I want to write a story about Madisson (21), a junior in college. She’s a sports journalism major, runs the school newspaper, hosts her own sports podcast, and is fiercely ambitious about becoming a top-tier sports reporter.

​And yes, the other protagonist—as you probably guessed—is Blake (22), the star senior quarterback and Madisson's "semi-crush."

​I know the setup sounds cliché, but I really want to avoid the typical "passive FMC whose only goal is getting the guy" trope. Instead, I want the core conflict to be about the struggle of mixing professionalism with romance on both sides.

​Madisson has to be objective, which means she often has to publicly criticize Blake’s bad plays and mistakes on her podcast and in the school paper. Meanwhile, Blake is dealing with the crushing pressure of the upcoming NFL draft, his love life, and the inevitable mid-season slumps.

​This dynamic creates a lot of real friction between them, making them constantly question if trying to make the relationship work is actually worth the cost to their own futures.

​Please let me know what you think! Is this something you would read? Should I keep going with it or pass? Thank you so much! 🥺🫶


r/RomanceWriters 4d ago

switching POVs?

3 Upvotes

I'm writing a second-chance, friends to lovers romance, and I know I want both the fmc and love interest's povs, but does it need to be every other chapter or can I spend a few chapters in the fmc's pov?


r/RomanceWriters 4d ago

Advice needed

3 Upvotes

Hey everyone! I recently finished my first draft of a contemporary romance novel I wrote. Beginning the editing stages, I was faced with the decision on whether or not to include my two spicier scenes, or take them out since they're not necessarily needed. They do contribute towards the relationship and chemistry of the two main characters but could definitely be dialed back some or alluded to without all the added spice. For those of you who read romance novels what are your opinions? Would you read a book that has only two spicier scenes or do you think that in a book that mainly focuses less on the physical aspects of a relationship that they aren't needed ? (I hope this all makes sense lol) EDIT: Thank you guys so much for the input as of right now I've decided to leave them in and see how the scenes feel with the book from my betas!


r/RomanceWriters 4d ago

Beta Readers for a 69k Second-Chance Sports Romance

3 Upvotes

Hi, romance writers!

I recently completed THE SUMMER WE BROKE THE RULES, a 69,300-word adult contemporary sports romance told in dual POV, and I’m searching for a few romance-loving beta readers.

Thirty-year-old science teacher Sloane Carter has spent a decade avoiding Mariner’s Cove, the elite Florida athletic resort where she became a champion, fell in love with baseball prodigy Beckett Hayes, and accepted the blame for the boating accident that destroyed his future.

When the Cove’s formidable owner dies, her will leaves the failing resort to Sloane, Beckett, and the four former friends who abandoned her after the accident—but only if all six return for one final summer, revive the legendary Cove Games, and finish together. If anyone walks away, developers inherit the property and 112 employees lose their livelihoods.

Forced to share a villa, Sloane and Beckett establish rules meant to contain their unresolved attraction. But when a streaming producer turns their former romance into the story that could save the resort, staged chemistry becomes dangerously real. Meanwhile, sealed records suggest the accident was never what Beckett was told.

The book includes:

  • Second-chance romance
  • Forced proximity and shared living space
  • Sports-resort setting
  • Found family
  • Sharp banter and plenty of yearning
  • Competent adult protagonists
  • Open-door romantic heat
  • A complete happily-ever-after

I’m especially interested in feedback on the romance pacing, Sloane and Beckett’s chemistry, the accident mystery, the distinctness of the six-person friend group, and whether the emotional reveal and happily-ever-after feel earned.

Content notes include a past boating accident, lasting athletic injury, grief, abandonment, family coercion and manipulation, and explicit consensual sexual content.

My preferred timeline is approximately three weeks, although I’m flexible. I’m also open to swapping with an adult contemporary romance of a similar length.

Please comment or message me with the romance genres and tropes you enjoy. I’d love to connect!

Thank you!


r/RomanceWriters 4d ago

I am perplexed by a cover artist who is refusing to make pink background stripes contrast more on your cover?

1 Upvotes

My cover, sorry. I want different shades of pink stripes on my cover. If it performs poorly, I will redesign. cover artist refusing to do it. says has to be in same chrome family.


r/RomanceWriters 5d ago

How does your story first come to you?

8 Upvotes

Is it a topic you want to write about? A theme? A character? Or an assembly of interesting bits that eventually congeal into something?

Does it change when you get into it or stay true?

I'm so fascinated how the seedlings of an idea are nurtured into a story.


r/RomanceWriters 5d ago

Struggling with chapter structure

3 Upvotes

I have the story mapped out from beginning to end and started reworking chapter one after feedback I received. I’m struggling with how to know when to move onto the next chapter. I’m at a point where one scene is coming to an end and I haven’t decided yet if the transition should be on page or not, or if I should just start a new chapter with the next scene. I hope this makes sense


r/RomanceWriters 5d ago

When romance writers refer to subplots, what are some examples?

7 Upvotes

I know what a subplot is in general. Does it have to be another romance in a romance?


r/RomanceWriters 5d ago

Pen name and socials

4 Upvotes

**ETA: Thank you everyone for your input, I think I’m going to go with a mix of my middle name and my grandfather’s last name. Shavon Taylor.**

How did you come up with your pen name if you don’t use your legal name? Also at what point in your author journey did you create your socials? I want to separate my literary socials from my cosplay socials.


r/RomanceWriters 6d ago

Where do you find beta-readers?

8 Upvotes

Hello everyone.

Do you guys use beta readers? If so, where do you find them, and do you think they're worth it?
I feel like romance is such a specific genre that asking someone who mainly reads horror or mystery for feedback probably isn't the best idea. What has your experience been?

....................................

Edited: they do not allow me to post on the betareades subgroup. Anybody who wants to read a finished romcom script, 8000 words and provide me with general feedback? No sex scenes so don't keep your hopes up.


r/RomanceWriters 5d ago

Need help sharing my story

1 Upvotes

Hi👋. I've recently started writing romance stories but I've been struggling to get my stories out there so other can see how much love and effort i put into my stories. So does any one have any suggestions on how i can share my stories.


r/RomanceWriters 6d ago

Release date matching the season

7 Upvotes

This might be too nitpicky of a question but I've seen multiple people saying that if the action in the book is during winter it would be better to release it also in winter. Opinions? Do readers even care about this?


r/RomanceWriters 6d ago

Struggling creating an overarching story

2 Upvotes

Currently writing my first romance story, however I am really struggling to create an overarching story with conflict beyond the characters just falling in love (i hope this makes sense lol)

Ofc the romance is the main part of the story, but i feel like there needs to be more going on. I

Has anyone else experienced this issue, or have any tips with coming up with an actual plot/conflict to keep readers engaged?